Sunklands

March 28, 2013 · 1:45 pm

Falmouth Interpretations/Associations 05

(continued from Falmouth Interpretations/Associations 04)

“Don’t you think the triangle Baker Bloch is staring at or has just looked away from below represents the Summer Triangle?”

bb:

Could be Hucka D. The Bee.

Hucka D.:

In Falmouth 02 which you’ve just inserted above, Baker Bloch is also on one end of a [larger] triangle himself. Again this is the central region of the Koch Star [or Silbury Star] crop circle from 1997. But this is also one of the 2nd iteration triangle of the 4 part process Glick describes therein…

bb:

That’s Glickman. Michael Glickman.

Hucka D. (continuing):

Then…

bb:

Hold on, Hucka D. I just want to point out that Glickman, in that article, also states the diameter of the circle of meditators would be 0.222 of the circle containing the entire star. I’m remembering that the clock in Falmouth 03 has a time of 2:22.

Hucka D.:

Good to point out. So continuing —

bb:

The clock on the roof in Falmouth 03 and the circle of meditators on the roof in Falmouth 01 are the same.

Hucka D.:

Right. Now I’ve lost my train of thought. But thank you… good to point out once more.

bb:

Sorry.

Hucka D.:

The circle containing the overall star crop circle would be the same as a circle around the large triangle, or iteration 01. The diameters relate in the ratio 2:9. The Rockley rock engraving in Falmouth 02 is also related to the Koch star. More triangles — the 3 triangles of the 2nd iteration from that article. The Sound of Music children look on, as they looked on before (in Latona 03 04) when The Mouse was playing guitar, perhaps a song written for him by Shark, even. They are discussing the song, perhaps, in Falmouth 03. Is it about corndogs?

bb:

Not sure Hucka D.

Hucka D.:

Then the Big Cabin with its Big Chimney across the road from this rock — still in Falmouth 02 here — is branded with the Rockley white horse, since lost as it were. We know the location, though. It too is the same as the rock it seems. Perhaps they are companion rocks, even, like the 2 Avebury stones of Falmouth 03, on its left side. And then you’ve already pointed out the shape of the right child in Falmouth 03 mirrors the taller of these 2 Avebury rocks. So the other child, covered now by the smoking President Hayes, is the squatter, fatter rock. See?

bb:

Seems to be so, Hucka D.

Hucka D.:

If the chicken or Baker Bloch with chicken or *chichen* legs is crossing the road in Falmouth 04 to get to England from President R. Booger Hayes’ US of A, then the return trip back to Amereca is signified in the reversal of the rock crossing the road in Falmouth 02. The Rockley rock, travelling backwards now, becomes the Big Cabin, still with a Rockley horse on it to signify the association, but a US of A image still — this is suppose to be Hayes’ cabin on Mouse Island with its large chimney, which is attached to Masonic Mysteries now. You start the cycle over — you head back to the US of A and the grind dominated by the 2:22 clock with Shark present and you The Mouse again. It starts all over. But *now* you know you can escape once more. You see the other side. So you can deal with it better. And Shark understands as well. This is the main lesson of the Falmouth series, finally. And it all aligns with Deneb and Cygnus as Thom pointed out. Collins reinforces and reinvigorates. Bart with his arm — where you wear a watch after all — is telling Baker Bloch that its time to go home, back to his US of A and the daily grind. Now you must deal with the mysterious of the Big Chimney. Can you see?

bb:

Think so. Kind of.

Hucka D.:

The hand projects from the chimney( in Falmouth 03). Also in Falmouth 03 we have 2 picture elements coming from Frank/Herman Parks, specifically Methril on Thrill. More specifically The Diamond rock and then a moss formation that looks like a mouse eating some cheese (lichen). He’s liken it.

bb:

Clever.

Hucka D.:

So obviously the moss mouse is eating the cheese and is the same as The Mouse talking to Shark and attempting to interact with the corndog on the roof behind them. Has The Mouse taken The Bait?

bb:

Unsure Hucka D.

