Tag Archives: Shelley Struthers^^======+

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Shelley Struthers testing out the redwoods near Somoco where we saw Wheeler Wilson and Baker Bloch earlier. She likes! Not Leni and the full pack of dances, but swell enough. Thumbs up, she gives us the reader while continuing, head screwed back on tightly as hell.

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00360614

When the death card was dealt he’d seen enough and turned his back on them, walking away. Ocean it is today, not mountains. Not Ant and his history.

“I”m so glad you decided to come back, Arthur,” she spoke with full heart as the dark castle on the mount continued to recede into the distance, mentally if not necessarily physically. They were wrapping up their honeymoon in Mortons Gap, getting ready to head home.

Wherever that was. Probably Soos Mountain Community I would think. It was all being prepared.

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the witch cometh

“It was the end of the line for me, Baker Bloch. Car broke down, you see.”

“I see.”

“Couldn’t go further down this road. Had to give over to another.”

“Who is yourself,” the male Baker attempted to clarify.

“No.” Fellow core Wheeler Wilson left it at that. I suppose it was like saying Baker Bloch here was the same as Clifton Mahoney — oops, there he goes again.

“You’re breaking down too,” Wheeler pointed out, staring over at the new figure. We’re *old*, Baker Bloch. Time to yield. There’s… even Liz standing behind Shelley now, 2 down the road instead of 1. Clifton Mahoney—” But Wheeler shut up here, not wanting to revealed too much future stuff again. No need to know about Carbon Glow right now.

Baker/Clifton extended his draw distance out to the maximum (512 meters), stared out across the flat plain toward the mountain he now rents the top of. The castle never rezzed above the bus stop in front of him, although it did when checking from this very spot yesterday. He sat and sat…

Broken once again. Our Second Lyfe has a fatal flaw, he thinks.

Wheeler could view it fine but she could see in the dark. And twice as big. Secret weapons. Among others.

“Nice redwoods over there,” Wheeler tried to deflect. But he couldn’t see them properly neither in the moment. Moving on…

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00360513

She received clarification in another witch house near the Head Line in Hooktip, her old stopping grounds. PCH Forest — many a day she could be found roaming these woods for magical trinkets, practicing magical spells. This is where, for example, she came up with a mate named George, a future husband she declared to him after he physically manifested before her, not quite mature but getting there. A boy 13 to 10 to 13 to 10 over and over (as it turned out), always gaining 6 inches to reach the upper extreme, always with horns or antlers by that time. On sunnier days he could even glimpse 18.


from the files: bigger George. With horns or antlers.

Anyway, the new, proper board’s planchette further indicated or emphasized the importance of the 5 point star to add to the already highlighted ending/beginning Z, obvious reference to her cat Mysti, long long left behind but still the best of friends, we assume. She even named herself that after the cat in one of her incarnations (switching the i and the y), an homage to the past in more ways than one.


from the files: Misty.

Yes, she recalls that. Quite close to here, in a retro town defunct for several years now. Took up all or almost all of Myron, a couple of sims directly west of Hooktip. Arthur was also there in a way. Except she called him Septimius. Septimius Felton, a name which has resurface recently. Darn full moon, darn wandering feet on a full moon. She ended up beside him, which now was a her. But it was still Arthur in a way, in a manner. Too hard to explain to him, though. Must keep that a big secret still — the trip to Red Marsh and Maroonville, sometimes called Redtown because of the overarching sim. Santa was born there, some say — legend goes. Santman.

She also found a book with a golden butterfly on the front, mirroring the name of the property: Golden Hours. Inside she read about herself.

(to be continued)

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00360512

Now Arthur finds a similar meditation pillow on which to sit. Shining 01, he thinks. Is he a Shining 02?

He must be. They are one beneath it all, after all (he believed). Soulmates. Counterparts. Two paths meet and unite. If not in the moment — separate for a bit again. She’s over exploring the witch house. She’d found something. A witch. An old hag with real long hair wearing a gimmicky orange and black Halloween costume, although she said that’s just part of her schtick.

“Do you understand… the pages?” she asked before Shelley could ask about the same — jumping ahead of her. Unusual for Shelley. Could this be? Nah, couldn’t.

Shelley looked at them flying about above the table and a little beyond on all sides. Almost in danger of hitting her face but she kept steady, not blinking. She instinctively knew this wouldn’t hurt her. Ahh, she recalls Jem in her eyes, checking the blog again, making sure she’s up to speed. Jem had this power. Edward Daigle asked her to shut it down so he could be *safe*. She’ll not make that error between her legs here. Conception. “Arkansaw?” she tried with some assurance. She stared over at the eyes. Umbrella too, she recognized. This was her.

