The “ball” inverted and bounced out the other side…
… and although not a Dodge Darty still darting toward the head of a smoking hot man positioned at the base of (a beaut of a) Washington state butte called Steptoe.
Honing in on its target…
Bullsear BAMM! The end result wasn’t pretty indeed. Not hot atall now.
Mission accomplished.
Filed under **VIRTUAL, 0041, 0414, Big Woods, Jeogeot, Qbrick, Stanley, Shining, The
Interpretation:
Base scene is the exact middle of The Shining movie, as defined by The Shining Forwards and Backwards audiovisual experiment talked more about here LINK. We have Rainbow Man Scatman Cruthers (chef Dick Hallorann in the movie) laying in his bed, encompassed by the colours of TILE: red, green, blue, yellow. I display the picture first here in this blog, which is now part of the “6 Weeks of Shining” hybrid document. Week 2 to be specific. The presence of TILE here inspired me to put a blend of primary hued lights behind his bed, highlighting a red painting above his bed in particular. This picture originally depicted a nude African-American woman, but now contains the nerdy Moss from the Brit hit TV show “The IT Crowd.” He warns new-ish boss Jen about passing through the red door into a secret room not known about before by her. “What’s Behind the Red Door?” is also the largest Kollage Kid collage currently exhibited in Collagesity (World of Collage gallery), formerly seen in the X-Spot Gallery. Hallorann, also an African-American, has intense white eyes. This is actually representative of the blend of primary light colours into white, the source of all.
This also stands for Whitehead Crossing as a blend of red (Red Head), green (Greenhead), and blue (Blue Skies Mr.). It is also a center… of my woodsy experiences in these here parts. It is the center of Frank and Herman Parks (most likely).
Whiteyes also stands for “Whitey” (1st 6 letters), which *Redd* Foxx occasionally called caucasians on his influential 70s hit comedy show “Sanford and Son”, always getting a laugh in the process. We’ve already seen several images of Mr. Foxx in the Sam Parr collage series from the past fall, namely collages 06/07 and collage 08. The characters of Whiteyes are also all African-Americans, including The IT Crowd character Moss.
“So what does it mean Hucka D.?”
Hucka D.:
This is center with a capital “C”.
bb:
A miniature Bugs Bunny lays on the bed beside Hallorann, his famous byline not traveling with him from earlier collages in the series. This would of course be “What’s Up Doc?”, now the name of an important album by the variant band Story Room, who are kind of The Residents. Don’t you think?
Hucka D.:
Obviously!
bb:
“What’s Up Doc?” is the primary source album of the audiovisual synch Carrcass-10, the next to last I’ve created. Going on 2 years back now, Hucka D.
Hucka D.:
Better put up the link.
bb:
This is also found in Week 2 of “6 Weeks of Shining”.
Hucka D.:
Good to know.
bb:
So obviously Bugs Bunny here represents that variant album, Hucka D., just like he did in the earlier collage 02/03 of the new series. What’s the name of this series, Hucka D.?
Hucka D.:
We do not have a name. We’ll have to call it Bob in the meantime.
bb:
This is the a/v synch I was talking to Chuck about while we walked the loop now called the Bunny Trail, in its honor. We merged through this loop, and then separated, I with my own past/present/future compositions and he with his own set. We were united through the synchronicity, that and others. But, at the end, Carrcass-10. He knows now.
Hucka D.:
Nose.
bb:
Yeah.
Hucka D.:
Well… what’s behind the red door anyways?
bb:
Red Head of course.
Hucka D.:
But what exactly is Red Head? We know that it is Anne Shirley with an “e”, before and after she briefly turned Greenhead in the Green Gables story. Right before she was accepted into that house by Marilla The Elder. Greenhead transferred to Green House. She had a roof over her head for the first time. Poor little orphan Anne.
bb:
Yes, it is Anne Shirley, as especially depicted in the postive carrcass: Carrcass+6 I believe I number it.
Hucka D.:
That’s all about Appalachian Spring. Green Stream( that runs through Red Head) is also an Appalachian Spring. Moreso even than TILE Creek, perhaps.
bb:
Maybe.
Hucka D.:
Even more than George Harrison Creek that runs behind your current house.
bb:
Okay.
