Category Archives: collages 2d

Sam Parr 04-05

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“Perched”

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“Perched Too”

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Thoughts

The wife and I spent part of the weekend in Ashville, the only other place in Ame. perhaps that we would retire in except for Blue Mountain. Blue Mountain, by the way, and I’ll only say this in a few places in this blog, is actually the Bluefield VA/WV area. To remind, we live here…

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… but are looking to move here…

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Well, if we move to Ashville, then what about the Frank and Herman Park mythology, I ask myself (and I hear the reader or readers asking me, in turn)? Isn’t this blog suppose to be all about that, and, by extension, Blue Mountain? That’s the big question. I have about 7-10 years to figure it all out; we’re “stuck” in Blue Mountain because of our jobs until then. What’s the attraction to Ashville? Well, it’s a considerably larger town, with more entertainment options. At least 4 Starbucks at last count. Lots and lots of restaurants, and, maybe most importantly, a still growing art scene, thanks in part to the oh so nifty River Arts District. As regular readers of my blog know, I’ve started a Sunklands site where I just display my collages without commercial attachments. Sitting behind them are the carrcasses, which I *know* I’ll never make any money off of but still must produce on a semi-regular basis — or, more correctly, when the time comes to make them. I *have* to make them. So I don’t think that’s going to stop, and also I must figure out the best ways to preserve my carrcasses for the future. Collages — since they’re born digital — not so worried about in that respect. And I think now that collages have the upper hand over carrcasses. Hard to explain, but a subtle shift has occurred lately with the recent creation of so many collages in the Gilatona-Lis and Falmouth series. And that is reflected in the Sunklands site’s creation. Cobbling it together is making me realize that the carrcasses, while still being produced, must remain hidden and perhaps separate from the “ordinary” (2d/flat) collages, more attached to Second Life. And that’s another thing: I believe I’ll always have a regular or semi-regular presence in a virtual world. How long it will continue to be Second life is a question I can’t answer right now. But someday it will shift to another world, and I have a feeling a much cheaper option will develop, a more parallel set-up between web and virtual world. Right now I’m pretty happy with the continued development of Collagesity and the possibility of more collages being added onto the large Falmouth series, extending its depth and breadth even further. And here’s a relatively new idea: I might lump *all* digital collages produced so far into an overarching “Embarras” (pronouced AM-braw) concept, named for the river that flows through Jasper County, Illinois and past almost all the namesake towns of the various series created so far, beginning with 2004’s Greenup.

But I might name it Ambraw, an archaic, phonetic spelling of the river.

—–

the dynamic duo
King Jethro & Queen Jethrine.

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Quadrobeavia

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“Mr. & Mrs. Sam Parr”

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“Parr, Sam, Mrs. & Mr.”

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BREAKING NEWS

Illinois entrepreneur Sam Parr buys Collagesity’s Fal Mouth College. University projected to be renamed Sam Parr State College. More details soon!

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“Mr. & Mrs. Sam Parr”

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“If it were a question.”

“2130 02a”

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“2130 02b”

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—–

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Gallery 2130(B?) in development.

Baker Bloch sits on the stairs, taking it in so far.

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Elton heads in; no sign yet, which means it’s past. Collage dream.

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Roger Pine Ridge The First greets visitors in the present. “2141”, I suppose.

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But which 2130 is real and which is a dream? That is a question?

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Posing

Story Room posed for a snapshot in front of their new Collagesity home at Fal Mouth College and all these other things showed up. Fancy that!

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Spider and Cardboard Derek Jones look on at the spectacle. They see it too(!).

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Found again.

Of all people, it was Starbuccaneer Barista that found Spider. Ridiculously clever, she had lured him out of a Whitehead Crossing related collage in the Fal Mouth Moon with a bowl of dog food.

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“Uhmmmm, yes: eat it up my precious Spider dog,” the resurrected Star said slyly. For she knew that a position of power would soon be in store for her because of this. She must speak to Baker Blinker asap; tell her of what she saw in the corridor. Share notes.

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—–

“So that’s where I come from,” said Queen Alma I from the future, peering in again. “A merger of Starbuccaneer Barista and Baker Blinker.”

“And Carrcassonnee,” Hucka Doobie added. “She was strong at the time, having just absorbed the 11th. Tasted like chicken again to her.” He smiled slyly slightly.

“But little Spider would go back into the collages to be lost again. And again. And yet again and again.”

“And again!” Hucka Doobie added again. “You see, he was mistakenly rewarded for entering the collages. Dog food, sticks, squeeze dolls. All these lured him out but also kept him going back, knowing the endpoint.”

