Tag Archives: Biff Carter^*+++&

00500312

https://gilligan.fandom.com/wiki/The_Honeybees

“Don’t worry, this particular 3 piece girl band will never make it out of Oceania to acquire mainland fame and fortune, despite their obvious talent. The *Mosquitoes* will make sure of that. Stamp them NONEXISTANT. *Not* a rival.”

“Thanks Biff!!” he can hear them collectively exclaim in his head, Shelley even giving him an appreciative kiss on his cheek. No, make that *lips*. Now to test it out in reality.

—–

Groovy tune this “You Need Us” is, thinks smoking and radio listening Wanda from her mainland bed in a different TV series altogether. But I wonder why The Mosquitoes went with an instrumental? I can imagine the 3 part singing now… TBC?

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Filed under **VIRTUAL SL, 0050, 0312, California, Oceania

00500311 (Shakespeare never sleeps)

“(The ASUMH library entrance is) 7.00 miles from Arkana, 7.00 miles from Arkawana with the WA left behind in the attached, sad sad Robina crime spree story. Concrete (WA) again? Might be pressing it there.”

“Silver,” listening Wendell Biff Carter attempts an explanation of his own. “Silver = seven; you pointed that out before.”

“Could be,” admits Shelley, still on the bench, still beneath and hiding under and even within Noodle looming o’er her. Always.

“It’s good you didn’t come out from under the lamp,” Biff tries to summarize their talk so far.


photo-novel 32

“I was too little, then. Wouldn’t have worked.”

“But later, I mean… when you were able to turn around and face the music. Miss Ouri had taken over *everything*.”


photo-novel 47

“Oh… right. But not quite everything,” she corrected for Biff, her manager, her… friend? Let’s go with manager for a while longer. “There was my saving grace,” she said. “I escaped through the island newly formed off the coast of mainland. (The) 4 (Apocalyptic) horses reduced to 2….”

—–

“What happened to your husband Arthur anyway?” Biff begins a related topic, bit of jealousy in his tone along with a bit of hope. Could it work between them? Nah — and he tried to shove that thought out of his head. “Last I heard: Oceania.”

“He’s still there. Playing the role of Godzilla or sumtin at Point Nemo which is the furthest location away from dry land in the whole wide world. He literally followed his lucrative paying roles to the end of the Earth, as far away from my loving arms as he could get, *sigh*. I guess all he has left now is either turn around and come home to me or go off to a different planet altogether. The louse.”

Ah HA, I think from beyond the wall. Explains a lot!

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Filed under **VIRTUAL SL, 0050, 0311, Arkansas, Jeogeot, Rodentia 02

00500212

But we’ve kind of already been here before with Cyberpunk 2077’s US Cracks, similarly a 3 girl band with color emphasized in their names, Blue (Moon) Red (Menace) Purple (Force) to match Shelley’s Pink Pink Pink. And if you combine their blue and red and purple you get pretty close to pink through magenta, like in the light spectrum. Japanese girls too, remembering that XXX Dream is owned by a user who only speaks such. Let’s investigate this resonance further…

—-

I couldn’t even take a *bath* without the paparazzi hounding me up there in that Japanese hell. I wanted out. And so I started slapping myself while still sleeping, over and over. Cheeks turning red… redder… reddest. It wakes me up but I realize the dream slapping doesn’t carry over into reality slapping, thankfully. No pain. No red. The three part dream where I’m Pink Pink and Pink is *done*, band manager Wendell Biff Carter. Capisce?”

All Biff could do was nod. They’d made triple the money they would have collected groundside. He knew to cut ties while the going was good. Back to Earth. TBC


“Get out, get… OUT!”

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Filed under **VIRTUAL SL, 0050, 0212, C2077, Omega, Southern, The Cross

00500211 (bunny 02?)

