Tag Archives: BogotaC2077^*+++$

00500512 (The Sage Page)

“So there I am again. You can tell me by my bent up nature, just like an Ozian Wheeler traveling around on all 4s, and also bent to the rule of the Witch Mombi and perhaps the Nome King through her. Old Wheeler,” she summarized about the figure in the center of the collage before us, called “Crash on Mars.” Not because it depicts something crashing into Mars but because of another figure to the left of “Old Wheeler” called Crash who holds in his hand a giant fishing rod from our perspective, horses let out of a barn I suppose. She first brings him up in the next paragraph.

“(the 19th Century U.S. religious figure) David Brainard is seated in the foreground,” she continues, “who seems to be the same as (brainy) David Bowie, the Spaceman, the Man who lived on Mars. The Starman, as in Dark. Black. Look at the top. At the end of Crash’s fishing rod which passes through (the word) RUST.”

I saw the black star at the top of the work where Wheeler (*New* Wheeler) indicated, fronted by a blue-green hummingbird. I ask about it next, prefacing this by saying that it seems to me it should be a fish here instead. “What gives?” I end my query.

“Let’s turn to the next Bogota collage,” she replies and starts walking to our left, pulling up in front of it. I go stand beside her, basically shoulder to shoulder again so we can keep trying to see as one.

“More Life on Mars,” she says. “Remember when I told you to bring me Book 03 from the town library and place it on my table? Well there it is. It’s a summary of all knowledge, all books.” The collage changes.

“And there is the second part of the animation which is actually the first, showing my point. Lisa the Vegetarian is the Tungaske artist who absorbs it all — inputs it; eats it — and then provides an output for us to peruse and perhaps dig into deeper if we wish. Beyond surface reading, you see. Surface of Mars. Crash again in back, facing toward you this time — sans rod, I’ll add, with no horses around this go around. As if waiting for you to act. Can you act? How deep can you go? TBC

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Filed under **VIRTUAL SL, 0050, 0512, animation, Canada/Tungaska, Cement Village, collages 2d, Cricket, Google Street View, Jeogeot, MARS, Nawt Vaya+, NVFS

00490312 (sideways (foreshadowing))

Q:

Are you Happy?

A:

Yes, I am Happy.

Q:

Pleased to meet you. Is everyone around you Happy?

A:

Let me check.

With this, he sees beyond himself for the first time. He sees… a gallery.

—–

“My Second Lyfe is over, Philip,” he spoke to the pillow at his bosom. “Banned. I should have never descended from reality to this *illusionary* place.”

“No, Philip,” says the pillow, because they both have the same name, one taking turns with the other as in any good ventriloquist act. “The energy of Rose Heaven here has entered the sphere of Rodentia and lives on accordingly. And Rodentius of course, the male at the center of the feminine circumference in this case. That’s why he has that bit of brown to add to the predominant white. That’s the rogue brown Thornwood sim here. I’ll take it from you.” SLIIIIIDE.

Philip, the bigger one still clutching the littler one, turns in his chair at the noise. “Oh,” he says staring over at the back corner of the Rose Heaven Yarn Shop he sits in the middle of on his own little island. “Another case, eh?”

“Yes.”

Happy stares too, knowing a certain book is involved, perhaps a journal. Philip turns back into Jeffrie. TBC

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Filed under **VIRTUAL SL, 0049, 0312, Apple's Orchard, Jeogeot, NWES Island, Rodentia 02, Rose Heaven-

00480404

And so we begin at the end, 561 steps from. Walking down, we’ve returned to the ONE but with nowhere to go but back up.

“NEXT!”

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Filed under **VIRTUAL SL, 0048, 0404, Heterocera, Jeogeot, NWES Island, Rubi

00470512

Everyone Says “Hi” 24 x 24 on panel.

A painting inspired by the David Bowie song and part of the PBJ show with Jay Jacobs, Feb 2016.

It was weird, as I was painting this I couldn’t get any of the characters to smile. Later I found out that Bowie had passed away that day.

Here is a link to the song. https://youtu.be/um05lJzXD0w

—–

Just in his own little island, Jeffrey Phillips remained happy, clutching his Philip Linden doll to his partially bare bosom and remembering his connection with another Phillip named Jeffries, his name kind of reversed or where it came from. White was his world; pure; removed of color and complexity and foldouty nature. But all around this everyone was sad and unable to smile. Jeffrey knew something had to change. The Real World must intrude on this rosy environment. Again.

“INSERT THE THORN,” a voice boomed up in the air somewhere. *sliiiidee*

Ahh: there it is, brown instead of white like all the rest. A sticking point as it were, an impasse.

—–

And just like that Shelley was banned not only from that “new” sim but the kingdom/queendom as a whole. Good to know how they feel about her. Like another Brown, Molly this time, an unsinkable force to reckon with, however. I must MAKE SPACE for her whims and fancies while remaining active in this Our Second Lyfe. But not there obviously.

