Temple tales 02
MAT looked down and only saw Mercury X. Rising on the lowest floor, who was a dummy. No organ music from the 2nd directly below him either.
There is no mixture of sacred and profane here at the temple, he thought. No un-well placed people down below to go along with a check written by Dorothy to Wheeler. Baker must be mad, victim of the 2989 curse, or 49 x 61. All will be solved when Toothpick marries his sister here Tuesday’s Thursday Wednesday’s Friday Saturday. We invented a special time for it called Munday, another Happy Day and raising the total from 5 to 6. Mr. Z. and Mrs. M will be very proud, the best man and the maw.
He turns back to stare at the big eye oh so wanting to be well and sacred again. “But it can’t come about without your cooperation, Carrcassonnee,” he speaks aloud to the great olive being on the 3rd and top floor of the temple, the alien object all is built around. “You are the beginning and ending; you are alive, true, but your eye is not functioning properly still. You are yourself and not yourself at once. This is alchemy, this is a tin or lead voice wishing to raise itself to be gold like the visible body. We must make sound synchronize with silence. Silence is good and golden but…”
He attempts again.
“Iiiiii. Iiiiiiii-iiiii.” Like a car trying to start but can’t.
The stage is set for Toothpick and Elberta’s “Beech vacation”, a test run. Mr. Z and Mrs. M won’t like it but the wedding has been slightly postponed. Trouble is, Toothpick (and Elberta) aren’t even sure now, when checking, that Munday is actually a day: seems to be a mash-up of real days Sunday and Monday, borrowing letters from each. If so, that would mean there are actually 7 Happy Days already instead of 6, which throws everything off, and also explains, it seems, why olive colored alien Carrcassonnee can’t become fully alive at the Temple of TILE. Because the non-olive eye is the 7th (prim), Tin and Gold both. Self. POLK. “I need my voice!” she says inside. 6 + 1.
“Budweiser casserole’s ready, dear.” Toothpick didn’t budge. He wasn’t even sure which was which. He was both on the couch and announcing that dinner is served. He had on coveralls but he also didn’t. This wasn’t working. 7 had been reduced to 6 and the 1 was missing. And that 1 was him. Zeroed out. Time for Newtonia Cashcow, aka Tracy Austin, to step in, 88s accompanying her as usual.
I, as the Man About Time, decide to meet her at Axis’ coffee shop in the heart of the city as we’d done before but find it closed. Newtonia then invites him, me, over to her apt. for coffee. He watches tv while she changes upstairs into something more comfortable — “less period,” she puts it — but I know this doesn’t involve romantic advances because we’re related. Brother and sister as well?
Hmm. He’s (I’ve) seen this video before. But where? Fuzziness consumes again. I decide to get rid of the I. He’s been asleep for an indefinite time when she arrives back downstairs, offers him some hot Sumatra. “Rats!” she exclaims. Forgot the sugar. She goes upstairs again. She’s trying to be funny. It’s working! After putting lumps in my java she calls me Willard and asks how my gang is doing and if we’re still working on all those map things. I jump back in the picture and say, “yes,” because she just alluded to them. She asks about the mouth of hell and the cave between two synchs and the hole in the cave and why it leads to the center of the Earth where gravity becomes comedy. We talk about a lot of things and I know what she says because we sort of speak a common language. I realize, at the heart of things, she’s just as much in on this communication as Toothpick/Filbert. I needed to talk to the female half for a while, for a post or two or close enough. Grahams. I ask about the Grahams and she produces two, one cracker each. She puts on some Crosby, Adler, Fraud and Young. Spoken book, each taking turns explaining their theories of psychoanalysis with the first and last also involving music. “That is one river of words,” she says when they finished, wiping off the extra sugar from her lap in preparation for the next act. “Like the Mississippi and Amazon. 12 tiles each.” She moves atop her chair and starts to scratch herself like a Monkee for all to observe. I decided to put an end to it for tonight. More soon.
“We’ll give it another shot, baker.”
