“Thanks for showing up tonight, Hucka D.”
Hucka D.:
My pleasure. I hope you’re having a pleasant evening. It’s a little cool where I am.
bb:
I’m taking the bait. Where are you?
Hucka D.:
Heaven.
bb:
Dead?
Hucka D.:
Just visiting. So you understand you have to move.
bb:
Maybe.
Hucka D.:
It will not be as bad as you think.
bb:
I don’t see how it couldn’t.
Hucka D.:
I’d like to talk about the recent collage[, then]. Collages. What is this new series?
bb:
I don’t know, Hucka D. But I don’t think it’s finished.
Hucka D.:
Bill Mountain is what it is about. Go into Second Lyfe and have a look.
—–
bb:
Opening.
—–
Hucka D.:
Let’s look at, let’s see, well let’s start with Collage 1.
You know this is a melding or assimilation of The Shining into something beyond. You have gone beyond Shining research now. 6 parts it is. “6 Weeks of Shining”.
bb:
Yes, it’s an interesting document. Will be.
Hucka D.:
This is beyond the 6 weeks — the whole collage series is. Shining energy is trapped within Pepper[ album cover]. Jack is Paul. Ring Woman is Ringo. Let’s move to collage 02. We have Bullrocks here, not your Bullrocks but, yes, still your Bullrocks. The resurrected bull, now protected in a jar, steps on the old, shattered bull. Beside the shattered bull is the similarly positioned Mr. Bean, here Mr. Beam, then. Something crashed in those woods.
bb:
Get out of here.
Hucka D.:
Truth. An accident. Devizes were left behind to protect. But that’s what you have. You have something beamed down. I speculate a crash.
bb:
But it could just be something beamed down. At Bull Rocks?
Hucka D.:
Yes. “What will it be?”
bb:
In the 3rd collage we have Wendy’s can of peaches turning into the Devil’s Tower of Close Encounters. She is turning it into a Flattop. This is Bill Mountain, again, then, because we know it is a place of contact as well. Hearing in this case. Jack and doppleganger Wendy and friends sit around, staring. Coburn shakes hands with Wendy? No. He holds hands with the woman below Shelly Duval, who played Wendy in The Shining. Later we…
Hucka D.:
Later we will learn that this is a handshake with the mountain itself, and the *stars*. A particular star. Starr… star. But here, for now, it’s not quite clear what’s happening.
bb:
Then collage 4, a pretty simple 4 part animation. Similar to the Bull’s 4 part collage of the previous Story Room animation, but simpler. We only have a plane in the topography, heading toward an alternating Paul-George and Ringo-John pairing off the Abbey Road album. The plane is heading toward VW Beetles. It heading toward The Beatles as a whole. It is heading ultimately toward John. It is the bullet that kills him. The two Beetle cars are from the Shining — yellow, and Abbey Road — white.
Hucka D.:
Let’s move on, still. Next we have phase 2 of the new collage series, starting with this one.
Similar to the first collage in that we have a Sgt. Pepper cover dominating the background. Here we do not appear to have any Shining people subbing for Pepper figures, however. There’s one link — the 3rd eye of the man who replaces Burroughs is still present, illuminated on the bottom of the red, floating figure at the top. That’s one of the Story Room band again, and we also have the yellow and blue members in the collage, although all without their geometric heads. The yellow figure’s head is instead replaced with that of Charlie Brown. Although really not planned, the curl of his hair represents the 3rd eye again, like we have in the golden statue near his feet, and like we have with Jung above him, although Jung is blocked by the red being here. Charlie Brown is illumination itself. He is perhaps also Jung himself. Synchronicity. The Good Grief reference is Charlie Brownian as well, but original comes from a small village of that name in Idaho I stumbled across just before this. The town points to this collage.
bb:
You’re saying to me the town takes its name from this collage?
Hucka D.:
Yes. The collage came first in this case.
bb:
But, logically of course, it couldn’t have. It’s synchronicity.
Hucka D.:
Snoopy’s water bowl acts as a poor substitute for the red being’s spherical head. Deformed substitute might be a better way of putting it. The word “ear” is highlighted between the yellow being’s feet. Let’s move on. Next collage we have the return of Snoopy and the highlighting of his nose, once again. Jack returns but only his hand, which is cut. Wendy has just cut it with a knife to defend herself in The Shining movie. The red rock is dropped on the ice bank, perhaps blood, but perhaps just a way of communication. The rock…
Do you wish to stop?
bb:
Unsure, Hucka D.
Hucka D.:
Well, we’ve covered this collage in another post, and also the one following. Let’s shift to the last one of the series so far, the one we haven’t talked about. It’s actually related more to the first 4 collages, in that it combines elements from all of ’em.
From collage 1 we have the return of The Shining people as incorporated into Pepper. From collage 2 we have Mr. Bean or Beam, now atop a UFO. But he’s actually attached to the reverse of a bottom. He seems to spill out from the flat top of Devil’s Tower, also reversed. This is from collage 3, then. Also reappearing from collage 3 are all of the black and white figures, and then an additional one: Ringo Starr, who is shaking hands with James Coburn. Starr was edited out from the same figures in collage 3. Starr is a particular star. The et’s of Close Encounters are the Good Greys. Starr shakes hands with Coburn. Is Coburn Earth? Mr. Bean or Beam’s foot rests on his hair. The same foot rests on the leg of crashed Bullrocks in collage 2.
Starr and Coburn shake hands over the right eye of Ring Woman dressed as Ringo in Sgt Pepper. There are also 2 Jacks in the picture. The miniature head of Walking Paul, followed by Walking George, fills the eye of Jack, in turn subbing for Paul’s Pepper head. The flash to end collage 4 may instead be a star. Or maybe a crash, since a car is involved. The white beetle reappears here also. What is this?
Sunklands 