So Rose Heaven is no more for me. And David Bowie remains dead.

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Filed under **VIRTUAL SL, 0047, 0512, Georgia, Jeogeot, NWES Island, Rose Heaven-

00450310

He stands up upon the princess’ guard’s approach. “You’re up,” he says to this smiling Mr. X, just happy to be here in this time, this space. Mountaintop.

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Filed under **VIRTUAL OT, 0045, 0310, Bogota, collages 2d, Haze County, Oooo, Willow Hill

00450216 (end (430 (words)))

“This would have probably been Fall 2015, or maybe even back to Spring 2015. But probably Fall 2015. Or even Winter 2015, or at least before the death of Bowie in Jan. 2016. This started several things. It, in a way, started the photo-novels themselves. Bowie *came* to Our Second Life and its Collagesity for a visit on his way to other destinations. This happened right after his death. He flirted with Baker Blinker, even propositioned her to go with him to the stars and leave Collagesity. This would have, of course, null and voided her relationship with Karoz Blogger (occurring just afterwards), so crucial not only to photo-novel 01 but all the photo-novels to come. They may *not* have come, you see.”

“I see.”

“Your double played a part in this. You synchronize further over the death of Bowie and the release of his last album, ‘Black Star’. Playing it right after Bowie’s death, you were amazed at its depth, how good the music was. You’d only known Bowie through his singles before this. Thus the can was opened to explore his oeuvre in a much more thorough way, which you did over the next several years. And your double went right along with you in a way, reliving his own appreciation of the Thin White Duke. After ‘Black Star’, you then moved to ‘The Next Day’, his previous album. As you told your double, there’s not a weak song on the album, which he agreed with. You also gave him a copy of ‘Black Star’ which he didn’t have. More synchronization. You were kind of moving as one. Or at least so you thought.”

“I thought?”

“Even at the start, you were not as synchronized as you thought at the time. You were a damaged soul by then. Your double represented a light in relative darkness, someone you connected to. You, in a way, in a strong way maybe, needed him more than he needed you. He had enough friends. Maybe he had *too* many friends, too many connections. You didn’t have enough, he had too many. And he had ambitions in the library, desired to be a major player there, which finally worked out for him by the time of your retirement in 3/1/22. The date is significant. It represents a place you separate from the double, are born *away* from him and back into your own sphere. You are on your own after that, just in terms of male friends. You thought you could continue that friendship beyond the library. But a wall was built at 3/1. (Photo-novel) 31 — remember that.”

“I will.”

(to be continued)

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Filed under **VIRTUAL SL, 0045, 0216, Nautilus, Upper Austra

00450215 (beginning)

“So let’s start with the doppelganger, the green one.”

“Fern.”

“Welll.”

—–

“We first have to get to rhythm and pitch. Opposites. Remove pitch and you still have rhythm. Remove rhythm and you still have pitch. Keyboards (which I play) are pitch. Drums (which he plays) are rhythm.”

“Okay. Good start.”

“These are the musical differences, stark right up front. But then dig just a little deeper and you have similarities within these differences. The Kinks represented the first bonding point, before Bowie.”

“Right.”

“And we liked the same albums by The Kinks. Unlike the guy who worked for Norwegian.”

“Yes, he liked ‘Arthur’ and ‘Muswell Hillbillies.’ You liked ‘Village Green Preservation Society’ and ‘Lola Vs. Powerman’. These albums all line up 4 in a row from ’68 to ’71 (their ‘golden years’, along with ‘Face to Face’ from ’67), subtract the ’70 soundtrack ‘Percy,’ which was considered a more minor work.”

“Right. And my doppelganger also liked ‘Village’ and ‘Lola’. And he expressed difficulty getting into ‘Arthur’ without my prompting. *I* had difficulty getting into ‘Arthur.’ And as I recall we both really dug ‘Village.’ Hard to say they made a better album, although I perhaps like some of the individual songs more on ‘Lola’ than any on ‘Village.’ ‘Village’ is, in a way, a perfect rock album. Better than ‘Sgt. Pepper’s’ I would venture.”

“Yes, so that was kind of an original link. Now you must ask: why? Why the mutual attraction to The Kinks and even the same albums, unlike that dude who worked for Norwegian?”

“The guy who worked for Norwegian represented a contrast. To instead show the similarities between my doppelganger and myself, and how it could be different. We *speak* very easily.”

“Yes, so we have a foothold. Now move to Bowie (and others).”

(to be continued)

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Filed under **VIRTUAL SL, 0045, 0215, Nautilus, Upper Austra

00440209 (down from the rooftop)

Something to do with the plane, something to do with the vine, she thought parallel to the other investigator, the one who works more during the day. This one prefers night, when the NPCs are all asleep and silent and away from their normal routines. Silent night. Like the Hispanic worker also with an interest in “Viney”. Is that the actual name for the thing? Can it *talk*? Questions like these haunt her nights more than actual sightings of oddities fer sure.

