Category Archives: Buildings

00500514

“Let’s go back in time, to Bogota 01 before the Bogota 02 and 03 we’ve been talking about. To examine… time travel. The vandal again, perhaps the same one we encounter in a hazmat suit later on in Boos… appears to be spray painting a red lighting bolt atop David Bowie’s dead skull, right?

“Well, maybe the red bolt was already there, maybe the vandal is merely indicating this with his pointing. More pointing. The Point of It All (again)?”

“Are you talking to me, ma’am?” Inspector Petty says, appearing through the wall of his small agency in the heart of NVFS’s Cement Village. No Chef attached to his title any longer, so he’s unable to prepare food for himself. “Buy me some lunch and I’ll tell you about it.” Turns out he had all the story and then some. You feed him and then he can feed you. Information. Deeep stuff. TBC

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00500512 (The Sage Page)

“So there I am again. You can tell me by my bent up nature, just like an Ozian Wheeler traveling around on all 4s, and also bent to the rule of the Witch Mombi and perhaps the Nome King through her. Old Wheeler,” she summarized about the figure in the center of the collage before us, called “Crash on Mars.” Not because it depicts something crashing into Mars but because of another figure to the left of “Old Wheeler” called Crash who holds in his hand a giant fishing rod from our perspective, horses let out of a barn I suppose. She first brings him up in the next paragraph.

“(the 19th Century U.S. religious figure) David Brainard is seated in the foreground,” she continues, “who seems to be the same as (brainy) David Bowie, the Spaceman, the Man who lived on Mars. The Starman, as in Dark. Black. Look at the top. At the end of Crash’s fishing rod which passes through (the word) RUST.”

I saw the black star at the top of the work where Wheeler (*New* Wheeler) indicated, fronted by a blue-green hummingbird. I ask about it next, prefacing this by saying that it seems to me it should be a fish here instead. “What gives?” I end my query.

“Let’s turn to the next Bogota collage,” she replies and starts walking to our left, pulling up in front of it. I go stand beside her, basically shoulder to shoulder again so we can keep trying to see as one.

“More Life on Mars,” she says. “Remember when I told you to bring me Book 03 from the town library and place it on my table? Well there it is. It’s a summary of all knowledge, all books.” The collage changes.

“And there is the second part of the animation which is actually the first, showing my point. Lisa the Vegetarian is the Tungaske artist who absorbs it all — inputs it; eats it — and then provides an output for us to peruse and perhaps dig into deeper if we wish. Beyond surface reading, you see. Surface of Mars. Crash again in back, facing toward you this time — sans rod, I’ll add, with no horses around this go around. As if waiting for you to act. Can you act? How deep can you go? TBC

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Filed under **VIRTUAL SL, 0050, 0512, animation, Canada/Tungaska, Cement Village, collages 2d, Cricket, Google Street View, Jeogeot, MARS, Nawt Vaya+, NVFS

00500510 (Pansy update)

Another Bigfoot spotted in not the US but Canada now, on Saskatchewan Street in Tugaske in Saskatchewan. Saskatchewatch, then! (Sasquatch + Saskatchewan) Or, better, Saskwatch, thinking of the abbreviation of the province’s name. I’ll recheck this area more later…

But first: the same town pictured in Boos again, as in gallery, as in Nawt Vaya Free State bordering the Nawt Vaya Sea in the western part of the Jeogeot continent of Our Second Lyfe. 3rd floor. Attempted vandalism of the art within, just like at the gallery formerly known as Concrete down by the sea in Cement Village. I suppose Boos is a part of Cement Village too since the front door opens in that direction (I’ll work on it). Is this the same vandal dressed in a hazmat suit now like he’s preparing for a journey inside the vast bounds of a Back Rooms situation? And what of the anime looking girl beside him. Accomplice? Turns out she’s merely working through him, as in a prop. Controller, then. That way the blame can theoretically be taken off her if needed. She’s only walking up to the vandal, wondering what he’s doing. Is this the artist of the work himself, here to make some late game changes or spiff ups? That kind of defense.

“Uh oh, keystone cops coming, Mortimer. We better switch over to our act. A-HEM. I SAID. What are you doing to this piece of ART here? Are you the ARTIST?”

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00500508

A new gallery has been opened up in my Nawt Vaya Free State along the shores of the same named inland body of water: Boos, essentially a duplicate of what once existed in Collagesity. The precise location is behind Cement Village with its own gallery of Concrete containing the entire Bogota series of collages (2016-2026), just like the Boos gallery contains the whole of the Boos series coming immediately before it (2015).

