Category Archives: Bogota

00500112 (creating concrete truth on the banks of Nawt Vaya)

“It’s not 3 X’s in a row, Hucka. It’s 3 bunnies. Happy belated Easter btw!”

“Thank you. Are we ready to talk about Concrete?”

“The gallery, you mean. And not the WA town.”

“Correct. Should you start or me?”

—–

“Father Fecked was pointing with his possessed cane to end photo-novel 49. But he wasn’t really pointing at the Anton pin stuck in the Anson sim below Nautilus Island. He was pointing to the future, to ‘The Point of It All.’ Thus the name. We can recreate the scene in the present by looking head on at the wall separating the two and seeing both sides. See?”

“Interesting, Hucka D. Strong start for you. So… you mean he was, um, pointing to the side of the VWX Detective Agency building and not necessarily at what’s inside.”

“Both in one. But: correct again. Just on the other side of the wall from him. In the future, when the Concrete gallery was actually formed in 50 and the collage was hung there on the side of Petty’s detective agency. That’s why Petty stated he knew where to place the time machine. He was standing in it (!).

“We can even pull him directly forward through the (detective agency’s) wall, see where he’s position in respect to the collage. What’s he staring at now? A crime! Vandal, just like the policeman assigned to the town is distracted from by the passing pretty lady. Pretty can solve it, I mean, Petty. Petty crime too, perhaps. And that’s just one meaning. He *knew* where to place the time machine,” Hucka D. reinforces. “And as I’m sure you’ll notice, Petty is inside the collage too, magnifying glass in hand. He studies monsters.”

https://bakerbloch.com/2017/05/12/53217/

Baker’s turn.

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00500111

Barry De Boy heard he was in the collection and decides to check it out. No luck yet, but he’s only in the 1st room. “The Point of It All,” he uncovers the title of this work mysteriously stuck onto the side of a tiny house. Graphic Artist, he reads off of it, like user Baker B. is a type of graphic novelist. But maybe that’s just me thinking through a character again. Like a spirit I am, jumping from body to body, wheee! Even Wheeler’s, even the female. Man and wo-man alike, just like in “real life”. One of the points of it all I suppose.

Ahh, way up there! But he’s too lazy use the teleporters to get to the third floor of this particular Concrete gallery room today. Maybe tomorrow.

Soon, he finds himself again, 2 of hims, in the last room. In fact, he’s in the very last collage of the 40 piece set. “Barry Presents: Departure.” He wonders why the name has been changed. Genesis (band) to begin, he realizes, Genesis to end here (altered cover of their 1972 album “Foxtrot” to reduce, among other things, 4 horsemen of the Apocalypse down to 2). The foxy lady on her newly made island floats away from dangerous mainland.

Beginning again to double-check the image on the 1st (“Celebration: End of Rain”).

The anthropomorphic fox is obviously Peter Gabriel in a way, in a manner. Dancing with himself during his solo career, more man to woman exchange.

“Pageturner” next. Peter Gabriel understanding the loom of “Lamb” and having to escape its huge shadow. Sooo, he did! TBC

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00490614

The layout of my Nawt Vaya Free State land on the continent of Jeogeot in the virtual world of Our Second Lyfe has changed. Frank’s Giant Castle in the Skies has now been moved down and grounded (in reality?). Cement Village, last seen in Aisle of Palms over a year back, has become the new business center, housing Daisy Flathead’s Hole in the Wall and more. Let’s go inside and see how she feels about it.

“How do you feel about the move to the old Aisle of Palms’ Cement Village?” I ask through Biker Frank.

“I don’t know,” she might answer. “How do *you* feel about the move of your Giant Castle in the Skies down to the ground. Reality?”

“Maybe,” he admits. “But, bigger picture, welll…”

“I’m not with Biker if that’s what you’re asking. Me and you: we’re still a team. Moving forward.”

Frank is overjoyed, overlapping his hand with hers on the counter just like in the beginning. *Now* the movement of the castle is a success.

“I feel safe here… safer,” she exposes her emotions on the new location. “Since I’m not right on the Nawt Vaya shoreline and (so) further away from the alcoholic sea monster. *Non*-alcoholic sea monster I guess I have to add now, since he gobbled up my first successful batch of personal (non-)brew along with the old bar!”

Both laugh. Frank had to ask this next: “Where *is* Biker, then?”

“Where was he ever? All I know is that he came from the south.”

“South, right.”

“Somewhere near the southern end of Nawt Vaya but not right on it. I went to his house, er, *once*?”

As if prompted, Frank takes another swig of the house beer while simultaneously withdrawing his hand from hers. Michelob Zero still, but not for long. New batch of personal brew in the works! He’s readying himself for another question, a one worder this time. Daisy knew she kind of screwed up with that revelation. “House?” he clips out. Swig again, hands further apart.

