http://en.wikipedia.org/wiki/Good_Grief,_Idaho
http://en.wikipedia.org/wiki/Good_Grief,_Charlie_Brown:_A_Tribute_to_Charles_Schulz
Good Grief!
Category Archives: Beetles, The
The Story Room-ish Invasion
Filed under Beetles, The, collages 2d, Idaho, MAPS, Story Room
Shining Pepper Project 03
Collage 07?
Collage 08 TEST:
COLLAGE 09:
COLLAGE 10 TEST (animation):
Filed under Beetles, The, collages 2d, Maine, MAPS, Qbrick, Stanley, Shining, The
Shining Pepper Project 02
Images from the 1921 photograph ending The Shining (“Shiny Happy People”) sub for the following Pepper people:
http://math.mercyhurst.edu/~griff/sgtpepper/people.html
1. Burroughs, William S.
2. Monroe, Marilyn/ Livingston, David
3. Crane, Stephen/ Hand
4. Bell, Larry
5. Weissmuller, Johnny
6. Bonn, Issy
7. Lennon, John
8. Starr, Ringo
9. McCartney, Paul
10. Harrison, George
—–
And in this fascinating series of posts from the “Nothing is Real: Paul was Replaced” board, we again have mention of the 3rd eye, like the William S. Burroughs sub prominently displays in a Shining crossfade, as discussed before. A good, added theory coming from my direction is that Burroughs *transfers* his own *hidden* 3rd eye to two, specific Pepper images that jarface indicates. This is a direct transference from Kubrick to The Beatles…
http://invanddis.proboards.com/thread/5758?page=1
Now it is time for me to show you the treasure. Going back to Poe’s Goldbug:
…shoot from the left eye of the death’s head…a bee-line from the tree through the shot…
In the story, a golden beetle is dropped from the dead pirate’s eye. Consider the fact that gold is yellow matter and sailors are called dogs, and you can now make perfect sense of the lyric from I Am the Walrus that says:
Yellow matter…dripping from a dead dog’s eye
If you have not figured it out already, I Am the Walrus is all about Sgt. Pepper. Several lines from the song refer to people who appear on the cover. The pornographic priestess who let her knickers down is none other than Marilyn Monroe, who was the first ever Playboy centerfold. Mister city policeman is Sir Robert Peel, who is known as the father of city policing, and who founded Scotland Yard. He is sitting pretty, little policeman, in row two.
But I digress. The picture below shows the shot from the left eye of the death’s head (played by Paul) in yellow. It shows the “B” line going “through the shot” directly over Paul’s heart. We further see that the only visible piece of “treasure” on the cover, i.e. the trophy, points directly to the same spot over Paul’s heart. Clearly we have found the location of the treasure:
Finding the location of the treasure is not enough. In Poe’s story the hero William Legrand had to dig for his treasure; we must dig for our treasure too. It is obvious that we can not physically dig, so in the spirit of parody we must search for another meaning for the word dig…and we do not have to look far to find that meaning. When we follow the line from the trophy through Paul’s heart we discover that it points to William S. Burroughs. His name sounds like ‘burrows,’ which of course means to dig a hole. In the story, our hero William Legrand burrows for his treasure.
William burrows. William Burroughs. Wicked clever Beatles!
The above example seems to indicate that we “dig” by finding pairs of related objects that lie on opposite sides of Paul’s heart.
Here are two related objects that stand out. The stone bust has a prominent bulge that marks the location of its “third eye,” and Carl Jung has a prominent shadow on his forehead, made by the bridge of his upraised glasses, that marks the location of his third eye:
When we draw a line from Jung’s third eye to the stone busts’ third eye we see that the line passes directly through Paul’s heart:
These final 2 images seem to summarize jarface’s theories. The 2 “3rd eyes” of Jung and the statue he’s pointed out lie equidistant from Paul’s identified heart, and imply a tilted rectangle which meshes perfectly, somehow, with the circle defined by the drum to produce an overlay hexagon and star. Quite remarkable!
http://invanddis.proboards.com/thread/5758?page=2
February 4, 2014 · 1:47 pm
Shining Pepper Project 01
The MESH Pyramid.
