Tag Archives: Shelley Struthers^^+++

00500213

In our dream we gave you everything you want. Dance sequences. Sequences, period (think that’s how it translated from Japanese). Fame and money. Yet you throw it all away to get some privacy? We do not understand. Please explain the slapping, the red ass (translation?). Illinois?

Shelley put down the letter she received from up above. Beyond the clouds, even. Perhaps even beyond the sun and moon and stars. Pitch black up there. Bible. All Japanese. She couldn’t read to the end; too painful. Red again. Cheeks if not ass. But punishment nonetheless. Michael.

“Yess??”

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Filed under **VIRTUAL SL, 0050, 0213, Illinois, Omega, The Straight

00500212

But we’ve kind of already been here before with Cyberpunk 2077’s US Cracks, similarly a 3 girl band with color emphasized in their names, Blue (Moon) Red (Menace) Purple (Force) to match Shelley’s Pink Pink Pink. And if you combine their blue and red and purple you get pretty close to pink through magenta, like in the light spectrum. Japanese girls too, remembering that XXX Dream is owned by a user who only speaks such. Let’s investigate this resonance further…

—-

I couldn’t even take a *bath* without the paparazzi hounding me up there in that Japanese hell. I wanted out. And so I started slapping myself while still sleeping, over and over. Cheeks turning red… redder… reddest. It wakes me up but I realize the dream slapping doesn’t carry over into reality slapping, thankfully. No pain. No red. The three part dream where I’m Pink Pink and Pink is *done*, band manager Wendell Biff Carter. Capisce?”

All Biff could do was nod. They’d made triple the money they would have collected groundside. He knew to cut ties while the going was good. Back to Earth. TBC


“Get out, get… OUT!”

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Filed under **VIRTUAL SL, 0050, 0212, C2077, Omega, Southern, The Cross

00500211 (female, waiting)

“XXX Dream; It’s real!” she said as he approached from the south, having checked out a bit of the new green grasslands before moving north into settled country. Right on the line he is up above. (Visiting in the) daytime of course. Biff Carter dare not come here during the night; had to remain a tether to reality for Shelley and the others under his new management. He’s *not* going back to that dirty, dingy, claustrophobic restaurant on the edge of the village. Simply no to all that, he solidifies. “Just like in Concrete, Washington,” she continued, thinking of bigfoot there, the Man in Brown, so on. People didn’t want to see but still: there he is. The last thing shot before the quintessential Google Street View car found its final resting spot atop the Eiffel Tower, one of the most recognizable landmarks on Planet Earth. Until now. He was upon her, took in her Pink again. “Check out the parcel description if you don’t believe me.” She held out her white stick cigarette. “Hit?”

“No thanks I’m trying to cut back. And: I believe you about the parcel.” Yeah, he’d checked just in case while walking up. Like I said, he had everything to lose. Had to make sure *Shelley* wasn’t dreaming. XXX it was. But he didn’t tell her this, wanted to at least exude pretend confidence in her judgement, her grasp on truths.

“Soo… have you made a decision?”

“I have. Silver. No Mosquitoes.”

“Seven, then.”

“Yeaahh. Seven.” She reflexively looked down at the pinkness all about her body. Including the part alien skin, she knew. Thanks Baker Blinker!

Biff knew this was dangerous territory and that 7 could still overtake 9 since 9 could not probably move into 10 any more, safety zone on the other side of likewise static zero. But — the exuding.

“Ready for this, then?” X in triplicate form again. She hadn’t tried this out yet. Scared she was. And him through her. No restaurant no restaurant no restaurant. This experiment better *pan* out, else back to the pots and. He made sure they were on the same page of the script down here before heading upwards. Double check, *triple* check.

