Kick-ass Boos said to sit at the table with the Bigfoot book, so here he is. He picks up another book laying nearby by John Shaw Billings, which he quickly gathers from his reading was a librarian for New York city in the US of A, Earth.
Kick-ass Bogota, Boos’ brother, strolls into the bar. His brother said he’d “mark him” to make sure Axis-Windmill knew who it was.
Yup. That’s him!
“Grasshopper please, Bertha. Extra mint.”
“Coming right up, Ted.”
Filed under **VIRTUAL, 0029, 0409, Horns of Hatton^, Maebaleia/Satori^^, New York
This is what she studies, Duncan, this *Rose* Wells. Boxes… cubes I suppose.
“Borneo?” He’d heard that name before. Something about corn.
—–
The blue sphere appears. Duncan disappears. Duncan saw too much in the field! Field “on”, and then he was there — in Reality — beyond the 300 or starting with the 300. Fieldon town limits.
The 2 blue spheres were 2 1/2 years apart, meaning that they were opposite each other — in the garden representing our solar system or an Earth limited one, with The Sun in the center (19). And what about The Observer there, watching from a table on the edge of the property? Fortress: Duncan was warned not to go back, and that maybe rats were there, perhaps similar to the ones within the tulips that make them move in oh so mysterious ways.
He was trying to mark the way (to the Fortress) with well placed toys. But they were not allowed here? White moves on beyond Black (Duncan) with Red, with Red obviously equaling Indian Wells now, both Asian and American at once. White Mage, in this scenario, is merely Hidi again.
“Primary Rabbit?” he asks, back at the home with the mannequins out front.
“Yesss?”
“I think… I’m ready to move beyond Black.”
Filed under **VIRTUAL, 0029, 0407, Bellisaria^^, Blue Feather Sea^, Eveningwood, Illinois, Maebaleia/Satori^^, Yaya Land
“The Neat Town moss people never received that big squid or octopus and so the red and white lighthouse remained on the green, no one else able to move it, not even jointly,” Kick-ass Boos recites from the top bunker again, joint still in hand, although almost small enough to require pliers. “Dwarfed, they were,” he finished.
Well that’s a nice story, thought Axis-Windmill from the lower bunk bed opposite him. But it doesn’t explain my dream where I lost my hands!
—–
Claude looked over at Paul, realizing if he bent his will there might be no leaving this place, ever. The 20000 lb. lighthouse could not be budged; time to call in reinforcements.
“Sorry I’m late.”
Filed under **VIRTUAL, 0029, 0212, Maebaleia/Satori^^, Neat Town, Pennsylvania
Accompanied by the music of Certain Death playing on the turntable, an old, religious man reads slightly pornographic manga well into the night. Did it in Kowloon where he came from, doing it here. Nothing wrong.
In another part of Horns, Jacob’s I awakes from the dead, as it were, and rolls his stiffened neck. “Ugggh. Where *am* I?”
Kick-ass Bogota’s long vigil is over. He can rejoin his brother Boos, wherever he is at the moment, probably Red’s Diner.
Yes: Red’s.
Bigfoot is a hot topic tonight. A giant spool has now been rolled onto an artist’s location and made into a firepit. Staring into the flames one last time, Kick-ass takes his leave before Jacob I. realizes who he is.
Filed under **VIRTUAL, 0029, 0204, Canada, Canada/Tungaska, collages 2d, Horns of Hatton^, Lower Austra^, Maebaleia/Satori^^, Nautilus^^
If our timing is right, a green shoe should come into view about here.
There!
Filed under **VIRTUAL, 0029, 0203, Canada, Canada/Tungaska, collages 2d, Lower Austra^, Nautilus^^
“Another dream: I was at 23:23, the place *and* the time. This was the…”
“… beginning?” He’d heard this too. Male-female synthesis. “So we’re back to trying to track this 102 fellow. Or 102 girl.”
“Yeah.”
—–
Filed under **VIRTUAL, 0029, 0104, Canada, Canada/Picturetown, Heterocera^^, Pond District^, Rubi^
The artist explains to a prospective buyer that an arm *is* a leg, cutting the price in half. Saale!
“If you dream correctly,” he explained afterwards, “you have purchased a whole museum inside the picture containing many more objects you now own. You’re welcome!”
She took the painting home using both her arms and legs to haul the massive object around. By doing so she has become a creature as well as creator. The door to her house becomes that of the museum. She steps inside the other world, waking up.
“Maybe there are good Boos and bad Boos,” offered up Harrison Ford Jett, still learning about and absorbing the impach. His precious Bluebird!
“Maybe,” said back brilliant Fern Stalin, his counterpart, his mentor for tonight. But she kept thinking of Mistery Island and how to get back there. “You better get back to her; she’ll be waiting. And you better cook up a pretty good explanation why you suddenly had to leave her side. And don’t mention Boos!”