Hucka D.:

The brick wall( around the house) certainly seems to be a trap for Mouse, caught by Shark.

bb:

It’s the 8-5 grind again, Hucka D., dominated by a clock. The Clock. We’re stuck in 2:22 unable to reach 2:23 and freedom.

Hucka D.:

There is a separation of Prez and Mouse here. Shark is attempting to tell Mouse that not that he doesn’t like corndogs but he doesn’t like *county seats*, or at least 2 county seats in the same county. You know what this means.

bb:

I might Hucka D. 2 locations. The Shark doesn’t like two centers for the same department.

Hucka D.:

She/he’s going to have another go at it with New Guy. In Ozmo, New Guy shows up in episode 2 I believe. You can check that now if you wish.

bb( after checking):

He shows up at the end of episode 2, “Signals”.

Hucka D.:

A great episode. They’re all great. A fine product produced by your US of A, along with the Smipsons. And that’s about it. Zapple, Smipsons, Ozmo, Fire at the Theatre’s Side, couple grunge bands, Hooked On Phonics, and that’s about it. Oh… Igor Stravinsky.

bb:

I think he’s Russian, Hucka D. Although he lived for a long time in Los Angeles I believe. Schoenberg, his arch-enemy, resided there as well.

Hucka D.:

The Viennese Triangle, I remember. 12 atonals all. Latona — atonal. Do you think the 12 tones Schoenberg had to treat so equally to avoid key signatures has to do with the 12 hours of a clock and the 12 triangles on Shark’s roof? For this is Shark’s home in Falmouth 03.

bb:

Again: might be.

Hucka D.:

I think it is a black hole — this loss of tonality. You do not have a key signature. You have this blog, your creativity, yet you have a grind it out job. Edna is feeling it too — more than you. You must escape. You must re-center. New Guy.

bb:

Thank you.

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Filed under collages 2d, Wiltshire

March 26, 2013 · 8:44 pm

Falmouth Interpretations/Associations 04

(continued from Falmouth Interpretations/Associations 03)

“Don’t you think this is you as a certified professional in the future.”

bb:

Yes Hucka D. Thanks for the lead-in.

Hucka D.:

You’re welcome. One of my tasks. This is future stability. On the other side, in Falmouth 03[ opposite of the Falmouth series “circle”] you have the present situation, or what happened in late November or early December. You have a breakdown of communications on both sides. You have the boss or the prez, Shark, talking to The Mouse. Prez *hates* corndogs. This is what he or she is pissed off about. The Table is not getting done. And yet very ironically *you* have your own kind of parallel table that’s not getting done. You see?

bb:

Yeah. The Table.

Hucka D.:

The Clock is the 8-5 grind you’re trapped in, like most of the rest of us working slobs. This is your job. You are the worker and shark is the boss. You are Mouse.

bb:

Yes.

Hucka D.:

Perhaps you cannot get on your tiny tip toes to retrieve the corndog that has a hand up on this roof, inside the triangles that represent a clock as well. The hand points to one, but the hand also points to the actual clock in the collage, the one frozen on the minute of 2:22. The clock cannot move to 2:23. You are stuck, like Groundhog Day and Phil within.

bb:

Yes. I’m better at listening now.

Hucka D. (continuing):

As you also realize now, this is your situation in your US of A, where you live, where you work. The street is the Big Pond. Crossing the street like a chicken or chichen equates with heading to England now. You must go!

bb:

Yes. Just found out there’s no backing out now. Excitement! No regret.

Hucka D.;

Good. When you get to England and center yourself over there, apart from your US of A, you will understand the future role, the certification. It’s not exactly what you think.

bb:

What I don’t want to happen is me being pushed out of my present position.

Hucka D.:

That won’t happen. Now. You and the New Guy will get along smoothly. He will see the real you… doctor. And you are clearing up your act. Balance. England plays a great part in that. No, you will not be able to leave your US of A for 8 more years. Yet you must prepare for the inevitable — retirement. Now. You will always have your Frank, your Herman Parks. That will not leave you. Then you plug in that to the whole England scene and the crop circles and the activating megaliths.

bb:

Did you say activating?