Hucka D.:
So that’s one thing behind the Red Door. Obviously Red Head, the formerly unknown part of Whitehead Crossing until this spring, is behind this Red Door. Moss guards the door in the collage, just like Mossmen protected Red Head from incursions. How chancy is that?
bb:
Probably not very much so, Hucka D.
Hucka D.:
No. This is pre-cabin. You better get to an interpretation of the animation before this tonight. Start it anyhoot.
bb:
Thanks.
Filed under collages 2d, Qbrick, Stanley, Shining, The, Whitehead Crossing
https://bakerbloch.wordpress.com/2014/02/11/collage-13-test/
bb:
The corndog reappears from the Falmouth series as well. Shark hates corndogs. Corndogs are a symbol of laziness?
I saw in my boss’/prez’ openness the yellow corndog — in her head. In her mind. Repeating: Shark (Prez) hates corndogs. My computer locks up at work — corndog again. 2:22. Hold on.
Hucka D.:
I’m not here.
https://bakerbloch.wordpress.com/2013/05/10/post-rubi-03/
216 x 216
216
https://bakerbloch.wordpress.com/2013/03/01/4858/
There are 216 photos currently listed for SU0061 in geograph. 216 is also mentioned in this recent post concerning a Latona collage series interpretation. There it’s the number of cubes, hollowed and unhollowed in a 3d representation of a grand crop circle appearing just below Hackpen Hill last season, a grand finale as it were.
https://bakerbloch.wordpress.com/2013/02/27/latona-associationsinterpretations-01/
And then across from it on the other side of the collage is a pineapple itself: your good buddy Spongebob Squarepant’s pineapple shaped home under the sea. Bikini Bottom, I believe. He peers out at the landscape through an open door… he is pineal. The pineapple’s shape is mirrored in the shape of Marge Smipson’s head of the Smipsons DVD in front of it. It is the front and back of the pineapple. The 4d cube atop Patty’s head is another representation of the 3rd eye or pineal gland.
http://www.cropcircleconnector.com/2012/hackpenhill3/hackpenhill2012c.html
It is squaring the circle.
bb:
It’s a 6x6x6 cube with all the edge units hollowed out. I believe the edge units would number 56. The internal cubes number 4x4x4 + 4x4x6. The core of the cube is 64 packed un-hollowed out cubes, surrounded by 96 more un-hollowed out cubes touching the surface. This would make a total of 216 single unit cubes within the overall cube, or 6x6x6. That works!
https://bakerbloch.wordpress.com/2013/05/10/post-rubi-03/
It’s amazing that this crop circle basically ending the 2012 season is still the closest [“legitimate” one] formed to Uffcott down through the years…
Image Simon Brown Copyright 2012
http://geektyrant.com/news/2013/3/12/great-new-poster-for-the-shining-documentary-room-237.html
And then check this early 2010 crop circle out, supposedly made by Rockley’s The King himself…
Too similar!
And then, as I’ve just learned, an early 2012 crop circle appeared in the adjacent field on April 28th. 2012 was the year the Room 237 documentary was released.
Two of the most spectacular crop circles of the 2010 season appeared across the M4 highway from each other in Wickham Green on July 30th.
Joined, they appeared to present the face of Jesus, perhaps a direct reference to the Shroud of Turin.
Check out the probable direct inspiration for The Shining’s positioning of Jack as The Devil from King’s source novel…
http://frequentlyaskedquestions2.blogspot.com/2010/03/black-and-white-photo.html
Filed under Qbrick, Stanley, Shining, The
bb:
Very bizarre seeming, Hucka D. I don’t like the blood splatter.
Hucka D.:
Neither do they (!). The splatter stands for the red rock and the pointy stick beside it. The rock is blood, true. True Blood.
bb:
Is it simply the noise that bothered them?
Hucka D.:
No. They want to…
bb:
Communicate.
Hucka D.:
Yes. All Seeing Eye. Colorado. Seal. Highlighted Snoopy Nose, like in Shot 61, I believe you’ve numbered it.
bb:
Numbered by someone else.
Hucka D.:
That shot was influenced by The Bills directly.
bb:
Interesting.
Hucka D.:
It is (!) How did they do that?
bb:
Let’s see: *noise* was highlighted by visuals in that shot.
Hucka D.:
Correct, good. Dog. Good dog.
bb:
So The Bill are trying to tell me through this that they did those mistakes in 61.
