Tag Archives: LIBRARY

00500603 (Kessler (wrong way))

She peered at me over two empty wine glasses. As if she had something to hide. She indicated “full perm” and loads of prims/li, which meant we could live here for a while if we wished. Nothing upstairs, she also said, indicating something else. Yeah, we could crash here for a while. But did I want this? Of course I want this (!). I want to live period, breath again, walk on Second Lyfe God’s green, beige or whatever earth terrain. But she said if we did this there would be a price to pay. Snakeworthy Price, I guessed, as in owner of The Shooter. And what was being shot? Bigfoot.

We moved to a nearby structure. “We could live here for a while,” she said while reading the clear as a bell text from her latest book. Suddenly I wasn’t so sure. TBC?

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Filed under **VIRTUAL SL, 0050, 0603, Critterville, New Island, Omega

00500513 (Topper)

Before hopping into the shower, Shelley/Wheeler decides to assume that pose again she saw Bigfoot take in Concrete WA and stare at the results in the mirror before her. *Am* I Bigfoot? she couldn’t help think with her library eyes in place, no need for aiding glasses any more, a block to deeper knowledge. All Knowledge. Especially given that she could animated herself this way in the first place. Library… might as well call it “built in”. Thanks to a witch. TBC

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Filed under **VIRTUAL SL, Washington, New Island, Omega, 0513, Google Street View, 0050

00500311 (Shakespeare never sleeps)

“(The ASUMH library entrance is) 7.00 miles from Arkana, 7.00 miles from Arkawana with the WA left behind in the attached, sad sad Robina crime spree story. Concrete (WA) again? Might be pressing it there.”

“Silver,” listening Wendell Biff Carter attempts an explanation of his own. “Silver = seven; you pointed that out before.”

“Could be,” admits Shelley, still on the bench, still beneath and hiding under and even within Noodle looming o’er her. Always.

“It’s good you didn’t come out from under the lamp,” Biff tries to summarize their talk so far.


photo-novel 32

“I was too little then. Wouldn’t have worked.”

“But later, I mean… when you were able to turn around and face the music. Miss Ouri had taken over *everything*.”


photo-novel 47

“Oh… right. But not quite everything,” she corrected for Biff, her manager, her… friend? Let’s go with manager for a while longer. “There was my saving grace,” she said. “I escaped through the island newly formed off the coast of mainland. (The) 4 (Apocalyptic) horses reduced to 2….”

—–

“What happened to your husband Arthur anyway?” Biff begins a related topic, bit of jealousy in his tone along with a bit of hope. Could it work between them? Nah — and he tried to shove that thought out of his head. “Last I heard: Oceania.”

“He’s still there. Playing the role of Godzilla or sumtin at Point Nemo which is the furthest location away from dry land in the whole wide world. He literally followed his lucrative paying roles to the end of the Earth, as far away from my loving arms as he could get, *sigh*. I guess all he has left now is either turn around and come home to me or go off to a different planet altogether. The louse.”

Ah HA, I think from beyond the wall. Explains a lot!

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Filed under **VIRTUAL SL, 0050, 0311, Arkansas, Jeogeot, Rodentia 02

00500308 (pinpointed center (ASU-“Mountain Home” library))

“*Very* clever, ya’ll,” Daniel calls into the air, talking to the spirits he credits all this weirdness for instead of me. “*I* walk into the library that fateful day, ready to start a new chapter of my life. Oh I’ve been there many times before.”

“You have (!)” I said. That’s how we became friends.

“But not like this, not as one of the actual employees of the place. So I walk in, walk up the stairs and visit the admin offices to finish out my paperwork. So *excited*. Yet so scared. I’d thrown away full time employment at the, er, college to work on my art in the afternoon. This has now been reinforced to you.”

“To me reinforced this now has been,” I reiterate. “Through the blog, through the photo-novel. Through the *maps*.”

“Yes. Good. I’m getting the hand [sic?] of all this, Baker B. I really am.” And they’d yet to talk about the girl with the library eyes, the one who stood so small under a lamp in the corner when all this went down. Noodle, we could continue to call her. Although that’s not her real name. Time machine.

“Hold on, Mr. SPLAT, ha. I can even show you ascending the stairs. Continuation…”

“Look how happy I am — perfect.” But he still wasn’t talking to me directly.

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00500307 (Hand’s down 02 (continued zoom into just discovered Arkana-Arkawana circle from angle))

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00500216

“Why does it have to be pink, Murdoc!?” shouts straw hat wearing Noodle up to her cult leader who’s also the bassist in her band. “The obelisk I mean!” She points toward it but Murdoc doesn’t see this or respond, still training his binoculars on the pool next door and its own bathing beauty of a person. Blue Moon, I mean Blue Flower… ahem, I mean *Moon Flower*, leader of her own cult as it turns out. Who has her own similarly size obelisk already painted blue, several in fact. From her angle, Noodle hasn’t seen this since it lies in the future. She’s only started her study as scholar of the cult, with the most important book still unread just beyond the tips of her pink painted toenails. “Masks.”