Arthur walked into the room, having finished his own exploration once more. The pages fell like cards out of the air, fluttering down to the ground and on the table before her — them. The witch was gone. The witch had never been here. Physically. She picked up a piece, studying. It contained a picture of a prism, white light leading in, colored out. 2 parts, 2 1/2s. She looked at Arthur. He remained refracted, unable to unite the various selves as whole. She — different now. She had seen herself in the future. Sitting here. Dealing with these cards, the life she’s led. It all led to here. Purity, happiness… maybe. God at least.

She saw shadows of a pained face on Arthur’s face, amplifying the shock that was already there. Yes, he saw pages/paper flying in the air of their own accord, then the spell was broken. The Ouija planchette beneath them had also ceased moving.

Stopped on Z; she knew where to head next. All the way back to the beginning which would then become the new end.

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Shining 01

—–

“Find anything in that holler down there?”

“Oh, a book. And a cave full of crystals. The book reminded me of Hucka.”

“Hucka? How do you know…?”

“I know a lot,” answered Shelley Struthers to recently husbanded boyfriend Arthur Kill, who sometimes steps out of character to play Lemont Sanford up in or toward Real Life. And now there’s a 3rd Life to deal with. On Our Second Lyfe’s computer if you know how to log in. And we do.

Arthur looked over, nodding. “The umbrella eyes, yes.” Library in her eyes, he knew. She doesn’t need the physical stuff any longer. All in the head.

“How ’bout you? Find anything? Up here?”

“Lemme think about that.”

—–

“Just a lot of monuments and tombs,” he finally answered her after fleshing in his own local backstory a bit. “One statue seemed to not have a head, but then I realized the angel on top just had her head down and the bun in her hair appeared like a, er, untopped neck.” He picked this particular monument to talk about for a reason.

They just needed a little bit of time away from each other to contemplate by themselves, why they’re here in the first place. Heterocera. Home of the *Head* Line, the Heart Line. Shelley’s old home on the former — apt. still there, actually, at the triple point in Hooktip, even if she never is. That was a long time ago for her, her Firesign period with its silly puns and innuendos. She hadn’t moved on. Just absorbed… assimilated. ‘Nother one.

—–

“Real Linden water down there, I found out.”

“Fascinating.” He found himself arching an eyebrow even. Making him think of another fake head removal, another “long long ago.” Soo many memories now. Encounter with “God.”

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numbers 02

Shelley’s head appeared directly below where Barry DeBoy should have been fishing on the pier. But it appears he’s wised up, dispensed with his pole, and headed back to the studio, realizing the futility of the act (once more). Ant may even be his best friend again, at least in his mind. And of course there’s Hucka. How much woman is she? Enough to roar?

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triptych interpretation 02 of 02

Hucka D.: In 4b, like we said before, the boy at the tree with the Tintown sign looks down at the missing letter, the missing Y that makes it Tinytown, which it is. I should also say that Tinytown no longer exists, another victim of the pandemic. Like Sissy’s most likely.

Baker B.: Good. Mortons Gap is emptying of meaning.

Hucka D.: I think you want to bring up the 2 PLACEs.

Baker B.: I think that’s taken care of in the text of the photo-novel before, Hucka D.

Hucka D.: 2 PLACEs at once (Hucka D. presses). This is another pointer leading to the triptych. It all leads there.

Baker B.: Okay, good.

“Adventures in Tintown Part 4b of Tin”

Hucka D.: 4b, then. The people with the narrow woman from 4a, most likely her family, have their faces covered by white ovals. To their right we have a ring of ghosts, also with oval white faces or heads. You made the association, thus the triptych continues to the right and not the left at first. You insert the smallest Tintown sign in the darkness behind the ghosts and the whited out face people (in 4a), a mother and her child perhaps. Maybe the narrow girl is the same woman’s daughter.

Baker B.: One of the faces is round and not ovoid. Can you comment on that?

Hucka D.: This is the middle of another simple 2 part collage that you prepared in anticipation of the triptych, although you didn’t know it at the time. The middle head becomes round, and with two oranges eyes, it appears. That’s about all I can say about it for now.

Baker B.: Thank you. Then moving on, we shift from Mortons Gap Kentucky to Tin Town Missouri, from a batch of old photos by, let me see, Russell Lee, who is famous for such things.

https://en.wikipedia.org/wiki/Russell_Lee_(photographer)

Hucka D.: Pie Town, New Mexico, I note in the article. Pietmond.

Baker B.: Right. Blast from the past.

Hucka D.: Lets move to 4c, the last panel which will bring us back to the first.

“Adventures in Tintown Part 4c of Tin”

Hucka D.: Selves, you’ll notice, in the collage, not Self. There is more that one Self. There are 3 in this collage, according to size. The second is 61/100ths the size of the first. The third and last is 61/100ths the size of the second. Although these 3 come in 5 bodies, there are only 3 heads, matching the 3 Selves. Two have been cut off. You sure that Shelley is okay? She’s very important.

