Tag Archives: Sandy Beech^*~~~~~$

City

“I’m telling you, Owens. That handle was *broken* last night when I woke up. Now — it’s okay! I’m not lying to you, though. And I’m *not* crazy.”

“I didn’t say you were,” replied the calm, cool chef-inspector. “I’m just trying to get the facts. So — you woke up when the door slammed. This was when the other Sandy — in the dream — left the store — sans bikini bottom.”

“It was her tail and her little purple skirt, but I guess you could say ‘correct’ to that. I can’t recall her wearing anything else. When the cold, naked air blew in through the door when I went downstairs after I awoke I knew that she was the same: cold; naked; out *there*. The door slammed again, then. The handle was *broken*. Someone *broke* it. The dream was real!”

“Calm down, sir. Calm down. You said the door slammed in your dream and you awoke. Then you said the door slammed again after you awoke. But then you said Sandy — the other one, the dream one — *slammed* her tail and skirt down on the table between male bastards — think that was your words again — Renaldo O’Donnell and King Orange, saying they could have them. Strange you remember such specific names for a dream, Sandy Beech.” Then chef-inspector Keat Owens considered that *this* was a dream, and not the first time. It all started with the remembering of Spongebub.  “But this could be the door slamming again,” he completed his analysis. “Except you didn’t awake just then, only with the subsequent slamming.”

Sandy considered this. Two realities were superimposing themselves on top of each other, inadvertently (perhaps) creating chaos and confusion.  He simply didn’t know; he simply couldn’t understand. In the moment.

(to be continued)

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Filed under **VIRTUAL, 0022, 0113, Apple's Orchard, NWES Island

cheeky

A deep metallic voice: “Ah yes, this must be the tube that LRPV used to destroy formerly Zen City and set up his Nowtown to rule NWES Island. Until it too was destroyed by a spawned fireball emitted from the Zen City detonation. The rule lasted about 10 seconds, then. Wait.” He checked his script. He saw the word “improvise” in bold italics after “Wait.” “Uhm. I don’t think that’s right, Wayne.” Who’s Wayne? I look off in the distance.

Sandy knew it had to happen. As he had changed others to make them appear as he wished, so too must he now pay the price. Karma, a word not to be thrown lightly around. He lay in his bed, dreaming he was another. Another Sandy. Seems like Spongebub images are everywhere these days, ba ha ha ha ha.

“Dig that chick at the bar, King Orange.”

“Sandy?” replied King Orange, now staring at her instead of clown and fellow burger baron Renaldo O’Donnell. “Sandy Chic?” he completed.

Renaldo O’Donnell glanced over his shoulder again, taking her in better. “I’d like to get her out of that little purple skirt,” he said in a male bastard way. “Like to get some of that tail.”

Sandy overheard with her sharp squirrel(-like) ears. She walked over and complied. “*Here* (*pop*), you can have them (*slam*). The things were getting stuck in the bar anyway behind me; keeping me from standing properly.”

She walked out of the Bigfoot Bar as they called it, also slamming the door.

Sandy Beech fully awakes with this, remembering everything. The stand, the poster. “Wendy,” he says aloud. “I forgot about Wendy!” He rushes downstairs to see if anything he was dreaming about remained.

Nothing but a cold, naked air blowing through an open door with a suddenly broke off handle. The wind slammed it shut again. Who would do this?

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Filed under **VIRTUAL, 0022, 0110, Apple's Orchard, Marwood, Meat City, NWES Island

Pasadena

The Oracle predicted its placement over there in Diamondfyre but I’m still not convinced the temple will stay long term. The City is warming up to me but it’s not on fire yet, a brightly burning beacon.

But now that I recall, this has already happened, with even a bigger pop and a smaller one. Oesso. Continual window. We must think of bringing back Sandy for this here newest photo-novel which is numbered 22 in a series of 20.


“HIT IT!”

The Invisible store has nothing in it, or else all the contents are invisible. Probably the former.

This nearby scrying mechanism is closed up.

Time to visit the bots?

—–

“Heck of a year, huh Santa.”

“Sure is.”

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Filed under **VIRTUAL, 0022, 0105, Marwood, Neptune, NWES Island

Post

He was going to be a different kind of artist. He was going to make holes, but he was going to cover up holes. Of sorts. Time to meet up with his other art friend in the sim. He should have some works ready by, say, next Friday? He’s got a long weekend to catch up. And he is catching up (*splat*!).

He’s a maker of magical jeans, dresses, tops, all the rage in Our Second Lyfe in yesterday’s tomorrow which is today. Almost. It’s the 11th dream day still. He works fast so he uses Paint 3D. He’s made a pact with a fire demon burning brightly and steadily in the center of it all.

