Category Archives: Rubi

It’s going to be tough…

… giving up VWX Town, Indulgence in January. Or even preparing for the event. So many stories still untold, like what *did* happen in the basically inaccessible rooms beyond the Confluence Place waterfall?

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The Indulgence Residents are always eyeballing the same mysteries I am about The Place. They know so much but tell so little. If I had more time, I could become friends with them, be more their confidant. But of course they can stay — I could move them, say, into the second floor of the Church of The Diagonal, or into the upper levels of Fal Mouth Moon. Yes, of course they’ll stay.

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“What about *me*?” a sad faced Indulgence 20 then asks in a very bass, metallic voice from across the top the east wall.

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I don’t have an answer for him yet. But I think I know why the spaceship is here now.

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And what of the Kidd Tower?

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Marble Tower?

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Bracket’s apartment?

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Assignments

“Hucka D., it looks like you’re going to have a blog (!). You’ll be in charge of the last part of what’s in the Baker Blinker Blog, from September 2011 to the end in August 2012. This is the period where hiking in and blogging about Frank and Herman Parks really picked up, and moved the Baker Blinker Blog beyond Second Life. It acts as a bridge to the Frank and Herman Einstein Blog!, started in Sep. 2012. We have that backed up as well now. Things are looking good. What are you going to do with the blog, Hucka?”

Hucka D.:

Protect (!) Bracket Jupiter wants a blog now as well. I think he and Edwardston Resident may go in for one together.

bb:

Hucka, I’ve been studying up on The Shining today — big surprise, right? — and came across the following from the excellent Juli Kearns Idyllopus site. Check it out:

Bartok’s “Music for Strings, Percussion and Celesta” connects Danny’s cycling about the floor of room 237 with the subsequent scene of Jack typing. The music began as Danny rolled about the upper floor, reaching a crescendo as Danny finished trying the doorknob, seeing the girls, and then moving on to the cycling xylophone scales as the camera zoomed in on Jack from behind, the music ending when Wendy finished her approach and Jack ripped his paper out of the typewriter.

We had previously heard this music when Wendy and Danny entered the maze, it reaching the crescendo as Jack entered the lobby and slammed the ball one last time against the far wall, the cycling xylophone scales playing as he stood over the maze watching Wendy and Danny at its center.

There’s speculation that Bartok used the Golden Ratio in some of his compositions and that we can see in the xylophone scales the Fibonacci sequence as 1:1:2:3:5:8:5:3:2:1:1.

And then:

My reasoning, however, is that Kubrick saw a link between the Fibonacci sequence and the conch shell and the labyrinth and thus the tie in with Bartok’s composition in which we supposedly hear the Fibonacci sequence. Kubrick certainly associated the music with the maze as it first plays when Wendy and Danny are in the maze.

Classical ideas of beauty are supposed to be found in Golden proportions, for which reason I imagine Wendy says to Danny, at the center of the maze, “Isn’t it beautiful?” The beauty of the maze is lost on the audience as all we see is green shrubbery and benches. What Wendy would have had to be referring to was its meeting a Golden proportion.

Remember that we’ve already connected the Rubi Woods to both Kubrick’s Shining Labyrinth and the Lucas Sequence, a twinned series to the Fibonacci sequence Kearns discusses here.

Hucka D.:

What do you want me to say? I have a blog (!)

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New spaceship…

… in town. Bracket Jupiter states another, even larger one might be on the way. What kind of contacts does he have??

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“The alien [within] will be a new, permanent member of the town. His name is Indulgence 7168.”

“Thank you Hucka D.”

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“There’s a picture of him.”

“Thanks once more.”

Facey

“Here’s his wife.”

“That might be enough, Hucka.”

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Around Rubi, 01

TEXT SOON.
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Go here to see the holes for yourself! Remember that there’s another just on the other side of the Great Linden Wall.

http://slurl.com/secondlife/Epirrhoe/47/45/132

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Twinned cypresses, green and brown

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December 17, 2013 · 9:30 am

Underground VWX Town…

… is one of the things I’ll miss when the Indulgence side of my community is abandoned.

I’ll still probably have this bit underneath the Fal Mouth Moon, up to Edward’s Stream in the back.

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But all will go south of this, including the Confluence Place and its pool ballerina and Lucky’s Magic Village.

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It’s obvious this is The Underground’s beating heart centerpiece.

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Underneath another empty gallery structure on the other side of the Confluence Place. Looks like it will remain empty.

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Additional x 3

The cat topped City Hall now becomes a recognized, direct symbol of Shiny Hare, which is the same as Carrcass-10 I suppose.

The cat has shiny hare, as I’m now changing it — right now.