Hucka D.:

Yes. Everything is warming up. The past will be the present will be the future. (pause)

bb:

Activate, huh.

Hucka D.:

Back to the collage, this is you in the future. You are both the man and woman, like Ozmo’s Man/Woman that Roostre knows about. Okay?

bb:

Alright Hucka D.

Hucka D.:

Andrew Wyeth’s Cristinia is a direct reference to Cygnus and its x-rays through Rush, Missouri. Alright?

bb:

Yeah. So Bytor’s collages are another pointer. I must protect the history of the Golden Age of Synching, Hucka D.

Hucka D.:

Okay. Alright.

bb:

And we’ve already talked about how symbols and images from The Barge have sort of been imposed upon the Red Lion pub of Avebury, kind of like the former has taken over the latter. And the red haired being is behind all this… including the Rockley rock art in Falmouth 02. So we have the Croppie beer logo attached to the front of the Red Lion, the elements from the poster — saucer and white horse, on another Red Lion building, and then the red haired being’s hair covers the actual Red Lion logo on the side or front of the building. This *is* the Red Lion, or the true Red Lion — what it could actually be.

Hucka D.:

A center or watering hole for crop circle studies. (pause) The drunken beer in the front has a prominent black hole that peeks through into another dimension through the white foam. This is Cygnus X-1 again. Then there’s the relationship between Cygnus X-1 and Cygnus X-3: even though they’re far apart in actual space, they appear close together from our Earth angle in the constellation[ of Cygnus]. And now you know that the only carving on any of the Avebury stones is of a swan. Fantastic. Avebury itself is aligned to the brightest star of Cygnus in Deneb.

—–

http://en.wikipedia.org/wiki/Avebury#Purpose

Alexander Thom suggested that Avebury was constructed with a definitely indicated site to site alignment with Deneb.[39]

—–

(continued in Falmouth Interpretations/Associations 05)

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March 26, 2013 · 6:47 pm

Falmouth Interpretations/Associations 03

(continued from Falmouth Interpretations/Associations 02)

bb:

Hucka D., we’re going to inexplicably switch back to Falmouth 01 to continue our interpretations/associations here. We started with Falmouth 04. The Falmouth Interpretations/Associations 02 post was a bust.

Hucka D.:

Yes. Put up your picture and I’ll take over. No need to overexplain things, mr. b.

bb:

Thanks for saving me once more. (smile)

INSERT COLLAGE PICTURE

Hucka D.:

“We…” covers a log of ground [ for Falmouth 01]. (pause to read) Well, the collage picture has changed a little since those older interpretations, baker b. *The* b.

bb (pointing):

You’re the b.

Hucka D.:

We’re both b’s, then. (points to both b’s) Let me see… lost my place.

bb:

We’ve got to make a solid start at this interpretation today. Another solid run, I mean. April and its fool days are quickly approaching (!) But it feels like January.

Hucka D. (singing):

When it’s hot, it’s hot. When it’s not it’s not.

bb:

Fantastic. So… Falmouth 01?

Hucka D.:

(pauses to read more of “We…”) See I was singing in that old post as well.

bb (trying not to get sidetracked again):

Yeah I remember. (pause)

Hucka D.:

Let’s just start with the circle of meditators up on the Red Lion pub’s roof on the right side of Falmouth 01. This is Falmouth 01, and this is the 1st or 01 iteration of the Koch star crop circle we discussed previously, baker b.

bb:

Yes.

Hucka D.:

Falmouth 02 contains the 2nd iteration, Falmouth 03 the 3rd[ of the same], and Falmouth 04 the 4th. The entire Falmouth series in its 4 parts actually is the same as this circle, or equates with it. Through this one circle it relates or equates with all [crop] circles. It is whole and complete unto itself. The trouble is, then, finding openings of interpretation. This is different. And now you have the Falmouth Creek factor to weigh in. Falmouth Creek and its Old Baker Settlement is turning out to be directly linked to your brand new PGT Town.

bb:

That’s PTG Town, but — yeah.