Hucka D.:
61 is highlighted elsewhere. Rat, for example. And Andromeda[ Strain].
—–
12:06pm:
bb:
So back to the collage (now finished, I believe). The hand is an alien one, seeming to emerge from the rhododendron to deposit the namesake red rock on the ice bank. Red is also on the hand in the form of (fake) blood, as in a movie. The collaged hand is that of not Jack Nicholson’s, as you would imagine if you knew the related scene from The Shining, but Stanley Kubrick’s himself. This is the broad scene…
http://en.wikipedia.org/wiki/The_Shining_%28film%29
Danny writes “REDЯUM” in lipstick on the bathroom door. When Wendy sees this in the bedroom mirror, the letters spell out “MURDƎЯ”. Jack begins to chop through the door leading to his family’s living quarters with a fire axe. Wendy frantically sends Danny out through the bathroom window, but it will not open sufficiently for her to fit through it herself. Jack then starts chopping through the bathroom door as Wendy screams in horror. He leers through the hole he has made, shouting “Here’s Johnny!”, but backs off after Wendy slashes his hand with a butcher knife.
Hearing the engine of the snowcat Hallorann has borrowed to get up the mountain, Jack leaves the room.
… and this is the part about it being Kubrick’s hand that reaches through the door, and from a specific source…
http://www.davidicke.com/forum/showthread.php?t=205856&page=47
After Wendy Torrence has managed to get Danny out of the window, her husband breaches the Bathroom Door and removes the panel closest to the door-handle. After some theatrics, he reaches into the Bathroom to try and turn the key to the Door. Wendy Torrence strikes his Hand with her knife – and his Hand is left with a fairly sizable slash mark. Given the significance of what I have recently described in relation to this Bathroom Scene, it is appropriate to note that the Hand we see entering the gap in the Bathroom Door does not belong to Jack Nicholson, it is actually Stanley Kubrick’s. This point was raised in one of the ‘Makings Of’ “The Shining” – the speaker citing the rationale that ‘he just wanted to do it himself for some reason’. I believe the reason he chose to use his own Hand has been clearly explained by the details in Key 6. His own personal appearance in this scene might be the last known instance of him appearing in one of his films. The only other instance I know of occurred twenty years prior to “The Shining”, when it’s believed he made a brief appearance in Lolita, disguised as Humbert, crossing the threshold into Clare Quilty’s mansion. As far as I know these are the only two occasions when Stanley Kubrick ‘put himself in the picture’.
Hucka D.:
The hand is then alien to the actors in the film — it’s the maker of the film’s instead. And this is the same for the situation in Frank Park. It’s the maker of the park. True.
bb:
Hmmm (again).
Hucka D.:
Do you not believe me?
bb:
Not sure, Hucka. Can you explain more?
Hucka D.:
The park — parks — are a virtual reality, just like a film. The “director” reaching through and displaying his own hand for those that know is a telling sign. Just like in The Shining for Kubrick’s hand, as your mata has guessed. He knows more than he’s letting on( however).
bb:
Let’s see… the red rock is like the splattered blood from the suddenly slashed or cut hand. It’s not a deep wound on the hand in the movie. The splatter even seems to make a meaningful pattern, and I’ve directly transferred this splatter into the collage. Lucy from Peanuts pulls a football away from Charlie Brown, making him fall down. But in the collage, Charlie is missing, although his “air trail” is still mainly present. In depositing the red rock on the bank, the hand risked exposure, and is slashed.
Hucka D.:
The rock *is* the slash.
bb (looking again):
Okay, thinking more down to earth, I could have slipped on that ice on the bridge, just as Charlie Brown (missing) did when Lucy yanked the football away. So it’s me that could have slipped and been hurt. Not slashed probably but still hurt.
Hucka D.:
Yes. But probably not as well.
bb:
Okay… the slip is a *reverse* of the blood splatter. It *slips back* onto the hand.
Hucka D.:
Correct (?)
bb:
In the collage, nothing is hurt, is injured. The injury is reversed back onto the hand. The “director’s” hand then retreats back through the broken door panel — unharmed. The All Seeing Eye is probably that of the same entity. As Kubrick probably created the film mistake over Snoopy’s nose, so we have the same type of effect in Collage 12 here.
