Category Archives: Canada/Tungaska

00500512 (The Sage Page)

“So there I am again. You can tell me by my bent up nature, just like an Ozian Wheeler traveling around on all 4s, and also bent to the rule of the Witch Mombi and perhaps the Nome King through her. Old Wheeler,” she summarized about the figure in the center of the collage before us, called “Crash on Mars.” Not because it depicts something crashing into Mars but because of another figure to the left of “Old Wheeler” called Crash who holds in his hand a giant fishing rod from our perspective, horses let out of a barn I suppose. She first brings him up in the next paragraph.

“(the 19th Century U.S. religious figure) David Brainard is seated in the foreground,” she continues, “who seems to be the same as (brainy) David Bowie, the Spaceman, the Man who lived on Mars. The Starman, as in Dark. Black. Look at the top. At the end of Crash’s fishing rod which passes through (the word) RUST.”

I saw the black star at the top of the work where Wheeler (*New* Wheeler) indicated, fronted by a blue-green hummingbird. I ask about it next, prefacing this by saying that it seems to me it should be a fish here instead. “What gives?” I end my query.

“Let’s turn to the next Bogota collage,” she replies and starts walking to our left, pulling up in front of it. I go stand beside her, basically shoulder to shoulder again so we can keep trying to see as one.

“More Life on Mars,” she says. “Remember when I told you to bring me Book 03 from the town library and place it on my table? Well there it is. It’s a summary of all knowledge, all books.” The collage changes.

“And there is the second part of the animation which is actually the first, showing my point. Lisa the Vegetarian is the Tungaske artist who absorbs it all — inputs it; eats it — and then provides an output for us to peruse and perhaps dig into deeper if we wish. Beyond surface reading, you see. Surface of Mars. Crash again in back, facing toward you this time — sans rod, I’ll add, with no horses around this go around. As if waiting for you to act. Can you act? How deep can you go? TBC

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Filed under **VIRTUAL SL, 0050, 0512, animation, Canada/Tungaska, Cement Village, collages 2d, Cricket, Google Street View, Jeogeot, MARS, Nawt Vaya+, NVFS

00500511 (through the trees)

“Sorry I’m late.”

Just in the nick of time.

“You don’t know it (*grunt*), but I’m helping you, artist of mine, from the Great Beyond (*grunt grunt grunt*). Hang in there (PANT PANT) Old Wheeler!”

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Filed under **VIRTUAL SL, 0050, 0511, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, NVFS, Pennsylvania

00500510 (Pansy update)

Another Bigfoot spotted in not the US but Canada now, on Saskatchewan Avenue in Tugaske in Saskatchewan. Saskatchewatch, then! (Sasquatch + Saskatchewan) Or, better, Saskwatch, thinking of the abbreviation of the province’s name. I’ll recheck this area more later…

But first: the same town pictured in Boos again, as in gallery, as in Nawt Vaya Free State bordering the Nawt Vaya Sea in the western part of the Jeogeot continent of Our Second Lyfe. 3rd floor. Attempted vandalism of the art within, just like at the gallery formerly known as Concrete down by the sea in Cement Village. I suppose Boos is a part of Cement Village too since the front door opens in that direction (I’ll work on it). Is this the same vandal dressed in a hazmat suit now like he’s preparing for a journey inside the vast bounds of a Back Rooms situation? And what of the anime looking girl beside him. Accomplice? Turns out she’s merely working through him, as in a prop. Controller, then. That way the blame can theoretically be taken off her if needed. She’s only walking up to the vandal, wondering what he’s doing. Is this the artist of the work himself, here to make some late game changes or spiff ups? That kind of defense.

“Uh oh, keystone cops coming, Mortimer. We better switch over to our act. A-HEM. I SAID. What are you doing to this piece of ART here? Are you the ARTIST?”

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Filed under **VIRTUAL SL, 0050, 0510, Back Rooms, Boos, Canada, Canada/Tungaska, Cement Village, Google Street View, Jeogeot, Nawt Vaya+, NVFS

00500509 (… from Mars)

—–

“Well… there they are. Martian boos in equal parts black and white, amassing above poor little Tungaske from the east, buildings seemingly numbered for conquest purposes. City limits threatened to become cemetery limits; no one left to live here.

“Only the west can save them, switching dawn to dusk. Bigfoot.”

And so it went down in the small Canadian hamlet. Artists, thank gods for artists.

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Filed under **VIRTUAL SL, 0050, 0509, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, New Island, NVFS, Omega

Boos 27 and 26 (“2 Fer 1”)

“It’s one of the ones that we had to give up when we moved to Rooster’s Peninsula here, Hucka Doobie. But as you can see, there’s (Mr.) Bean, there’s Tom (Kite) — front and center here. Combined: Tom Bean.”

“Fascinating,” Hucka Doobie admitted. “So we go back to Tungaske? Canada?”

“Ontario at least,” replied Baker Bloch.

“Ahh. Picturetown.” Hucka Doobie suddenly felt sorry she/he wasn’t directly a part of those Canadian based collage series, the In and the Out. With his/her analysis, I mean.

Baker turns. “You seem to be changing back into a bee-man,” he observed.

“Admittedly I’m slipping. A bit.”