Understanding that the entrance to both galleries is in the same spot, I decided to combine the two into one for advertising purposes and call it Boos-gota, a portmanteau (like lukfast). Below, Karl turns around in this spot to look up at the signs of each.

To make room for the Boos gallery, I had to delete Starbuccaneers formerly in this location. Oh well, hadn’t used it for much at all anyhoot.

And Philip and Nada’s small house behind it now has its nice view down to the Nawt Vaya Sea blocked to their consternation. To add salt to the wound, Newt/Baker decided to also delete their nice bed to save more prims/li for skybox experiments due to Boos increased use of those in comparison with the deleted coffee shop.

“F-ing gallery,” spews Philip, thinking more of the view.

“Amen to that,” reiterates Nada, thinking more of the bed.

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00500504 (as a man, as a woman)

“There! That’s what was on the map above where I went. Boos! Not booze as in alcohol. Something different. A creature!”

“This exact creature,” I tried to clarify. “White not black.”

“White not black,” he said. “Open mouth. Ready to attack, it seemed. Or swallow.” And swallow it did, he realized.

“How did it start?” I asked perfunctorily, as I had to. Still reading the script, you see. In the past.

“With the body. I found myself… climbing up a body. Skin to begin. Then more as I continued, inevitably ending up… at the end. Metal; a pipe, a long dark pipe about yea high to me in my state at the time.” He was raising his hand above his head as far as he could.

“Iowa?” I jested.

“Pipewold!” he said, staring at me, as if I wasn’t taking him seriously enough. I thought of Newt/Baker here. This is something (nonsensical) that Newt/Baker would say to ease the tension, add in a bit of levity. I was becoming him, I realized. Losing the body myself. This was my exploration as well as Karl’s. I had to find a new one. Or else… back to the Concrete indicated grave I came from.

“The pipe, the entrance, represents the end of the seen and the beginning of the unseen,” I continued philosophically. “Neptune,” I put it in a word. “Neptune is in there. Beyond the Mars where you began and the Uranus where you entered. Did you find Neptune beyond the Mars, Karl? Did you?”

He wasn’t sure (!).

Later on — in the present I suppose — I found out that, yes indeed, he went back to Iowa once more. Through the back door as it were, Alpha switching places with Omega. White to Black again. Amazing synchronicity!

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Filed under **VIRTUAL SL, 0050, 0504, Cement Village, Iowa, Jeogeot, Nawt Vaya+, New Island, NVFS

00500409 (… the purse yellow)

Before entering the tiny key shop off Silverton Street in Cement Village in Nawt Vaya Free State located along the shores of Jeogeot’s largest inland body of water also named Nawt Vaya, she checked ONE LAST TIME in her yellow purse for that gall blasted car key she lost going on 2 weeks ago. STOP

—–

We waited and waited within for the arm to start moving again, either continuing the search or giving up, didn’t matter. No luck. Looks like we’re stuck again, red arrow pointed downward. Let’s switch back over to Carroll County MD, then. Maybe that will help unglue us from this newest sticking spot. Maybe Maybe Mayberry! Mount Airy, Taylorsville, so on…

… but first and more in the moment, the unincorporated community of Detour to their west, with Keysville immediately to its north and Keymar immediately to its east, indicating KEY. Time machine still there at its center like I posted about in photo-novel 34 back in September 2022. Might be the solution.

I ring up Daniel Day posing in front of the twinned pictures of Pink Floyd’s Roger Waters and Roger “Syd” Barrett in his trailer’s living room, just like Shelley did before. “We have a new assignment for you.” TBC

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00500407 (Green Goo)

—–

“So we *finally* found it, Brother Gabby,” he said, looking up at the numbers on the side of Frank’s castle. “The answer to everything!” Then fellow bike rider and pilgrim Gabby proceeded to gab on for about 50 minutes about how Brother Amos was so right in this initial observation.

Non-illuminated zero? Add that in too.

Now to the top…

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Filed under **VIRTUAL SL, 0050, 0407, Frank's Moving Castle, GTA, GTA old, Nawt Vaya+, NVFS

00500315

“There he is. Horace the drummer, just like Noodle, er, Shelley said. And, aww, he’s depressed a lot of the time. Poor guy.”

“This must be before he grew his mustache,” offered Daniel from the side, still chipping in when he can. “Or maybe he’s already shaved it off here.”

“Depression will do that to you,” I said back. “Make you change your appearance thinking that’ll help your mood. Usually doesn’t. Only a passion for the essence of life again will heal those wounds. Got it!” I suddenly realized, figurative head bulb lighting up. “Something happened to his band!”