Baker B.: I know — extraordinary. She’s okay.

Hucka D.: What are these Selves, then? You find them in Tin Town MO which originally was named Gold. Ronnie Self the rockabilly wannabe star who didn’t quite get there. But he lends his name to the Triptych. He too is part of this (process).

Baker B. (after a pause): The ratios seem important. If we assume a steady reduction, the first is 100, then the second is 61, then the 3rd would be 37.21 almost exactly (checks). No: *exactly*.

Hucka D.: Extraordinary.

Baker B.: Then the simple 2-n-1 collage Barry Deboy holds in the last post before you showed up for our interpretation, Hucka D. (Mortons Gap sign/ “Does this look square to you?”), is the last element inserted here, cutting off 2 of the 5 heads…

Hucka D.: But adding 2 of its own heads (nutcrackers on sign). One obviously truncated (pause). You sure?…

Baker B. (guessing what the bee-man was going to say): Yeah, she’s all right. Anything else?

Hucka D.: I was going to ask you the same thing. Oh — Bat Boy. Zebrasil. Very important. Only the ZE remains (in 4c). Flying toward the First, the largest Self, the most immediate. You.

Baker B.: Thank you, Hucka D. And we’ll work on…

Hucka D.: … Amagon, yes.

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triptych interpretation 01 of 02

Hucka D.: I will forgive you for Amagon. The three lights. Wheeler.

Baker B.: Thank you, Hucka. So you are ready to begin?

Hucka D.: Yes.

“Adventures in Tintown Part 4a of Tin”

Hucka D.: Tinytown changed to Tintown. The missing Y is spotted by a boy in 4b. This is 4a.

Baker B. (clarifying): The boy at the largest of 3 such altered Tinytown signs. The one whose head is slightly cut off in the editing process as he looks down.

Hucka D.: Yes. The blade in the background? You didn’t get to that yet. Has Shelley regained her head?

Baker B.: Dunno, Hucka D. I would assume so. Since I have her active in another window opened up right now.

Hucka D.: What’s she doing?

Baker B. (checking): She’s in the middle of Extraordinary.

Hucka D.: Ahh, appropriate. Have you figured out what she is?

Baker B. (thinking back to 4a and the altered sign): Gold?

Hucka D.: Gold and silver. And platinum. There’s something else coming up.

Baker B. (after a pause; he’s looking in Extraordinary): Okay.

Hucka D.: Are the 3 lights there?

Baker B.: Yes.

Hucka D.: Can you close the window? (Baker B. closes the window) Back to 4a (pause). Obviously Spider has returned. He’s inside the collages now. For real. He’s alive (inside of them).

Baker B.: Yes. Fascinating.

Hucka D.: So that’s one thing predicted in these photos. Can I say these photos are all taken from Tinytown or thereabouts, on the outskirts of Mortons Gap?

Baker B.: I think you just did.

Hucka D.: Kentucky, the actual one, the real one. Not Mortons Gully in Our Second Lyfe. That’s just a 1:1 match from the Oracle.

Baker B.: Good to say (again).

Hucka D.: Not much there otherwise. Sissy’s is closed. Shame. She just wanted to fit in.

Baker B.: Or, alternately, she just wanted to be included.

Hucka D.: Put a picture up of what we’re talking about.

“she just wanted to fit in”

Hucka D.: Another simple collage — 2 part. Like all of them are. Until we reach the triptych which goes round and round… and round.

Baker B.: This is (in) Mortons Gap again, just to clarify.

Hucka D.: Right. (he pauses to look down at his hands; just yellow pollen covered balls, like at the beginning; he had regressed that far) Back to Tinytown which was changed or altered to Tintown. The narrow woman is interesting: one eyed, like Leela.

Baker B.: We call her Eyela.

Hucka D.: Right. She was set up as well (by the powers that bee). That led from the original altered photo, a simple 2-n-1, with the Y dropped out of Tinytown, into the triptych. The triptych was the goal all along. Another altered sign, I’ll note, in the dark backdrop behind her — less obvious; could be missed.

Baker B.: Yes.

Hucka D.: And the bat boy… but we’ll get to him in part 2. Or part 3.

(to be continued)

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dream 00360416 (“traces”)

A mysterious red being directly beneath a towering redwood tree, extending all the way into space and a bit beyond.

Another appears in the center of a circle of pink albuca flowers (see: shoulders of Dr. Back before). Both are completely invisible to the naked eye, like outer planets.

This one is without a head, in contrast to the first. Dr. Back indeed.

Looking directly into the face of already decapitated Man About Time, Shelley struggles in vain to get away. Trapped.

Only one other blue around to help her, but she’s on a different level. She heard the screams for help, though.

Too late (OWWWW!). Although the now soul-less body still twitches.

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