Hucka D.:

A nodal point has been discovered — uncovered. This is like the center of a crop circle. There is also a circle in Old Baker Settlement. It is a metal circle you found on the ridge of broken glass neighboring TILE Cabin on this same creek. You took the metal circle along with the 34-36 bottles and placed them in Old Baker Settlement, then. The park ranger saw you doing this, but he didn’t *see* you doing this.

bb:

Yeah, that was odd. If it was the park ranger I saw before.

Hucka D.:

PTG may be like PIG. You better check…

bb:

Thanks. (checks) Not sure.

Hucka D.:

Thank you for checking anyway. You have pieces of a puzzle for this one. You have symbolism within the Lis series. Lis 01 depicts a woman who is in one strong way Baker Blinker, who wears purple and is standing in front of a gravestone to the right in the collage. In Lis 02 she is joined by a blue clad man, again on the right. In Lis 03 04, the blue clad man is alone, and is standing in front of not a gravestone, like the [companion] woman of Lis 01, but a strange thing at the center of a Brian UK geograph photo — I won’t even bother to remember his last or middle name this time —

bb:

Thank you. (smiles)

Hucka D.:

This strange thing you know is representative of the Cygnus X-1 system, a regular white star and then a proven black hole. Proven by your scientists. The black hole is the eye that is attached to the dough-like being to *it’s* right. This the blue clad man meeting *Falmouth Creek*, see?

bb:

Yes.

Hucka D.:

The black hole in this case is the still as yet unnamed spring entering the creek from left to right in your maps. The doughy being, which you call Meat Shake I believe, is the white star, as stated. This is Falmouth Creek. The situation at Old Baker Settlement just upstream from this spring is a miniature version of the same. It represents a collapsed star that *didn’t* quite have enough mass to create a black hole, like the spring is considerably smaller there than the larger one downstream. And I must ask: which is truly Old Baker Settlement? Anyway, don’t answer that yet. The woman in Lis 01 and 02 is Baker Blinker, the companion man in Lis 02 and 03 is Baker Bloch, who walks side-by-side with Baker Blinker for a while as you attempt to use both avatars during your Second Life experiences and exploring and building and such. But Baker Bloch is destined to take over — Lis 03 04 then. Baker Blinker was dominant at the beginning, a situation depicted in Lis 01. See?

bb:

Yes.

Hucka D.:

So with Lis 03 04 we’ve crossed over Bloch Ridge from the direction of Second Life Pond, which is now *blocked*, just as Baker Blinker of Second Life has been left behind. She really cannot move over the ridge with the male Baker. Baker Bloch must travel on alone after reaching the crest of Bloch Ridge. And so he descends by himself to Falmouth Creek. He sees the representation of the Cygnus X-1 system alone.

bb:

I see.

Hucka D.;

So we continue a revision of the Lis series in this light in Lis 05. The black hole is now the same as The Crammer of Devizes, as we leave St. John’s and its graveyard and its gargoyles behind. What comes out of the black hole — again this is the same as the spring at Falmouth — is *TILE*, the 4 color or creatures of this game/philosophy/religion.

—–

(2 hrs. later):

Hucka D.:

Have you read this yet?

http://www.andrewcollins.com/page/articles/thecygnusmystery_serpent.htm

Adding to Avebury’s suspected connections with the Cygnus constellation is the fact that the only carving to be seen on a standing stone there (Stone #25S in the Kennet Avenue) shows the head and neck of a swan (first identified by local earth mysteries writer John Wakefield). Nobody before had made the link between this stone and the swan. In the knowledge that the water-filled meadows of nearby Silbury Hill, as well as the Kennet river which runs alongside Avebury, once played host each winter to flocks of migrating whooper swans inbound from their breeding grounds in the Arctic, this had to relate in some way to Avebury’s axial alignment towards the setting of Deneb.