This day was different. Special indeed. 25. “What are you doing at my house?” the man who looked like Santa calmly asked but ready for action if needed. As always.

“I-investigating, sir,” she managed through the shakiness. Came right up on her without a sound! Stealthy, she quickly determined. Cat-like.

“Investigating *what*?” Still calm. He spread his arms, indicating the whole manor. “We make wine. No mysteries here.” But there was a slyness to his voice.

“Th-there’s rumors… sir… of a monster about here,” she came up with off the top of her head.

“Monster?” Eyebrows raised again in disbelief, but with that wry smile. He stood his ground, waiting for more. Nonthreatening, but Stacey (Stacey?) knew he could pounce in a flash anyway. The tiles, she realized. She could make something up about the tiles. He probably saw her shine her light on them from this distance. So she said this, connecting them with patterns. Patterns of monsters.

“Ahh, that old thing,” he seemed to dismiss. “You’re not the *only* one. And won’t be the last one. But I’m surprised you didn’t mention the flying machine that collided with the field at precisely 3 o’clock,” he said in his cunning way. “Or the other thing.”

“Flying machine?” she offered, ignoring the second for the moment. “The plane you mean?”

“Yes, I’ve heard it called that. By the others.” He rubs his chin thoughtfully, as if thinking back to prior conversations with them. “Tin can too.” He shuffles his feet, reorienting himself. “Do you know what that means?”

Tin can — airplane, she thought. But all that came to mind is that old David Bowie song about space and its own set of oddities. Which was actually correct.

“Nothing?” he asked, eyebrows raised and arms spread at once.

“Nothing,” she admitted.

(to be continued)

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Filed under **VIRTUAL OT, 0044, 0209, GTA, Witcher

00430404

After their last show together as Ziggy Stardust and the Spiders from Mars in July ’73, David Bowie (Ziggy) entrusts Spiders’ lead guitarist Mick Ronson with his guitar in a world inverted from ours through more than just colors. It has been proven that *our* Bowie knew of such worlds in music videos like “Loving the Alien” from his much maligned “Tonight” album released in the mid-80s, a time when mainstream rock music in general was going through a rough patch of banality. An inverted universe is front and center when we enter the video with a blue (opposite of skin color) Bowie praying with clinched teeth to an unlistening and perhaps unreal deity.

Then it becomes starkly obvious when Bowie sits in front of a mirror and is forced to watch it flip into this “negative” self by a restraining nun figure.

With the lyrics’ emphasis on Christianity against Islam, and organized religion vs. heathenism and nonbelievers as a whole, Bowie warns that we often get history backwards through the lens of Western Civilization, justifying mass killings in crusades ancient and new in the name of a supposed one true God — *our* God. Turn to the aliens for a higher and more correct perspective on the situation, he seems to say. Love the aliens… in ourselves.

Back to Bowie and Ronson and the handing over of the guitar, this didn’t happen in our world. The Mars Guitar was destroyed that summer night in London along with the backing Spiders band, never to be played with again. But through Jonny Silverhhand and Cyberpunk 2077, a role David Bowie was slated to play until his untimely death in 2016, alternate paths can be explored. No regrets, Bowie confronts his own reflection after the Black Star incident. The guitar plays on.

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Filed under **VIRTUAL OT, 0043, 0404, Arroyo, C2077, MARS, NIGHTSITY

00430316

I occasionally come here to walk, almost always at night and most often in the rain when less people were around. Like tonight. As David Bowie following in the footsteps of John Lennon well knew, fame certainly comes with a price. No more anonymity, especially in my former hood.

Many things had changed since the 2 years I’d been gone. The old Hands On Car Wash behind Aunt Jen’s where I lost my cherished spool table was now the Crown Car Wash, taken over by big corp.

Fern’s old Foreign and Domestic car parts place across the street from it had been bought out by a neighboring business dealing with electronic circuits.

But Fern herself was still in the area; had herself bought a failing Crucial Fix Jamaican coffee shop nearby and turned it into a self named cafe, no possessive form this time. Just plain Fern — actually The Fern as I’m thinking of it. Drove by it during the day already…

… but try as I might, I couldn’t find it now in the dark and the driving rain.

Once found, I planned to spend time there with the smartest person I knew, black white or any other color. Except maybe for Stinch’s uncle’s cousin up in Grapeshot who could sell bacon to a policeman, ha. Fern’s a mentor for sure.

10:43. Better get back to the “mansion” and pick which of my 7 king size beds I’m going to sleep in tonight and pick one of those Red books to fall asleep by. Author a guy with Mars in his name — go figure. J. Marston. Could be John, could be Jack. But probably Jack, the son. I’m on chapter 4 now: ‘How to Deliver a Foal’. Fascinating reading; getting sleepy just thinking about it. Here’s my turn.

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Filed under **VIRTUAL OT, 0043, 0316, GTA, RDR2