Category Archives: Sansara^^

redd

Back in Collagesity, observing Mr. Babyface became concerned about the lack of focus. For starter, going back to the very beginning, it’s Man About *Town*, not Time. The errors started at the conception, he realized, thinking about earlier observed images. “Big Red Machine”, now where was that book? Not the blue one over there: that’s “Urantia.” An opera that never ends. Think, Babyface, think! He’s as bad as MAT right now in this magic window, laying dazed in front of a waterfall he doesn’t know the location of. Could be center, could be fringe. “*Car*, MAT, *car*,” Mr. Babyface wanted to shout at the screen to remind the bumbler and stumbler through time the central dilemma the town faced. Jeffrey Phillips was inside, and it wasn’t pretty.

“Woops! Sorry miss!”

“I’m okay I think.”

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two primary cores now, racing to a portal at the corner of a sim

“Who’s that over there?”

Standing up from the magical bench of his namesake island where he was just born, Baker Bloch sees the Fox on top of the lazy and knows he must begin his underwater quest or mission commanded by this nefarious Mr. Low, who lives in the temple ruins just right over…

… there. Not the animal on top of animal spectacle Low the Ancient evilly insinuated, but obvious enough, he supposed. He was told he had exactly 199 seconds now to construct the demanded, fake cemetery and not one second or minute or hour more. One dive, one portal, and 200 seconds later: done.

But the situation had changed from before, the Before Times we’ll call them. Mr. Low didn’t need a highchair positioned above the pretend graves of 3 fallen comrades to know what we’re talking about, calling down to them that he was lowest no more. Shouting down to them.

Because, using hindsight again, he was still a baby obviously, with his lowest of the low tantrums and fits. When will he be able to truly say “hi” to the rest of the world and act like a proper grown up? Probably never, I’m thinking, or a very very *very* long time in the future only guessed at through layers and layers of needed “lesson lives”.


then


now

“One of us may not come back,” spoke Joey to similarly white haired partner/rival Methany on what amounts to be the same island almost 14 years later.

“I hope it’s you,” wittily returned Methany, because it was in the script, the white one. Thanks to the entrapment of Crystal in the art (and pottery) gallery, they had moved past monolithic orange (or red), but blue (or violet) and the possibility of 3 (or even 4) loomed ahead.

“Oh look, here comes Hamlet the 199 pig to remind us that we must act quickly and dutifully to complete our mission or quest.” Blast from the past.

Silence for a bit as neither acted, then, “I can’t believe you held that nasty skull in your hands and talked to it.”

“Only way to find out,” Joey countered. “Let’s go!”, and she dived into the Bay of Pigs first, quickly followed by the other. Surprise move to begin — any small advantage along the way may be the decisive one, she figured. ‘I hope it’s you,’ pheh. Well — right back at you “partner.” She kicked bubbles in her face to reinforce the edge. Feel the bubbles of the lost second, *eat* the bubbles, SWOOSH.

Wheeler always had the advantage thataway over Baker.

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00310302

“Busted!” police agents Crack and Whack shouted after they broke down the door, leaving Greg Ogden in pieces. No longer would he be known as the artist of the “Monolith…”, history conveniently rewritten. All he had left afterwards was cartoons, sunrise to sunset, Sam and the rest. One day he picked up a watermelon and threw it out the window into the woods and then went there, finding a triangle. He approached cautiously…

“Is the camera on?”

He looked over at the illuminating glow. “Yes I think so, mum.” They settled into their cue spots, got into character. Annnnnd ACTION.

“The *thing* is,” Crystal’s replacement Methany began, emphasizing a different word this take just to spice, er, things up, “I was looking in the wrong triangle before. *This* is the triangle. Where Baker Bloch was born — this island.”

“Rodeo, yes mum,” said Carl, his first line in this scene. No relationship to Karl that I know of, although both seem to be bartenders. His character knew this was Baker Bloch instead of Wheeler Wilson before him, and that dark had switch to light, camera rolling. Thus the white hair, the white script, everything. She *was* the triangle.

Someone’s trapped in the art!

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antomic

It’s time to tell the story of the Ant and the Elephant, both chics. CUE MUSIC

“First off, the elephant is a Trojan Horse, pardon the mixed metaphor of sorts.”

“Pardoned,” she said, because she had that power. She was queen over her own little land which wasn’t little atall to her. Like Rose Wells before her. Or after her. We continue…

“We know that because of the triangle that can be opened with stuff put inside. Like a *bomb*.”

Attagirl gasps, throwing her hands cartoonishly to her mouth. Because she was. Would her subjects do such a dastardly deed? And why in Dennis of all places? Or a TV shooting screen in Dennis?

He stared at red, the cover closed for now, the puzzle incomplete, the TV shooting screen: disabled. But luckily we can view remotely.

Grasshopper is dead.

Her bugs are responsible.

