Category Archives: 0008

here not here

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couched

In a pot haze, Marion Harding waits patiently for the show to begin. He loves Elvis impersonators. Hucka Doobie tries to join him but finds she can’t.

—–

“Time to pull her out of that sluggish place,” Baker Bloch speaks about Gaston to Baker Blinker from their usual perch at the Perch restaurant. “Function’s basically used up anyway.”

“There’s the couch, still,” counters the female Baker. “Jeffrie Phillips — white star.”

“I can’t even find it tonight it’s so laggy. And I dare not log in Wheeler to help. My computer will crash, I’m sure of it.”

“Sugar house,” Baker Blinker then says. “Sugar’s House.”

“Alright I’ll give it another shot.”

“Give one to Marion as well.”

—–

“She does strike a good pose there,” Baker Bloch says, looking on remotely. “She seems… confident.”

“Put her with Marion. See what happens. Minimize windows as needed.”

—–

“It’s no use, Baker Blinker. Hucka Doobie just appears gray, like she’s in David Bowie’s shiny spacesuit from ‘The Man Who Fell To Earth.'”

“Precisely.”

—–

“Oops. There she is.”

“Have him walk. Have them talk. Plop Marion down in the plastic seat in front of Hucka Doobie. See what goes down.

—–

She’s wondering how much money is in that attache case, Baker Bloch. $50,000 lindens? Enough to get her out of this hazy, laggy place? Could be.”

“But how to strike up a conversation?

—–

Too late: looks like the show’s starting.”

“And that’s *not* Elvis.”

—–

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in-the-way

Sire, these 3 smaller houses appeared shortly after we transitioned over here from the center of Nascera, blocking our direct access to the beach park.”

“Beach access is important,” states Ellen. “And the time to spend on them.”

“I should clarify to be totally open: a renter *can* walk the sand in front of the houses to get to the park still. But it becomes more… inconvenient. A sign, I would ask you?”

“Seems to be,” agrees Ellen, licking his ice cream all the time. “I don’t want to stay too long but let’s take a look at the parallel houses in Gaston.”

“Thank you for agreeing to accompany me back over there. I know you have a rendezvous tonight with Wheeler.”

“Let’s not call her Wheeler in the blog. We’re being recorded, Sidechick.”

“Oh, right.” He looks down at his white tuxedo shoes, then up again. “I don’t want to invade privacy too much, sire, but notice if you will that the yellow house has already been rented, remembering that Earie rented the yellow house in Gaston. And someone has positioned 3 chairs — red, yellow, blue again — right in the center of that house.

“I see them.” Neither mentions the picture of the red clad woman hanging on the wall. “But we needn’t linger here any longer. Opp should confine himself to the Mockingbird House over there still if he desires to come to Braynard’s Place and use the, er, facilities.” Ellen indicates the larger house just down the beach to their south.

“Shame about the access,” Ellen reinforces.

“Shame,” Sidechick Corea echoes.

—–

“Ooo, so sluggish here,” Ellen complains. “Let’s not stay long.”

“But notice that the houses are on the sea again.  West edge of the island sim instead of the east.”

“I get the gist. Let’s go back.”

—–

Back on the beach, a transfigured Campbell O’Pine (Opp) manifests in the Bluebird Cuddle Van there, eliminating the need for Karl to do so. Now Annie can paint properly, or at least that’s the hope.

Eventually he heads southward through the arch again.

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“When in Rome”

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dark triad

One by one, the Clemscott holiday deities Santa God, Halloween Jack, and Melvin exited their decorated, semi-decorated, and undecorated castles in the sky and made their way into the Nascera related Wizard Retreat of the same plane, never to be seen or heard from again.

Eventually, a man formed in their place, the great 3-n-1. Axis was his name, a person of many faces. One of those faces was called JERRY.

He came out of the Wizard Retreat into a brave new world: Nascera. The date: December 22, 2009.

Oops! Give him several more hours and he’s over there for sure. “Sorry about that!” he apologies to the reader or readers. “Just warming up, you know.”

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