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The cat is also Catman, sacrificed at the end of the film. The City Hall honors Catman like this article honors The Shining’s Scatman.

If City Hall is this Carrcass-10, the VWX Tower perpendicular to it and 3 times as long is the joint Carrcass 8 and Carrcass 9. Carrcass 10 can be fitted in the middle of the two, as City hall lines up with the middle of VWX Tower in an overhead view below… and also the side view above as it turned out…

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I know Hucka D. would agree with this interpretation, since he’s called the VWX Tower an audiovisual tiling, and challenged me to guess what that means.

VWX Tower is towering, just like joined or twinned Carrcass-8 and Carrcass-9. It is a towering tiling, the best at least since 2007. 2013 was a good year for carrcasses, just as 1996 was for crop circles. Tilings are much like crop circles — I’ve long noticed that.

Since 2008, going back again, the most recent carrcass or carrcass to come rules the blog and influences its ideas in a hidden but super-strong way. A nice example is the Sunklands writing of Fall 2009 on the Baker Blinker Blog, culminating with the production of Carrcass-3 using the work of the very same Plant and Marty that were prominent guest spirits on the blog during this period. After Carrcass-3 had been created, these spirits were no longer as essential. Spirits related to *Carrcass-4* then took over, which takes us to Fall 2010 Pietmond. Another interesting example is the very beginning of the Baker Blinker Blog, where we have the otherwise inexplicable intrusion of creatures called Ancients, like Baker Block’s Mr. Low, like Shakenstein that similarly tormented and cursed poor Baker Blinker. Many blog posts could be devoted to this subject alone. The whole run of A-Z posts from Fall 2009 are a lot about Carrcass-1, the first such work formed during the existence of my blogs.

Why does this influence have to remain basically hidden if it is so prevalent, the reader or readers might be asking at this time? A good question indeed. Hucka D. usually helps me out here (pause) but I don’t think he’s still around.

Hucka D.:

Hi. Sorry I had to step out but I had to buy more playdough for my models. Have you seen them? Red, then green, then blue and yellow. Or green, red… aw, they’re pretty anyway.

bb:

Are you talking about the VWX Town towers?

Hucka D.:

No. (pause) But good you figured out what they were, what they stand for. And now you’re in the woods, which is a seed of a new carrcass, beyond even Carrcass 8, 9, 10. This is a mashup. And the new, accompanying collage series will be Farrar — don’t you think?

bb:

Possibility, Hucka D. (!)

Hucka D.:

And that’s why The Shining material is so prevalent in the blog now. Your blog now. It is the Omega to the Alpha which is Oz. You have reached the end of tiling as you’ve come to know it. Other people tile now, as you know. Simpler tiles, because you are the master of tiling. You know that.

bb:

Yeah, I suppose.

Hucka D.:

The new master structures of VWX Town simply mirror this mastering. Yet you don’t have a big head about it.

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Good to recognize, however. Now you must start to protect[ what you’ve done].

bb:

Yes.

—–

Hucka D.:

You must head out into the *real* woods and leave the play[dough] woods behind. Else you become a Jack Frozen Head, see.

bb:

Kind of.

Hucka D.:

Do you want the Rubi Woods to absorb you? Your back is getting healed. A 237 healing. Pull away from the dart board. Stop looking into the mirror. See the twins *out there*. Turn around. Face music. Enjoy!

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http://idyllopuspress.com/idyllopus/film/shining_tuesday.htm

Danny tries the knob twice. The door is locked. Taking his hand down, he looks up at the number 237. This number is on the left hand side of the door, whereas all the other double doors in these halls have the room number on the right hand door.

The Shining – Danny looking up at the door before he sees the girls

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Fig. 22 – Danny looks up at the number.

190 MS The two girls. (42:44) A vision of the two girls glances through his mind.

The Shining – Danny sees the girls in the hall as he looks up at 237

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Fig. 23 – Danny sees the two girls.

It is when Danny looks at the number 237 that the girls glance through his mind, just as they had appeared when he was in the game room and playing darts, facing the 732 (237 in reverse) on the dart board.

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Additional Additional Wendy-Danny Tree Stuff

Jack looks down on The Overlook’s model of its maze just like Second Lyfe avatars can look down on the labyrinthine Rubi Forest either directly (flying) or using distant vision.

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But then the maze model inexplicably enlarges as we see down through Jack’s eyes in the movie, mirroring itself in all viewable directions. This reminds me that the Rubi Woods was supposedly part of the much larger Sylver Forest in Ancient or Pre-Linden times.

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Wendy-Danny from overhead!

