Category Archives: Oz

00400512

He had returned but he found himself more and more excluded from Ozma’s inner circle after a lukewarm reentry. “It’s *temporary*, dear,” she kept repeating to him. “I brought you back after all. You’re *here*; back in Oz, back to patrolling the Yellow Brick Road. And boy dear howdy that took some smooth talking to the inner council to get done,” she often reminded him. “So be *grateful*. You’re not out *there*.”

But it’s been months again, maybe years. When would his so called probation end here in the cornfield far away from a central power he was use to? Contemplation like this naturally led him to check the clock that always beats the times in his chest. 7:15 in Quadlingland, 3:15 in Munchkinland. And in the center, the middle, well: heartbreak.

He watched her slip away in the stalks, reminding him of that old Oklahoma song about a quirky little alien who comes to Earth and can’t get enough of corn, all types. He involuntarily begins to sing it in his head.

I like cornflakes, corndogs
I like corn bread and cornstarch
I like the band Korn and popcorn, I like all kinds of corn
ALL KINDS OF CORN!

He can’t recall the rest and, anyway, Ozma had already disappeared down the rows. Their meetings were almost as brief as in the Lost Forest when he was truly exiled. Now it’s still a false exile, an ostracizing by the rest. Scarecrow barely talked to him, feigning being constantly tied up with businesses of the mind. Lion similarly excused himself when encountering the famed metal being, saying he had to face down or have a tangle with this or that adversary who still lived some distance from wherever they were standing at the time. And Dorothy… he doesn’t even like to think of Dorothy.

—–

“I thought we were going to replace Dorothy with *me*,” spoke up the precious precocious child listening in on Marsha “Pink” Krakow’s latest version of her novel with a working title of “Lost Path of Oz,” changed from the earlier “Forgotten Road of Oz.” “After all, L. Frank Baum’s greatest goal was to please a child. And what better way to carry on that tradition than to cast me, a child as child can be, in the leading role of your book. Similarly, Vain and Artery Boyy replaces Lion, and Rock” — she looks over at him, dumbly counting the fingers on both hands over and over to make sure they’re the same on each — “well, we’ll work on him,” she admitted, sharing a smile with Pink about the irony.

“Maybe,” gleaned Pink, “maybe *you* should replace the Scarecrow, Toddles. And Rock can play Dorothy — you know what I mean.”

Toddles as the brains of the operation. She instantly likes! She automatically sees it is the right change to affect.

“No one is going to play ANYTHING until I get some ANSWERS!” Toddle’s grandma Alice Farrowheart had shown up at the reading in the so called Center Hole of Big Sandy. With a loaded shotgun.

Marsha quickly checked to see if this was in the book as well.

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00400510

He’d killed 2 witches defending the city gates and was ready for a 3rd if needed. His moral chip had malfunctioned, rendering him unable to tell the difference between Good and Bad. He’d have to be reassigned, at least until the city council cooled down about the murder of their beloved Glinda. Ozma, the true and lawful queen overseeing all, wasn’t too keen on the self righteous goody two shoes so no big loss in her eyes. Still: Tinsman had to go. The Lost Path of Oz seemed about right. Out of the way, but not too far so that the queen couldn’t pass through at times and see how he’s doing over there. When he was invited to one of her balls he’d know all was well again and that he could return. The moment would come soon, he felt. He’d served several years in the Lost Forest already.

Then chaos ensued — again. He misplaced his oil can, then just after finding it the queen passed through. He’s invited! But a quick shower came, and since the Tinsman hadn’t been able to oil himself for a while, he froze up — the famous legend based on Ozian facts got that part right at least.

Then, much much later, Toddles walked up with her new friends Rock Ramby and Vain and Artery Boyy. “Look!” the last exclaimed in his husky voice, made for the sea. “A man. A man made out of tin!”

“It’s called a robot,” mildly corrected Toddles, who then started looking around the immediate area for a lubricant container.

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00400509

She changes into her true form to better convince the youth.

“Carrcassonnee,” he said, still looking her over, noticing the lack of “junk”, for instance. “I can’t believe it’s really you. After all these years!” But then he remembers he’s not his father. He’s just having memories of his father — happens sometimes. This is what you get for being estranged. Confusion at times. Who is who and such. “I mean, after all this time about my *father* talking about you, heh heh.” Nervous laughter to end. He gazes up at the single eye. What did it see, what did it read? His soul?

