Category Archives: Gaeta V^^

00310411

“You can’t cage me up. I am like fireflies in the center of night, multitudinous yet coordinated, synchronized. Blink blink off. Blink off off. And so on.”

“Are you…”

“Don’t say it. You know who I am.”

“How about Flytrap (then)?” The blue-green gave it away.

—–

She walked backwards into the hole. All she knew tonight was that she had to find Monroe Ray and this was the place to do it.

She made sure her eyes were wide open as the oily thing took her in. (bleh!)

Then out (helb!) and backwards toward the Venus Flytrap statue — can’t look at it directly or else, she knew.

Then: white horse, good. She was there. And she didn’t have to look at its ass coming in; also good.

Tripping over a border between more dark and less dark, she tumbled backwards forwards right into his head. It was the only way to make things work, she realized afterwards — and also before. The Man known as Ray…

… was dead.

“I’ve been waiting on you,” he said mechanically, like a bull.

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seven

Norris was sitting in the hot seat up in the Red Room. He wasn’t going to leave until he’d memorized every object, every corner. His mind was downloading all. He’d been waiting for so long. He’d give a 1000 WIS maps for this, he briefly thought between measurements. 200 to 214 now. Shouldn’t be much longer. Billie Jean Kidd begged him to get up, and that this was not Clyde and that they need to get the hell outta here before… he comes back. The club man.

“The club man?” said Norris, not afraid of anyone at this point. He had so much information. Besides, he’d been killed once before by same. Just comes back in the next photo-novel. Until the end, which is now. 228: nearly there.

“Please, *please*,” she pleaded in front of him, again and again, tugging at his arm, trying to get him to move… out of that seat! “He’s coming, he’s coming!” she cried, hearing footsteps in the corridor, slow and weighty. Sometimes he slid the club, a 4 wood if she remembers correctly, on the ground beside him to add to the menacing sound. Clop-*clop* hisss clop-*clop* hisss clop-*clop*. Around the corner he appears, just as Norris is downloading it, the final one, the final piece of the puzzle.

An Ass? Casey One Hole wasn’t expecting this.

256. Download complete.

“We’ve been waiting for you!” spoke Billie Jean Kidd. “Welcome to Clyde!!”

Did it work?? We’ve unfortunately run out of posts and time in this here photo-novel and will have to wait until the next for that answer, sorry!!!

END OF “SUNKLANDS 2021-2022 WINTER”!

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Bigfoot Art Happening revisited/recontextualized

https://bakerbloch.com/reality/2015-2016/part-03/

Unholey Book (Red).

Catcher catching Ball below it (Greenilocks marble) during the meat of the event. Conclusion: It is Arkansas.

Later: Unholey Cave…

… and our Bigfoot protagonist Taum Sauk and his wife Mina bedding down within for the dark times ahead.

End of “Bigfoot Art Happening 2015”.

—–

Much much *much* later (2020): He has miraculously emerged in Our Second Lyfe! On a circular island making up a D’Vine Club, with metal *golf* club also in hand and rope similarly wrapped around left forearm to remember his existence in Bigfoot by (formerly named Ironton, Iron, Middle Game, etc.).

And then the also circular but considerably smaller island at the center of the neighboring sim of Danshire he quickly “moved” to, complete with Small Kowloon House. Briefly, that is — was he killed there along with the derezzing of the shack by neighborhood watch fanatic Red Pepper? Fellow former Danshire resident Phyllis Phox might know. If she weren’t combined with anti-self June Bug in the current novel. Current.

Whether dead or alive or something else altogether, we know he still exists in the Twin Peaks Laboratory’s Red Room — a waiting receptacle for both the Black and White Lodges — as confirmed later by Marion Harding and crime pal Philip Strevor. But where is his wife Mina now? (“Where’s Mina? Where’s Mina?”)


“Tell me where she is?”

Is this what Marion is really asking here? Too bad about Phyllis.

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Goose Egg

When I entered the room, I was alone. Except for the complete bastard of a man known as Casey One Hole. Philip was no more. I figured he was shuffled back to Gaeta V, since my corresponding shirt had also disappeared.

“I didn’t need something. But I *wanted* it. Now I have it.”

I walked in front of him to confront the demon. “Tell me where she is,” I demanded.

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Filed under **VIRTUAL, 0018, 0212, Corsica, Gaeta V^^, Splinterwood^, Twin Peaks Laboratory

Moor(k) 02

“Well, well, well, Marion. Well well well well *well*.”

“Yes,” replied his partner in crime. Always. “What do we have *here*?” And then he waved Philip on before him. “After you,” he offered.

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the one

“You think he’ll go back?” asked Philip Strevor to his partner in crime Marion Harding, wearing his Gaeta V shirt for this particular shoot.

“Maybe.”

“He has to,” quickly came the reply. “He has to find that demon that killed our little girl.” His voice was becoming anxious, murderous even. Philip had not smoked any pot to take the edge off the racier drugs he was currently imbibing. Marion, in contrast, only did the marijuana. So much here! Mixed in with red wine per usual; balancing the red and the blue as he liked to say. Easier said than done. Like tragedy and comedy in life as a whole.

“Philip,” Marion tried to calm him, “have you ever thought about how we got from Gaston to here. I mean, *really* thought about it. The chain of events that leads from one to the other.” He looks around, at the other hippies milling about the place. Well, *he’s* a hippie. Philip definitely was the odd man out in this bunch. So much pot, so much booze. But the racier drugs were few and far apart. This wasn’t Philip’s place in the end. Corsica really wasn’t his continent. Gaeta V suited him better. But Capitol City and its Capitol Hill were no more. Returned to the swamp they arose from. Flattened back to the pancake prairie it started as. Pancakes… Laboratories. Marion suddenly had an idea.