Poor Hucka Doobie. If you don’t nurture a character and pay attention to them, they tend to atrophy. Hucka Doobie became stuck on Baker Bloch, unable to deal with the stuff happening all around her/him. What does that say about me (though)?


flip side: elimination (obscuration) of Tom and Bean

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Filed under **VIRTUAL SL, 0033, 0407, Canada, Canada/Picturetown, Canada/Tungaska, Nautilus, NORTH, Rooster's Peninsula

disattached from land

“Can’t you pull one of your Tungaske type miracles to save my village?”

“I’m afraid not. Too small.”

She shed a tear, perhaps with more to come. Probably so. These were scientist tears, the tough ones. “Hard to believe it’s gone.”

“No one under 18. Really nothing we can do [Eyela]. (pause) I’m sorry.”

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Filed under **VIRTUAL SL, 0033, 0314, Canada, Canada/Tungaska, Iowa, Lower Austra, Nautilus, Squared Root City-

00330108

The elimination of George.

Harrison remains. *Barely*.

“They got his knee, which knocked out the rest of his leg — sorry. A thumb was missing from the hand but they were able to regrow it with the intact others. Don’t ask about the procedure. It’s messy, complicated. But without that hand, that regrowth…”

“He wouldn’t be able to play the guitar,” the other in the room finished for Dr. Diper, fresh from the surgery. “Thank you.”

“The red and green almost got him this time,” warned the doctor. “Best not to send him back out to war.”

“Oh, we won’t. Denisce just made a bad decision sending him over there. It’s in her name, you know, bad and good.”

The doctor paused with this, then said, “oh yeah,” as he got it. “Denisce. I forgot it could be spelled that way.”

“Almost,” replied the other. Probably Marty at this point, since he’s so concerned with the hand and its dexterity. “Will he lose any chords? I don’t mean vocal chords obviously (Dr. Diper snickers here, since both knew the head wasn’t involved — nice break in the seriousness) but guitar chords. Can… will he be able to play…”

“All your songs,” the doctor finishes a sentence in turn. Like tennis they were this day, battering concerns back and forth across a net that is the separation between people. Good and bad. Sometimes it’s absolutely necessary. “Wellll.”

Nurse Jem comes in, celebratory drinks in hand. Vodka for Diper and a, let’s see, Russian Roulette for Marty, a new drink he claimed to have concocted on the spot back at the hotel after the San Francisco concert in Candlestick Park, knocking it out alongside a couple of new ditties: the embryonic form of “Back in the USSR” and the unreleased and seldom heard “Moby Prick”. A baad song, Georgge Martin proclaimed upon hearing it back in England. “Hey, we’re the f-ing Beetles, Martin. Leave us alone!” exclaimed Marty after the judgment, but then the others admitted it was sour instead of sweet too and he let the matter drop, song unrefined and left in a raw, unprocessed form. They all secretly felt it was about Marty and his character, though, but to voice this out loud would be character assassination. He was just that much of a prick. At the time — he mellowed out later. After he died.

(to be continued)

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Filed under **VIRTUAL SL, 0033, 0108, Canada, Canada/Picturetown, Canada/Tungaska, Jeogeot, Towerboro

fused

Accompanied by the music of Certain Death playing on the turntable, an old, religious man reads slightly pornographic manga well into the night. Did it in Kowloon where he came from, doing it here. Nothing wrong.

In another part of Horns, Jacob’s I awakes from the dead, as it were, and rolls his stiffened neck. “Ugggh. Where *am* I?”

Kick-ass Bogota’s long vigil is over. He can rejoin his brother Boos, wherever he is at the moment, probably Red’s Diner.

Yes: Red’s.

Bigfoot is a hot topic tonight. A giant spool has now been rolled onto an artist’s location and made into a firepit. Staring into the flames one last time, Kick-ass takes his leave before Jacob I. realizes who he is.

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Filed under **VIRTUAL SL, 0029, 0204, Boos, Canada, Canada/Tungaska, collages 2d, Google Street View, Horns of Hatton+, Lower Austra, Maebaleia/Satori, Nautilus

spotted

If our timing is right, a green shoe should come into view about here.

There!

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Filed under **VIRTUAL SL, 0029, 0203, Bogota, Canada, Canada/Tungaska, collages 2d, Google Street View, Lower Austra, Nautilus, Picturetown

meteor from space

“Maybe there are good Boos and bad Boos,” offered up Harrison Ford Jett, still learning about and absorbing the impach. His precious Bluebird!

“Maybe,” said back brilliant Fern Stalin, his counterpart, his mentor for tonight. But she kept thinking of Mistery Island and how to get back there. “You better get back to her; she’ll be waiting. And you better cook up a pretty good explanation why you suddenly had to leave her side. And don’t mention Boos!”

“Okay.” They split after that, not leaving any firm plans for a future rendezvous. It’s possible, Fern realized, that she’d seen the last of Harrison. Or at least those apples. Decision paths lie just ahead…

“Don’t be a stranger,” she cryptically ended and was gone.

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Filed under **VIRTUAL SL, 0028, 0117, Boos, Canada, Canada/Tungaska, collages 2d, Collagesity Fordham-, Lower Austra, Nautilus