Sunklands

bb:

But I forget to mention a key element in that last post. Let me get my counting straight… this is Collage Part 1

[ and it gives] us the statue facing left. Notice where his head is in relation to the log above. When the statue “spins” the opposite way…

… the *foot* is placed exactly where the head is, because in the meantime, the *2nd* photo, from 3 years in the future and reduced 50 percent in size, has been fitted into the middle of the animation. It’s the same log in both, though, and that allows the 2 in 1 relationship to occur. The head is the same as the foot!

Hucka D.:

That is a key to understanding the collage animation, yes. Good work!

bb:

The edge of the insert is where the 2 photos deviate most. They coincide most toward the middle. The small tree where the head stone is inserted in the 3rd part at the bottom/roots is most aligned — the forking branches line up past and present. Another *bridge*.

Hucka D.:

Yes, a time bridge. Past to present.

bb:

Complicated collage!

Hucka D.:

So the statue makes this bridge between past and present, and then disappears in the 4th and final pic of the animation. The statues is the same as the foot stone of the grave, but that’s just the pivot.

bb:

We’ve switched places again. You go.

Hucka D.:

The foot stone is the pivot. No.. *you* go.

bb:

The foot stone… well, you know. It stays in the same place. It is fixed, like the Ancients believed the Earth was fixed and everything revolved around it.

Hucka D.:

They do!

bb:

The Earth revolves through the 4 seasons, like we have 4 parts of the animation. This is representation of Earth.

Hucka D.:

Correct. Spinning. Circle. Circle Back.

bb:

The Head Stone is The Moon?

Hucka D.:

Could[ actually] be the other way ’round. The Foot Stone is The Moon. The Head Stone is the Earth circling around The Moon. But that would mean…

bb:

The *Moon* is the fixed position. That means we’re looking at the collage from a position on The Moon, not The Earth. But that doesn’t make sense.

Hucka D.:

It does if you’re a…

bb:

Don’t say it.

Hucka D.:

Grey.

bb:

Darnit!

(to be continued)

… know where to start, Hucka D.

Hucka D.:

Going pretty fast, eh?

bb:

Yes! Help!

Hucka D.:

Well, we should focus on Whitehead. England is in the rear view mirror[ now]. Current location is the focus. Let’s take a look at the animation.

https://bakerbloch.wordpress.com/2014/03/27/little-whitehead-collage-they-continue/

bb:

What is happening here?

Hucka D.:

You need to get across Little Whitehead[ stream]. The former fairy bridge has collapsed. Manchester statue to the rescue! He circles and then circles back. Lamb. Earth… spinning. Spades and Hearts. 7 and 6. Get Peter SoSo involved.

bb:

But to the collage, it starts with one picture, reduced 50 percent, fitted inside another picture. And this is the picture of the fairy bridge… or, I should say, the location of the fairy bridge. Because in the picture reduced and fitted into the normal sized picture, the bridge is gone, because it’s, let’s see, 3 years I believe in the future and the stick bridge has collapsed in the meantime. The tree in the background, fallen in photo 1, is more fallen in 2. The woods decay… natural effects. Coolie. But in animation 1 and 2, we have the fairy bridge up in the normal photo, and then in 3 and 4 the 50 percent reduction photo is fitted in from 3 years later and the bridge is gone. Now what happens is the Manchester statue makes a new bridge. Doesn’t he?

Hucka D.:

The statuette is the same as the foot stone of the Grave of the Unknown Explorer, buried on a ridge just west of Whitehead Crossing and within its metro area one could say. The statue pivots around to the 4 directions, and the foot stone does the same, swinging around with it the accompanying head stone. So the foot stone is in all 4 pics, but the statuette is missing in the 4th. It’s the[ now] common problem. Where is the 4th, or what happens during the 4th and last motion? The statuette disappears. The foot stone is still there, but not the statuette. And the head stone is gone as well, but that’s not as surprising, we’ll say, since it doesn’t appear in the 1st part either. It’s swinging around — could have disappeared behind some bushes in the last, say.

In collage 3… put up a link…

… we have the impossible situation of a foot stone on the opposite side of a stream [ Little Whitehead] from the head stone. They cannot be *bridged*. Where is the body? and so forth. In collage animation 2, where we have the head stone appearing for the first time (its appearance in the next animation is the second and also last), we have an actual grave possible, since level ground is between foot and head.

Barely, since we are right on the edge of the stream’s bank, with little wiggle room[ for the positioning of the body]. The stones are trying to speak to you. The stream is trying to speak. What is the message? The spinning Manchester statuette spins around… put up that video please…

http://www.independent.co.uk/news/uk/home-news/mystery-solved-manchester-museums-spinning-ancient-egyptian-statue-isnt-cursed-8951201.html

Oh I have a theory, baker b. Your Second Lyfe friend thinks *I’m* a grey.

bb:

Are you?

Hucka D.:

Just as much as you are or anyone who happens to be surfing the internet and stumbles across these words is.

bb:

Good enough for me. Anyway, there are positive and negative Greys, just like there are positive and negative Humans. We’ll get to “Humanvillians” soon enough, I hope.

Hucka D.:

We can bounce around.

bb:

So the statue spins around[ in the collage animation], like the foot stone spins around — they are one. And a replacement stick bridge is put into effect in 3, parallel with the head stone moving across the stream and placed under that tree root — one of those perfect fits for a collage image… had to be there.

Hucka D.:

Yes (pause) Manipulated photograph.

bb:

The 4th contains no statue simply because I didn’t have a picture of the statue in that position, looking away from the view. Just the right, forward, left and not backwards [positions].

Hucka D.:

Would your Second Lyfe friend wish to know more about TILE? I can send her some brochures.

bb:

Not sure, Hucka D. Maybe we shouldn’t talk about that any more.

Hucka D.:

I think you should make a collage of it. The friend is a collagist and you’re a collagist.

bb:

Maybe. Back to Whitehead X-ing collages[ for now].

Hucka D.:

The Manchester statuette is connected to a particular crop circle you *almost* visited while in England. Good thing you didn’t! And it creates a perfect circle in a similar way. The crop circle contained a code, as Collie found, that traces it back to the statue. Check it out.

http://www.cropcircleconnector.com/2013/Stantonstbernard2/articles.html

—–

bb:

Well, let’s just move on. The point is that 3 years ago I took a pic of what I imagined was a fairy bridge across Little Whitehead[ Stream]. 3 years later, another pic shows the stick bridge gone. Through the power of collage I bring past and present together here. The spinning statuette is forging a substitute bridge through the power of the likewise spinning grave stones. Who is in that grave? A Grey?

Hucka D.:

No. Dogpatch.

(to be continued)

TEXT SOON.