Tag Archives: NODAL

00420616

“It’s simply beautiful here, Barry. But –”

“Why did I wait so long to show you this?”

“Well… *yes*.” It could have help swayed my judgement, she thinks. She could still change her mind, but… a contract was signed. Wendy’s Hot Dog Restaurant is a go! Except switch hot dogs with hamburgers and meat byproducts to just pure beef. Okama talked her into it, just as he talked himself into giving up the dream of taking over the Dream Emulator band and kicking everyone else out except maybe classically trained guitarist No Lag V, which they usually just shorten to No Lag. He’d assume the mayor’s position of Kangarootown instead, recently vacated by disgraced Golden Jim, fired because he’d called the wrong person the wrong name, it seems. Anyway, Okama = Mayor, Okama invites Wendy to open her restaurant in his former K-Town store (basically just a store for mouse traps, he said, waiving off the inconvenience), and then giving her a 25 year month lease on the place for 500 lindens a month. That’s the contract signed; too good of a deal to pass on; had to act fast, she felt, lest he or she changed his or her mind. And her affections returned to Bastard — wherever he is up there on the Red Dead planet. St. Dennis, she’d heard for a possible location. She hadn’t given up hope that he not only lives but thrives, and is just waiting for the right time to invite her up too. Hmm, but she’s locked into a lease now. She better think about a second in command just in case.

“I was waiting for the right time,” Barry finally answered, allowing Wendy’s internal monologue to unfurl in a proper manner. “I thought–”

“We could go steady?”

“Well…”

“Barry. I still have Bastard — you know, Jim Randolph the Bastard Pirate.”

“But… he’s dead,” answers Barry to this.

“No, I refuse to believe that.”

“But… they found his *skeleton*, the Red Dead crew did. They *buried* him… out to sea.”

“No. Not true. I *sense* he exists still. I’m just not sure how.”

“All those rumors about him surviving and living in St. Dennis are just that. Fiction — fable. The skeleton in the boat was *his*. There was even his trusty sword to go along with it. Wendy — face it.” He makes her face him. “He’s gone.”

She was tempted to slap him for the stubbornness. But after all, as Okama Majo also pointed out, *he* has Hucka Doobie now. She substituted the slap with that harsh declaration.

Barry quickly looked away, almost as if he’d been slapped anyway. “She’s with someone else, I’ve heard. A Marion Star Harding. Never met the guy. But he predates me, even. Last I heard he’s in Gaston. Do you know of Gaston? I had to learn about it. I learned it from–” He stops. He realizes the irony, the *synchronicity* of the matter.

He recalls piecing together a document about the place. From wadded up papers strewn about his shed near the Pink Motel. Home.

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Filed under **VIRTUAL, 0042, 0616, Castle Town, Gaston^^, Omega^^, RDR2

00420615 (Endlessly Antipoison)

He’d been having dreams of Pansy Mouse again and going in a classical direction instead of rocking the day away like he had been. Wendy was showing him the way. He was less scared now of the ghostly spectre.

In one dream, Pansy handed him a list procured from behind the counter. On it: 52 single column words, including Asylum. Featuring Asylum, perhaps. Headliner. He must not run away from it. He needs to put it back in the file in Filetown.

—–

She came back in the wrong dress. He knew their time was limited, wanted to spend it in the best manner possible. “Walk with me,” he said. Reaching the balcony outside the bar and grill, he suddenly took her hand and flung them both over the rail…

… but they were okay — only 12 feet down. “Warn me the next time you do that!” complained winded Wendy, even though she landed rather gently as did he. Much harder to hurt yourself in Our Second Lyfe than up in reality. Barry learned that the hard way.

Onward through the construction warning signs. Barry knew this tunnel starting below the balcony would be safe as well; would take them to where it all ended. Heaven of sorts.

Midge looked on, unseen by Barry behind the dumpster. But not Wendy. Just by her look she knew they had found the file.

(to be continued)

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Filed under **VIRTUAL, 0042, 0615, Castle Town, Omega^^

00420608 (kenbaiki (ticket to ride))

She’d seen enough of Castle Town for now. She was buying a sky ferry ticket back to Kangerootown from whence she came. She’d heard through the grapevine that keyboardist/DJ Okama Majo had returned to his cat house there, taking his own break from Aisle of Palms and the Dream Emulator band he’s part of with classically trained guitarist No Lag V, hog calling kid Don without a last name, and animated singer Shelly Johnston Struthers who has 3 to make up for it and who specializes in Lennon songs like “Strawberry Fields” and “Lucy in the Sky with Diamonds” and the like. But despite that, Okama named the band, not her. All because of his artistic hero Osamu Sato, so close to his own. Too close. Shelley’s found that out too. “You’re *him*,” she said recently during an acid drop sponsored by LSD, tripping the light fantastic and drawing truth from every corner of the universe, only to forget the vast vast majority of it later, of course. Gray Man works in all dimensions when you’re on that stuff; perpetual darkness. Must – stay – away, she thought to herself afterwards. No more sheets.


on her way!