A call just then coming in on Frank’s phone. Ring tone: “Blue Moon of Kentucky”. “I have to take this,” he says, and goes outside for privacy. Mouse returned? he psychically senses. No, that can’t be it, he rejects the actually correct insight. He’s died twice already. Two’s the limit, right? Surely it is. Can’t be…

But that’s exactly what *she* told him that day in April’s May coming up behind him swiftly like a lion from March. Mouse has come back, kind of once more. And already on his last leg and death bed in one.

“W-where?” Another one word question, a one word answer back.

“Meet me there,” she said after giving the location. “By the big head in the middle. I’ll take you to him.”

Daisy wanted so badly to ask who he was on the phone with when he returned to his seat at the bar but dare not because of the look on his face. Sour! Tension in their relationship hasn’t quite been resolved yet. Doubts on both sides still. Let’s deflect the blame to AI again. Just to be safe, or safer.

“I have to go,” he said, laying one of Philip’s remnant teners won at cards on the counter as a tip. TBC

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00490613

Leftover maps, Arkansas and Kentucky.

Arkansas first — Pope County.

Relevant names so far: Solo, Gabriel, Russellville, Pottsville, Scottsville, Alpha

Relevant info: Solo + Gabriel as in Peter Gabriel’s solo career where he escapes Lamb (Genesis’ towering achievement “The Lamb Lies Down on Broadway” double concept album) via, originally, the single “Solsbury Hill”. Pottsville as in Gorillaz’s 2-D whose last name is Pot without the extra T, Scottsville reinforcing Pottsville by being directly north of it. Russellville as in Gorillaz’s Russel without the extra L. Alpha down at the bottom already paired with just off the map Omega in this here photo-novel to represent core avatar Wheeler who was created last but has become the first in importance, the heart of the process.

Kentucky next — Hopkins County. A direct continuation.

Relevant names this time: Silentrun, Mortons Gap, Anson, Ansonia, Hanson.

Relevant info this time: Silentrun Ck. is alternately named Lambs Ck., as in Gorillaz’s “Silent Running” video with 2-D wearing a Lamb t-shirt and being sacrificed as such by the Forever Cult to their underground Lord of Darkness. This is Gabriel who didn’t escape Lamb and remained with the Genesis band. Mortons Gap as in the location of one of Barry De Boy’s “Does This Look Square to You?” series of collages seen in section 05 I believe. A stand-in for my last personal collage ever, perhaps, also directly related to Genesis (using “Foxtrot” album cover coming a bit before “Lamb”). Ansonia as in Charles Anson, similar to Gorillaz’s Manson and likewise a hater of the band he use to work for and trying to prevent them from forming in the first place through some kind of time machine, with similar names Anton and Hanson nearby to reinforce the association.

Getting that out of the way we can continue…

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00490511 (cleansed 02)

Stop, smell the roses.

Good, isn’t it?

But the smell of the hotel beneath it wouldn’t go away. The loop still exists: Violet Hope, the 1923 vampire who lived at least 100 more years. Can Can Girl, with a second head now emerging from the first thanks to the magic of instant collage, no mirroring required. Barry de Boy decides to created his “Does This Look Square to You?” series because of its reduced 814 x 814 pixel dimensions, becoming the second entry of the bunch which started with this…

… and currently finishes up with this, its third and perhaps the last personal collage, period, a good place to terminate the overall process (?):

1-2-3, with 24 x 24 miles square Newton County MS and 13 x 13 multi-colored square The Atom also in the mix somewhere, at least behind the scenes. Back to the hotel…

“I’m finished, Hucka! You can come in now!” Wait!! Why did I say that?? I’m disgusting!!!

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00490510

Barry De Boy stands in front of the Shaffer Hotel in Mountainair NM, realizing that he had already checked into a room here in 2023 and then never left. Yet this is also his first time visiting. Time forms a loop in this place and disappears into a Vortex of some dimensions, some dimensions indeed. All of this was pretty much covered in photo-novel 37 sections 1 and 2 and a bit in section 3. I don’t think we need to rehash the story here. Moving on, then…


“Can Can Girls” 1923>2023

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00490214 (“End of Real” revisited)

We were in Puerto Rico now, wondering about the difference between Real and Anon by way of Georgia and its own Anon along with a similarly named Rayle also nearby. Which I think might stand in for Real via its phonetically identical Rael, as in the lead character from the ultra-classic Genesis 1974 double rock opera album called “The Lamb Lies Down on Broadway,” a dysfunctional, graffiti artist proto-punk from the mean streets of New York City at the time. Peter Oesso would probably know. If he’s who I think he really is deep down, i.e., former Genesis front-man and primary story penner Peter Gabriel. Can he find his way out of the machinery again and drop the crowd pleasing mask act? Wherever Peter went the “Lamb” was sure to follow unless he left the group, a change heralded by the 1977 classic single “Solsbury Hill” from his first solo album, the original track recorded as an artist beyond Genesis. “Lamb,” a cumulative effort for the band, was just that huge and overwhelming. He had to move on…


“Pageturner”, 2017

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00480613 (“Endless Window”)

Harlequin moves from the darkened corner of the courtyard into the house with Columbine, Pierrot having shuffled off below the event horizon like a dying orbital sun. The oldest extant animation ends here with the created black hole, paint applied gelatin finishing its run.