“Yes. We understand that we didn’t get to the point in Uncle Meatwad that Spongeberg the Destroyer did in photo-novel 1 where he became convinced of the alien influence.” She recites this sentence robotically, pronouncing each syllable crisply. Rehearsed. They were trying to encourage me, not discourage like last night when they sat on the couch beside me and we watched the syncs together, the 2nd half of Pretty Bunnies and then the 1st part of Uncle Meatwad, well, almost the whole 1st part (of 3). Not quite to the “Egypt” cue that convinced Spongeberg going on 5 years ago now. A long time! Yes, they were trying to help, of course; understood the small misstep as guiding spirits. They know it’s hard enough for me without any support outside my trusted circle of the wife and one or maybe two other friends. The brother wouldn’t understand for sure. And that’s *my* problem to still deal with, that whole family issue. I must make peace.
“You have to understand,” Toothpick/Filbert began again, “that *we* created (a lot of the source audio). We are not the most objective judges.” He looked at Elberta; Elberta, his now blonde bombshell of a sister-fiance, looked at him. Camping came to mind this time in their still synchronized brains, another test. “And Lynch — I know what’s on your mind — will come around too. Right Pencil?”
They all looked over, but the entity properly known as Eraserhead Man in this here blog, hand behind head, wouldn’t commit to a thumbs up or thumbs down. He remained unconvinced like them. It was his creations involved after all. Same issue.
“But the maps…” I argued. All nodded here from their respective positions around him, indicating that maps were a different thing and separate from the audiovisual synchronicities. But they weren’t. Unified Field Theory. The Diamond. Heck, The Diamond is clearly coded into Billfork for X’s sake.
The hole couldn’t be made up. The hole between the synchs and binding them together existed. Hellmouth!
“I will still fight for the importance of the Piera, the run of synchs (I explained further) between Billfork and Uncle Meatwad. The period of 2004 through 2007.”
I realized a major influence was missing. Wasn’t me. This was pre-Carrcassonnee. Maybe, maybe…
“Let’s look at the rest of Uncle Meatwad.” All agreed to this as well.
Sally and Jack celebrate the establishment of their Phantom Hill Horse Farm only 3 week prior to Halloween by dancing amongst the breedable horses, the colorful blue mare in background also being named Sally, as it turns out. Accident?
No one else is allowed on that property or I would check further. But at least Sally will return from Phantom Hill back into the land of the living a bit later in our tales. A person or entity named Nugent might be involved, but not Ted. I don’t think.
I must tell the story of of how Sally and Jack met at a fancy dress ball sometime. That’s actually how they became the ghoulish figures you see strutting their stuff in the picture above. Costumes they are. Outfits for core avatars to wear and then discard, normally after the end of October.
Nugent Mouse looks down from his castle next door, considering how he created these 2 misfits and what went so right about something that should have gone so wrong. And I think his first name is Ted. Ted Mouse. Teddy.
It’s time you learned the ties of TILE to the Korean Channel, young Kola.”
“Kolya, actually,” the young man, perhaps the young apprentice corrected. He turned to the red clad guy on the mat beside him at the pit fire. “Who are you, sir — really? I know you’re Santa and all but that’s just a costume, a disguise even, if you will.”
The man dressed as Santa chuckled with this, jovial in the moment. “I will call you Pepi Kola you young jokester. See, Pepi? The sacred islands spread out before you from this viewpoint. And it has a heart, a Sacred Heart.” He now looks up in the sky, channeling a trance it seems. “Pink is still with us,” he speaks after a pause, fire crackling louder before them. “And Brown… they haven’t left this plane yet.” He stares back at the sea, at the islands, at the *center*. “Resolution.”
“Well, that’s great and all — I don’t know who this Pink or this Brown is –”
The Santa man snickers again. “Oh you will, young man — young apprentice.”
“Apprentice?” Kolya questions. He has not bought into this Santa dude’s new name for him atall, but he does likewise stare toward what he’s been told are sacred isles, looking for a heart. He is beginning to see.
“Jesus that was loud!”
“I know. And it’s just starting.” The plane flies into the ship. Pink and Brown are dead after all.
pink and brown
The Fuhrer was furious. He glared at each in turn. “Why didn’t you *tell* me I was dead, Andy… Marilyn.
