Tag Archives: BIGFOOT

00500607

“Here. You can go here. RA-CY,” she reads from the sign. “Racy. You are allowed.”

“Thank you chaperone!”

—–

“The legs are too long,” she says, looking over the body stretched out on the couch in the burg office center’s 3rd and final floor, hands behind head. Like Bigfoot. Like her feet, she might opine, if she were actually, truly alive.

“I know. But I tried to change them and it didn’t work.” 10 to 9, I thought to myself but not bringing it up out loud. I was just astonished we had gotten this far. She continued…

“What of this, er, wound to the belly. Explain.”

After a pause: “Just to add to the realism. A different texture… with the masking tape and all.” Later addition, I then thought to myself again.

“Let’s get into the more delicate matters,” she quickly continued, as if wanting to get this over.

“Alright.”

“The pipe.”

It was here I had to bring up the witch.

——

“There’s no one in there,” she attempted to clarify later, trying to stay as level headed as possible. The thing was actually *breathing*, she thought.

“No,” I said.

“Never ever?”

“No,” I said as firmly as before. It starts with her, it ends with her. The Body. Receptacle, yes, but never anyone inside.”

“Not [delete name].”

No again.

“You’re sure.”

“Yes.”

“Just you.”

A pause. “Yes.”

In everyone involved.

Another pause. “Right.” Pause. “Everyone.”

“This… witch,” she returned to that subject.

“New Island witch, yes,” I said. “Mid-Hazel,” I named her.

She shook her head. We had had enough for this morning. TBC?

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Filed under **VIRTUAL SL, 0050, 0607, New Island

00500603 (Kessler (wrong way))

She peered at me over two empty wine glasses. As if she had something to hide. She indicated “full perm” and loads of prims/li, which meant we could live here for a while if we wished. Nothing upstairs, she also said, indicating something else. Yeah, we could crash here for a while. But did I want this? Of course I want this (!). I want to live period, breath again, walk on Second Lyfe God’s green, beige or whatever earth terrain. But she said if we did this there would be a price to pay. Snakeworthy Price, I guessed, as in owner of The Shooter. And what was being shot? Bigfoot.

We moved to a nearby structure. “We could live here for a while,” she said while reading the clear as a bell text from her latest book. Suddenly I wasn’t so sure. TBC?

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Filed under **VIRTUAL SL, 0050, 0603, Critterville, New Island, Omega

00500513 (Topper)

Before hopping into the shower, Shelley/Wheeler decides to assume that pose again she saw Bigfoot take in Concrete WA and stare at the results in the mirror before her. *Am* I Bigfoot? she couldn’t help think with her library eyes in place, no need for aiding glasses any more, a block to deeper knowledge. All Knowledge. Especially given that she could animated herself this way in the first place. Library… might as well call it “built in”. Thanks to a witch. TBC

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Filed under **VIRTUAL SL, 0050, 0513, Google Street View, New Island, Omega, Washington

00500512 (The Sage Page)

“So there I am again. You can tell me by my bent up nature, just like an Ozian Wheeler traveling around on all 4s, and also bent to the rule of the Witch Mombi and perhaps the Nome King through her. Old Wheeler,” she summarized about the figure in the center of the collage before us, called “Crash on Mars.” Not because it depicts something crashing into Mars but because of another figure to the left of “Old Wheeler” called Crash who holds in his hand a giant fishing rod from our perspective, horses let out of a barn I suppose. She first brings him up in the next paragraph.

“(the 19th Century U.S. religious figure) David Brainard is seated in the foreground,” she continues, “who seems to be the same as (brainy) David Bowie, the Spaceman, the Man who lived on Mars. The Starman, as in Dark. Black. Look at the top. At the end of Crash’s fishing rod which passes through (the word) RUST.”

I saw the black star at the top of the work where Wheeler (*New* Wheeler) indicated, fronted by a blue-green hummingbird. I ask about it next, prefacing this by saying that it seems to me it should be a fish here instead. “What gives?” I end my query.

“Let’s turn to the next Bogota collage,” she replies and starts walking to our left, pulling up in front of it. I go stand beside her, basically shoulder to shoulder again so we can keep trying to see as one.

“More Life on Mars,” she says. “Remember when I told you to bring me Book 03 from the town library and place it on my table? Well there it is. It’s a summary of all knowledge, all books.” The collage changes.

“And there is the second part of the animation which is actually the first, showing my point. Lisa the Vegetarian is the Tungaske artist who absorbs it all — inputs it; eats it — and then provides an output for us to peruse and perhaps dig into deeper if we wish. Beyond surface reading, you see. Surface of Mars. Crash again in back, facing toward you this time — sans rod, I’ll add, with no horses around this go around. As if waiting for you to act. Can you act? How deep can you go? TBC

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Filed under **VIRTUAL SL, 0050, 0512, animation, Canada/Tungaska, Cement Village, collages 2d, Cricket, Google Street View, Jeogeot, MARS, Nawt Vaya+, NVFS

00500511 (through the trees)

“Sorry I’m late.”

Just in the nick of time.

“You don’t know it (*grunt*), but I’m helping you, artist of mine, from the Great Beyond (*grunt grunt grunt*). Hang in there (PANT PANT) Old Wheeler!”