“Okay.” They split after that, not leaving any firm plans for a future rendezvous. It’s possible, Fern realized, that she’d seen the last of Harrison. Or at least those apples. Decision paths lie just ahead…
“Don’t be a stranger,” she cryptically ended and was gone.
Filed under **VIRTUAL, 0028, 0117, Canada, Canada/Tungaska, collages 2d, Lower Austra^, Nautilus^^
“It probably started here,” stated Fern, showing the origin of the Boos. “In, let’s see, collage #13 — unlucky 13 in this case — of the Boos series. Boos came from Boos — Illinois that is.”
“That’s next to Indiana and its famous Dunes,” chipped in Harrison Ford Jett, eager for knowledge tonight.
“Correct. Anyway, the Boos come from the planet Mars. There was a failure — in Tungaske as we’ll keep calling it — to create a working, proper *sphere* by several of its artists, a joint effort. Sphere of Space if you will. An abnormality set in; in ways these are the two moons of Mars, Phobos and Deimos, terror and dread, explaining the faces. Rust probably represents Ida B. Wells from Rust College, who was a champion of freedom: diagonal (echoing some former talk they had concerning Bellisaria). The Boos ate the freedom, took it away from them. The Boos are the elitists, also explaining the white-wash color. They proceed horizontally beyond the edge and into the world itself. Evil has been let loose — again.”
“Who is the man in the water?” queried Harrison. He was a band member on the run, trying to get as far away from Bluebird as possible tonight, an ironically named character it seems. Bluebird of misery instead, misery and mystery in one. Mistery. So said Fern.
“Man on the fringe; man watching fringe, man *from* Fringe. Peter I believe. Watching the Boos do their evil doings, the Rust girl perched precariously on the rust colored cliffs — gone. He sticks, lets see, he (as the Spaceman) sticks his hand in a hole and it is gone — just below where the girl *use* to be. The missing hand symbolizes the missing girl, hmm. And missing pieces of Mars, moons.”
Harrison glances sideways. He’s eager to get to the next collage in the Boos series and be done with it. Boos attack! But… well, let’s just let Fern talk for herself.
“And here we are.” They spread out from each other, just as the Boos, black and white, spread out in the sky above Tungaske, (numbered buildings) ready for conquest.
(to be continued)
Filed under **VIRTUAL, 0028, 0116, Canada, Canada/Tungaska, collages 2d, Lower Austra^, Nautilus^^
“The proximity of Diamond to Ruby in the Virgin Islands, is telling, Sally. Can I still call you Sally?” He turns, notes the slight tinge of blue in the hair. Dusk now, soon to be dawn. And in-between… well, Charlene doesn’t need to know anything about it, let’s say. Starfish Lake (or Sea). The Motel without the ending “l”. Couch instead of bed. But it’ll do for the job. He’ll think of explanations (for Charlene) afterwards. Must – go – back.
“You may.” He took that in a double way and moved onward.
“And you’ll note in the background, the — distance, that there’s another Diamond. Diamond 02 as opposed to Diamond 01. And *both* Diamonds are near a Hope (Hope 01 and Hope 02), indicating ring.
“I’ll get it,” spoke listening Kolya from the back.
“Not now, Kolya,” Jeffrey Phillips in front said, laughing. “It’s just a metaphor.” Sally was also snickering but tried to at least cover her ruby red mouth with her ghost diamond white hand to disguise.
“Oh.”
Jeffrey Phillips now pointed upper right with his cane finger. “Parasol,” he indicated. “Opening for her to come back,” he explained further about the presence of the pin marking the small Virgin I. village on the map. “Umbrella,” he spoke more back to Kolya. “But don’t open it or there’s a chance more rain will pour into your brain.” Less snickering this time from Sally. She truly felt sorry for Kolya and his holey headed condition and thought new-ish lover Jeffrey Phillips had taken it too far this time. She forcefully halted her smile, turned to Kolya as well to show her serious face, perhaps inserting a schweet secret smile upon it in place of the wry, even mocking one.
With this, Kolya remembers the move from Lower to Upper Austra again and the search for the green grey alien. Ruby. Just like the map. But how to phrase to avoid more mocking? At least from Jeffrey, Kolya thinks. Jeffrey remains undeveloped, but perhaps this new-ish gal Sally — Newgent he thinks, similar to new gal — *can* help him. *He* can help him. He can. He: Can.
Alysha was by *his* side. Alysha reached over and held his hand, knowing she was the one. She’d grow up soon enough.
(END OF “SUNKLANDS PHOTO-NOVEL 27”!)
Filed under **VIRTUAL, 0027, 0617, Lower Austra^, Nautilus^^, Virgin Islands