In the knowledge that Avebury has frequently been linked with the ancient British goddess called variously Bride, Brigid, Bridget, Breeshey and Brigantia, whose main totemic symbols are the swan and serpent, might she help us better define the precise nature of the site’s link to Cygnus?

http://www.zophiel.org/quests.html

—–

(continued in Falmouth Interpretations/Associations 04)

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Filed under collages 2d, Wiltshire

Tagged as Gargoyle Observer^*

March 26, 2013 · 5:22 pm

Fi

The sim my new PTG Town is located within was offline when I logged in a couple of hours ago. I had to teleport just outside the sim to see what was going on, and landed in the parcel just in front of Baker Bloch here, called “Fi’s Home”. I thought back to the rhododendron leaf in or *just outside* Old Baker Settlement on Falmouth Creek that had the word “Fi” on it. Is there a direct connection, then, between PTG Town and Old Baker Settlement? Certainly something to think about, and an interesting synchronicity for certain — worth logging into the blog here.

https://bakerbloch.wordpress.com/2013/03/22/the-first-wis-map/

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Filed under **VIRTUAL SL, Falmouth Creek, Frank Park, Maebaleia/Satori

March 26, 2013 · 4:26 pm

PTG Town

The now basically completed Power Tower Gallery housing the Gilatona-Lis 4 part creation has a new home on the Mabebaleia continent of Second Life. I call it simply the “Power Tower Gowlery” Town or PTG Town for short. I’m still a renter (LaMa Estates – highly recommended), but I’ve shifted over from Sansara Snow Country to this green continent, adding a 1024 to my former 4096 in the process for a total of 5120 square meters leased now. And that 1024 seems to make all the difference, amazingly enough. I’m in about the same shape land-wise as I was after the creation of the last series of the Art 10×10 in Spring 2009, specifically when I started leasing land in Noru on the Jeogeot continent near Chilbo — same amount of land involved each time (5120 sm). And in each case I had a new collage series to show off to the virtual world if they chose. I’m not sure I’ll return to a larger Pietmond or New Pietmond situation now, which involves 8704 sm and then some, or close to twice the amount of land I have now in PTG Town. I think I’ve given up at hosting galleries of other artists, real life friends and/or fellow collagists all, and returned to a more personal, subjective realm, with the pivot now being PTG and Gilatona-Lis.

Many familiar buildings of Pietmond and New Pietmond have been re-rezzed in PTG Town, but many haven’t as well. My focus now is on the taller buildings cultivated in more recent times, like the extremely high Power Tower Gallery itself, topping off at probably 200+ meters. This very tall structure — the center of the town as stated — needs other tall buildings around it to act as visual balances, seemingly. Like the Tower of A. Mann, inserted into PTG Town’s geographic heart. Like the similarly new skyscraper that still doesn’t have a name but houses the 20 collages of the Wheeler-Jasper series now, the last of the Art 10×10 collages created in 2009. Like the 12 story Kidd Tower, a New Pietmond carryover, located on the east side of town opposite the PTG. Around these are plugged in other structures I use to think were pretty high but are now dwarfed by the newcomers, including Pietmond/New Pietmond’s Quadtowers of TILE (housing the Baker Bloch in England exhibit) and the Coolie Building, originally called the Crooked Tower I believe.

The TILE Temple has not returned, but instead we have the NORRIS Temple (below: left), a substitution also made in Boris, Jeogeot if you happen to remember back that far. Not sure what I’ll do with that yet. But most of the PTG Tower buildings are now complete or filled or “fully cultivated” as I put it above. For many of these structures, this fulfillment has happened gradually over a rather long period of time.

You actually have at least a glimpse of 8 separate structures in the below SL snapshot.

It seems to be a good setup and I think I can reside in this PTG Town for a number of months, perhaps even until I return from England in early July. That’s the current plan anyhoot. I’ll provide more details soon on the town’s various ins and outs. My goal is to have about 200 prims free for future experimenting at any one time, which I’m just meeting now.