Compare with here (toggle back and forth to see changes).
And then here.
Hucka D.:
11 individuals are involved in The Pyramid. Future researchers will divide over some choices. Jack is obviously Paul, however. Ring woman becomes Ringo, as we’ve discussed before I believe. The spectacled guy becomes similarly spectacled John Lennon. Some say this is a young Woodrow Wilson. Then the other woman is obviously a fit for George Harrison. I don’t think there’s any error in these choices. Good work!
bb:
Thanks, Hucka D. Then the man with the 3rd eye subs for Pepper’s William S. Burroughs. That’s another obvious one.
Hucka D.:
Correct. (pause) The first controversial choice may be Closed Eyes Woman for Marilyn Monroe. At first I believe you had her as George instead.
bb:
Yes. Marilyn seems to fit[ however].
Hucka D.:
They[ William S. Burroughs and Marilyn Monroe] form the top of the pyramid, with the Burroughs sub still dominating. He is obviously the eye at the top, see.
bb:
Yes. Illuminating.
Hucka D.:
The two woman in the middle right take the place of… just checking (pause)… artist Larry Bell [lower] and explorer David Livingston. I think the mustachioed guy makes a great fit for Johnny Weissmuller, the swimmer who played Tarzan.
bb:
Yes.
Hucka D.:
Let’s see, that’s 9 of the 11. Then Issy Bonn is the smiley guy. Then the 11th is almost hidden by the hand… that’s (pause) writer Stephen Crane. Sister Carrie Stephen Crane. The hand is Jack’s again, to complete. It’s like a rack of [shiny] billiard balls, formerly disorganized. That’s what Pepper did for The Shining.
bb:
10 in number.
Hucka D.:
Yes. Beatles at bottom. 4 across. Then 3 then 2 then 1. The All Seeing Eye.
bb:
But there’s the 11th to deal with.
Hucka D.:
Much controversy will come of that.
Filed under Beetles, The, Qbrick, Stanley, Shining, The
Steptoe Series 06: Other Considerations
(continued from?)
Giant Ear of Listening.
Close Encounters was used in Carrcass+2, a candidate for the best carrcass, plus or minus. Wyoming’s Devil’s Tower is featured in several ways. It represents place of contact. In real life now, Frank Park’s Bill Mtn. seems to represent a place of contact for me personally, transposed down from TILE Mountain in Herman Park just to the north. TILE Mtn., in 2006’s Carrcass+2, becomes directly related to CE’s Devil’s Tower. In Collage 04, in its 4 parts, we have what well might be symbols of this new contact, since a bull’s ear is indicated. Bill and Bull become one here through Bullrocks. Slowly but surely we slide into spring hiking season resonances. What’s next for these parks? (etc.)
Steptoe Butte is another form of Devil’s Tower is another form of TILE Mtn. is another form of Bill Mtn.
Fascinating that Kubrick most likely linked the Overlook Hotel’s mountain to Devil’s Tower as well.
Wendy’s projecting lid reminds me of the ear projecting from Steptoe Butte in Collage 04. She has removed the top of the mountain/can, making it flat on top.
A link with The Beatles’ Abbey Road can be made through the VW(s) and white lines.
Since it is a bull’s ear and not a bulls eye now, Danny’s dart suddenly becomes useless (theory). It transforms into a cigarette (or maybe a joint?) as useless becomes useful again. Jack partakes. Lloyd shows up as the supplier (“What will it be?”).
Lloyd is the best bartender from Timbuktu to Portland, Maine… or Portland, Oregon. West and east coast combine as one. We begin in Washington state from the other side. Lloyd is there, on Steptoe Butte. People are now lighting up legalized marijuana joints all over that state now, as well as in Colorado, setting for The Shining. Probably factors in. We had a joint in our car when we were beamed up into Grayson space.
Mr. Beam.
Hucka D.:
So now you know that the bull’s ear is the Bullrocks. What are you going to do about it? You are at Bullrocks and you see twins, right?
