Dart Taboo

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bb:

I shouldn’t have written a reply tonight. I was a little drunk. I need to dry out for a night. Don’t want it to get the way it was. So to the map.

Hucka D.:

I’ll let you handle this one. Goodnight. Sorry.

—–

Dart:

Refers to the dartboard game of The Shining and the (one of the?) 3 red darts Danny throws at it in the Game Room scene during the Closing Day part of the movie.

http://idyllopuspress.com/idyllopus/film/remembrance_and_repetition_in_kubricks_the_shining.htm

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3 Shining darts and 3 U.S. darts (Alabama, Missouri, and this one in Ohio) — coincidence? The dartboard has already been assoc. here with Room 237 through reverse number 732.

Is Dart, Ohio the dart Danny leaves on the board or is it one of the 2 he pulls from the board just before seeing the Grady Twins for the first time? Notice that 2 darts he’s thrown point up, and the third, at the bottom, points down (to Hell?)

Shay:

I believe this refers to the “sha” ambient sounds in the movie remarked upon by several Shining researchers and called that specifically by Juli Kearns of Idyllopus Press. There is no “Sha” place name in U.S., and Shay’s about as close as you’d get, I’d suppose.

Additional note: There are also 3 Shays, like there are 3 Darts in US. 1 of 2 other Shays near Hellman in OK (see Fifteen below).

Fay, Shley:

Back up Shay as rhyming neighbors. Fay also goes into interesting directions of its own. (LINK) Fay is a witness.

Fifteen:

I believe this refers to the tarot card The Devil, the 15th Major Arcana card of the deck. Remember that Jack obviously poses as The Devil in the photo at the end of the movie. Fifteen represents the end of The Shining as well, then, the entrapment of Jack within the hotel forever and ever and ever (as the Grady Twins predicted).

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Very importantly here: Jack is also the Dark Man.

In the Tarot of Marseilles, the devil is portrayed with facial features in unusual places, such as a mouth on his stomach, eyes on his knees…

Steel Run, Moss Run, Cow Run:

I do not presently know their relevance here, if any. Perhaps interesting run of Runs, however (sorry).

Heslop:

Ditto. Seems like an anagram of something. But it’s actually a British surname. Heslop might go in several directions as well.

http://en.wikipedia.org/wiki/J_Malan_Heslop

http://freepages.history.rootsweb.ancestry.com/~jmohney/r_j__heslop.htm

R.J._Heslop

—–

Obviously not as interesting on the surface as the MASH-Pennsylvania material reviewed previously on this blog in December. But let’s look a little closer. Let’s assume Shay represents the “sha” ambient sound of The Shining. Here’s what master researcher Juli Kearns has to say about it. Before getting to that, I’d put forth the idea that the “sha” sounds dictate almost another plot within the movie. Personally I’ve never heard of anything quite like it. When I found Dart, Ohio and Shay nearby, I immediately made the connection to The Shining noise. But to the quote:

http://idyllopuspress.com/idyllopus/film/shining_interview.htm

Jack has glanced in the direction of a model of the hotel’s maze as he crossed the circle upon which Dick will later fall when he is murdered by Jack, who will have been hiding in the lobby behind a pillar. The waiter and his silver service just disappearing from sight, perhaps behind a pillar, seems to be a foreshadowing of this. He would not be so completely hidden by the pillar, with his tray, had this not been staged.

Just a step beyond the circle, Jack’s glance moves up to the stairs on the right, briefly meeting that of a hotel employee who is coming down the steps. This is the stairway Jack will, in the “4 pm” section, use on his approach to the lobby in the scene where he murders Dick. As his glance meets the woman’s, he crosses the spot where Dick will be standing when Jack leaps out from behind the nearby pillar and kills him.

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At the same time we are taking in an elevator beyond, before which stands a man who carries a wrapped pole of sort, perhaps a fishing pole as he carries a hat which is typically used for fishing. We can tell he’s a new arrival as the red-coated valet behind him is porting his bags.

Two other things happen as Dick crosses this fatal spot. An elder man in light clothing has entered the area before the elevators from the hall beyond. This same man will later be seen examining the maze.

(3:27 crossing into 3:28) The second thing that happens is a subtle audio cue. We hear a brief, staccato voicing of “sha” which, at this point, we take as being part of the natural ambient noise of the lodge. I will write more about this voicing later. It’s enough now to note that it has meaning, expanding in some way on the action which will later occur on this spot, action which is already being anticipated.