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Filed under **VIRTUAL SL, 0050, 0511, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, NVFS, Pennsylvania

00500510 (Pansy update)

Another Bigfoot spotted in not the US but Canada now, on Saskatchewan Street in Tugaske in Saskatchewan. Saskatchewatch, then! (Sasquatch + Saskatchewan) Or, better, Saskwatch, thinking of the abbreviation of the province’s name. I’ll recheck this area more later…

But first: the same town pictured in Boos again, as in gallery, as in Nawt Vaya Free State bordering the Nawt Vaya Sea in the western part of the Jeogeot continent of Our Second Lyfe. 3rd floor. Attempted vandalism of the art within, just like at the gallery formerly known as Concrete down by the sea in Cement Village. I suppose Boos is a part of Cement Village too since the front door opens in that direction (I’ll work on it). Is this the same vandal dressed in a hazmat suit now like he’s preparing for a journey inside the vast bounds of a Back Rooms situation? And what of the anime looking girl beside him. Accomplice? Turns out she’s merely working through him, as in a prop. Controller, then. That way the blame can theoretically be taken off her if needed. She’s only walking up to the vandal, wondering what he’s doing. Is this the artist of the work himself, here to make some late game changes or spiff ups? That kind of defense.

“Uh oh, keystone cops coming, Mortimer. We better switch over to our act. A-HEM. I SAID. What are you doing to this piece of ART here? Are you the ARTIST?”

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Filed under **VIRTUAL SL, 0050, 0510, Back Rooms, Boos, Canada, Canada/Tungaska, Cement Village, Google Street View, Jeogeot, Nawt Vaya+, NVFS

00500509 (… from Mars)

—–

“Well… there they are. Martian boos in equal parts black and white, amassing above poor little Tungaske from the east, buildings seemingly numbered for conquest purposes. City limits threatened to become cemetery limits; no one left to live here.

“Only the west can save them, switching dawn to dusk. Bigfoot.”

And so it went down in the small Canadian hamlet. Artists, thank gods for artists.

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Filed under **VIRTUAL SL, 0050, 0509, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, New Island, NVFS, Omega

00500209

We return end to beginning again, Omega to Alpha style. What to me is obviously the quintessential Google Street View car (get back to that soon) ends up perched on top of the Eiffel Tower in Paris after a long long journey through many many lands, mission fulfilled.

Final resting spot acquired, its quintessential driver who is also a shooter now has time to reflect on what they’ve been through, Old Sweetback in Concrete WA being perhaps the last victim, the quintessential thing being shot at, the illusive Bigfoot found, the Holy Grail of Earthly mysteries. No need to go on.

But then I find out that the Omega continent of Our Second Lyfe is slated to be completed after 17 years, its missing southeast corner filled in at long long last. This happens to be where I began my Google Street View related posts in these here photo-novels. Utah.

So let’s get that car back on the streets again. Approach from the west this time to highlight the mirroring aspect of the involved 14.5 mile Francis-Marion circle, Samak > Kamas.

Right on the line we are (!). Wasn’t planned that way.

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Filed under **VIRTUAL SL, 0050, 0209, Critterville, France, Google Street View, Omega, Southern, The Cross, The Straight, Utah, Washington

00500109 (Magnificat)

“Good. Good good good! I feel *rejuvenated*.” But it was the excitedly pointing cane talking this time, ha.

We downloaded an image of the liner notes from the source DVD this newest cane appeared in the exact center of — “Barkley’s Barnyard Critters: Mystery Tail” — and put it on a prim for closer inspection. “There, *there*. That’s me (*SWIG*)!

“Rudy the cane!” he named himself as his master (servant?) continued to drink. Ventriloquist!

“It says ‘Ru’y,'” I say back, just going along for the ride, the adventure. “With an apostrophe.” But then I realized the “D” was simply erased for some reason. Trying to bury the message deeper?

“I *hate* Snakeworthy Price,” he issued, remembering that bit as well.

As Frank hovering beside him somewhere, I also realized that the Old Sweetback character pictured just above Rudy with arms folded behind his head had recently appeared in my photo-novel here, 50th in number (so many!). Concrete WA’s MIB (Man in Brown), face obscured again. Wi-erd.

The plank is the cane! I also realized, moving my attention to the car. TBC

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Filed under **VIRTUAL SL, 0050, 0109, Critterville, Frank's Moving Castle, Google Street View, Jeogeot, Nawt Vaya+, NVFS, Washington

00500108

https://en.wikipedia.org/wiki/Concrete,_Washington

The town of Concrete has undergone several incarnations, the earliest being a settlement at the northwestern junction of the Baker and Skagit Rivers, known as “Minnehaha.” Amasa “Peg-Leg” Everett was one of the earliest settlers and in 1890, the townsite was platted by another settler, Magnus Miller. Shortly thereafter, a post office was established and the town name changed to “Baker.” In 1905, a settlement across the Baker River came into being due to the building of the Washington Portland Cement Company and was named “Cement City.” After the Superior Portland Cement Company plant was built in Baker in 1908, it was decided to merge the two towns. Inhabitants of the new community settled on the name “Concrete” and the town was so christened and officially incorporated on May 8, 1909.

“And so that’s how the name Cement was applied to the village. Along, ahem, with the whole cement texture thing. Cement Village founded by me, Baker B. Creating concrete reality, concrete truth on these western shores of the Nawt Vaya Sea that will last for centuries years.”

No one was buying what Baker — Bloch here instead of Blinker, the female half, the “Other Baker” — was saying about the name, not screen watching Hucka Doobie, not Wheeler Wilson, not fellow Mr. Moon t-shirt wearing Newt or any of the other (unpictured) core avatars sitting around this round table in the lower part of Frank’s castle. This was pure accident plain and simple. *Synchronicity*. The concrete part only applied to bigfoot…

… truly roaming the bordering Nawt Vaya Sea much like the similarly fantastical seeming Alcoholic Sea Monster that recently swallowed Daisy’s Hole in the Wall bar because of the spanking new batch of delicious, home-made brew inside. Taste over buzz: just what Daisy was aiming for. But not in this way, not in this manner. She had to start over from scratch.

Continuing…

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