The proof is in the pudding… and the sandwiches, and the cake, and the sausages.

Boomb!

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ate

“There goes that red car again,” spoke Leslie to Darla. “Must be stuck in a time loop.”

“Um hm.”

Leslie hesitated but then couldn’t resist. “57?” she guessed.

Darla turned. “33. Corn chips,” she explained.

“My daddy died at 33. Avalanche.”

“Switzerland?” Darla ventured, unable to think of any other location for such a phenomenon in the moment.

“Flavor,” countered Leslie. “Octopi balls,” she furthered. “Straight from a witch’s kitchen if you asked me.”

Darla also hesitated but couldn’t resist. “62?”

“Psychic!” Leslie exclaimed back. And that’s what Darla did for a living after that fated encounter in a bus stop in fabled John F. Kennedy City that hot day in May’s July’s August. Until the living ended. She had a packet in her purse even then but of course couldn’t resist. That’s always the story. Path of least resistance. Psychics are often the most vulnerable even though they can see the finale more clearly. It’s like a giant game they know they can’t win but play anyway. Throwing money away. Machines again, hmph. Chips, creatures: it’s all the same. Crushing them down to size.

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the unhealthy living continues…

“I want *five* hot dogs and I won’t take no for an answer. I have 4 little children in the car who won’t shut up until I do.”

“I only have 4 left,” the vendor man begged, almost out of meat at the end of a loong hot day. But the woman couldn’t give up her own. Dead at 57.

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00310206

“See this snack here, Tabitha? That’s the one that’s going to kill Mommy in about 10 years.”

Yeah I’m about ready to whack a noob. Hurry up there Next Door Boy. I need to make my money back from this machine!

If only I hadn’t hit that machine so hard with my fist, also thought Ted upstairs. Now I can’t have children.

“Sorry Iris!” he said to a passing, oblivious woman.

“What??”

Nearby Douglas was nailing a machine more successfully. He was in better shape. He’d successfully live into his 50s. Until a steady diet of cherry squirt soda did him in.

Machines, hmph.

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00310205

These SILHOUETTES, foreground leaves in retrospect, are *directly* west of dancing Hucka Doobie and Axis in 00310117. They also seem to be “dancing” on a corner of Monroe. Compare.

Despite the leafy origins, I’ve decided it is not coincidence and instead a channeling event, call me crazy (“You’re crazy!”).

Conclusion: we never left the red car. Let’s see what the two are up to currently.

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00310204 (Boy Wonder)

I wanted to stay in Dennis but the (Tisbury) cat lured me down the sidewalk, down and away from where I was suppose to be. “Psst, over here,” he or she seemed to say (in retrospect).

“Here, come here. Come closer. There. You’re here.” Indeed, I seemed welcomed.

Hmm, left the outside faucet running but it didn’t set off any alarms in my head. I’m soo blind without Hucka (!).

“No thanks, I already have one,” I said to the greeter in the front hall, a nice enough bloak. Too bad about the facial wounds for the fellow; maybe holds him back in life and keeps him here. As a servant at the door. “A smoke, I mean. Here. In my hand.” He presents his spliff possessed appendage for the cigar offering greeter as an explanation.

He’s back to old habits. Front and center with his back to us. Ahh, the old Baker. Azure Island days. Let’s get him in a comfy place to think about what’s he’s done and where he’s heading.

Ahh, this is the life, he ruminates. Smoking a spliff while relaxing in a stranger’s home. What could go wrong?

He looks around remotely.

Oldbie, hmm. ‘Nother one. And a prisoner: 031302. So close! This is 00310204. But: point made (?).

Let’s look around some more…

I wonder what could be coming up in post 00310302?

And that was more cats. Holding green and yellow balls. I wonder what would happen if you switched them around?

I think that’s it, the primary message for tonight. I’m officially an Oldbie. I wonder if I’ve been initiated into some kind of club?

—–

Ahh, been there done that.

I feel like someone should be there. In that bed beside the books and drugs and under the stars. Someone just as high as me. Someone just as *old* as me. Hucka, I realized. She never left.

Stand.

But how does he get over there?

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00310203

“Alright I’m ready.”

“Fire her up.”

rrrr RRRRRRRRRR r..r RRRRRRRR.

“Let’s get this show on the road,” doubled down Hucka.

“I’m trying!” rrr RR rrr RR…

“Did you leave the lights on while we were dancing?”

“*No*” rrr RRRRRRRRRRR.

“Ah jeez. I’m going back to the White Palace, Baker Bloch. I’ve had enough thrills anyway for a while.”

rr RRRRR rr RR. “Suit yourself. I’m going to explore the town.” rr RRRRRRR rr RR. “On foot, pheh, if necessary.”

“Goodbye.” She slams the door on the way out and hails a taxi at the road. So many here in John F. Kennedy City. The yellow line should do for a return.

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