Where’s your Ross C. anyway, Andy? I need to talk to the robot from the future about the, well, *future*.” He looks out at the sea and northern part of the sacred isles. He can hear but not see the battles raging on more behind him. “*Japanese*. How *dare* they continue fighting beyond my death. The war is over!” Another plane crashes into another ship, spewing metal and glass and bodies all around. Hilter stills doesn’t turn. Andy decides to explain to him gently; bring him back to Earth in at least a virtual manner.
“Your name is Hilter, bud. This guy who’s dead in this paper, a lookalike mind you but only that, is named *Hitler*. It’s not you. You are just a man wearing a Hitler, er, Hilter costume. Halloween’s coming up, and then X-mas after that. You are merely dressed for the seasons. You have forgotten who you truly are. At the core.”
“Yes,” Marilyn breathily adds but stops there. Andy has stated the core issue and that was enough for the present. Andy Warhole is surprisingly lucid these days. Perhaps he’s finally gotten over being kidnapped by David Bowie in yet another ship, a terrifying experience that made his hair turn white.
“Why don’t we just go inside the bar and look at the girls. Maybe that’ll calm you down,” suggested the suddenly sage artist formerly known as an a-hole of a man.
“*Japanese*!” Hilter starts once more. Didn’t work.
you got it: maps again
“A message to all my fans out there. Some like their Pink hot.”
“This will never work, Elberta,” Toothpick states at another low point. “You’re so beautiful and I’m so… ugly. Never mind the whole brother-sister…”
“I’m going to stop you there, potential husband of mind. No, better, I’m going to *absorb* you. I want to see what happens.”
Toothpick/Filbert was at a low point, as stated. He had nothing to lose. “Take me.”
“He must never find you, Ross C. He’ll destroy our little square world if he does and make everyone in it miserable.”
“Happy (*zip*) unhappy,” she sputtered.
There’s only one way out. *Become* the world, see. See me in him and him in me.”
Robot from the future Ross C. saw the truth in it.
Hotgirl was freed from Misery Cabin but was unable to speak about her experience there for a while.
Old reality was flickering on and off.
She eventually made her way back to GASTON.
“What we *need* to do,” old companion Domino told
Hotgirl Hitgirl Hitgerl Hitgurl Hitgal while they watched piled up house band Firesign Theatre play for the 4th time tonight at the Rhino, “is to similarly change *Misery*… to *Mystery*. That’s what [delete name] indicates.”
“Shuts your trap.” But the seed had been planted.
Toddles hated to drug up her grandma to explore The City at night unless absolutely necessary. But she had to go back to Boos without her interfering *negativism* to investigate the first floor collages more and the perhaps clues she saw in them when they both visited the other day. Poor Grammy, the prescient (and precious!) toddler lamented. So fixated on the collages over at the Red Umbrella that she can’t see the advancement of all that interesting energy into the Boos series (exhibited) here above the Temple of TILE now. Toddles ganders at the toy action figure she knows later turned into Casey One Hole, another a-hole of a man, although she’s not suppose to say that word aloud. “Grammy be *damned*,” she dares while staring and glaring. “He *is* an a-hole. And what does he look over at in the other hand? A seed. A license plate that is a seed. A tiny car of a thing held by someone named Olive. Olive something. Kimball something… Oliver.” She was tuning in better, eliminating the rest of the static. “Oliver Wendell Douglas,” she speaks clearly. “And ‘A Dirty Little Wet Seed’.” We know what that is.
She thinks back to the rest of the series just viewed and how it progresses to this *point*, this seed.
small variations matter
“I’m telling you, Jack. They’ve forgotten everything. The war’s over, they go home. Then slowly, one by one, they make their way back .They pick up their arms once more, if they have any arms left to pick them up from the last time. Or maybe they just grow back. Like lizards do. Jack — are you listening to me? You seem distracted. I’m saying–”
“Hitler’s dead, is what all the papers say,” the youthful bartender mutters anxiously to the raccoon man, returned to the Jeogeot Gulf for a timely visit. “Yet the Japs fight on. Soon the war will be over. But then I wake up, it’s 1939 all over again. Poland is invaded.” Jack starts to sob a little here. “It just starts *over*.”