“XXX Dream; It’s real!” she said as he approached from the south, having checked out a bit of the new green grasslands before moving north into settled country. Right on the line he is up above. (Visiting in the) daytime of course. Biff Carter dare not come here during the night; had to remain a tether to reality for Shelley and the others under his new management. He’s *not* going back to that dirty, dingy, claustrophobic restaurant on the edge of his village. Simply no to all that, he solidifies. “Just like in Concrete, Washington,” she continued, thinking of bigfoot there, the Man in Brown, so on. People didn’t want to see but still: there he is. The last thing shot before the quintessential Google Street View car found its final resting spot atop the Eiffel Tower, one of the most recognizable landmarks on Planet Earth. Until now. He was upon her, took in her Pink again. “Check out the parcel description if you don’t believe me.” She held out her white stick cigarette. “Hit?”

“No thanks I’m trying to cut back. And: I believe you about the parcel.” Yeah, he’d checked just in case while walking up. Like I said, he had everything to lose. Had to make sure *Shelley* wasn’t dreaming. XXX it was. But he didn’t tell her this, wanted to at least exude pretend confidence in her judgement, her grasp on truths.

“Soo… have you made a decision?”

“I have. Silver. No Mosquitoes.”

“Seven, then.”

“Yeaahh. Seven.” She reflexively looked down at the pinkness all about her body. Including the part alien skin, she knew. Thanks Baker Blinker!

Biff understood this was dangerous territory and that 7 could still overtake 9 since 9 could not probably move into 10 any more, safety zone on the other side of likewise static zero. But — the exuding.

“Ready for this, then?” X in triplicate form again. She hadn’t tried this out yet. Scared she was. And him through her. No restaurant no restaurant no restaurant. This experiment better *pan* out, else back to the pots and. He made sure they were on the same page of the script down here before heading upwards. Double check, *triple* check.

It worked! Biff remained manager of music not food. He knew this triplet form of Pink would *sell*. TBC

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Filed under **VIRTUAL SL, 0050, 0211, Omega, Southern, The Cross

00500206 (STOP/GO)

—–

Only when planetary traveler Gemilly Niceniece looked at the video afterwards did she see the A on the rock directly below her right where she decided to stop and pan around…

… which seemingly turned into a P on the other side of it. “AP!” I called aloud when seeing the transformation from my own angle, remembering the joined letters from the day before. “What was it? The Annie Oakley case?”

“Orkley Andy,” spoke someone to the side listening in, probably W aka Wheeler, the female half of our duality with a better memory, we can imagine. “Biff Carter’s case,” she clarified more for the reader than the writer. “But connected to Oakley… Annie. Together, they make–”

“–a complete A-Z time loop,” I completed, so excited I was that I forgot who was speaking in the moment. Freed up, W/Wheeler started checking her phone. Then:

“38-AP to be precise it says here, with, hmm, 37-QZ being the Oakley Annie one… *before it*. Names reversed, letters reversed. Let’s see — caused Biff to become prematurely retired and then quickly retired again when he tried to make a comeback.”

“In-ter-est-ing.”

https://bakerbloch.com/2022/03/16/00320206/

And exactly between 00320206 and 005002006 here, we found out just later, is 00410206, where we find Biff yet again. Titled “(Biff)” even.

https://bakerbloch.com/2023/11/28/00410206/

Passengers finally unload at Bellisaria’s Shobu station at the end of the straight as an arrow tracks in the shadow of towering Mt. Sakuru, let’s keep calling it. Father Fecked’s cane appears first out of the train, calm now after all that shaking from the last 7-10 minutes was over. Should’ve pinpointed this all important location before, but better late than never I suppose. The SYSTEM speaks, I understand. Egging me forward. Just like before; just like always. TBC(!)

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Filed under **VIRTUAL OT, 0050, 0206, Bellisaria, Continent 04, GTA, Starfield

00500203 (seven = silver)

“I think it’s painfully obvious that I’m Noodle in this scenario,” lead singer Shelley Johnston Struthers spoke over to band manager Wendell Biff Carter, out on a break from rehearsing, their third of the night. Lots of STOPS and GOS for this one, like in a heated game of Mille Bornes. Trouble. Friction. Inertia. No one could even decide which band members were present or not. Sometimes Sherwood was a kid and other times a fully functional adult, albeit a brilliant drummer at whatever age he appeared. Things were in FLUX.

“Okay, I agree,” said Biff, thinking of all the changes and shifts and sputterings too. “We’ll make that another concrete truth of the blog and attached photo-novel,” he said, but, again, that’s probably me talking through him. So let’s leave out that sentence and say Biff merely agrees with Shelley on her statement. She is Noodle. She’s also Pink tonight. He approves of both. Then he brings up a subject he knew he shouldn’t broach.