So the first “sha” of the movie sounds right as Jack crosses the spot where he’ll later kill Halloran (Scatman Cruthers). Kearns states this happens at 3:27 in the movie, and associates it with an anagram of 237, like the dartboard’s 732. It’s at 3:26 by my player, but maybe she has a point there as well. Now let’s move to the *last* appearance of “sha” in the movie, a little over 48 minutes later. Shawnfella, creator of the Shone Report video on the subject, claims there are 16 instances of the sound in the movie. Clearly, however, there’s more than that, and Kearns adds a couple of her own. But these 2 “sha” researchers agree on what appears to be the last one. Let’s check out Juli’s take on this:

http://idyllopuspress.com/idyllopus/film/shining_saturday.htm

First, I want to note a similarity between Wendy removing a red line twice from the switchboard (2 tests) and Danny removing the 2 red tipped darts earlier in the film. Just a note.

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And another note before I get to the final “sha” stuff….

Coincidentally, as Wendy crosses over the circle where Dick is to die, an oval flaw appears in the film stock on the wall to the left, white enclosing a tan field. I saw this because I paused the film to get a shot that showed the television was on but we’re unable to see what is playing, and for the brief period of time it is shown whatever is on the screen appears static and isn’t moving.

To me, this could be the seed point for another whole “sha” style mystery about the film, since it occurs when Wendy crosses the very same place (death spot of Halloran) as Jack does during “The Interview” when the first “sha” occurs. Doesn’t seem coincidence (once more).

This scene is the last, to my knowledge, in which we hear the “sha” sound. As the conversation in which we hear it has to do with the lines being down–Wendy asking if there’s any chance of repair and the “sha” being heard before the ranger answers–my assumption is going to be that the “sha” sound somehow has to do with this and the lodge’s status of CRM-114, as it were, of estrangement, of being cut off, just as was the jet carrying the bomb cut off from the outside world in Dr. Strangelove, and Alex was separated out for the Ludovico treatment then cut off and shunned. The “sha” sounds may stop as a state of some degree of irreversibility has been reached. The Torrances, previous to now, perhaps had the possibility of leaving the lodge without a catastrophic incident occurring, whereas that is no longer the situation.

After finding out the lines are down when she can’t reach anyone at the switchboard, Wendy moves to the ham radio in Ullman’s Office and calls the forest service. The last sha occurs right after Wendy (KDK12) asks if there’s any chance of the phone lines being repaired, and before the young ranger (KDK1) replies that he doesn’t think so, and often the lines stay like that until Spring. Not a hopeful situation for Wendy.

Some notes, then. The first apparently “sha” of the movie, besides sounding right at the Halloran death spot, also occurs in the middle of a phone ring. The last “sha” here is placed in the middle of a conversation about downed phone lines. Must be a relationship, and the clincher for this is that a phone has *just disappeared* in the movie beside this young ranger in his office, and replaced by a blue notebook. The white sheet on the bulletin board in front of him, at the same time, is replaced by a pink sheet. These are *not* continuity errors but rearranged on purpose by master manipulator Kubrick. What’s he up to here???

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Danny originally shines in the movie during the dart game when he first sees The Twins.

And what lake is that between Shine and The Twins? It’s Teal, but who could tell from this map. May be *Pearl*?

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Nearby is Ta(r)boo Bay…

Parents sleeping with their children is taboo to the max.

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Jack5

Facey

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It’s going to be tough…

… giving up VWX Town, Indulgence in January. Or even preparing for the event. So many stories still untold, like what *did* happen in the basically inaccessible rooms beyond the Confluence Place waterfall?

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The Indulgence Residents are always eyeballing the same mysteries I am about The Place. They know so much but tell so little. If I had more time, I could become friends with them, be more their confidant. But of course they can stay — I could move them, say, into the second floor of the Church of The Diagonal, or into the upper levels of Fal Mouth Moon. Yes, of course they’ll stay.

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“What about *me*?” a sad faced Indulgence 20 then asks in a very bass, metallic voice from across the top the east wall.

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I don’t have an answer for him yet. But I think I know why the spaceship is here now.

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And what of the Kidd Tower?

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Marble Tower?

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Bracket’s apartment?

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Assignments

“Hucka D., it looks like you’re going to have a blog (!). You’ll be in charge of the last part of what’s in the Baker Blinker Blog, from September 2011 to the end in August 2012. This is the period where hiking in and blogging about Frank and Herman Parks really picked up, and moved the Baker Blinker Blog beyond Second Life. It acts as a bridge to the Frank and Herman Einstein Blog!, started in Sep. 2012. We have that backed up as well now. Things are looking good. What are you going to do with the blog, Hucka?”

Hucka D.:

Protect (!) Bracket Jupiter wants a blog now as well. I think he and Edwardston Resident may go in for one together.

bb:

Hucka, I’ve been studying up on The Shining today — big surprise, right? — and came across the following from the excellent Juli Kearns Idyllopus site. Check it out:

Bartok’s “Music for Strings, Percussion and Celesta” connects Danny’s cycling about the floor of room 237 with the subsequent scene of Jack typing. The music began as Danny rolled about the upper floor, reaching a crescendo as Danny finished trying the doorknob, seeing the girls, and then moving on to the cycling xylophone scales as the camera zoomed in on Jack from behind, the music ending when Wendy finished her approach and Jack ripped his paper out of the typewriter.