“How did it end?” the Queen asked. “Is he still in the collages even now?”

“Yes,” came Hucka Doobie’s answer. “He eventually became All Collages.”

Cardboard Derek Jones suddenly slid his way into the room through the seams of the closed door. “My Majesty. And… um, sire. The dog has reappeared again!”

“What synchronicity!” Hucka Doobie exclaimed.

“Too much so I would say,” says a more cautious Queen Alma I, reading out of a red book that had appeared in her hands. “I’m checked the script now. Spider has learned how to traverse time.”

“Then we’re all in big, big trouble,” returned a suddenly worried Hucka. “Big big trouble.”

Cardboard Derek Jones slides quickly toward them, holding forth a picture, which turns out to be an animation as the Queen and Hucka jointly stare in disbelieve. In it, Baker Bloch and Master Shake also jointly stare in disbelieve as a giant dog turns into a horse before their very eyes.

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“That’s it,” Hucka Doobie says in finality, seeing Spider being fed/rewarded from “within”. “We’ve got to speak to Story Room about the 11th.”

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Spider gets lost (again!)

“Your Majesty, the dog Spider has disappeared into the “Art 10×10″. I’m afraid he’s lost for now.”

Queen Blinker:

Just as I planned, he he. Seriously, show me the involved collages. How many were there? What was the initial work? We need to post people on all floors of the Power Tower, Fal Mouth Moon, and Toxic Art for signs of the poor pooch. But he did volunteer, after all.

Cardboard Derek Jones:

Yes ma’am. I have taken pictures of the progression. He first attempted to make contact with the wise old fox, who turned her back on him. Then he tried the dingo in the next picture down… the previous picture, I mean, in the Art 10×10 progression. Sorry, ma’am.

Queen:

That’s all right. This was in the Newton series?

CDJ (checking notes):

Yale, ma’am.

Queen:

Show me the progression you speak of. Reverse progression, I suppose.

CDJ:

Yale ma’am. I mean, yes ma’am.

—–

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—–

CDJ:

And by that last collage, he had disappeared into relatively total abstraction. We believe the dingo, being not as wise as the fox, let’s say, led him into danger. He disappeared inside the water.

Queen:

Interesting. What is that body of water? We might have to go to the Real World and retrieve him there. Is that the River Key?

CDJ (checking notes again):

Give me just a minute ma’am. (pause) I do not have notes of the location.

Queen:

Then we must contact baker b. in the real world and ask him. He’s the one who made the collage, after all.

CDJ:

Yes ma’am. (then, reconsidering): What ma’am?

—–

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Collagesity & Stonethwaite: Sister Sities

Stonethwaite’s “Stonethwaite End and Restaurant” from the “Falmouth 26” collage and Collagesity’s Town Diner probably make the most direct link between the sister towns. Falls are associated with each. Dorothy’s fall appears to be the same or very closely related to Diner Falls dropping past Head of Perch/The Olive. The falls on the distant hill (Estatoah Falls, Georgia) in the related collage could also compare to Collagesity’s Tired Falls…

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… as could this cascade from “Falmouth 27”, the next in the 61 work Falmouth collage series from earlier this year and the second to depict a Stonethwaite setting. The falls of the collage are culled from Greenup Gill just up the valley from the Lake District village.

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The interior of the “Stonewaite End and Restaurant” appears to also mirror that of the Collagesity Diner. This connection will act as a type of direct portal between the two later on, or what I call a “looking glass” situation.

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There’s a “two-dimensional” blue bike in both Falmouth’s Stonethwaite — near the center of town, and also Collagesity — next to the diner. The blue member of the rock band Story Room appears before the former; there’s a strutting blue robot near the latter.

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The next connection is, on the surface, vaguer and more diffuse. Shelly Duval is wearing a toy fireman’s helmet with a star logo in “Falmouth 30” (see: here). Ringo Starr appears next to her with a giant, glinty star at his midsection, an image taken from Glinda the Good Witch’s wand in the classic 1939 Wizard of Oz film.

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In what seems to be a corresponding Collagesity shot, one of the two ladders of the Confluence Place is seen, relating to fireman’s ladders. Also in one of Veyot’s more amusing blog notes, building from my own story, she states that firemen were called in to rescue a golden retriever puppy from the roof of Gallery BOB next to the Confluence Place (middle of below photo). I would add that they might have had to use the ladders of the Confluence Place if theirs, say, weren’t long enough or were misplaced, etc. Or perhaps the Confluence Place ladders did double duty as the sole ladders of the town’s fire brigade. Interesting concept.