“Philip, how would you like to return to Gaeta V? Just for a bit.”

http://maps.secondlife.com/secondlife/Eddison/242/165/27

—–

—–

I’m just going to have this red wine but you eat as many pancakes as you like, Philip.”

“Oh *goody*.”

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Yin Yap

Variant Name: Jin Yiin Yn Yuin Yyin

https://en.wikipedia.org/wiki/Yankton_College#Closure

Yankton College closed in December 1984, and its campus became the site of Federal Prison Camp, Yankton,[4] which opened four years later.[5]

“Did you *ever* get those prison schematics I wanted, Norris?”

“N-not yet!” He tries to run (with scissors).

CLUNK.

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Intro

“Pitch Darkly will be here shortly, Young Duncan. As soon as they start talking to Phillip Linden about The Diagonal, trot over there and lay this giant lime on the bar counter. That’s all you have to do. Just wait here.”

“Yes,” he affirms, hip to Lou’s trip.

“Come on, honey,” says the approaching Osborne Well (father). We have somewhere else to be now. Should’ve been there about 2 hours ago, blimey.”

—–

“You see, Pitch darling. *This* is where it all happens. A philosopher’s corner. A veritable cornucopia of ideas and inventions. Why, just last week Phillip suggested the idea of a cubic moon for Second Life with equilateral gravity on all six sides. Not flat like this place. And I think that’s where it’s all headed, Pitch. Diagonal. Because diagonal leads beyond. Have you ever moved in a diagonal sugar?”

Pitch didn’t really know what Mary was babbling on about. A young black man who had been sitting on the opposite side of the room suddenly moved toward the bar toting a large, green lime between his hands. Not saying anything, he placed it on the counter, then exited via the stairs down to the lower floor.

Phillip became fully awake again, looked at Mary, looked at the big lime. “A lime is called a linden in Britain.”

“Who *was* that shadowy figure?” he begged.

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Filed under **VIRTUAL, 0011, 0601, Clemscott^, Gaeta V^^

dark triad

One by one, the Clemscott holiday deities Santa God, Halloween Jack, and Melvin exited their decorated, semi-decorated, and undecorated castles in the sky and made their way into the Nascera related Wizard Retreat of the same plane, never to be seen or heard from again.

Eventually, a man formed in their place, the great 3-n-1. Axis was his name, a person of many faces. One of those faces was called JERRY.

He came out of the Wizard Retreat into a brave new world: Nascera. The date: December 22, 2009.

Oops! Give him several more hours and he’s over there for sure. “Sorry about that!” he apologies to the reader or readers. “Just warming up, you know.”

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Filed under 0008, 0110, Clemscott^, Gaeta V^^

beginning

—–

“Well, okay we’re still waiting for Hucka Doobie to show up. Let’s just read some of Baker Bloch’s — Baker *B*’s writing at the time.” Wheeler Wilson starts reading from the screen. “‘Continue to view Pumpkin Twisters at least once a day, usually twice a day.’ — this was before you adopted the compound word title, hmm –.”

“I guess so,” Baker Bloch replies from across The Table. “My user, you mean.”

“‘Very addictive,'” she continues quoting, “‘but this is the pattern for all my synchs. After a week or three, I’ll get tired of this constant viewing and move on to another project. But right now I’m still dominated by PT’. Um… ‘Keep thinking about how I can continue to further the field, new movies to try, new albums, new techniques and tricks of tiling a synch, theorizing about the process of tiling itself and expansion into other hypothetical synchy arts.’ So that’s the beginning, Baker… guys. Should I just spot-read more ‘Pumpkintwisters’ related stuff in ‘Apple’, Baker?”

“Sure.”

“Let’s see, then just down the page: ‘The only synch where 2 movies, not 1, is used, is Pumpkin Twisters, definitely a unique quality for it. This actually also occurs in Kansas City Life, a direct predecessor of sorts for PT, but I consider this earlier synch to be a more minor work than all others listed here.'” She looks over at Baker Bloch. “Do you want to explain ‘Kansas City Life’ to the group, then?”

“Not really… go on…”

“Okay.” Wheeler Wilson scrolls down. “Lot’s of stuff about *other* synchs here…” She continues to scroll. “All right: ‘I’ve talked quite a bit about the structure of my finds so far, but one could go much further in this. I’ve only talked about it in terms of tiles and tiling. It would be interesting, for example, to study the perceived *centers* of synchs. For Pumpkin Twisters, to give an example, the obvious center is the selection from the secondary movie 200 Motels, overlapped with 2 tracks from the Kinks’ Preservation Act 2, and this is also the place where the synch is most obviously [quote unquote] “synchy”, or, in other words, there is an obvious match or synchronization going on here. The center of Billfork is the ark scenes and the aforementioned — in the last post — heavy *video* editing in this center…'” Here Wheeler Wilson stops and turns away from the media feed. “Ahh, I think we’ve read enough of your old writing, Baker Bloch. Time for the new. Are you ready Tin S. Man?” She takes her customary seat at The Table.

“Ready, Wheeler Wilson,” the gentle giant replies. He has become his much larger self since returning to Collagesity from Gaeta V. Glad he was about leaving that bland land. But Wheeler insisted mistress Tronesisia had to remain behind. Soon enough they would reunite, he knew. Very soon.

“We’ll give Hucka Doobie about 5 minutes more, then.”

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