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Filed under **VIRTUAL SL, Maebaleia/Satori

March 25, 2013 · 3:16 pm

Lis Interpretations/Associations 06

(continued from Lis Interpretations/Associations 05)

So Hucka D, we really must finish up interpretations/associations of the Lis collage series. The series has been completed for maybe almost 2 weeks now. We’ve covered Lis 08 fairly well, which is about a creator and the bringing to life of his creations, at least in a partial way. Lis 08 has the 4 figures who seek the jelly fox in Noel Fielding’s Luxury Comedy in the foreground, and then Noel himself in the background with his eyes and his mouth. We know that the characters are actually finger puppets from the episode.

But we must move to Lis 09, which is the last collage of the series and what everything was seemingly leading up to. The setting is All Saints Church of Alton Priors once more, as it is in Lis 07, a definite companion piece. We switch away to Avebury for Lis 08 briefly, but are back in The Altons for 09. But because 08 is set in Avebury, now we have all 4 series of Gilatona-lis set in that village, Hucka D.

Hucka D.:

A center, as stated. In Lis 09, something arises from the tomb. Not Mr. Button, although he certainly did rise in his own way as well. It’s Chrissie from the Jelly Fox crew once more, who we see front-on in Lis 05, and then with his back to us in Lis 09. He’s the red one, yes. In Lis 09, we recognize him by his eye, only one eye true, but distinct because of the red outline still present. Yes, this is Chrissie. Little Chrissie I think he’s called.

https://bakerbloch.wordpress.com/2013/03/06/just/

Then we have 2 more identifiable Jelly Fox characters in this collage, or the smoothly green Spoon Snake to the lower left, and then the yellow, angular McCoy center right. McCoys is obviously an alchemical sun figure here — he overlaps a picture of the sun on the brass plaque within the church dedicated to Mr. Button. Shiny like a shiny button it is. Shine on. We must assume that Button symbolically is telepathic and shines, like the term used in The Shining movie.

bb:

Yes.

Hucka D.:

This gift probably goes along with him risen from the grave here. But yet there’s another seeming grave in the picture, but it’s really a trap door — one of the two that still exists in the church. Both contain sarsen stones. One of these stones has a prominent eye, which this article — if you will provide me a link — states could have been a peephole into a barrow burial chamber. Others claim that the church itself might have be erected in a now long gone ancient circle of stones, a miniature Avebury even. There is scant information about all this, however. We mainly have to turn to this collage for answers. Does it give us any? Well… McCoy still drinks from the multicolored drink, as he did in Lis 06. However, we know this is also a *shake*, specifically Master Shake, providing a cool white exterior as well, and also a single straw. McCoy then drinks from this single straw — all the others have gone away or at least do not drink from this drink any longer — the ones present in Lis 06. True, the green Spoon Shake still has a straw in the lower left part of the picture, and appears to be drinking. But his straw is not attached to the central shake drink — only McCoy’s straw truly is, and only he drinks of its wisdom.

bb:

The shake/drink is TILE.

Hucka D.:

Yes it is. The 4 colors of TILE, encompassed or circled round by a cool white cup now. We see the cup as if invisible, with the drink inside but still protected all ’round. This is like the Visible I. of Falmouth Creek, then.

bb:

Hmmm.

Hucka D.:

The motif of the straw is mysteriously echoed in the design on the [left] gate of Heaven where McCoy is found, but if you look closely, only in the back part. The rest of the design closer to our view in the perspective, resolves to circles within two lines. So the straw is suppose to be there, and is indeed as much a part of the plaque as anything else now. This would also be true of the moon outline image also carried over from Lis 05, like McCoy’s straw and McCoy himself (herself?). This outline moon, with dimensions unaltered, fit exactly on top of the moon on the plaque at this point. They are a perfect fit, mirroring the perfect fit of smaller picture into larger, overall picture of Lis 07, see?

bb:

Yes.

Hucka D.:

So this moon is definitely suppose to be there, along with the straw — along with McCoy. Now so McCoy must be drinking from something with his straw, so the drink must be there as well, and it has to be a combination of the white Master Shake along with the drink from Lis 05.

bb:

Here’s the original photo I used as the basis for this collage, Hucka D. It comes from this site…

http://roy25booth.blogspot.com/2010/09/shining-button.html

The first thing I altered about the base photo is adding the moon outline you mentioned, found in Lis 05 but also Lis 07. Now when I put that moon image onto the plaque in Lis 07, I knew the images were very similar, but I didn’t know that the size would be the same as the moon in this photo. So I definitely had my door into the collage [Lis 09]. And then McCoy’s face added to the sun’s or juxtaposed on top of it, was the quick and logical next step, since McCoy and this outline moon had already been combined in Lis 06.