His name is almost Rothko but not quite. If you googled it, the search engine might think you were looking instead for Mark. That close: Close City close.

He doesn’t have a lot of fans yet except for Sandy, who bought a designer dress off of him day before… well, Saturday. Sandy Beech, who we’ve already met over at NWES City, a world hemisphere away from this Corsica continent and its peakology and all. There are peaks on the Jeogeot continent but not the notable sharp, rocky kind like here. Barry likes peaks; that’s why he’s in Yellowmoon or thereabouts; that’s why he *might* also be, before or after or somewhere in-between, on that double peaked mountain near NWES City — on its overarching or inclusive or *umbrella* island. Barry sortof named Rothko. Thothko? Not quite.

It was in the Cub Run thrift shop on that city on that island where Sandy found the catchup stained dress. Hmm, he thought, unhooking its hanger from the rack to take a closer look. He’d never seen art clothing in a consignment store before. With its cute bow in the middle (he continues to think at the time) it looks exactly like — Oh *God*. He pays 300 lindens for the red and blue dress and quickly leaves.

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Filed under **VIRTUAL, 0021, 0607, Apple's Orchard, Black Ice, Corsica^^, Jeogeot^^, Marwood, Neptune, Northwest, NWES Island

N-W-E-S

I knew Rock Ramby lived or at least *sat* in the cabin at the center of this circle of railroad in a forest grove of huge trees of his design. Or so he claimed. I knew that Gill Alex lived here as well, his Vain and Artery Boy that Santa-like Sven, who runs a packing industry over in nearby Misty Mountains, delivers a fresh supply of every now and then, always a happy moment for Rock. He likes his boy mate to be rock hard and real seeming, veins and arteries popping out in the right locations and correct hemispheres.

Then I knew that Blue Berry Girl, also from the Misty Mountains and maybe even the same as Sven in some mysterious way, came to Rock’s place, and, Wonka-like, shed her spherical blueberry encasement while crossing the RR track to enter the cabin. The dog at the house seemed to know her after the blue sphere disappeared, but earlier we understood this was Rock’s canine. So who lives here, Rock or Blue Berry Girl? And why did Rock’s fair haired mate and Blue Berry Girl later conjoin at NWES City at that ill-fated meeting hosted by Dr. Rabbid Baumbeer, ending with his death at the hands of, um, I believe her name was — yes — Lu Ellen Hutchinson? Or Hutchison. Why did Baumbeer take the green seat of the 4 after yellow topped Vain and Artery Boy, later Gill Alex, took the yellow seat, Blue Berry Girl, sans exterior sphere by this time, took the blue seat opposite him, and red hatted Lu Ellen sat down in the red one opposite Baumbeer’s, gunns ready to be pulled at the right or correct moment? Ka-POW!! POW POW!! *POP* POW!! Meeting adjourned.

My current theory about all this is that Gill Alex, Vain and Artery Boy if you will, is the same as Blue Berry Girl — they are part of one entity. Likewise for fellow opposites Lu Ellen and Dr. Baumbeer sitting around this same, four-square circle. And then the two pairs also correspond in a higher manner. This is one entity masquerading — if you will — as 4 separate entities. Each of the 4 represent an aspect of the 1. A great 4n1 or 4orrin1 or Foreign One. If you will.

But who is in the center, then? The actual person behind the people? Or meeples? Is it TILE? Is it the River or Riiii-ver? 12 square tiles linked from source to mouth, a complete stream to start the game like beginning Crosby progresses to ending Young through middlings Stills and Nash? TILE update with thieving or crooked red fishermen (and/or farmers) included?

Dr. Baumbeer might have been murdered because he was the only one who retained the knowledge of the 4n1 or 4orrin1 or Foreign One. He might have been the same as green toned Bullfrog, who a little earlier, had killed Lu Ellen’s father. If so, this seems like a revenge killing pure and simple but is actually more. This was the elimination or eradication or hiding of a certain type of truth, a central core. It seems meaningful that the red one did the shooting with the gunns: Lu Ellen Hutchison played by mediocre actor Alice Frame, who also stars in the current production as similarly red topped Wendy. Character-actor Sandy Beech is recruiting her hard for The Twins’ production, some kind of remake of “The Shining” or something, perhaps involving decisions made at crossroads. But the warm and fuzzy atmosphere of “Burger Wars” still represents a lure for Alice despite all the linden dollars being thrown around.

(to be continued)

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Filed under **VIRTUAL, 0021, 0514, Apple's Orchard, Jeogeot^^, MISTY MO^^, NWES Island

search

“Ahem, I am looking for the purple girl,” Sandy Beech announced to the 2nd floor of the Great Marwood Tower in general, a duplicate of our Parisian Eiffel in scale if not in size. An older lady in a flowery black dress at the bakery counter turned to him and cleared her throat as well. “*Ahem*, young man.”