“Iiiiiiii…,” she said. “Iiiiiiiiiiiii…”. She tries to start again. “Iiiiiiii–”

Bart cuts her short. “Yes, I *heard* that you’re having problems starting again. Like an old car that’s been sitting in a field for a while or something. I believe that’s how my father once described you. But at one time–”

“Iiiiiiii…” she said again. “haaaaaaavee…” she continued. “Newwwws,” she said better.

Silence for a while as the boy absorbed this. Carrcassonnee speaks! “Welll… go ahead,” he encourages, thinking of his father once more. The Tin Woodsman, he picked up on in his psychic way. My father’s old friend; he’s returned!

“Iiiiiiii…” started Carrcassonnee again, understanding the message had been received, “… can take youuuu… to himm.”

“Cool!” And so they set off, across the land and then across the sea. Out of the southeast corners and into the real world.

“Whoa whoa there, Carrcassonnee. Slow down boy, er, girl.”

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no humbug

“You don’t understand the corruption of Butterfingers. He and his big ol’ parachute came down from the sky and cast a dark shadow over the whole mountaintop, likewise yellow Brick Road, *everything*.” Spoken from the heart. Laura knew a lot about the Land of Oz. She, after all, use to live there. Right before they turned off the lights.

“*Money*,” she followed, looming over them and casting her own black shadow. “Money ruined it then and money’s ruining it again. Cheapskatedness,” she made up a word about the issue.

Earlier:

“2000 linden dollars,” he said in his nasal, boyish way about the price to custom spray paint her dune buggy, careful not to cross the southeast corner of the property else the spell might be broken. Or so the Wizard told him.

“Oh that’ll be fine,” she said dreamily. After she saw the finished product and received the exorbitant bill she kept asking why why why?? Magic was afoot here, she then thought correctly. And not the white variety.

Mrs. Ordinary felt the need to go over and tell new bestie Pink all about the latest Big Sandy mystery/sorcery. What better way to do it than to show her the revamped bug up close and personal. But the reaction was unexpected.

“I *love* it — except for the price of course. Let’s take it for a spin — say, the tiny restaurant again?”

When Marsha watched Mrs. Ordinary — Ginger (Ginger?) — pay the bill once more, including another bottle of expensive liquor, she got an idea. “Here’s a theory — do you suppose that word has gotten around Big Sandy about how much money you spend? Attracting the scheming boy?”

And this is when overhearing Laura at the next table came over and did her spiel.

“*Wait*,” exclaimed Pink afterwards. “Did you just say he was *yellow*?”

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00400309

“‘And as the Tinsman kept standing at attention while Ozma was still in sight down the grown up road, a small shower appeared seemingly out of nowhere, just enough to freeze him up at that spot for a very long time indeed. You see, he’d misplaced his can before painfully refinding the object by sitting on it, and so hadn’t oil himself in a while since he didn’t have time to use it before Ozma arrived. The Queen of Oz rarely passed through these here parts, and I believe she may have even forgotten about the shortcut afterwards, perhaps all part of that spell which made Tinsman what he was in the first place: completely tin, with not a bit of flesh and blood human left in his body. And so it becomes the Forgotten Road of Oz, famous for where the Woodsman stood until Dorothy stumbled upon him and oiled him back to life, like pumping blood into his dried up veins and arteries if he had any.'” She looked up from the book she was reading aloud atop the Big Sandy knob known as Rocky Comfort and into her listening audience which was also her test audience for the work-in-progress fantasy novel. “Questions?”

“I like the vein and artery part,” offered listening Vain and Artery Boyy below, which Marsha “Pink” Krakow had anticipated and why she fit the passage into the book in the first place.

“Thank you.”

Rock raised his hand. “I have a question.”

“Yes, Rock Ramby. Go ahead.”

“What is a concrete manhole? I know what a regular manhole is. You seem to be interested in concrete in the book.”

“I wish,” answered Marsha “Pink” Krakow in several ways, “to make the book sturdy and stand the test of time. And so the concrete manholes — which are a real thing — get to that later — and the concrete bugs and trees and waterfalls and so on.”

“Lots!” reinforced Rock.

“Lots,” acknowledged Marsha.

“Me now,” said wee Toddles still between them, still acting the role of their child. “What about the ball? If Tinsman didn’t show up at the ball, wouldn’t Ozma become concerned and send a search party to look for him? Is this all a part of the spell too? Maybe the ball didn’t even exist?”

Marsha made mental notes to include what the precious precocious child said in her book. Of course she’d have to give Toddles credit somewhere and somehow.

“Good points!” she said to end.

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when oil is not your friend

Man, that hurt OUCH! There you are!

Anyway, gotta put that out of my mind: here comes the Queen already. Atten-hut! — OW. That really stings! Suck it up Nick. Suck it up.

