This square-ish field in Morgan’s Hill, Wiltshire County, England was the site of a complex *square shaped* crop circle in July 2009.
A deceptively simple star circle formed 2 years prior to this in a neighboring field.
I couldn’t help but associate these 2 Morgan’s Hill circles with the cuddly characters pictured below we’ve already seen once in this here photo-novel, another square and star partnering.
Also, take a look at this article about a 2011 crop circle appearing at the foot of the same hill, 2 years after the square one and 4 years after the star formation.
“Our next door neighbor Sandy’s gone, Eddie,” spoke Pink to her new beau floating in the pool with her, “although her car is mysteriously still there on the lot. Perhaps she’s planning to pick it up later after she settles elsewhere. I wish her well.”
“Oh well,” says Eddie to this, indifferent to the change.
“Aidema Hill guy is still on the other side, though. Brabin. Or Bravin.”
Okay, so Alice 02’s landscape paintings of New Island tended to be a little glamorized or accentuated, granted. This triptych, which she chose to hang in her new Meanderhead apartment across the lake from her aunt’s house, depicts fabled Fishers Isle at low tide in the center, with Mt. Sondra, the highest elevation of the island but still hardly at mountain atall, poking up in the background. She has more trouble with vegetation than water, so she tends to negate the former in her work, like here.
Alice 02 sitting atop 42 meter Mt. Sondra in ’66, looking toward Jim’s Isle, a park at the time but now on private land.
Alice 02, whose real name was Adelaide, didn’t need the apartment, but it was so cheap and spacious she couldn’t resist.
She also had a peculiar attraction to the cigarette ad hanging on the wall outside, a beckoning she only grasped presently on a deep, intuitive level. “Come to… Marlboro.” Soon she would understand more about all that while puffing on a different kind of cigarette.
I don’t want to infer that the period between August 2008 and February 2016 was completely barren of activity for me. It wasn’t. In 2010 I went to England (!). The whole family did, as chronicled in both the abridged and unabridged versions of the “Baker Bloch Goes To England” document. This is where a fundamental split in my psyche occurred, obviously an important event. Part of me, a big chuck of my being, *stayed* in England, along with alternate versions of Baker Bloch and Hucka Doobie, even. But it was even a bigger thing for me than the others who went.
“How did we get there?” is another question I’m sometimes asked by My Second Lyfe friends and acquaintances. In March 2010, or maybe it was in February, Baker Bloch found a portal in central Jeogeot (continent) connecting England and Second Lyfe, specially the part of England physically and psychically attached to the small river called Key in Wiltshire County there. Our first dwelling place in England for Other Baker, Hucka, and myself was located on Coxhill Farm near the river. It had a giant hole in the roof. Hucka Doobie and I were not happy with the choice Baker Bloch made for us. Soon we were inhabiting the much more spiffy and modern Cresent House in Cherhill, also in Wiltshire County but more toward the center, where all the crop circle activity has pivoted around for so many years now. That’s another thing Baker Bloch especially wanted to study while “up” there. So he was constantly biking with his Arcadia Asylum product around England, and went a lot to The Barge, for instance, a hotbed for crop circle gossip. Or so he thought.
But we weren’t done moving around the county. Next stop, and a more permanent and lasting one (as I said, a big chunk of me is *still there*) was the Arcadia Mansion (no relation to Arcadia Asylum that I recall) owned by King Karb and his wife, who we just called The Queen during all our stay there. The Queen and I became great friends. We played croquette constantly out on the back lawn of the mansion, although I never beat her at any aspect of the game — never came close. Although Baker Bloch and I aren’t really human, the King and Queen were obviously alien in origin, with little to no human genes involved. If pressed, I would consider myself 1/4th alien on my mother’s side. There are no pink skinned human species that I know of. That comes from somewhere else.
“Where Baker, where?” I hear my friends and supporters ask, once more. We’ll get to that. Our stay in England ended shortly after the King and Queen visited nearby Swinden for a bit, then came back in a different mood, let’s say. The King retreated to his basement study. He was preparing for the new crop circle season, the Queen said. He supposedly helped *create* them. When a keyhole shaped crop circle shortly formed in a Wiltshire rape seed field we knew our time in England was done. Soon we were back in Second Lyfe’s Jeogeot, and a new chapter in Noru.
“The yellow racist McCoy shows up with Patrick Star and Spongebob Squarepants in that picture we just looked at, Hucka D., but he shows up better in the Gilatona-Lis collage immediately before, taking place, er, in Devizes on the left side of the main crop circle territory, and southwest of Morgan Hill.”