“Listen, Shelley. I’ve been doing some research. Staying a classical, so-called non-mesh avatar is fine. But it seems people who choose to follow that path with their outward appearance at least get new and improved mesh hands and feet. I wouldn’t touch the head, though.” He looks over at her head, thinks of the smile (not currently present upon it, though), that beautiful innocence. No, leave the head for sure.

Shelley looks down at her extremities. “I’m not changing *anything*.” She was stubborn about remaining classical. She also likes classical vegetation, builds. Helps reduce lag. What’s not to like? She’s been around long enough to remember the good old days and the excitement of Our Second Lyfe when it was relatively fresh and new… and *non-mesh*. That excitement is still there but in pockets instead of an overall vibe. You have to dig a bit more these days.

“I *do* like the pink,” says Biff, trying to smooth over his mistake. We can build up from that, he thinks. Whatever happens, I’m *not* going back to the restaurant business. TBC

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Filed under **VIRTUAL SL, 0050, 0203, Jeogeot, Rodentia 02

00490606

He broke away from her all knowing all seeing eyes, understanding more. Something was wrong, something was off. Sherwood *can’t* be first, since he is the youngest and hadn’t grown up enough yet to play the drums properly in the band. “Paper” *can’t* be second because Sherwood is too young to begin, and so on. Then it hit him. Things were playing out *backwards* from the red book he holds in his hands. Biff Carter — himself — came first. The manager to begin; he started everything. Then Scissorrun© — the band had several names before that, even. Yes, he’s remembering them now. And then “Paper,” their signature tune and their only “hit” to date, was 3rd. Then and only then came Sherwood, who had finally aged enough to join the group. 4-3-2-1 from the book instead of 1-2-3-4. Reading it that way everything fell into place. “Sherwood the rock solid drummer is last,” he began to reveal these thoughts back to Jennifer.

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Filed under **VIRTUAL SL, 0049, 0606, Jeogeot, Pennsylvania, Rodentia 02

00490507

Gorillaz, working as a team, a true 4n1 or TILE, are able to defeat the giant malignant worm thingies and move on to the next phase of their musical career, 8 I believe. Or is it 5?

Anyhow, the Spirit House here cannot stand up to their combined red yellow green blue powers and breaks apart and sinks into the earth where it came from; Hell, I suppose.

So what does this have to do with *Chet’s* band Scissorrun©, back in Rodentia on the continent of Jeogeot in the metaverse of Our Second Lyfe, or at least My Second Lyfe? Let’s move barside again at Walk By Night, focus in on the faces of the people sitting there this time listening to the band: manager Biff Carter and — let’s go with Jennifer Lane, all grown up from Jenny Lane like a forgotten, weedy road off the main beat. Like I said before, at this stage there’s only Chet on lead guitar and vocals and Karl on drums and backing vocals. No bass, which Karl will fill in later. Biff has made a decision about hiring another band member, the 3rd. New lead vocals allowing Chet to focus on his guitar. Or at least that’s how they broke it to Chet. In truth — as I also reviewed a bit before — his screechy voice leaves something to be desired for commercially minded Biff (raven-like he put it before). And he convinced Karl that they couldn’t scale to the top of the rock heap as they desired unless some changes occurred in that area.

“Let’s list out the Scissorrun©-Gorillaz comparisons as they stand now,” he says to Jennifer, trying to put everything in 1-2-3-4 order while checking his notes in the red book he always carries around these days. “Chet equals Murdoc, but lead guitar instead of bass. Karl equals Russel, but eventually moves to bass instead of drums. You are 2-D, a new sweet lead vocalist but with a change of sex — and also you have to age to where you are, ahem, *now*. And then, um, Noodle.” Biff is suddenly stymied. Noodle maybe should be the new drummer to replace Karl? But what about little Sherwood who, like Shelley, also has some serious growing up to do before assuming that role?? Things still need to be worked out before moving into *their* next phase, 1 I believe. Only the beginning.