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Filed under **VIRTUAL, 0042, 0608, Castle Town, Omega^^, RDR2

00420607 (05 and 06)

Perhaps the last major building has been manifested in Aisle of Palms: the original version of the Edwardston Station Gallery, holding the entire “Art 10×10” of 100 collages I created in 6 series from 2004 to 2009. Not the prettiest of structures with its plain cubic form, admittedly, but effective in its role. 6 floors, 6 series, with all but 2 and 5, or Rose Hill and Hidalgo respectively, holding 20 collages apiece. Those 2 floors/series contain 10 in contrast. I’ll get to what occupies the other 1/2 of the 2nd and 5th floors in a bit.

The immediate prompt for me rezzing this structure is that I wanted to show Newt (or whoever) that the fox-to-dog conversion of Jim Randolph the Bastard Pirate in St. Dennis recently was seemingly preordained. The Yale-*Newt*on series of the “Art 10×10,”  its 3rd, dates from 2006, going on 20 years ago at this point. Gosh, where have the years gone (!). Anyway, when we reach the 4th collage of that series we come to this dualism again: fox vs. dog or, more precisely, fox against dingo, for the orange dog of the work, titled “Outfoxed?”, is suppose to represent such, as the orange-ish dog in St. Dennis is in kind.

Then in the next two collages of Yale-Newton, making a type of animation with each other, we see the fox and dingo again, the in-taking of water if you will (“Diamond Dog”)…

… and then the release of same back into the atmosphere (“Coasts is Clear”), as the original Diamonds sign on the roof of the depicted restaurant bearing the same name is multiplied 16-fold and becomes a country unto itself, let’s say — our country, built up from the middle, this Diamonds Restaurant in a central state of Missouri, until it extends ocean to ocean. A seed becomes a tree.

And then in the next collage, the 7th of the series (“Here’s Lucy”), we come to another depiction of the word “diamonds”, now in connection with the initials LSD like in the famous John Lennon song we saw Shelley Struthers singing earlier in her band audition at Bull’s Bar in this here blog and attached photo-novel, 42 in number now of course. So I have a feeling this could reference Osamu Sato’s LSD Dream Emulator game on top of the drug and Lennon song — additional foreshadowing. More on this aspect soon, I’m predicting.

That bubble topped mound in the middle of the 7th collage being threatened by bulldozers is actually where it all starts to kick in, the whole “Art 10×10” and my journey into the world of digital collaging. Looks like fellow collage artist Barry De Boy will be our observer here instead of Newt, perhaps gaining inspiration for a jump start of his own art. Wendy is a muse!

He follows The Beatles’ yellow submarine between Greenup 05 and 06 as it floats downstream, into the tunnel of night lights, illumination in darkness.

What will he find there, a fox or a dingo? I’m guessing both. In fact, make that a certainty.

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Filed under **VIRTUAL, 0042, 0607, Big Woods, collages 2d, Jeogeot, Lake District, LSD, United Kingdom

00420605 (immobile (paying the price))

Day 042:

I manifested on an island in the void I couldn’t move away from — no bridges — so I took a picture before the dream ended. Crystal (at the peninsula’s tip). Have to look that up.


Yes, there it is. I’ll just place a little (red) pin on that island to remember…

—–

“Remember what?” Wheeler tested later, looking at the pin with him.

“I… forget!”

“Gray Man, hmph,” exclaimed Wheeler to this. “Wiped you out again. You’ll have to start over.” She looked at him instead of the map to emphasize her point. “Stick to The Natural World as much as possible, Newt. He doesn’t go there. You won’t be as, um, *abstracted* there.”

“Okay. I’ll try.”

“Now sit back down here and let’s begin Day 043 while I watch and advise.”

“Alright.” He sits back down like a good boy.

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Filed under **VIRTUAL, 0042, 0605, Big Woods, Jeogeot, LSD

00420602 (rockstars)

On his days off, Grant (aka *Fred*dy) Price likes to roam the streets of Los Santos, sucking up people’s dreams to replenish needed energy for his various security assignments. This unsuspecting guy walks right into it.

Meanwhile, on another planet altogether (most say), Arthur sees horses at the end of a tunnel.

“We got a second one!” shouts Newt from beyond the 4th wall as Arthur reenters the light.

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Filed under **VIRTUAL, Jeogeot, 0602, GTA, Big Woods, RDR2, 0042, LSD

00420601 (Castle Town)

He often came here to rock and think about the battle of rock vs. paper vs. scissors, which for him was won by putting paper (1) before scissors (2) before rock (0). 102 if read left to right, with rock always in the center like the ground zero it is.

He hears a noise outside. It’s 3:25 in the morning — no one else up, he imagined. Except ghosts.

He stops rocking, gets up, leaving the maple leaf throw pillow behind and thoughts of Canadian Picturetown along with it. “Who goes there?”

The right Wendy walks through the door of the establishment…

… with her first words inside being: “This entrance has changed.”