We had previously heard this music when Wendy and Danny entered the maze, it reaching the crescendo as Jack entered the lobby and slammed the ball one last time against the far wall, the cycling xylophone scales playing as he stood over the maze watching Wendy and Danny at its center.

There’s speculation that Bartok used the Golden Ratio in some of his compositions and that we can see in the xylophone scales the Fibonacci sequence as 1:1:2:3:5:8:5:3:2:1:1.

And then:

My reasoning, however, is that Kubrick saw a link between the Fibonacci sequence and the conch shell and the labyrinth and thus the tie in with Bartok’s composition in which we supposedly hear the Fibonacci sequence. Kubrick certainly associated the music with the maze as it first plays when Wendy and Danny are in the maze.

Classical ideas of beauty are supposed to be found in Golden proportions, for which reason I imagine Wendy says to Danny, at the center of the maze, “Isn’t it beautiful?” The beauty of the maze is lost on the audience as all we see is green shrubbery and benches. What Wendy would have had to be referring to was its meeting a Golden proportion.

Remember that we’ve already connected the Rubi Woods to both Kubrick’s Shining Labyrinth and the Lucas Sequence, a twinned series to the Fibonacci sequence Kearns discusses here.

Hucka D.:

What do you want me to say? I have a blog (!)

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New spaceship…

… in town. Bracket Jupiter states another, even larger one might be on the way. What kind of contacts does he have??

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“The alien [within] will be a new, permanent member of the town. His name is Indulgence 7168.”

“Thank you Hucka D.”

600px-Av09

“There’s a picture of him.”

“Thanks once more.”

Facey

“Here’s his wife.”

“That might be enough, Hucka.”

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Around Rubi, 01

TEXT SOON.
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Go here to see the holes for yourself! Remember that there’s another just on the other side of the Great Linden Wall.

http://slurl.com/secondlife/Epirrhoe/47/45/132

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Twinned cypresses, green and brown

twinnedcypresses

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December 17, 2013 · 9:30 am

Underground VWX Town…

… is one of the things I’ll miss when the Indulgence side of my community is abandoned.

I’ll still probably have this bit underneath the Fal Mouth Moon, up to Edward’s Stream in the back.

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But all will go south of this, including the Confluence Place and its pool ballerina and Lucky’s Magic Village.

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It’s obvious this is The Underground’s beating heart centerpiece.

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Underneath another empty gallery structure on the other side of the Confluence Place. Looks like it will remain empty.

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Additional x 3

The cat topped City Hall now becomes a recognized, direct symbol of Shiny Hare, which is the same as Carrcass-10 I suppose.

The cat has shiny hare, as I’m now changing it — right now.

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The cat is also Catman, sacrificed at the end of the film. The City Hall honors Catman like this article honors The Shining’s Scatman.

If City Hall is this Carrcass-10, the VWX Tower perpendicular to it and 3 times as long is the joint Carrcass 8 and Carrcass 9. Carrcass 10 can be fitted in the middle of the two, as City hall lines up with the middle of VWX Tower in an overhead view below… and also the side view above as it turned out…

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I know Hucka D. would agree with this interpretation, since he’s called the VWX Tower an audiovisual tiling, and challenged me to guess what that means.

VWX Tower is towering, just like joined or twinned Carrcass-8 and Carrcass-9. It is a towering tiling, the best at least since 2007. 2013 was a good year for carrcasses, just as 1996 was for crop circles. Tilings are much like crop circles — I’ve long noticed that.

Since 2008, going back again, the most recent carrcass or carrcass to come rules the blog and influences its ideas in a hidden but super-strong way. A nice example is the Sunklands writing of Fall 2009 on the Baker Blinker Blog, culminating with the production of Carrcass-3 using the work of the very same Plant and Marty that were prominent guest spirits on the blog during this period. After Carrcass-3 had been created, these spirits were no longer as essential. Spirits related to *Carrcass-4* then took over, which takes us to Fall 2010 Pietmond. Another interesting example is the very beginning of the Baker Blinker Blog, where we have the otherwise inexplicable intrusion of creatures called Ancients, like Baker Block’s Mr. Low, like Shakenstein that similarly tormented and cursed poor Baker Blinker. Many blog posts could be devoted to this subject alone. The whole run of A-Z posts from Fall 2009 are a lot about Carrcass-1, the first such work formed during the existence of my blogs.

Why does this influence have to remain basically hidden if it is so prevalent, the reader or readers might be asking at this time? A good question indeed. Hucka D. usually helps me out here (pause) but I don’t think he’s still around.