Filed under Beetles, The, MAPS, Qbrick, Stanley, Shining, The, Washington
overlaps 02
Quite fascinating:
http://overlaphotel.blogspot.com/2013/06/stanley-kheprik.html
I find it interesting that the opening scene from The Shining overlays in such an uncanny way with the Abbey Road album cover. See how the VW Beetles parallel each other.
The boy, Danny Torrence, is also referred to as “Doc”. In the maze scene near the end Jack calls him “Danny Boy”. In McCartney’s Rocky Raccoon, the main character is named Danny, is referred to as “Danny Boy”, and he is talking to his doctor, which he calls “Doc”.
See here for a combo of title character “Rocky Raccoon” and “Danny Boy”: “Rocky Boy”, also part of the lyrics, actually.
http://www.lyricsfreak.com/b/beatles/rocky+raccoon_10026101.html
Beatles – Rocky Raccoon Lyrics
Songwriters: LENNON, JOHN / MCCARTNEY, PAUL
(Lennon/McCartney)Now somewhere in the black mountain hills of Dakota
There lived a young boy named Rocky Raccoon
And one day his woman ran off with another guy
Hit young Rocky in the eye Rocky didn’t like that
He said I’m gonna get that boy
So one day he walked into town
Booked himself a room in the local saloonRocky Raccoon checked into his room
Only to find Gideon’s bible
Rocky had come equipped with a gun
To shoot off the legs of his rival
His rival it seems had broken his dreams
By stealing the girl of his fancy
Her name was Magil and she called herself Lil
But everyone knew her as Nancy
Now she and her man who called himself Dan
Were in the next room at the hoe down
Rocky burst in and grinning a grin
He said Danny boy this is a showdown
But Daniel was hot, he drew first and shot
And Rocky collapsed in the corner, ahD’da d’da d’da da da da
D’da d’da d’da da da da
D’da d’da d’da da d’da d’da d’da d’da
Do do do do do doD’do d’do d’do do do do
D’do d’do d’do do do do
D’do d’do d’do do do d’do d’do d’do d’do
Do do do do do doNow the doctor came in stinking of gin
And proceeded to lie on the table
He said Rocky you met your match
And Rocky said, doc it’s only a scratch
And I’ll be better I’ll be better doc as soon as I am ableAnd now Rocky Raccoon he fell back in his room
Only to find Gideon’s bible
Gideon checked out and he left it no doubt
To help with good Rocky’s revival, ah
Oh yeah, yeahD’do d’do d’do do do do
D’do d’do d’do do do do
D’do d’do d’do do do d’do d’do d’do d’do
Do do do do do doD’do d’do d’do do do do, come on, Rocky boy
D’do d’do d’do do do do, come on, Rocky boy
D’do d’do d’do do do d’do d’do d’do d’do
Back to the Overlap Blog’s “Stanley Khyepril” post…
This is frankly a *very* bizarre image to find, several days (1 day?) after thinking about *this very* Yellow Submarine screen shot. Yesse, Kentucky is yes and then most of “yes” backwards (sey). This is in Carrcass-9, which I’ll have to save for later.
The crowd shot is one thing, but notice the use of the palm tree in both. One of the main motifs mentioned in regards to Solomon’s Temple in 1 Kings chapter 6 is his use of palm trees.
A very good point, and something I was also thinking about recently. Palms link these two famous crowd photos. A closer comparison *must* be made.
Filed under Beetles, The, Qbrick, Stanley, Shining, The
overlaps
Studying up on the Overlap Hotel Blog, since the owner was kind enough to leave a comment to one of my posts here and stated they enjoyed reading this blog…
http://overlaphotel.blogspot.com/2013/06/ringo-starr.html
Ringo also starred in a tv-movie simply titled Ringo. In it, he plays the part of a man named Ignor Rrats, who switches places with Ringo, played by himself.
This is interesting because, without knowledge of Ringo’s character in this tv-movie, the variant name I created for him for the Frank & Herman Einstein! Blog purposes is the very similar Ingor Ratts. See here for a list of posts with this variant name mentioned. And more are found in the preceding Baker Blinker Blog, my first effort in this type of communication. But I like “Ignor Rrats” better!