—–

“Now let’s get to the other one, Daisy. Father you say?”

“Father I say.”

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00480611

Perspective has changed at De House. Mann has lost wo-Mann in a way, in a manner. A hole has been formed in the middle. Witches. Which witch is which? What is good and what is baad?

“Interesting art you have there up above the bar now, Daisy. Another Corona Non while I have your attention, thanks.”

“The art?” She turns and looks up. “Yeah, it’s the alcoholic sea monster there in the middle, obviously. And the pool it’s in: the Nawt Vaya Sea. I found it in the user’s inventory. He indicated the association.”

“User?”

“Yeah, baker b. The user who controls us all, or at least while we’re on his land I suppose, this Nawt Vaya Free State on the shores of same.”

Biker Mann takes another drag off his cigarette, attempts to take all that in. He decides to focus on the art, the meaning. “Soo… is that a painting or what? Looks more like a photo.”

“It’s a collage, silly. You know that.” Daisy Flathead looked flatly at him, anticipating more. Hopefully the discussion will get seriouser from this point on. She decides she needs to add some information here and does so. “It’s… not a part of any series that I know of — not really.”

“The houses,” Biker kind of interrupts. “The same?” making her turn around to stare again. “90 degrees?” he furthers. “3 years?”

—–

“Oh, and the central figure, er, figures. The brown statues that grow shorter with time.”

“Do they?” It was Daisy who was trying to catch up now, mann overtaking wo-mann once more. In this certain situation in this certain time in space.

“Yeah. The acorn topped head.” He pointed to Daisy’s flat one. “It’s Pierrot again. Did you get that?”

She didn’t. But then she makes a decision after continuing to gaze. “I — don’t think they’re the same.”

“Aren’t they?” he pressed.

She checks again. “No,” she judges firmly.

“Okay, okay,” he gives in, seeing the pretty different designs on the, er, helmets of each. Head tops. “Then let’s shift to the hole in the middle.”

“Nawt Vaya? Sea?” she added.

“Kind of I guess. But (moreover) the hole made by the line figure collapsing inside his own clothes that obviously overlaps the brown statues. Where, um, does that hole go?”

She notices the hole, she notices what is highlighted. Thinking of Grant’s Hill again in Missouri and nearby Siloam, she says the word in her mind.

Just then, Philip Strevor pops his head in the door, asks about Nada. “Seen her?” he finishes his introductory paragraph.

“Nada? Yes, she came in here earlier with Lexi,” Daisy provided him. “Said they were headed up to Juho. Said something about a haircut.”

“Oh no,” says Philip. “Oh *no*. WITCHES?” And he ran away from the bar to the North as fast as he could, hoping to catch Nada before she made a big BIG mistake. TBC

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00470407 (Mine, man)

She’d finished her shooting. She’d put back on her finest cashmere robe. This was the result, proudly hung in the hallway leading down to Newtown’s Ratskeller. Barry De Boy’s self proclaimed magnum opus “Toy Play Thing Mine”, part of his “Does This Look Square to You?” series, being exactly 814 x 814 pixels in resolution. And directly kin in this series to the similarly square foldup of the “Foxtrot” album cover by Genesis from ’73 we’ve just seen back in post 01 of this section, also associated with Shelley and the request by new SC librarian Miss Ouri for her to come out from under the lamp and “get big” before them, which she refused to do as was appropriate and logical and decent. ’73: a good year for progressive rock albums indeed. Magical. Spread out centerfold in that case here:

The corresponding folded out version of “Toy Play Thing Mine” has been lost to time, which is in all likelihood for the best as well. But we do have this from “Foxtrot” again, specifically the long and epic “Supper’s Ready” track from side 2, as a kind of indication to what is going on. Green-Gray perpetual war results here again…

We now know that that “Foxtrot” described location of a plateau full of green grass and green trees with Narcissus gazing lovingly at his reflection circles back to this:

And its slowly but surely increasing number of *toys*.

Careful with it. Carefull. Very precious it is. And perhaps fragile. One long gust of wind from the real world all around could eradicate the magic and the spell. Make sure the colors are out of sight as best as possible, white here included. Hide the growing toy avatar village of Flathardt on the edge of this green plateau well. Do not put stuff like blue roses more toward the makeshift path than runs through it all as a possible tipoff to its presence. This is enough of a blue rose case already without such a physical marking. Flatness like this at the head of a hill does not occur naturally. Keep that always in mind during visits and updates.

Now if only the daily mountain rains would stop, UUGH.

(to be continued)

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