“Yes?” Sandy inquired. “You know something? I’m talking about the Blue Berry Girl,” he clarified. Of course he didn’t add that The Twins were looking for her. No one needs to know that here… none of these bots who, despite being unreal, still have eyes to see and ears to hear. They know things. He’s learned that down through the months existing in this place. And Marwood is thick with them. That’s their raison d’etre, apparently.

“I know something. But it, uhum, will cost (*cough*).” She took another deep drag of her Winston cigarette, her last. But she had a Marlboro pack ready in the top of her left white stocking, stretching it beyond needed elasticity. Oh well, she’d could always sell the damaged goods down at the Cub Run thrift shop in Apple’s Orchard (Apple’s Orchard?) for another carton or two; they weren’t particular about what they take in. Or maybe some sweets of some kind. Maybe rum cake — killing two birds with one stone as it were. Satisfying two vices at once. “Young man,” she prompted, ready to get the sale on. “Are you still there young man?”

“Of course I’m here,” Sandy shot back bitterly. Stupid bots, he thinks inwardly. Always questioning whether you’re real or not or here or not. I suppose it’s a defense mechanism built into their kind.

“I –“. But she broke down here and forgot what she was doing. The next carton beckoned. She pulled up the dress from her stockinged legs and retrieved. Sandy turned away, having seen enough old in his days of taking care of ma-ma and Aunty Jenn. Sandy gave up in that direction. He decided she was just leading him on.

“Like what you see?” The older woman then spoke toward bakery attendant Betty John Hammock and confidently declared, “he likes what he sees,” making her nod. Stupid bots.

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Filed under **VIRTUAL, 0021, 0512, Jeogeot^^, Marwood, NWES Island

Sunklands Institute

“Aren’t you a little light to be a Blue Berry Girl?” Sandy quickly tried to backpedal the comment. “I mean, the *blue* and all.” He looked away from her crossed arms and her stare. He didn’t want to seem racist, but had stumbled into a big pile of awkwardness. Constance, sensing this, tried to lighten the mood.

“I knew what you meant.”

“I know you did, I know you did.” He was back to his confident self after the bumble. Should he ask her out on a date? Too soon? He thought again of his quest for the alchemical endpoint of All Blue, turned to All Orange for the purposes of this here blog. Started as a child when he saw the perfectly round, orange-like navel in a box. We covered that in photo-novel 10. And better make that a navel orange back in that sentence before last. In a fruit box.

“If you don’t want me, you can leave me.”

He leaned forward, switching gears. “Try the other one, Wheeler. If you don’t mind. She’s going to show up sooner than later. Best to test it out now.”

“I’ll do better than that,” Wheeler currently playing the role of Constance Blueberry said back to Baker Bloch currently playing the role of character-actor Sandy Beech.

So just for the record, here we have two core avatars interacting with each other so no need for that collaging effect I spoke about earlier. This is Baker Bloch, this is Wheeler. Not 2 characters of Baker Bloch or 2 characters of Wheeler, etc. On with the show…

(to be continued)

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Filed under **VIRTUAL, 0021, 0510, Heterocera^^, Iris^

bow

She hesitated in front of the golden phone. She just couldn’t go through with it. She picks up the receiver, dials the number, all of ’em, including the last one, the 1 that will put her in 0. Rings. Sandy answers.

“You’ve changed your mind,” he guessed correctly.

“Yeah, ahem. It’s a lot of money.”

“But…?”

“But… my friends need me over at the other set.” She glances their way again. King Winnifried Orange smiles back. Clown Renaldo O’Donnell, back turned to Wendy at the moment, smiles at him. There was a warm feeling all around. She’d never had better working mates. All were in costume, all were consummate professionals. She couldn’t leave “Burger Wars.” This was not even to mention (director) Chip Wassleboro! They were having an affair behind his 2 wive’s backs.

“Wendy,” stated character-actor Sandy Beech, straightforward if nervous. Uncharacteristic. The Twins were staring at him with murder in their eyes. “You *signed* — a *contract*; *they*” — and he turns again to dare to lock eyes with them for a second — “are not *amused* by this. I’m looking straight at them, Wendy. You don’t want to *cross* them. Do you know what I mean, do you understand what I’m saying? Put – on – the dress. The other one.”