Some good stuff over at that Overlap Hotel… more on the Ringo movie.
Even more interesting is that the film also features actress Angie Dickinson who portrayed a female cop named Sgt. ‘Pepper’ Anderson on the ’70s tv show Police Woman.
How cool!
More…
After a day of shooting The Shining, Shelley Duvall, Jack Nicholson, James Coburn, Lynsey De Paul and Ringo have some drinks.
Mention of Ringo and rings in this particular Overlap Hotel post reminds me of something I saw just today in The Shining: overlap of Jack’s shiny eye pupil in one of the movie’s ending crossfades with a finger of another person in the same photo.
Jack’s pupil briefly acts as a woman’s ring.
And in the crossfade just before this, involving the same shot, we have this same “ring woman’s” eye becoming a third eye of another photo dweller. Pretty interesting, huh?
Filed under Beetles, The, Qbrick, Stanley, Shining, The
the Head 01
“It would be best if Edwardston started with the concept of the Sylver Forest and moved from there. Roger Pine Ridge should be understood. Why does Waters change to Pine Ridge?”
bb:
Roger Pine Ridge is certainly eligible to sit at The Table, along with variants Peter Gabriel, Little Robert Plant, Marty and Lemon, and, lets see, Dr. Blood or Knik now. Day Ravies?
Hucka D.:
Dr. Blood is truly at the Head of the table now. He’s Da Man. The Director.
bb:
He might like ordering Marty around, harhar.
Hucka D.:
Roger Pine Ridge definitely wants to join. The Tide is Turning. Flat top. Use to think the world was flat… 1936.**
bb:
Theory, Hucka D.: Waters changing to Pine Ridge in ’36 opens doors to Sylver Forest memories.
Hucka D.:
You’ll have to tell Edwardston Resident about Roger Pine Ridge and Montgomery County, Arkansas.*
bb:
Your favorite state after all, Hucka D.
Hucka D.:
Right. Left.
—–
* Montgomery County, AR historic maps:
http://www.rootsweb.ancestry.com/~armontgo/map_info.htm#1898map
http://www.rootsweb.ancestry.com/~armontgo/map.htm
**QUOTE:
The countdown of 10 to 1 at the end of “Four Minutes” in Quadrospirited begins when the father enters this santuary…
… and then ends with the fountain bathed in the light of the 4 sacred colors.
Then when the parents and their daughter Chihiro leave the sanctuary or station immediately afterwards, they encounter would I would call a direct replica of TILE Mountain in your Herman Park, while Waters starts “The Tide is Turning” song with, “I use to think the world was flat.” In the real world, TILE Mountain is Flat top. (also known as Yards or Yds. Mtn.) In Peewee Big, this message is clarified. We have a reprisal or direct borrowing of the 10-1 countdown in this newer synch, and then the beginning of “The Tide is Turning” song as well. However, in Peewee Big we have a segue into The Beatles’ “Come Together”, where the lyrics start…
“Here come old flattop
He come groovin’ up slowly
He got joo-joo eyeball
…as Richard Dreyfuss in Close Encounters realizes that the sculptures he is creating are simulations of Devil’s Tower, Wyoming, a place earmarked for contact between humans and e.t.s in the film. At the very place he breaks the top off his biggest sculpture to make it flat, cementing the association with Devil’s Tower for him, we have Lennon singing the word “flattop” in “Come Together” — flattops obviously, um, coming together (then Dreyfuss grooves up slowly to the revealed sculpture, to add to the synchiness, and he may have joo-joo eyeball as well?). The coming together here means, moreso, humans coming together over contact with extraterrestrial species, but also Dreyfess coming together with a new woman (his wife had just left him), as they head to the real Devil’s Tower to witness the contact up close and personal. You now know that Bill Mountain is a place of contact between humans and aliens, and Bill Mountain is very close to TILE Mountain or Flattop. It is, in fact, the next mountain *down* from TILE. It has less elevation but is more secluded, a more likely place to encounter aliens, in fact. And this is what has happened.