“Well, that’s what I’m trying to *tell* you Jack. I should know. I started out as a private and rose in the ranks to a 5 star general in charge of the whole caboodle. I said, from this position of power: this is it. Surrender. Go home y’all. Lay down your arms… all the things you said. Then I come back and everything is unlearned, undone. Tell me Jack.” He takes another sip of insipid beer, probably American. “Do you even know what side you’re fighting for any more? Some don’t.” He turns and looks at the 1/2 filled bar of military personnel. “If the uniforms were a little grayer here, a little drabber there, I don’t think anyone would know.”
Jack wipes the counter down nervously, thinking that 1/2 the people in the room are watching him and half aren’t. But he doesn’t know which. He tries to determine friend from foe through the caps and helmets but all the lines get blurred together. He’s lost it. He needs to go home but he doesn’t even know where that is any more. Home is here I suppose, he says to himself. He pours two shots of Jack Daniels, one for the raccoon man and one for himself. “Here’s to home,” he proclaims while raising his glass, resigned to the fact. Over in one gulp, he pours another while 1/2 the room still eyes him.
Rocky Racco stares intently down into his own empty glass like it was a scrying device, and maybe it was. He needs to figure out what went awry with his plans and end it for good this time. This smells like a Casey One Hole case in his estimation (he channels?), with everyone vying for that damned mustard seed.
(to be continued)
It was the first meeting of their TILE discussion group, yet without a name. Mr. Z, with continentally constituted backpack per usual, then his prettier brother-cousin also named Mr. Z. Let’s call him Zimmy. And then, thirdly but not lastly, as people like to say, a scowling, non-sister cousin called — let’s go with Olive Oylslick, not to be confused with Owley Oilstick over in Constitution who works a bread stand. No relation atall between them except a common 5th grade kindergarten teacher named Ed. Or was it Ralph. Anyway, to the meeting…
The lights had to be dimmed because TILE was not an officially recognized religion or philosophy or even game in this particular part of The City. One of the reasons the discussion group was formed was to help change all that, bring TILE out in the open.
“Minute taker anyone?” Mr. Z offered to start the proceedings. Owley, I mean, Olive raised her hand. She knew she had the only handwriting anyone could decipher amongst their group. Her favorite push pencil magically appeared in it. She had that power; another advantage. A writing pad popped into existence in the other one. She glared in the direction of the Z’s, waiting for them to open their big fat mouths again and produce things to write about. She was patient, but not of a mental kind. Not any more. She manifested two pills in her mouth and swallowed, one red and one blue. That way her size stayed the same.
With this, Phyllis also manifested on the far end of the room beside the purple stripes of the TILE flag they had collaged together just last night: the last member, the one Olive forgot she even invited to the group. Met her at a chilly Denver airport on a snowy April day in July. Chile Colorado. And she had Ralph or Ed for a 5th grade kindergarten teacher too. Anyhoot, she’s here — and I suppose this is the real Owley. So Phyllis, not Owley, complete with bread and a little milk to wash it down with to show she cares.
“Some of these colors will have to be removed,” she declares while looking sideways, making Olive begin to scribble.
40 minutes later, she had the minutes to the meeting. Trouble is, her cousins, the Z’s, hadn’t even said a thing while watching her slash away at the notepad with the push pencil, clicking it every couple of minutes to produce new graphite as the old wore away. She just dictated what Phyllis was telling her. No one else saw or heard Phyllis. No one else knew she existed. It was all in the pills. But they *had* their manifesto. Olive looked up, realized what was going on. She’d been in a trance for quite a while. She looked at her cousins, Zimmy and the other one who only goes by Mister. “You can go home now,” she gruffly declares. “I’ll email you the typed results tonight.”
letters and numbers but mostly letters
“Red yellow green blue,” the introduction began. “NO purple. NO orange. NO nothing else. We have our 4. I am Phyllis and I approve this manifesto. Let’s make this shit happen.”
561 words. In the next paragraph.