“Hurry up, 2-D! Why isn’t it finished already!” Murdoc barks down in the present, prying his eyes away from his target and toward another one. Pink vs. blue, then, just like with the battles of the sexes made famous in that 70’s tennis match between Billy Jean King and Bobby Riggs at the Possum Pouch Astro Dome in Arkansaw Texas. Substituting one for the other. Doesn’t have to be that way. Noodle knows.

Library eyes? Not quite yet.

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Filed under **VIRTUAL SL, 0050, 0216, California

00500214 (Father Fecked’s is just candy)

—–

“It really is wonderful, Baker B. Can I call you Baker? Sir?”

“Sure. *Daniel* (smile). But what do you think of (the) Bill Hicks (stuff)?”

“Nice.” Then Daniel said what was on his mind since about 1/2way through the sync called “Father Fred.” “Soo, all this castle we’re sitting in now, this Howl’s Moving Castle, is about teaching your 4 old library friends a lesson?”

“Noo,” Baker began his defense. “It’s about *communication*. Stuff we couldn’t have in real life. A *nexus*.”

“Nexus, eh?”

“Nexus,” Baker reinforced. Had to watch his temper. What was so hard to understand about all this? he thought. Frank’s Moving Castle equals Howl’s Moving Castle equals “Frank’s Moving Mtn.” when combined with Zappa’s “Billy the Mountain” rock opera. Simple as pie.

“Soo…” Daniel rubs his forehead. It had been a long day. First working in the morning, then this at noon, then back to work at the studio in the afternoon. Baker was lonely, he gathered, had no one else to watch this stuff with, except the wife and their mutual best friend Kammie, he said. Thus me — here. And the whole Zappa thing. And now: Bill Hicks. The endpoint. It was brilliant, he knew. But he couldn’t say this directly to the man pacing back and forth in front of him. Had to put on a *front*. “I think I like ‘Peewee Big’ better. You *did* ask me to be candid with you,” he said, gauging the expression forming on Baker’s always sensitive face. But all that registered was acceptance.

“Of course. ‘Peewee Big’ is the peak of it all — in a way. But each one is very different, each has its own merits, its own place in the spectrum that is the process.” Baker had to curb his tongue here. He could speak for days about this. He couldn’t place himself in Daniel’s shoes, understand that he too was trying to develop his own creativity. He was 20 years younger than Baker, though. Hadn’t had time to refine the process like his friend, his co-worker had. He was being overshadowed. And the crack about his writing the other week (!). Still pisses him off when he thinks about it. Yeah, *I’m* a creator too, just like you Baker,” he’s said to himself numerous times since then. And I can do several things as well. Writing… art. Just like *you*.

“Great. We agree.” Daniel looks around the castle’s living room. Father Fecked was here too, just like in the sync. Amazing.

“Well, I guess I better get back to Cedar Creek. Got a sculpture to finish this afternoon.” But, typical, Baker didn’t ask about any details on *that*. Hmph. Ego. Can’t see beyond his own nose, Daniel thought here. I’ll be glad to blow this place. And he can’t smoke here either, another disadvantage. Too much wood in the structure to take a chance, Baker explained to him when he asked. Must… have… cigarette, PHEH.

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00500109 (Magnificat)

“Good. Good good good! I feel *rejuvenated*.” But it was the excitedly pointing cane talking this time, ha.

We downloaded an image of the liner notes from the source DVD this newest cane appeared in the exact center of — “Barkley’s Barnyard Critters: Mystery Tail” — and put it on a prim for closer inspection. “There, *there*. That’s me (*SWIG*)!

“Rudy the cane!” he named himself as his master (servant?) continued to drink. Ventriloquist!

“It says ‘Ru’y,'” I say back, just going along for the ride, the adventure. “With an apostrophe.” But then I realized the “D” was simply erased for some reason. Trying to bury the message deeper?

“I *hate* Snakeworthy Price,” he issued, remembering that bit as well.

As Frank hovering beside him somewhere, I also realized that the Old Sweetback character pictured just above Rudy with arms folded behind his head had recently appeared in my photo-novel here, 50th in number (so many!). Concrete WA’s MIB (Man in Brown), face obscured again. Wi-erd.

The plank is the cane! I also realized, moving my attention to the car. TBC

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00500104 (Concrete proof of bigfoot)

MIB (Man In Brown)…

… posing/showing himself

XXX dream

people don’t want to see

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Filed under **VIRTUAL SL, 0050, 0104, Google Street View, Washington

00490606

He broke away from her all knowing all seeing eyes, understanding more. Something was wrong, something was off. Sherwood *can’t* be first, since he is the youngest and hadn’t grown up enough yet to play the drums properly in the band. “Paper” *can’t* be second because Sherwood is too young to begin, and so on. Then it hit him. Things were playing out *backwards* from the red book he holds in his hands. Biff Carter — himself — came first. The manager to begin; he started everything. Then Scissorrun© — the band had several names before that, even. Yes, he’s remembering them now. And then “Paper,” their signature tune and their only “hit” to date, was 3rd. Then and only then came Sherwood, who had finally aged enough to join the group. 4-3-2-1 from the book instead of 1-2-3-4. Reading it that way everything fell into place. “Sherwood the rock solid drummer is last,” he began to reveal these thoughts back to Jennifer.

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Filed under **VIRTUAL SL, 0049, 0606, Jeogeot, Pennsylvania, Rodentia 02