—–
Come Together lyrics analysis:
http://beatlesnumber9.com/together.html
Each verse is a different Beatle, starting with George!
(the Head 02)
Post-Rubi 02
“Thank you again for showing up on the Frank and Herman Einstein! Blog, Marty.”
Marty:
You’re welcome.
bb:
Hold on, *sir*. (Marty smiles)
—–
bb:
We’re back. Got my heat under my desk.
Marty:
Nice.
bb:
So we’re at the door to Carrcass-8, Marty. Very nice. And your song “The Lovely Linda” is sort of the door knob I suppose.
Marty:
Right.
bb:
So I’m opening this metaphorical door. Where are we?
Marty:
In the future.
bb:
Cool. I mean more what is this Carrcass-8, then? What is there at the door to greet me?
Marty:
Me. (smiles again)
bb:
Where’s Plant?
Plant (showing up):
I can show up if you wish. All the variants are available, if the shoe fits.
bb:
Are you at the door with Marty? Greeting me?
Plant:
If you wish.
bb:
Are we in Sunklands still?
Marty:
Not really. New.
bb:
I’ve started watching the Beatles Anthology. Pretty nifty, as I also remember.
Marty:
Heart and soul[ into it].
—-
“We’re back with Marty and maybe Plant. Plant, what you been up to in the years now since Carrcass-3?”
Plant:
Planting. Logical enough[, right]?
bb:
Is Ray around back there? Knik I mean?
Marty:
We’re all here. At the table.
bb:
I was just going to ask that. Thanks. Where’s the table, then?
Plant:
Mars.
Marty (countering):
Venus. (both laugh)
bb:
Let’s say we’re back in Siliconicus.
Plant:
Let’s not and pretend we are anyway. (nudges Marty) Right Marty? (Marty doesn’t seem as amused this time. Maybe he is and maybe he isn’t.)
—–
bb:
I’m also starting to get heavily into researching crop circles guys. [no response]
—–
Hucka D.:
I found you a [virtual] home, baker b.!
bb:
Howdy Hucka. The others in the background once more?
Hucka D.:
Yes. But to the big news. It’s yellow. It’s a beam of light. It’s Uffcott. Remember Uffcott? Well, it just became available.
bb:
Hmmm. Can you explain, Hucka D.?
Hucka D.:
Uffcott is where all things equalize.
bb:
Let me look up the village…
http://www.cropcircleconnector.com/2012/uffcott/articles.html
There’s the wedding proposal circle. Obviously add that to the hoaxed circle list.
—–
“Okay, according to primelocation.com, there’s no property around Uffcott presently, Hucka D. (pause) It appears in 2 entries in the Domesday Book.”
http://domesdaymap.co.uk/place/SU1277/uffcott/
“Not much into artistic photography, or photography for its own sake, Hucka D.”
Hucka D.:
Have you found it yet? Keep looking.
bb:
Okay. Shut my yammering and all. (pause)
bb:
Interesting.
—-
“How ’bout this, Hucka?”
Hucka D.:
Yes! The Diamond.
Filed under Beetles, The, Crop Circles, Lead Zeppelin, Wiltshire
Post-Rubi 01
Focus now will be on England (!!!). Studying crop circles. Will read Edna’s England travelogue asap. Will read my own analysis of Wheeler-Jasper collages from same web site, and maybe Baker Bloch in England material also. I have access to a super cool crop circle database now that allows one to view the circles down through the years on a single satellite map.
I’m also on the outer fringes of another carrcass, to even add a bit more to all the excitement going on in my life right now. I think that was the clincher in giving up the Rubi land… how am I going to mix *that* in with everything else. The initial song involved is “The Lovely Linda” by Mac, his first track from the solo years beyond The Beatles.
http://en.wikipedia.org/wiki/Love_%26_Monsters
Elton and Ursula form LINDA—”London Investigation ‘N’ Detective Agency”—with three others, Bridget, Bliss, and Mr. Skinner, and meet in a library basement to discuss their experiences, but soon their activities become more social in nature. Elton and Ursula become closer through these meetings.