Hucka D.:
The title is “Rats!”.
bb:
Thanks for that. Snoopy’s image comes directly from the Peanuts curtain in shot 61 — the same kind of curtain, I mean (and not a direct cull from that scene). Next might be the separation and categorization of black and white rocks. Black and white and then red all over. Red Rock.
Hucka D.:
Correction. The title is “Red Rock”. Sorry.
bb:
That’s okay. “Rats!” may be used later.
Hucka D.:
Apologies once more.
bb:
It’s okay; don’t worry( about it).
Hucka D.:
Black and white rocks next, then!
(12:23: larger ring effect on Peanuts curtain drape as dr. closes case; Snoopy’s nose highlighted)
My first real animation, modest as it is. Based upon the Otoe series collages, and the way they work best with each other in my mind. Created in Windows Live Movie Maker; excited about this (!)
Filed under animation, Carrcass Artists, collages 2d, MAPS, Murmur, Qbrick, Stanley, Shining, The, Story Room, Washington
Collage 07?
Collage 08 TEST:
COLLAGE 09:
COLLAGE 10 TEST (animation):
Filed under Beetles, The, collages 2d, Maine, MAPS, Qbrick, Stanley, Shining, The
Images from the 1921 photograph ending The Shining (“Shiny Happy People”) sub for the following Pepper people:
http://math.mercyhurst.edu/~griff/sgtpepper/people.html
1. Burroughs, William S.
2. Monroe, Marilyn/ Livingston, David
3. Crane, Stephen/ Hand
4. Bell, Larry
5. Weissmuller, Johnny
6. Bonn, Issy
7. Lennon, John
8. Starr, Ringo
9. McCartney, Paul
10. Harrison, George
—–
And in this fascinating series of posts from the “Nothing is Real: Paul was Replaced” board, we again have mention of the 3rd eye, like the William S. Burroughs sub prominently displays in a Shining crossfade, as discussed before. A good, added theory coming from my direction is that Burroughs *transfers* his own *hidden* 3rd eye to two, specific Pepper images that jarface indicates. This is a direct transference from Kubrick to The Beatles…
http://invanddis.proboards.com/thread/5758?page=1
Now it is time for me to show you the treasure. Going back to Poe’s Goldbug:
…shoot from the left eye of the death’s head…a bee-line from the tree through the shot…
In the story, a golden beetle is dropped from the dead pirate’s eye. Consider the fact that gold is yellow matter and sailors are called dogs, and you can now make perfect sense of the lyric from I Am the Walrus that says:
Yellow matter…dripping from a dead dog’s eye
If you have not figured it out already, I Am the Walrus is all about Sgt. Pepper. Several lines from the song refer to people who appear on the cover. The pornographic priestess who let her knickers down is none other than Marilyn Monroe, who was the first ever Playboy centerfold. Mister city policeman is Sir Robert Peel, who is known as the father of city policing, and who founded Scotland Yard. He is sitting pretty, little policeman, in row two.
But I digress. The picture below shows the shot from the left eye of the death’s head (played by Paul) in yellow. It shows the “B” line going “through the shot” directly over Paul’s heart. We further see that the only visible piece of “treasure” on the cover, i.e. the trophy, points directly to the same spot over Paul’s heart. Clearly we have found the location of the treasure:
Finding the location of the treasure is not enough. In Poe’s story the hero William Legrand had to dig for his treasure; we must dig for our treasure too. It is obvious that we can not physically dig, so in the spirit of parody we must search for another meaning for the word dig…and we do not have to look far to find that meaning. When we follow the line from the trophy through Paul’s heart we discover that it points to William S. Burroughs. His name sounds like ‘burrows,’ which of course means to dig a hole. In the story, our hero William Legrand burrows for his treasure.
William burrows. William Burroughs. Wicked clever Beatles!
The above example seems to indicate that we “dig” by finding pairs of related objects that lie on opposite sides of Paul’s heart.
Here are two related objects that stand out. The stone bust has a prominent bulge that marks the location of its “third eye,” and Carl Jung has a prominent shadow on his forehead, made by the bridge of his upraised glasses, that marks the location of his third eye:
When we draw a line from Jung’s third eye to the stone busts’ third eye we see that the line passes directly through Paul’s heart:
These final 2 images seem to summarize jarface’s theories. The 2 “3rd eyes” of Jung and the statue he’s pointed out lie equidistant from Paul’s identified heart, and imply a tilted rectangle which meshes perfectly, somehow, with the circle defined by the drum to produce an overlay hexagon and star. Quite remarkable!
http://invanddis.proboards.com/thread/5758?page=2
The MESH Pyramid.