—–
Hucka D.:
We better get back to Collage 10. In Collage 01 of the Stonethwaite series — er, *Stonethrow* series — [the dog] Spider shows up again. Or previous. He appears on the bank before the Whitehead X-ing teepee, about at the spot you saw a snake this spring, harking back to the “I don’t like spiders and snakes song”.
Not really. Why is Spider[ in Collage 10] stuck to the house, like he’s magnetized to it? Since Patrick Star’s rock house is also infested with spiders, can we say this is Patrick Star’s home as well, this White House?
Let’s just say that a racist lives there and be done with it. We can return[ to this collage]. I’d like to talk about the very first collage in the Red Umbrella, way down in the basement near the front. That’s Sam Parr 01 (“2130!”). That’s the house at the beginning of the 4th Way, the mysterious new trail — unofficial — of Frank Park that makes a direct path into Whitehead Crossing, like the other three official ones. And where does it ultimately lead to now? That teepee. The 4th Way was built so that someone could more easily get to the teepee area. The same person or persons must have built both, along with putting those potted plants up in that fallen tree.
“2130!”(Sam Parr 01)
bb:
So you’re wanting to study why the first collage of the Sam Parr series ties into the first collage of the new Stonethrow series through this 4th Way.
Hucka D.:
I’m there on the balcony[ pictured in Sam Parr 01], after all. Spongeberg at the Whitehead X-ing teepee is Story Room and one more, the green one or mossy fellow. He is red, blue, green, yellow, as in the stars appearing on his sky night jumpsuit. Spongeberg is inside the teepee and outside sitting on Welcome Matt (rock) at once. He is in 2 places at once. He is the man who built the 4th Way, the teepee. He may have even built/purchased 2130 at the [other] end of this 4th. We must speak of Spongeberg.
bb:
Spongeberg is the same as Chuck, the yellow one of the Story Room rock group.
Hucka D. (after a pause):
Yes.
bb:
But he is not me.
Hucka D.:
No. You instead live at Red Head. Close but not the same. (another pause) We can knock at the door but no one will answer.
bb:
You’re talking about the White House of Collage 10. The racist who lives inside will not answer. We cannot know who he is truly truly is.
Hucka D.:
He is Wheeler Wilson. Or Wilson Wheeler. Truly.
bb:
The racist appears to be an X-ian. Worshipping a lily white Baby Jesus tugging at his queer yellow beard. At the same time 12 Oz Mouse leans down to examine a suddenly appearing hole that lies exactly between Collage 09 and Collage 10. We in fact only see the half of the hole shown in Collage 10. And we also know that Peanut is within the hole.
Hucka D.:
In an alternate reality collage.
—–
“In Stonethrow 10, Patrick Star looks at the dog who you say is the same as Spider. In Stonethrow 01, Spongeberg looks at the actual image of Spider on a bank below the teepee. He sits on a rounded rock, quite similar in shape if not size to Patrick’s round rock home. He wears a jesters hat and belt to complete his night sky outfit. I think Spongeberg may have anticipated the images of Collage 10, Hucka D., in his own collage coming at the beginning of the same series. White House equals Whitehead X-ing Teepee?”
Hucka D.:
And [Spongeberg] has *stars* all over him (smiles).
bb:
And of course the name Spongeberg comes partially from Spongebob, Patrick’s best buddy. Hmmm.
Peanut died in a hole at the beginning of Carrcass-01, Hucka D., the first time we see him. And this is *right* before 12 Oz Mouse sees that same hole that’s now in Collage 10. The two *must* be related. This is where Peanut dies, this hole. Yellow Down.
In part two of Collage 10, now called “Holey”, we see two namesake types. First is an actual hole — or half hole, really — that appears on the ground before a now leaning 12 Oz Mouse on the far left side of the collage.
I’ve limited the view here to the left side of Collage 10, focusing in on the 2 “holey” images themselves. Now the second one is something “holy” instead of “holey”. The most holy thing for many, in fact. This is the image of Baby Jesus appearing with Brak now. He cradles the illuminated infant in his berobed arms. It strokes his queer yellow beard. He becomes yet another father in this manner: St. Joseph, father of Jesus. This image is first found in my blog from last fall here:
In this same post we have a picture of the Maumee River basin, this stream formed by the conjunction of St. Joseph and St. Marys rivers at Fort Wayne, Indiana. You can see why I associate it with Jesus, then. The Holy Infant confuses his father for his mother. He is just a wee lad, not much removed from tadpole status. But is this his father, see? Isn’t God the Father? And so forth. So these 2 “holeys” appear on the left side of Collage 10, defining the tone of the picture reading it from left to right.