“I can’t do it, Sandy,” Wendy reiterates, knowing this must remain a Wendy City and not progress beyond. Her left white stocking was drooping annoyingly down her thigh. $19.19 she paid for them. And they hadn’t even lasted beyond the month. What was the name of that store? Oh right. Cub Run. The place she accidentally met Sandy again that day the 1st hurricane was forecast. Then taking the cursed money and donning the bloodied dress at the elevation of the second beyond tropical storm. Because this was not just a Wendy City but also a Second City. Second Lyfe City. *The* City. She knew it all ended here, the 1 into the 0. She might as well be Wend-… Wend-… oh, she couldn’t do it; what was she thinking. Of course she’ll take the money. King Orange looked over again  — another smile. She smiled back but weaker this time, breaking down. The Twins were just too strong a force to reckon with.

—–

“Thank *Gods*,” Sandy exclaimed while slamming down the receiver and getting the results he wanted.

(to be continued?)

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Filed under **VIRTUAL, 0021, 0509, Apple's Orchard, Jeogeot^^, NWES Island

he who holds the honeymustard has no say

“They lived by a great swamp. Today it would be called a wetland. But it was a textbook swamp. Crystal clear water, sandy bottom. Salamanders everywhere.”

I was waiting for someone wearing a trench coat but instead got Biff Carter, with only a vest. It was a nice vest, though, very retroactive and film noir-ish in a Ray Chandler type of way. I knew the man sometimes inhabiting Biff was a fan, just as *I* was a fan of the man sometimes inhabiting the man. I need to keep READing (his stuff). Honeypot — Pooh pulling. Red Umbrella: Pooh is holding in a corner as far away from centre as possible. The purple and yellow honey pot in a blue cart; noisily bouncing along the grainy, rough-hewed sidewalk of a town also in the Middle of it all. Middletown, US of A, with the Green (City) on one farside and the Gray(s) on another. Farside — another relation to the man inside the man. Fox Island. Swamp — Swamp Fox. It was all coming together. Or completely falling apart — I knew it was one or the other but didn’t know which yet. Biff Carter slid into the booth again, starting over. This was take 21. Director Bob Waffleburg was a perfectionist like his hero Stanley K. but not Stanley Kowalski. He’s different.

“I was — expecting someone else.”

“I know you were, I know you were,” he said. Biff Carter tended to repeat everything twice. At least on this take. He was tired of takes. He was ready to go home to his lovely wife Rowanda and play with his kids Sven and Duplexitous of 7 and 5 years old respectively. Duplexitous especially had skills in reading and math, although Sven was a wiz on the tracks and fields. They all mattered to him greatly. But filming paid for their swanky educations and star studded outfits and costumes. He needed to keep acting. Or at least accin, to use a Jim Jarmusch term. He makes a mental note to return to the Centerville concept and explore it more. But to the acting (or accin).

“I was told something about a trench coat. Did you forget?” Sandy Beech was *acting* offscript now. Bob told him to improvise when the moment felt right. Bob Waffleburg trusted his lead actor in this way. The 35 year old former used car salesman *using* Biff Carter for his arms and legs and torso and head and other bits right now was a bit more of an unknown. *He* was holding them back this time, not Alice Frame playing Wendy O’Donnell or something. Wait, it was Wendy something but not O’Donnell. Not yet — they hadn’t shot those scenes. That was her acting partner in that other film we’re trying to lure her away from. The one with all the Popeyes gathering together to gawk at the splashy, stormy sea. “Burger Wars” was a working name, and involved Alice Frame’s Wendy caught in a love triangle between King Winnifried Orange and Clown Renaldo O’Donnell. Then the hurricanes hit, and, yes, I said hurri*canes*, because there were two at once. (“Burger Wars” director) Chip Wassleboro tended to repeat as well when he got tired. And he wrote that part of the script about 2:01 in the morning before last Wednesday’s Monday’s Tuesday. So it was Thursday.

Then Sugar O’Cotton showed up, 10 minutes late. “Mind if I slide in?” she squeaked to now booth mate Pervimus Rex while doing just that. Pervimus couldn’t reply anyway since he wasn’t real.

“You know these spots on my blouse might look like blood stains but they’re really ketchup.” Still no answer.

(to be continued?)

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Filed under **VIRTUAL, 0021, 0504, Cassandra City, Maebaleia/Satori^^

upstairs

“50 thousand lindens. *50* *1000*…”

“I heard you,” Wendy spat back. “W-why would I want to give up my chance for stardom in this Popeye film and put all my marbles *here*? I’ve *been* here. I worked with Bob Waffleburg before — *we* did.”

“Just put on the dress and we’ll see,” encouraged Sandy Wannabe, still not fully character-actor Sandy Beech but getting there.

Wendy was thinking she *has* on a dress — but she complies. It was a lot of money.

—–

*There*.

“Hmm. Needs more blood,” he opines, fully transformed now with the sight. Inwardly he was thinking: this looked good! They were about ready to get down to some serious business.

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Filed under **VIRTUAL, 0021, 0503, Apple's Orchard, Jeogeot^^, NWES Island