Hucka D.:

Hi. Sorry I had to step out but I had to buy more playdough for my models. Have you seen them? Red, then green, then blue and yellow. Or green, red… aw, they’re pretty anyway.

bb:

Are you talking about the VWX Town towers?

Hucka D.:

No. (pause) But good you figured out what they were, what they stand for. And now you’re in the woods, which is a seed of a new carrcass, beyond even Carrcass 8, 9, 10. This is a mashup. And the new, accompanying collage series will be Farrar — don’t you think?

bb:

Possibility, Hucka D. (!)

Hucka D.:

And that’s why The Shining material is so prevalent in the blog now. Your blog now. It is the Omega to the Alpha which is Oz. You have reached the end of tiling as you’ve come to know it. Other people tile now, as you know. Simpler tiles, because you are the master of tiling. You know that.

bb:

Yeah, I suppose.

Hucka D.:

The new master structures of VWX Town simply mirror this mastering. Yet you don’t have a big head about it.

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Good to recognize, however. Now you must start to protect[ what you’ve done].

bb:

Yes.

—–

Hucka D.:

You must head out into the *real* woods and leave the play[dough] woods behind. Else you become a Jack Frozen Head, see.

bb:

Kind of.

Hucka D.:

Do you want the Rubi Woods to absorb you? Your back is getting healed. A 237 healing. Pull away from the dart board. Stop looking into the mirror. See the twins *out there*. Turn around. Face music. Enjoy!

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http://idyllopuspress.com/idyllopus/film/shining_tuesday.htm

Danny tries the knob twice. The door is locked. Taking his hand down, he looks up at the number 237. This number is on the left hand side of the door, whereas all the other double doors in these halls have the room number on the right hand door.

The Shining – Danny looking up at the door before he sees the girls

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Fig. 22 – Danny looks up at the number.

190 MS The two girls. (42:44) A vision of the two girls glances through his mind.

The Shining – Danny sees the girls in the hall as he looks up at 237

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Fig. 23 – Danny sees the two girls.

It is when Danny looks at the number 237 that the girls glance through his mind, just as they had appeared when he was in the game room and playing darts, facing the 732 (237 in reverse) on the dart board.

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Additional Additional Wendy-Danny Tree Stuff

Jack looks down on The Overlook’s model of its maze just like Second Lyfe avatars can look down on the labyrinthine Rubi Forest either directly (flying) or using distant vision.

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But then the maze model inexplicably enlarges as we see down through Jack’s eyes in the movie, mirroring itself in all viewable directions. This reminds me that the Rubi Woods was supposedly part of the much larger Sylver Forest in Ancient or Pre-Linden times.

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Wendy-Danny from overhead!

Jack is becoming absorbed into the past of the Overlook Hotel. Remember The Maze is also a mirror of The Hotel. The past for us, the reader and caretaker of this blog, is the Sylver Forest. Will we become similarly absorbed, as Jack did at the end of The Shining? The Maze took him away forever and ever and ever. He became just a frozen head in the then *present*…

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… but, at the same “time”, a member of “all the best people” in 1921.

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“You’ve always been the caretaker.”

Gila 09 represents the two halves of “Dark Man” ending Shiny Hare. “Hucka D., can we speak about that now?”

Hucka D.:

A little. The picture on the easel is part 1 of 2, the picture on the wall of the gallery is part 2 of 2, yes. Jack of The Shining is at the end. Same as the frozen Marty [ McCartney] head, yes. Yes. (pause)

bb:

Thanks for showing up in my blog this morning, Hucka D. We are trying to resurrect the past. Is this a good thing?

Hucka D.:

Yes. (pause) In this case, in your case. A positive 237, a healing 237.

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bb:

We track down the road in the easel picture, which then continues in the wall picture. This is just like the long tracking shot ending The Shining, ending with Jack at the photograph. The wall picture I mean. The easel represents Catman entering The Hotel, and then being cut or sacrificed. The ax cut by Jack, essentially cutting Catman in two, is also like the edit cut of “Dark Man”.

jack kill halloran

Catman is physically a “Dark Man”, but also the Dark Man becomes Jack psychologically because he kills. He *replaces* the physical Dark Man by being a psychological double. Dark is not necessarily bad, although society likes to deem it such. But [psychological] evil dark is obviously kind of bad. Was I speaking your words, Hucka? (pause) Hucka?

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Cube

“Quick chat, Hucka D. So much information coming in recently. Already up to 31 35 posts for December (!)”

Hucka D.:

The Rubi Forest guides. The Rubi Forest speaks. Hear it.

Bracket Jupiter:

It all starts in that forest. That forest!

Edwardston R.:

I sensed that!

Hybuli:

Yes. I see.

[delete name]:

I’ll go there too. It’s a…

—–

Rubi:

On the edge. Moving in. Mistake caused. Listen. Lucas. Listen.

Cubes

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