One day, a man by the name of Victor Kennedy comes in and interrupts one of the group’s meetings, and points out that LINDA has lost its cause.
—–
bb:
Marty, we talked to you quite a bit in 2009, I believe, when Carrcass-3 was slowly percolating after the summer creation of Carrcass-2. I assume you know what I mean.
Marty:
As a variant — yes, I know what you mean. We were in Sunklands[ at the time].
bb:
Still miss it Marty… Pietmond and all.
Marty:
Pietmond, yes.
bb:
I’m starting a new carrcass, Marty, and you’re tile #1. “The Lovely Linda”. Can you tell us about, say, the relation with Lemon’s Plastic Ono Band for Billfork, which also uses his track 1 from the post-Beetles career?
Marty:
I can tell you some. I can say that I agree with the tiling process as much as Lemon. Back to basics, that was my mantra[ at the time of McCartney I]. We, the variant band, appeared in WES west of Sunklands (pause). Lennon was shot. (long pause)
bb:
That was a long time ago, now. (pause) Are you familiar with Billfork?
Marty:
Yes.
bb:
I mean the carrcass now.
Marty:
Yes I know. Billfork.
bb:
Do you like Billfork?
Marty:
Yes, very much.
bb:
Did you agree that The Bill had to be called in?
Marty:
Just translating — yes, I agreed.
bb:
But not at the time.
Marty:
No. I didn’t understand how it would all unfold.
bb:
Billfork was something new, beyond SID[‘s 1st Oz]. Then the carrcass beyond that was something new again. Then the carrcass beyond even that was something new once more. The Foreign One. It was big big, so big I couldn’t control it. And the Beatles [Beetles] were right there again. 5 songs, the use of Magical Mystery Tour[ video], and The Rutles [Beatles parody band movie]. Lead Zeppelin and The Beetles acted together, like in the later Carrcass-3. Plant and Marty again.
Marty:
Yes. Zeppelin Tube, I remember. How I remember.
bb:
Do you think Lead Zeppelin is a better variant band than your own?
Marty:
No. Plainly speaking.
bb:
Why not?
Marty:
They lack a sense of humor about themselves — took themselves too seriously.
bb:
But let’s look at The Bill. *All* they do is make fun of themselves and others. One could say there’s no seriousness or *gravity* about any of all that.
Marty:
Yes.
bb:
Lemon liked them, though.
Marty:
Yes. He said: Bring in The Bill. Sure, bring ’em in, baker b.
bb:
“Bring me The Bill”, and all.
Marty:
Yes.
bb:
The influence of The Bill in the carrcasses essentially ends in Carrcass-0, which is often grouped with Carrcass+0 as the ur-carrcass or beginning carrcass, not Carrcass-1 as some believe.
Marty (repeating):
Some.
bb:
They are bookends for this central period of the carrcasses, which contain the largest and most complex of the lot still.
Marty:
Lot.
bb:
Billfork and Carrcass-0 I mean. We have an opening and a closing for that period. Both use Lemon as a primary artist, unique in that respect. Billfork uses Lemon 01. Carrcass-0 uses Lemon 02 04 05. 03 is skipped over. Do you know what I’m talking about?
Marty:
bb:
This is the shared one of the first 5, and then the last two were also shared, 06 and 07 I suppose.
Marty:
Yes.
bb:
Do you think the shared albums are weaker?
Marty:
Most definitely. Don’t you?
bb:
Well, what I’ve heard I think you are probably correct.
Marty:
I mean… well, I won’t go down that road. I think the original idea was the best for the two of them: release 2 solo albums, one with his music and the other with hers. You didn’t have me sharing alternate songs on Band on the Run with Linda.
bb:
Hmmm, I can understand. Lennon started co-writing with Ono, when originally he had *you*. Probably a step down.
Marty (repeating again):
Probably a step down, yep.
Filed under Beetles, The, Carrcass Artists, Who Doctor
Sunklands 