“Safe passage my lady.”

“Thank you Tinsman. See you at the ball.”

He’s invited!

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Filed under **VIRTUAL, 0040, 0308, Beach, Oz

00330309

The Bogota series, The Arab ponders here, studying the collage section of the blog. Half series, half not, the complexity of the photo-novels weighing in again. Since Boos, collages have depended on its now enormous (ponderous?) storyline. That was 2015. This is 2022. A long time for collages to serve another master and not themselves as completed, self contained art works, or at least self contained art series. Bogota changed all that. Bogota never had its own gallery, although I tried to make a unified sense of the whole. Didn’t work, except, a bit, for inclusive series Bogota Proper, as I call it, and, more recently — in the last year and a 1/2 or so — Picturetown, another Canadian based series like Boos before it, notably enough. But even Picturetown was different: separate it from the attached photo-novel, 24 in a series of, presently, 32, and the meaning is severely diluted, maybe irreparably damaged. Yet I still do create individual collages here and there in the continuing process. This, I assume, will continue…

Looking back on it, audio-visual synchronicities, another kind of collage, go hand in hand with the 2d, more “regular” ones. What one might call the first true movie collage of the bunch, “Billfork” back in 2004, was created in the same year as the 1st 2d collage series in Greenup. Then, on the other side, Boos was created about the same time as the last audio-visual collages I made in 2015-2016.

Just moving down the blog headers to Reality — Reality, pheh, what a concept! — I’ve hiked almost every day since I retired March 1. I’ve included some RL photos in the blog recently, but I want to do more of that. It’s all going to a place where I concoct one of those woodsy art happenings again, like with Bigfoot-Chesterton also from 2015-2016, another of those seeming last-of-its-kind phenomenon. Truth is, I think that audio-visual synching will return, albeit in a very different and unexpected form. Collage series will continue, perhaps separating out from virtual reality again and relying more on themselves alone for meaning. Writing is very important, but art also will go on.

And I’ll probably try my hand at an actual novel sometime, sans pictures. The setting may very well be Oz.

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draining the swamp (reverso world)

“He’s one of us now.”

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Filed under **VIRTUAL, 0023, 0213, collages 2d, Oz, Springfeld

Tin

“It’s Dr. Blood, right?”

Dr. Blood:

It use to be the Tin Woodman of Oz. But not the Tin Woodsman as it is often pronounced. Some called me just Tinman.

Carr.:

You are also known as Dr. Blood in Collagesity; that’s how I’ve always known you. But you don’t remember me.

Dr. Blood:

I do now. Starting just a couple of minute ago, when I first laid eyes on you.

Carr.:

And you remember being in Baker Blinker’s house taking a shower.

Dr. Blood:

I do now. It’s all kicking back. I was trapped in the woods that time forgot until this very morning. When I was a flesh and blood man — just like you, Homer — I chopped trees as a function. Nick Chopper I was called. I fell in love with a village maiden servant whose master did not approve. She bribed a wicked witch from the east to enchant my formerly trusted axe. I started hacking away at my own extremities one by one. An arm in January, a leg in March. Even my head at the end. Ku-klip the tinsmith replaced each with a tin replica as they went away. So I still thought, still breathed, still acted. Yet he forgot to make me a new heart. And I’ve never loved since. And so, to me, I’ve never *lived* since. Trapped until today.

Homer:

This story seems familiar. You’re not the Futurama robot?

Dr. Blood (patiently):

I’ve told you this story before, Homer. How I got caught in a shower and became immobile?

Carr.:

We’ve all heard portions of the story, Mr. Simpson. You have “The Wizard of Oz” film in your Springfield, don’t you? Some form of it is available in all planes I know of.

Homer:

Is that the one those Pink Floyd guys did the music for?

Carr.:

In one dimension, yes. How did you two meet?

Dr. Blood:

I found Homer in the meat of the forest surrounded on all sides by the transparent, hyperdimensional Tinbaby, the one who gave me my exterior heart from the future.

Homer:

Futurama, see? Told you.

Carr.:

Ah, the vortex opens. Collagesity citizens have seen the Tinbaby too.

Dr. Blood:

It is me in the future, when I get younger.

Carr.:

But you’re getting older, like all of us. I’m 415 now. Last year this time I was 414. And the year before that: 413. And so on back through the eons. Is that not how it works for you?

Dr. Blood:

It didn’t. But it does.

Carr.:

Stop your stop talk. I want to do a test now. Go up that ladder just behind you Dr. Blood and see if you pass through the door at the stop. Top, I meant there. Stop top? We’ll see.

Snapshot4037_006

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