Jack is becoming absorbed into the past of the Overlook Hotel. Remember The Maze is also a mirror of The Hotel. The past for us, the reader and caretaker of this blog, is the Sylver Forest. Will we become similarly absorbed, as Jack did at the end of The Shining? The Maze took him away forever and ever and ever. He became just a frozen head in the then *present*…

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… but, at the same “time”, a member of “all the best people” in 1921.

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“You’ve always been the caretaker.”

Gila 09 represents the two halves of “Dark Man” ending Shiny Hare. “Hucka D., can we speak about that now?”

Hucka D.:

A little. The picture on the easel is part 1 of 2, the picture on the wall of the gallery is part 2 of 2, yes. Jack of The Shining is at the end. Same as the frozen Marty [ McCartney] head, yes. Yes. (pause)

bb:

Thanks for showing up in my blog this morning, Hucka D. We are trying to resurrect the past. Is this a good thing?

Hucka D.:

Yes. (pause) In this case, in your case. A positive 237, a healing 237.

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bb:

We track down the road in the easel picture, which then continues in the wall picture. This is just like the long tracking shot ending The Shining, ending with Jack at the photograph. The wall picture I mean. The easel represents Catman entering The Hotel, and then being cut or sacrificed. The ax cut by Jack, essentially cutting Catman in two, is also like the edit cut of “Dark Man”.

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Catman is physically a “Dark Man”, but also the Dark Man becomes Jack psychologically because he kills. He *replaces* the physical Dark Man by being a psychological double. Dark is not necessarily bad, although society likes to deem it such. But [psychological] evil dark is obviously kind of bad. Was I speaking your words, Hucka? (pause) Hucka?

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Rubi Woods Squares, Row 5:

(continued from)

Square A1:
(3 eucalyptuses, 2 brown cypresses, 1 green cypress)

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1 of the 3 eucalyptuses found in A1 is on northern side of Robin Loop, characteristic shared with only one other tree in forest (see A2).

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Square A2:
(1 eucalyptus, 3 brown cypresses, 0 green cypresses)

1 of the 3 brown cypresses in A2 on northern side of Robin Loop, characteristic shared with only one other tree in forest (see A1).

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Square A3:
(3 eucalyptuses, 1 brown cypress, 1 green cypress)

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Elevation change here on the Robin Loop road from 98 to 101 meters.

Notice the “belt” of brown cypresses running along the south edge of Robin Loop, one each in A2, A3, and A4.

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Square A4:
(1 eucalyptus, 1 brown cypress, 0 green cypresses)

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Close calls on the eastern side, but far eucalyptus in A4 and near one in A5.

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Square A5:
(3 eucalyptuses, 1 brown cypress, 2 green cypresses)

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Twinned eucalyptus and green cypress near southwest corner.

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Square A6:
(2 eucalyptuses, 2 brown cypresses, 1 green cypress)

Robin Loop starting to gain elevation again, which will continue into A7 and A8 before flattening out again near the eastern border of Rubi in the latter. Elevation after this flattening: 116 meters. Highest point of sim as a whole lies just across the road and immediately in the sim’s northeast corner (117 meters).

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Square A7:
(1 eucalyptuses, 0 brown cypresses, 0 green cypresses)

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Square A8:
(1 eucalyptuses, 0 brown cypresses, 0 green cypresses)

Lone tree in square (characteristic shared with A7) comes close to being in B8, and also represents 1 of 2 highest trees in forest elevation-wise at 110 meters.

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Rubi Woods Squares, Row 4:

(continued from)

Square B1:
(3 eucalyptuses, 1 brown cypress, 1 green cypress)

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Square B2:
(4 eucalyptuses, 0 brown cypresses, 0 green cypresses)

Close call on the eucalyptus to the right in the below photo — almost lies within B3 to the east.

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Square B3:
(4 eucalyptuses, 1 brown cypress, 1 green cypress)

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Square B4:
(7 eucalyptuses, 1 brown cypress, 2 green cypresses)

B4 is tied with D4 for most trees in a 1024 square in the forest (10). Also tied with *E4* for most eucalyptuses in one square (7). This is one I’ll be studying more in the future as well.

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Square B5:
(3 eucalyptuses, 1 brown cypress, 1 green cypress)

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Square B6:
(2 eucalyptuses, 2 brown cypresses, 0 green cypresses)

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Square B7:
(3 eucalyptuses, 1 brown cypress, 1 green cypress)

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Square B8:
(2 eucalyptuses, 1 brown cypress, 2 green cypresses)

One of B8’s green cypresses represents 1 of 2 highest trees in forest elevation-wise, existing at 110 meters. It’s also at position 255, 220, 110 in Rubi, right on the sim’s eastern edge, and the easternmost tree in the woods as a whole. 220 (distance from southern edge of Rubi) in this location is also 2 times 110.

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(continued in)

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