Future scholars picked out key words like Olive, Gray, Residents, Oklahoma, Pink, Brown, and Geronimo as anchors to their attempts at analyses, even though the sentence, “Keys — you can have them; I’m producing my own delicious peanut based spread for my bread.”, appears plainly in the 166th paragraph (before perhaps one about milk) as a seeming warning to this approach. 1/2 and 1/2 again, since almost everyone agrees that this sentence *is* the key since it is the only readable one in the whole 561 paragraph document (except perhaps for the sentence about milk following it), with the ending paragraph simply, “End.”, and the second to last, “Tartar mosquito.”, and the third to last, “I am instant.”, and so on back to the 561 word 1st paragraph — most scholars don’t count the clearly worded introduction just to be clear. So the 166th paragraph with the sense making sentence has, let’s see (pulls up calculator), 395 words, of which 16 are in that key sentence quoted above. Some turn to maths for explanation of the inexplicable Manifesto, usually capitalized in these TILE friendly and frenzied days. Jim Baloony of Yale’s Harvard points out that 395 divided by 16 equals 24.6875, which when extended to the logically equivalent 24.687531 contains all the even and then odd numbers in order and then reverse order between 0 and 9. “Where is the 9th?” he questions, and then turns to the “perhaps sentence” (as it is called these days) about milk to make his theories more palatable and easier to swallow. It reads: “And so on the 5th day he cowed.” Several books about that sentence alone have now been published, one by Bart Smipson, a skateboarder from Tull, and the other by his vegetarian leaning sister Lisa, co-written by someone who chooses to simply be known as Marty. And then there’s the whole Zero Hero cult that has grown around the mention of Gong in paragraphs 3, 40, and 340.
(to be continued?)
“Well? How did you like it?”
Toothpick turned on the bar stool. “Who are you?”
She rubbed her big red horns seductively. “An Aries, why?”
Toothpick adjusted. “*What* are you?”
“They call me Wanda,” she said in a bass voice for a woman. “Big Wanda. Because of the, ahem, horns but maybe not. 1/2 –.” She stopped here, saving some grace. “I’m what you became absorbed in,” she goes again. “Just a moment ago. Just over there.” She points to the nearby black couch. “Like the one in the Bigfoot Bar, except that one’s gone now. There are others.”
Toothpick thinks back to Bigfoot. Yes, he remembers now. This was his sister in another guise. She has horns. They’re still testing couches and realities both. Yes he had been absorbed. It was nice. Too nice. He thought back to the pleasantries. A belt was involved. The Great Belt of Marwood or thereabouts, purchased in oppositely directioned and colored Black Ice down south at its Black Diamond market square, or at least as a demo. Near where they were born, actually, in the Deep South (of the Black Ice sim). The original one broke; all he has now is the one with the attached squares that say demo and follow him wherever he moves with it. Like the Gone Fishing square from before, prior to the horned one taking over. He takes another gander.
“Are you Satan?” He thinks back to well known Aries and settles on the idea of batting champ Peet Rose, red as a. Why Peet Rose? Why not Jonny Bench or some other bench player, like Leeroy “Steamboat” Kelly who filled in for the Browns when Cleveland Jim Brown became a star on Hollywood Boulevard?
In a related scene, Big Wanda’s sometimes, gun toting partner Little Oakley Annie, a Leo, was visiting her own grave but having trouble remembering the name of her own star. She only recalls (with a shudder) the wide, yawning abyss just beyond, the Great Black Swamp devoid of such. Her star was the first out. Polar came to mind but that wasn’t quite it. Pole star?
“Where’s the rabbit?”
“He’ll be up shortly,” Toothpick answers Supper Man. Both are getting married in 1-3 weeks. They have to decide what is first and who is marrying who. The latter should be easy.
“Dinner Girl wanted us to meet again, have tea. She thinks we can help each other. She doesn’t want a double marriage. She thinks we should go first. I say we should go second, see how it goes for you guys.”
“And Dinner Girl isn’t (also) your sister?” asked Toothpick, following up from earlier speculation.
“Listen, we’re not the same person.” He leans forward, but dares not touch any part of Toothpick’s body for fear of passing through. Invisible. Nonexistence, even. He’s worked too hard on his abs to fritter all this away. And now that his favorite restaurant has closed up shop it should be even easier to keep the lbs away.
Toothpick/Filbert looks left as a distraction. “The rabbit over there is indicating our old friend Certain Death, Supper Man. No running away from all that. But then there’s the 561 steps now leading from End back to Beginning and the 561 again. Through 24687531 we can be saved.”