It certainly has, thinks Barry De Boy, very happy at the sight. It certainly has. No demo over her head now; he was seemingly dealing with a real flesh and blood girl again. They can… well, you know. This is what boys think. Boys like De Boy.

“The gatekeeper said I’d find you down here. Said it was his last night to work, the last hour, the last minute. Said he was here for me and then he could go. He put a Help Wanted sign on the door as he locked up behind me. I turned around just in time to see him leave. Go figure. Guess I’ve found my work in town after all.”

“Wendy!” he exclaimed, not knowing how to follow it up. Shock!

“In the flesh.” She twirled around, showing him the different dress. “And blood I suppose, ha.” She approached him. Dare she kiss him this early? It’s been years after all. Instead: “Share a cup of coffee with me?” She tweaked him on the nose, a sign of things to come.

“Of course! Over there,” he pointed to a nearby table. “I’ll find the brew.” He started rummaging around the back of the counter. “As you can see, we’ve also turned the tables to the side.”

“We?”

“Yeah, Me and Grumpy. We run the place now. Or manage it — Stew’s still the owner. Technically I suppose.”

“So no jobs I suppose,” Wendy spouted as she took a seat. She so so didn’t want to be the new gatekeeper of the town. Boor-ing, she knew. She’d heard Devil Dave complain enough about it back in the day.

“No… sorry. Can’t can Grumpy, you see. He has a wife and two children now (!).”

“Who could have imagined.”

“I know.” He’d found the coffee. Now to make the concoctions. “Espresso alright? All I can find.”

“Yeah. Perfect, actually. Make mine a double. No… triple. What the heck, let’s go with 4.” Could be a long night, she knew. Lots of restaurant talk to get through, potentially. Lots of talk about success and then failure. Utter failure. All tests show 5% human DNA, PHEH. I’ll get that Okama Majo, she thought. If it’s the last thing I do.

(to be continued)

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Filed under **VIRTUAL, 0042, 0601, Canada, Canada/Picturetown, Castle Town, Omega^^

00420510

When we first see Jim Randolph the Bastard Pirate in a fox’s body in St. Dennis, he’s waiting for his Our Second Lyfe friends to arrive in a streetcar from Valentine to the north. He thinks this is the streetcar but he’s wrong. Thing is, in this position his new body — head specifically — is juxtaposed directly in front of a taxidermist shop that the streetcar in the back is currently passing…

… whose display window prominently features a stuffed fox. Seems to be some kind of foreshadowing but of his own death I’m not sure about still.

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Filed under **VIRTUAL, 0042, 0510, RDR2

00420411

https://www.youtube.com/watch?v=C-OYPicGH_E

Happy Town train flying over LOVE again and outta there.

Half of the Tower Bridge (*not* London Bridge (!)), which was the same percentage I encountered next door on my neighbor’s plot when setting up Aisle of Palms back in the first of January.

Googly eyes on the Our Second Lyfe version…

… which is the same effect most LSD characters have when viewed in a certain set of textures (one of 4 in the game) called Distortion or Downer.

Interestingly these type of googly eyes will not appear on Tower Bridge — which also happens to be found in the LSD game — because it doesn’t have a face. Here we almost seem to have a crossover effect of sorts between LSD and Our Second Lyfe going on.


LSD’s Tower Bridge with normal (Static) textures

Btw, even though the bridge next door was deleted in full soon after I arrived in the area…

… the dead parrot statue still remains underneath the Parrots for Pirates Pet Shop in my town, a lasting aftereffect.

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Filed under **VIRTUAL, 0042, 0411, Big Woods, Jeogeot, LSD

00420410

Miraculously, we have somehow reached the end of LSD Dream Emulator — day 365 — and its final cutscene video. A translucent, black and white Linen appears in front of a volcano and starts jiggling and vibrating (oscillating) as a red ball goes round and round…

… until the thing explodes.

Then the letter “I” forms over the top of the erupted mountain to emphasize that the Korean Channel is once again involved.

Because this is the I sim of Ichelus, also with an active volcano. Catty-corner to Orgamast, which we’ve already talked about. Can’t be chance in my opinion. End of LSD. Climax of thing.


Korean Channel with catty-corner Ichelus and Orgamast


Ichelus on the Big E

The clincher is here for me.

https://daily.redbullmusicacademy.com/2017/11/osamu-sato-interview

… the first thing I made when I decided to do a personal project was Alphabetical Orgasm, in which I designed an entire alphabet from A to Z, I created a series of images and then held a solo exhibition. Various parts of the media picked up on the project, and I did some more shows, so I found myself busy again, but the main thing for me was that I found my color. The biggest influence there goes back to the mixing of colors, the colors of Kyoto, that I learned while studying with the kimono designer that I spoke of before, as well as that techno feel, Constructivism and images are put together. All of that swirled together into Alphabet to produce something new and great in my mind. You can see it all on my homepage.

1998’s LSD Dream Emulator is a macrocosm of 1991’s Alphabetical Orgasm.

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Filed under **VIRTUAL, 0042, 0410, Jeogeot, LSD, Xilted