It worked! Biff remained manager of music not food. He knew this triplet form of Pink would *sell*. TBC

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Filed under **VIRTUAL SL, 0050, 0211, Omega, Southern, The Cross

00500210

Turns out there was already a band called The Mosquitoes that appeared on “Gilligan’s Island” during the 60’s so Shelley decided to return the name Silver to her own band, reverting them to the Silver Mosquitoes. “Never mind the ‘Gilligan’s Island’ band was mythical and not real,” she said to anyone who cared at the time. “It’s still something that people might remember and then get confused about. We’re *not* mythical, he he he.” They were primarily a Beatles cover band here so Shelley thought the addition back of Silver was appropriate in that way too, further tribute to what she and all other members of her present band, save one, thought of as the greatest rock group of all time and who were, yes, once known as the Silver Beetles before they gained fame and notoriety and substituted an A for an E in their name. They weren’t on that level, she knew. They may never grow out of their Silver phase, cover band forever. But she still had plans. Was the lone non-Beatles fan No Lag still a part of that? We’ll perhaps see in parts 03-06 or 07 if not the present one. Back to the action… TBC


passing back of the “silver band”

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Filed under **VIRTUAL SL, 0050, 0210, California, Oceania

00500208 (2 centers and getting small)

“Obviously he (Koolaid Man) got sent to the Abyss. You have me, you don’t need to go there any more. No matter how harmless it might present itself as; no need to waste energy on it. You had Andersson for a long time, a tighter focus. She’s pleased (that you let her go); a great number of people get trapped in lesser Babylons like that — no real harm done long term. The *Abyss* Abyss is different. You know. You *feel*.”

Noodle remained a way out, I gathered. Noodle and Shelley and Shelley and Noodle in one as I continue to link up with Gorillaz. Concrete, but with flowers and such sprouting up between the forming cracks. Both grew up in front of our watching eyes. But it also seems to me that Shelley wants me to let her go — eventually. Have to think about that.

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Filed under **VIRTUAL SL, 0050, 0208, HANA LEI

00500207

Someone sent me this screen capture from a Youtube video and was wondering if this is Shelley and her new rock band Mosquitoes on tour in upper Jeogeot. Thanks for the submission. I can verify this isn’t Shelley waving from a train, although the pink is interesting. And of course the repeated mention of concrete in the song accompanying the video gave me pause, given my recent set up of Concrete (gallery) over at Nawt Vaya several miles south of here.

https://www.youtube.com/watch?v=Ucqfu0dK2po

So I went over to the Zany Zen railway where the video was set to check it out and soon found this not far off from its starting point. Marvelous! Tor if not tour, then, for pink clad Shelley. 🙂

Here’s their web site:

https://zanyzenrailway.com/

Congrats on your 11th year in Our Second Lyfe, you zany railroaders!

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Filed under **VIRTUAL SL, 0050, 0207, Jeogeot, Middleton, Midlands

00500204

Daisy spotted the problem right off. No Lag simply didn’t show up well against bar owner Bull’s chosen backdrop. And she knew he wouldn’t change it. Stubborn as a… well, you know. Daisy dared to voice the issue to No Lag; after all, who else was there to run the place. Bull was always “away”. Wheeler was she and she was Wheeler. So she felt she had no choice but to act.

“No Lag,” she said to her, approaching the stage from her usual behind-the-bar position. No customers right now. Rehearsals for No Lag’s band still. “You’ve got classical nailed, I admit.”

“‘Classical Gas!'” issued No Lag to Daisy about the last tune she played, which even contained the word in its name. Her hearing was worn out because of all the gigs down through the years; she can’t tell what level she speaks to people any more. So she usually just defaults to shouting.

“Good, nice.” Great, actually, thought Daisy. But she had to bring things down, *act* like she was kind of pleased but not super pleased about the music, the strumming. “You… the backdrop,” she got to the core of the situation.

And with this, No Lag just faded into it, her story no longer vital for the present photo-novel. Or at least the present section 02 of 06 or possibly even 07 (although a 7th hasn’t happened in a while, perhaps 3 or 4 back by now). Spotlight on lead singer Shelley instead. She simply took over… everything.

And new mesh feet ta boot! She decided to kick classically constrained No Lag to the side and take the band in a solid rock direction, changing the name from Silver Mosquitoes to just Mosquitoes. They became a steady buzz after that in the music industry. Not sure if keyboardist/DJ Okama Majo was kept but it’s a good possibility since he’s only partially obscured in the above photo. *Photo*-novel we’re in after all. 1/2 the story in theory, with one feeding off the other to make, hopefully, a new whole. It seems to be working (!). Getting back into it…

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Filed under **VIRTUAL SL, 0050, 0204, Bull's Bar, Jeogeot, Nawt Vaya+, NVFS

00500203 (seven = silver)

“I think it’s painfully obvious that I’m Noodle in this scenario,” lead singer Shelley Johnston Struthers spoke over to band manager Biff Wendell Carter, out on a break from rehearsing, their third of the night. Lots of STOPS and GOS for this one, like in a heated game of Mille Bornes. Trouble. Friction. Inertia. No one could even decide which band members were present or not. Sometimes Sherwood was a kid and other times a fully functional adult, albeit a brilliant drummer at whatever age he appeared. Things were in FLUX.