“Bahh.” Supper Man even spits toward Toothpick a bit here while exclaiming his exasperation over the supposedly sacred (heart) number. The spittle indeed passes through Toothpick’s skin, muscle and bone, some reaching the back of the chair behind him.
“Why do you disbelieve the power of the even in a row and then the odd in a backwards row?” Toothpick then considered the 9th is involved. He’d seen it once or twice before. The counter to the Zero, perhaps the Zero Hero. “We are getting married in the Temple of TILE after all with the sacred book now open at the front for everyone to see. We have the story of the CITY. The CITY is TILE.”
Supper Man scratched his head. “You and *me* are getting married in the Temple of TILE?”
Back to square one.
Investigation of Diamondfyre’s Planet X parcel coinkydinkally led me to a sim called zzz, which I assume is last in an alphabetized list of such. I sit across a small lake from a dream version of myself we’ve seen once before in this here photo-novel (22 of 20), white rabbits on her side and a bear and a red capped snowman on mine. The bear is not pissing into the lake although it may appear that way from this angle, and he will probably be pissing in it soon enough given all the beer he’s been drinking with me. I might be too if it weren’t for the female cartoon squirrel Sandy soberly staring toward us on the opposite side.
Here let’s turn the camera a bit for the next photo so you can clearly see Francis (bear) is fishing just like me, and also view the roaring waterfall marking the source of the stream that flows into the lake. Source and Lake, then, just like in that game at the temple with all the tiles, starting with The River (here).
So we sit at the beginning of TILE in effect, or the end of the beginning. We have equated this River with the Amazon, and in at least one other post, the Mighty Mississippi of our US of A. But what we are building, in toto, is obviously the Earth around The River, perhaps square shaped like the box the game Carcassonne comes in but also perhaps not. Depends on if we’re happy or unhappy maybe.
I didn’t really notice how much Sandy Chic’s head is shaped like an acorn until I photographed her remotely from behind. Good one Spongebub Squaredpants creators. And good one MAPS creators, because we have this in KY.
Squib next to Sandy Gap next to Acorn also obviously represents another Spongebub character Squibward, because the expression “damp squid” is sometimes mistakenly phrased “damp squib,” like with some in the IT profession who are smart on technology but not as sharp with words. And we already know that SS’s Spore plays an important role in photo-novel 22. In fact, there he is again at a (non-horseshoe) curve in The River representing the Amazon and/or the Mississippi (or the Nile or the Yangtze or the fill in the blank). What could he be pondering with his computer wife Karen Y.?
Of course. Plan Z!
“I am glad we finally get to meet face to face, er, Other Sandy.”
“Sure ‘nuf! Have you read the fairy tale book yet. Allll this turns into a big fat pumpkin in the end, or in my case, an acorn!”
“Yes, I picked up a copy of ‘Fairy Tales’ from one of these zzz houses but it then disappeared from my hands after I read that particular page.” Dream selves, Sandy thinks to himself here. Synchronicity in action.
“Yeah, this is where it allll goes down, Mr. Other Sandy.” Southern drawled Sandy Chic with acorn wide cheeks was glad that Sandy Beech didn’t pee in front of her at the lake, although the bear, being less self conscious because of the wild animal thing and all, couldn’t resist. He put down the rod and pulled out his rod, hehe. Wait. She stared over. She was thinking the thoughts of both of ’em. Gosh darn shoot!
“I hear you are from Texas, Sandy Chic,” Sandy Beech speaks over, perhaps unaware of the total synchronicity between them in the moment while looking at maps in his head. “That’s a big state for a, um…”
“Big squirrel? Were you going to say big…”
“I didn’t mean–”
“Hiiiii YA!” Sandy Beech’s head was detached from his body by Sandy Chic’s mighty karate chop across the dining booth. Spongebub would be proud.
Yet Sandy’s bodiless noggin still thought. He realized he had really always been in this form. A talking head.
“Annnnnd CUT! That was great, Sandy. BOTH of you! I smell an Emmy the size of TEXAS awaiting us!”
“Umm. Is he alright?” Sandy Chic had assumed the body.