“And he can’t release those pent up emotions, hmm.” Daniel studies the illustration again. “He’s trying to think of sunnier times. Through the meditation. But the depression is major in scale — overwhelming.”

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00500214 (Father Fecked’s is just candy)

—–

“It really is wonderful, Baker B. Can I call you Baker? Sir?”

“Sure. *Daniel* (smile). But what do you think of (the) Bill Hicks (stuff)?”

“Nice.” Then Daniel said what was on his mind since about 1/2way through the sync called “Father Fred.” “Soo, all this castle we’re sitting in now, this Howl’s Moving Castle, is about teaching your 4 old library friends a lesson?”

“Noo,” Baker began his defense. “It’s about *communication*. Stuff we couldn’t have in real life. A *nexus*.”

“Nexus, eh?”

“Nexus,” Baker reinforced. Had to watch his temper. What was so hard to understand about all this? he thought. Frank’s Moving Castle equals Howl’s Moving Castle equals “Frank’s Moving Mtn.” when combined with Zappa’s “Billy the Mountain” rock opera. Simple as pie.

“Soo…” Daniel rubs his forehead. It had been a long day. First working in the morning, then this at noon, then back to work at the studio in the afternoon. Baker was lonely, he gathered, had no one else to watch this stuff with, except the wife and their mutual best friend Kammie, he said. Thus me — here. And the whole Zappa thing. And now: Bill Hicks. The endpoint. It was brilliant, he knew. But he couldn’t say this directly to the man pacing back and forth in front of him. Had to put on a *front*. “I think I like ‘Peewee Big’ better. You *did* ask me to be candid with you,” he said, gauging the expression forming on Baker’s always sensitive face. But all that registered was acceptance.

“Of course. ‘Peewee Big’ is the peak of it all — in a way. But each one is very different, each has its own merits, its own place in the spectrum that is the process.” Baker had to curb his tongue here. He could speak for days about this. He couldn’t place himself in Daniel’s shoes, understand that he too was trying to develop his own creativity. He was 20 years younger than Baker, though. Hadn’t had time to refine the process like his friend, his co-worker had. He was being overshadowed. And the crack about his writing the other week (!). Still pisses him off when he thinks about it. Yeah, *I’m* a creator too, just like you Baker,” he’s said to himself numerous times since then. And I can do several things as well. Writing… art. Just like *you*.

“Great. We agree.” Daniel looks around the castle’s living room. Father Fecked was here too, just like in the sync. Amazing.

“Well, I guess I better get back to Cedar Creek. Got a sculpture to finish this afternoon.” But, typical, Baker didn’t ask about any details on *that*. Hmph. Ego. Can’t see beyond his own nose, Daniel thought here. I’ll be glad to blow this place. And he can’t smoke here either, another disadvantage. Too much wood in the structure to take a chance, Baker explained to him when he asked. Must… have… cigarette, PHEH.

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00500204

Daisy spotted the problem right off. No Lag simply didn’t show up well against bar owner Bull’s chosen backdrop. And she knew he wouldn’t change it. Stubborn as a… well, you know. Daisy dared to voice the issue to No Lag; after all, who else was there to run the place. Bull was always “away”. Wheeler was she and she was Wheeler. So she felt she had no choice but to act.

“No Lag,” she said to her, approaching the stage from her usual behind-the-bar position. No customers right now. Rehearsals for No Lag’s band still. “You’ve got classical nailed, I admit.”

“‘Classical Gas!'” issued No Lag to Daisy about the last tune she played, which even contained the word in its name. Her hearing was worn out because of all the gigs down through the years; she can’t tell what level she speaks to people any more. So she usually just defaults to shouting.

“Good, nice.” Great, actually, thought Daisy. But she had to bring things down, *act* like she was kind of pleased but not super pleased about the music, the strumming. “You… the backdrop,” she got to the core of the situation.

And with this, No Lag just faded into it, her story no longer vital for the present photo-novel. Or at least the present section 02 of 06 or possibly even 07 (although a 7th hasn’t happened in a while, perhaps 3 or 4 back by now). Spotlight on lead singer Shelley instead. She simply took over… everything.

And new mesh feet ta boot! She decided to kick classically constrained No Lag to the side and take the band in a solid rock direction, changing the name from Silver Mosquitoes to just Mosquitoes. They became a steady buzz after that in the music industry. Not sure if keyboardist/DJ Okama Majo was kept but it’s a good possibility since he’s only partially obscured in the above photo. *Photo*-novel we’re in after all. 1/2 the story in theory, with one feeding off the other to make, hopefully, a new whole. It seems to be working (!). Getting back into it…

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