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What does it all mean? Still figuring that out. But I know a further link between Collage Stonethwaite and Collagesity has been made through Aqua Teen’s Master Shake now, building directly on the twin diner portal mentioned above.

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Collagesity Mysteries 01

About a week and a 1/2 ago, an avatar named Tseten Thokmey bought my Hector land for a sum I deemed just barely adequate for the transaction. I loved that land! Still do. I could live around the Rubi forest once again. But look at what Tseten has done: he’s essentially extended the forest into his farm! A bucolic existence he has carved out. More power to him, and I’ll probably have some things to say about Tseten later on. Just yesterday or the day before, land came up for sale bordering the lower part of his farm. Was I tempted to, once more, buy next to the Great Rubi Forest? Yes, a bit. But I realize that I’m committed to Noru, and the hard fought battle is now over with. Time to heal the wounds and not open them up again. Tseten would have made a fantastic neighbor, and, yes, we could have extended his farm and the forest as a whole even further…

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… but, then again, I have a fantastic new neighbor in Noru now! My previous neighbor in Philudoria, Veyot, during the original incarnation of VWX Town there last summer, has decided to commit to a piece of the excitement happening in Collagesity, purchasing a 512 parcel just behind the Power Tower Gallery. Her purchase basically extends the town in a westerly direction, making Collagesity almost run the entire 256 meter east-west extent of Noru. Not quite but fairly close. I’m continually surprised how synchronicities like this work, and I view the neighbor quandry, quickly resolved mind you, as a kind of residue energy of the whole Noru-Rubi “battle”. Instead of Baker Bloch becoming the neighbor of Tseten in Rubi, Veyot becomes Baker Bloch’s neighbor in Noru. Another red-blue exchange, then.

And her parcel is very nature oriented as well. 🙂 A nice East End park for certain. And I’ll have more to say about Veyot later on as well, as things continue to develop in the new town. What up with all those things going on in the Confluence Place??

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Baker also recently visited the village he created in Yeot this past spring. Presently, he has no way to further alter the strange, little burg, but he’s just come up with a name: Gong. Or Gongsity. More recently he went there to copy Edward’s Building/Gallery to place in Collagesity.

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Gongsity.

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Gongsity, with namesake Gong’s waters made transparent.

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So, returning to Collagesity, there are many mysteries yet to be solved or even revealed, like the fact that the red and blue robots on either side of the Coolie Building (since moved) lie directly north and south of each other, and on Hi Way and Lo Way respectively. I didn’t plan this alignment; I didn’t plan a lot of Collagesity’s alignments that just *happened*.

I just received a text message that Carrcassonnee has suggested we call her home the Cardinal Place instead of the Confluence Place. I’ll add it to the original town meeting’s docket, which should be happening pretty soon.

“Red/Blue”:

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Along with Carrcasssonnee, we’ve already talked to ballerina Dona in this blog, apparent twin to the very similarly colored flower directly behind her as seen in the camera angle below. And we’ve actually already talked to this “flower” in the blog, as a blog spirit I mean (think: Hucka D., primary blog spirit). I wonder if Dona and/or Flower know Carrcassonnee? I would imagine so.

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Looking up Tired Falls toward the heart of the village. The buildings around this falls are among its oldest, originally forming a smaller settlement called Tired Falls itself. This according to several of our blog spirits, including Hucka D., Carrcassonnee, and maybe Dona/Flower. I’ll certainly have more to say about this original settlement soon.

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I’ve noticed a resemblance between Collagesity and the fairly similarly sized Lake District village of Stonethwaite, England, the latter being the subject of a good chunk of my most recent and also largest collage series called Falmouth, housed in the Fal Mouth Moon gallery in town. And, yes, I’ll have more to say about that soon as well.

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Check this out: my collage reinvented Stonethwaite and Noru’s Collagesity both have blue bikes (!) Are they the *same* bike? Could be. Perhaps the super band Story Room will have some things to say about that. The blue man next to the bike is one of its 3 members that I know of, although a fourth is rumored. But I can hear Hucka D.’s talk echoing in my head, as he says, “there’s always a rumored 4th [about groups of 3].” He’s probably right.

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In the largest Falmouth collage, Story Room’s red member balances out the blue one on its opposite side. But since the collage goes ’round in a big circle, the red and blue beings are also actually next to each other. Why is blue upright and red sideways? Why does “Red’s” ruby red feet impossibly project through the corner of a Stonethwaite building? More blue-red mysteries for certain!

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