“Look over here,” Shelley says to Biff to end. “Look into my eyes.” Library in there, he sees. All the news of the world. TBC

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Filed under **VIRTUAL SL, 0049, 0507, Jeogeot, Michigan, Rodentia 02

00490413

It was now time to see the band in action. In this early stage, Karl was on drums, not younger brother Sherwood who was still quite too little to play, although his talented hands could already snatch flies out of mid-air circling around his crib without fail (but, bigger question perhaps, *why* were they circling there, ho?). No bass guitarist in the band, then; Karl would serve that function in the future. Only him and then Chet on lead guitar and vocals, with Karl supplying backing vocals when needed. I’m debating whether to say that Chet, like his pretty much double Murdoc from Gorillaz — unplanned most of these parallels between the two fake bands are once more — gave up his role as lead singer to another, for Murdoc’s case this being the also red masked crooner known as 2-D seen in that last post of this here current photo-novel. Hmm. He doesn’t sound *bad* as I sit there at the bar, listening with restaurant manager turned band manager Biff Carter, last seen in Tonsiltown I believe. Or thereabouts. But he also certainly doesn’t sound “good” as in a traditional way of singing, even for rock stars. More commercially minded Biff was thinking along the same lines because he said over to me about a minute into “Paper” (their original single and perhaps their best still), “kind of sounds like a raven in heat, doesn’t he?” and then he laughed but also he was kind of crying a bit too. Because he knew he would have to go back to the dirty 1 dining room/10 x 10 foot cooking area/small shared sex bathroom with no sink restaurant on the edge of town if this whole band thing didn’t pan out. Yeah, he was mulling it over I could tell. No harm done in *auditioning* singers, he may have been thinking here. As long as Chet doesn’t know. Karl? Maybe he should let him in on it too? Karl surely doesn’t thinking Chet is the best of the best in terms of vocals, knows they can’t scale to the top like they desire with him as frontman.

Meanwhile, Jenny Lane sings solo down at the Mago docks as Charles Anson looks on. He’s cooking up a plan, evil of course as is his base nature. Is this the girl? he asked himself after the singing came within earshot as he kept wandering around town, looking for… something. Had he found the one in his dreams at last, a siren’s call across a chasm separating good and bad like Tennessee from Kentucky? He had to find out.

Anson, he thinks while the high pitched, golden throated warbling continues. The child’s name will be Anson too. Now to get to work on that time machine. (TBC)

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Filed under **VIRTUAL SL, 0049, 0413, Jeogeot, Kentucky, Rodentia 02, Tennessee

00490315 (Caledonia?)

“Who’s the cowboy in back now?” asked Chet to his on again off again girlfriend, this time toggled on.

“Oh, some guy Mom says owes her a favor. Working for free because of that. Or snapshots… something.”

“Interesting,” Chet says, envisioning the poses. Not abstract.

“Is it?” Alice Tart slumps even lower in her seat across from her still upright, toggled on lover. From this angle, she can barely see his eyes above his perpetual handkerchief, worn not for fear of disease anymore but just because of the look. The lead singer/guitarist of Scissorrun© is all about style now, and of the Christmas kind in particular. He never wants the holiday to end. Else: he’ll have to think about other things. Like death. Because of his emphasis on style over substance, he’s never really learned to play the guitar properly and that’s understandably held his band back. Drummer Sherwood is pretty rock solid with his naturally hyperactive hands and all. And bassist Karl is at least good on “Paper”, their hit single and perhaps the only song of theirs that really matters in the end. Restaurant manager turned band manager Biff Carter is urging Chet to take lessons from a local musical genius named Spiff, no kin to Biff despite the similarity of names. Not a long lost brother or anything… I don’t think (?).

Chet leans toward Alice. “I’m sorry to hear about your father.” He’d heard it hurts more the second time but of course didn’t say this aloud.

“Oh I was over all that the first time around,” she said, dismissing the sympathy. “Anyway, Mom has a new man now,” and she nods toward the kitchen.”

“Really?” says Chet. “That quick?”

“Yup. That quick. Pictures did him in, I’m guessing.”

Chet nods. He understands the power. 319.

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Filed under **VIRTUAL SL, 0049, 0315, Jeogeot, Rodentia 02