“Okay, I agree,” said Biff, thinking of all the changes and shifts and sputterings too. “We’ll make that another concrete truth of the blog and attached photo-novel,” he said, but, again, that’s probably me talking through him. So let’s leave out that sentence and say Biff merely agrees with Shelley on her statement. She is Noodle. She’s also Pink tonight. He approves of both. Then he brings up a subject he knew he shouldn’t broach.

“Listen, Shelley. I’ve been doing some research. Staying a classical, so-called non-mesh avatar is fine. But it seems people who choose to follow that path with their outward appearance at least get new and improved mesh hands and feet. I wouldn’t touch the head, though.” He looks over at her head, thinks of the smile (not currently present upon it, though), that beautiful innocence. No, leave the head for sure.

Shelley looks down at her extremities.” I’m not changing *anything*.” She was stubborn about remaining classical. She also likes classical vegetation, builds. Helps reduce lag. What’s not to like? She’s been around long enough to remember the good old days and the excitement of Our Second Lyfe when it was relatively fresh and new… and *non-mesh*. That excitement is still there but in pockets instead of an overall vibe. You have to dig a bit more these days.

“I *do* like the pink,” says Biff, trying to smooth over his mistake. We can build up from that, he thinks. Whatever happens, I’m *not* going back to the restaurant business. TBC

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Filed under **VIRTUAL SL, 0050, 0203, Jeogeot, Rodentia 02

00500111

Barry De Boy heard he was in the collection and decides to check it out. No luck yet, but he’s only in the 1st room. “The Point of It All,” he uncovers the title of this work mysteriously stuck onto the side of a tiny house. Graphic Artist, he reads off of it, like user Baker B. is a type of graphic novelist. But maybe that’s just me thinking through a character again. Like a spirit I am, jumping from body to body, wheee! Even Wheeler’s, even the female. Man and wo-man alike, just like in “real life”. One of the points of it all I suppose.

Ahh, way up there! But he’s too lazy use the teleporters to get to the third floor of this particular Concrete gallery room today. Maybe tomorrow.

Soon, he finds himself again, 2 of hims, in the last room. In fact, he’s in the very last collage of the 40 piece set. “Barry Presents: Departure.” He wonders why the name has been changed. Genesis (band) to begin, he realizes, Genesis to end here (altered cover of their 1972 album “Foxtrot” to reduce, among other things, 4 horsemen of the Apocalypse down to 2). The foxy lady on her newly made island floats away from dangerous mainland.

Beginning again to double-check the image on the 1st (“Celebration: End of Rain”).

The anthropomorphic fox is obviously Peter Gabriel in a way, in a manner. Dancing with himself during his solo career, more man to woman exchange.

“Pageturner” next. Peter Gabriel understanding the loom of “Lamb” and having to escape its huge shadow. Sooo, he did! TBC

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Filed under **VIRTUAL SL, 0050, 0111, Bogota Proper, Cement Village, collages 2d, Cricket, Ebbert, Jeogeot, Nawt Vaya+, NVFS, Willow Hill

00490606

He broke away from her all knowing all seeing eyes, understanding more. Something was wrong, something was off. Sherwood *can’t* be first, since he is the youngest and hadn’t grown up enough yet to play the drums properly in the band. “Paper” *can’t* be second because Sherwood is too young to begin, and so on. Then it hit him. Things were playing out *backwards* from the red book he holds in his hands. Biff Carter — himself — came first. The manager to begin; he started everything. Then Scissorrun© — the band had several names before that, even. Yes, he’s remembering them now. And then “Paper,” their signature tune and their only “hit” to date, was 3rd. Then and only then came Sherwood, who had finally aged enough to join the group. 4-3-2-1 from the book instead of 1-2-3-4. Reading it that way everything fell into place. “Sherwood the rock solid drummer is last,” he began to reveal these thoughts back to Jennifer.

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Filed under **VIRTUAL SL, 0049, 0606, Jeogeot, Pennsylvania, Rodentia 02