The Maumee River basin has showed up in a prior Stonethrow collage, or Collage 06 (“Beware (The) Heelers”), part 02 of the 2 section animation to be exact. There it’s covered by what’s called the Great Black Swamp, drained in the early to mid 1800s by settlers to the area.
You can again see Fort Wayne to the left and Toledo, at the Maumee’s mouth, to the right. The whole of the Maumee River was apparently submerged in or made one with this giant, dark marsh before the Great Drain. Very peculiar — and I didn’t know about this swamp until several months after creating that October post. I had other reasons to be drawn to that area (Rainbowology).
The image of the Great Black Swamp here covers the word “The”. The second part of the Collage 06 animation becomes just “Beware Heelers” instead of “Beware The Heelers” of part one. Collage 06 also contains a number of other Rainbowology elements, including Dorothy Gale, the Witch Mombi, and Ozma, all characters from Baum’s Oz mythology later found in the movie “Return to Oz”, the base for the earlier carrcass “SID’s 1st Oz” from 2002. The basic point of Collage 07 is that Ozma as true ruler of that fantasyland is able to symbolically drain the Great Black Swamp again by reversing Dorothy’s Fall highlighted in “Dark Side of the Rainbow”. This is the same as Dorothy (and Oz itself) being saved by TILE, a religion that has replaced X-ianity for me by becoming as much a philosophy and a board game as a religion per se. “Per se, Hucka D.” (pause) Not there.
And then on the *right* hand side of Collage 10 we again have the image of Dorothy falling off that confounding pigpen fence, animated this time. The second animation (below picture) shows Dorothy more in the actual state of falling, and this image again directly comes from Collage 07. The first Dorothy (above picture) is more in the process of losing her balance on this fence, causing the fall. “But through the magic of the collage, she instead falls off the roof of this white house, Hucka D.” (pause) Hmmm.
The orange m&m has “reappeared”, looking very concerned again like he did as a pendant image in the prior “Darth Redder” collage of this tetraptych. But this m&m, and his accompanying smaller rainbow colored clan of same tagging along behind him and then in front of him (as they too seem to fall) are actually a part of Collage 11, after Collage 10. I call this final collage of the tetraptych “Rainbow Men.”
Hucka D.:
This time we must now move quite yet into an interpretation of your Collage 11 beyond Collage 10 but focus on the latter. And good morning to you.
bb:
Thanks Hucka D. And thanks for showing up again to help me with this difficult and complex interpretation…
Hucka D.:
… of a difficult and complex work. But it’s not that complex. Just keep your thumb next to the line you next recite and you’ll do fine.
bb:
Stick to the [already written] script, eh.
Hucka D.:
Precisely. Now what are your next lines? Because you’re next up.
bb:
Tadpole?
Hucka D.:
No. Read the line to the *left* of your thumb instead of the right. You’re always confusing those directions. At least you usually get up and down right the first time. Or is it left?
bb:
We must focus on the White House.
Hucka D.:
Good. You’ve already established a racist lives there and that racist is Brak The King from Temple Farm, Marlborough, as featured in the Baker Bloch Heads To England exhibit from 2010, I believe. Blochhead. Bloch-head.
bb:
But you’re also saying that Brak represents the great loser state of Arkansas, or perhaps he hails from there.
Hucka D.:
Hell.
bb:
And you’ve always told me, ever since the beginning of my blogging days in the old Baker Blinker one, that Arkansas is the center and the focus and not let my attention stray too far north. Or *up*.
Hucka D.:
Down is where it’s at, yes.
bb:
Do you want to explain this further? I mean, just looking at [Collage 10], we have a dog stuck on the side of a wall — this is a Little Whitehead Art Collective creation once more — with a miniature Patrick Star of Spongebob Squarepants looking on with ice cream cone in hand. He’s just a big kid through and through. Then an even tinier Spongebob emerges from his pineapple home. (pause)
Hucka D.:
I can’t see that far down.
bb:
Here…
Hucka D.:
Thank you[ for showing me the whole picture]. “Holey”.
bb:
Patrick Star appeared in the Falmouth tetraptych that completed the 2013 Gilatona-Lis sequence of collages, Hucka D.
Hucka D.:
I remember. Vaguely.
bb:
Well, here he is in case you’ve totally forgotten.
Hucka D.:
Thanks once more. But if you’re going to rezz that whole [older] tetraptych then we’re going to have to stand back a bit.
bb:
Then I won’t do that.