Compare with here (toggle back and forth to see changes).
And then here.
Hucka D.:
11 individuals are involved in The Pyramid. Future researchers will divide over some choices. Jack is obviously Paul, however. Ring woman becomes Ringo, as we’ve discussed before I believe. The spectacled guy becomes similarly spectacled John Lennon. Some say this is a young Woodrow Wilson. Then the other woman is obviously a fit for George Harrison. I don’t think there’s any error in these choices. Good work!
bb:
Thanks, Hucka D. Then the man with the 3rd eye subs for Pepper’s William S. Burroughs. That’s another obvious one.
Hucka D.:
Correct. (pause) The first controversial choice may be Closed Eyes Woman for Marilyn Monroe. At first I believe you had her as George instead.
bb:
Yes. Marilyn seems to fit[ however].
Hucka D.:
They[ William S. Burroughs and Marilyn Monroe] form the top of the pyramid, with the Burroughs sub still dominating. He is obviously the eye at the top, see.
bb:
Yes. Illuminating.
Hucka D.:
The two woman in the middle right take the place of… just checking (pause)… artist Larry Bell [lower] and explorer David Livingston. I think the mustachioed guy makes a great fit for Johnny Weissmuller, the swimmer who played Tarzan.
bb:
Yes.
Hucka D.:
Let’s see, that’s 9 of the 11. Then Issy Bonn is the smiley guy. Then the 11th is almost hidden by the hand… that’s (pause) writer Stephen Crane. Sister Carrie Stephen Crane. The hand is Jack’s again, to complete. It’s like a rack of [shiny] billiard balls, formerly disorganized. That’s what Pepper did for The Shining.
bb:
10 in number.
Hucka D.:
Yes. Beatles at bottom. 4 across. Then 3 then 2 then 1. The All Seeing Eye.
bb:
But there’s the 11th to deal with.
Hucka D.:
Much controversy will come of that.
Filed under Beetles, The, Qbrick, Stanley, Shining, The
(continued from?)
Giant Ear of Listening.
Close Encounters was used in Carrcass+2, a candidate for the best carrcass, plus or minus. Wyoming’s Devil’s Tower is featured in several ways. It represents place of contact. In real life now, Frank Park’s Bill Mtn. seems to represent a place of contact for me personally, transposed down from TILE Mountain in Herman Park just to the north. TILE Mtn., in 2006’s Carrcass+2, becomes directly related to CE’s Devil’s Tower. In Collage 04, in its 4 parts, we have what well might be symbols of this new contact, since a bull’s ear is indicated. Bill and Bull become one here through Bullrocks. Slowly but surely we slide into spring hiking season resonances. What’s next for these parks? (etc.)
Steptoe Butte is another form of Devil’s Tower is another form of TILE Mtn. is another form of Bill Mtn.
Fascinating that Kubrick most likely linked the Overlook Hotel’s mountain to Devil’s Tower as well.
Wendy’s projecting lid reminds me of the ear projecting from Steptoe Butte in Collage 04. She has removed the top of the mountain/can, making it flat on top.
A link with The Beatles’ Abbey Road can be made through the VW(s) and white lines.
Since it is a bull’s ear and not a bulls eye now, Danny’s dart suddenly becomes useless (theory). It transforms into a cigarette (or maybe a joint?) as useless becomes useful again. Jack partakes. Lloyd shows up as the supplier (“What will it be?”).
Lloyd is the best bartender from Timbuktu to Portland, Maine… or Portland, Oregon. West and east coast combine as one. We begin in Washington state from the other side. Lloyd is there, on Steptoe Butte. People are now lighting up legalized marijuana joints all over that state now, as well as in Colorado, setting for The Shining. Probably factors in. We had a joint in our car when we were beamed up into Grayson space.
Mr. Beam.
Hucka D.:
So now you know that the bull’s ear is the Bullrocks. What are you going to do about it? You are at Bullrocks and you see twins, right?
Filed under Beetles, The, MAPS, Qbrick, Stanley, Shining, The, Washington
Sunklands 