Hucka D.:
Thanks yet again.
bb:
And Spongebob also showed up in earlier Gilatona-Lis works. And his pineapple home appears in the original Embarras collage (Embarras 01).
Hucka D.:
“Why?” I hear you asking in your mind. Well, to give the collages a bit of levity for one thing. The dog flies into the white house and becomes stuck like in flypaper. I must ask you: is this dog Spider? Carrcassonnee’s Spider that still sits in the Collage Temple beside his master, still spouting out the permutations of that hellish number 2130?
bb:
He’s not exactly the same color but it does appear to be a Chihuahua of similar shape and size. And Patrick Star hates Spiders — that’s another connection.
Hucka D.:
Maybe we better end on that humorous note. Yes, the dog is Spider. Yes, that’s why Patrick Star is there. Mr. Star is also a crop circle, as is Spongebob Squarepants… as are their 3 houses in a row if you throw in “trapped in the middle” Squidward and reduce all to the base of Patrick’s rock. [That’s all Morgan Hill crop circles.]
As good as any. We can return to Collage 09 if needed. Who lives in the white house that dominates 10?
bb:
I hate to say it, Hucka D., but it may be a racist that lives there. Like McCoy.
Hucka D.:
That would be the little yellow one. You are[ unfortunately] correct. Brak’s stars and stripes gives him away. Here’s a picture from “Baker Bloch in England”. Brak is the King. We do not have a picture of his Queen in the new series. But this is the same Brak and giving the same warm welcome. This is his house[ once more]. We are in Stonethwaite, true — another farm — but we are still also in Wiltshire. We’ve never left Wiltshire. We will never leave, you and I. You can still visit me, Baker Bloch, Baker Blinker at the Temple Farm.
bb:
But it’s more than that, I’m picking up you want to say.
Hucka D.:
Yes. You have limited yourself in your talking[ about carrcasses] to others to SID’s 1st Oz and before. You are acting like nothing happened after the Civil War (yourself) in this respect. You have not freed the true carrcasses beyond SID’s 1st Oz. You are still fighting the Civil War.
bb:
Interesting and perhaps a little peculiar comparison.
Hucka D.:
You are lying to others, true?
bb:
Yes.
Hucka D.:
They do not appreciate this.
bb:
But it’s more.
Hucka D.:
Yes. This is about Arkansas, one of the loser states. I’ve always stated that you should center everything on Arkansas and not pay attention to that Show-Me state just to the north.
bb:
Missouri[ you mean].
Hucka D.:
I’m not saying that name.
bb:
Why do you hate Missouri so much, Hucka D.?
Hucka D.:
Because it isn’t the center. *Your* center.
bb:
But you are also limiting yourself in this way.
Hucka D.:
We can only go so far in this life. There are winners and there are losers[ always]. (pause)
bb:
So what I’m thinking — picking up — is that you are equating Arkansas with SID’s 1st Oz.
This one’s called “Animation Station”. Here are the 2 parts. It’s the first part of a tetraptych. See above posts for more!
You can open each part of the animation in a separate window and then toggle back and forth to see the effect. In Second Life, the animation is built into the prim. Chalk up an advantage for SL displays.
This is the base for the second part of the diptych (tetraptych?):
I forgot to add that we’re back in Stonethwaite in the Lake District for this one. It’s a center, and has been featured in numerous collages before, including another tetraptych — non-animated in that earlier case, however. I plan to study up more on what went on before there. I’ll get back to ya’ll soon.
… waiting for the Other Side to open up. 1 week. 8/8/.
Hucka D.:
This happened before.
bb:
That looks like an amalgamation of Master Shake and his bud Meatwad. [Even accompanied by Frylock’s eye.] But it’s obviously Cygnus X-1 and its accompanying black hole.
Hucka D.:
What do you want me to say?
bb:
Greater Collagesity has fractured into east, west, south, center, perhaps even north.
Hucka D.:
North is left out.
South invasion.
A second attempt, this time from the North. Miserable failure.
… has a psychic link with the railroad tunnel running underneath the old Devizes, UK castle site. So says town clairvoyant Adam Westend, whose namesake house in Collagesity’s far west region was demolishedrecovered demolished in the recent earthquake. The large Fal Mouth Moon Gallery towering above the underground, a slight alteration of a Moard Ling structure called “castle 12”, logically dovetails with the Devizes Castle itself. Interesting (!) Westend also divines that a recent Devizes area (Roundway) crop circle in the Real World is actually a hyperdimensional map of the Collagesity Underground as it extends into other towns both real and virtual.
Sunklands 