Hucka D.:

Yes. My turn now?

bb:

Yes.

Hucka D.:

Then you had to figure what other of the Jelly Fox crew would fit into the collage. There was a green stain on the left side that reminded you of the green Spoon Snake and also its shape. So there was another addition. This stain is probably an oxidation reaction of the plaque’s brass surface. Perhaps where someone touched or brushed it with a finger. But you were just moving through the collage process at this point, spotting natural associations. So then you knew Little Chrissie, the talkative red entity of the group, had to be the same as the central figure of the plaque, this mysterious and shiny Mr. Button.

bb:

Yes.

Hucka D.:

So you tried both eyes in the back of his head at first, but then settled on just one, and directly overlapping the one eye we see of Mr Button’s from this angle in the plaque.

bb:

Yes.

Hucka D.:

So you had 3 of the 4 TILE characters of Lis 05 — the taller blue being, the one that just hums those 2 notes over and over when prompted…

bb:

Yes.

Hucka D.:

… he had to fit into the gap between the others, which is in the general area where the trap door was ultimately slotted in. Now like I said, this trap door is also found in the church — one of two, actually — but obviously it’s not in the plaque itself. But it looks natural there, no?

bb:

No. I mean, yes.

Hucka D.:

You knew the blue being had to fit in there, but didn’t know how just yet. So you focused on getting the straw to McCoy’s mouth again, and then inserting the drink over top of the top of the key [key head] in the plaque. Then when you seemingly got this right, you returned to the blue figure, and decided only to add his *eye* and inside that trap door. This is the same as the eye in the sarsen stone underneath one of the two trap doors. The blue being’s eye — does he have a name in the cartoon? — anyway, his eye becomes the same as the sarsen stone eye, see?

bb:

Yeah. I see.

Hucka D.:

Is this the other eye of the being who is arising from the tomb front and center? Then the last element added to the collage is the swallow figure, which is also an element of a significant crop circle that formed in one of the fields around Alton Priors and thus very close to this church. And this particular crop circle swallowed, as it were, a couple who were investigating the phenomenon one night. They met a UFO head to head in the fields. The UFO meant them no harm, but it had a job to do nonetheless. The couple and the UFO had made a prior agreement to engage each other. The woman has had added benefits afterwards. But in the short run they were scared. They had made close encounters contact. They were swallowed up into not victory — short run again — but fear. Like one of their eyes had been removed and they couldn’t gain a 3d perspective of the situation any longer. They ran. So that’s the meaning of the swallow in the collage.

bb:

Yes. Here’s the related article. Very interesting, and came up in a google search for this church, I believe.

Hucka D.:

And that’s about all there is to this collage. A very clean one, like Lis 07. We have moved beyond your Brian Marshall R. into something even deeper that he shied away from. Not shined away from. But this is a very clean, very shiny collage. The central figure then moves directly into Falmouth 01. We can move into an interpretation of that collage as well now, a fuller interpretation. For Falmouth 01 is the most important collage of Gilatona-Lis as a whole. We are dealing directly with the resurrected being and what he altered in the Avebury and surrounding landscape as a shiner.

(continued in Falmouth Interpretations/Associations 01)

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Filed under **VIRTUAL SL

March 24, 2013 · 8:40 am

Notes; Falmouth Creek Again.

Study relationship of Gnirps and GNIS, as in the query site. Came up on successive google searches and just barely caught it (!)

Gnirps is location of marriage of Frank and Herman Parks [link needed] by *Map Rat*, after all.

—–

I think I’ll wait to hopefully finish off the Lis interpretations posts (already numbering 5) until tomorrow or Monday at the latest. Instead I’d like to talk about my hikes today. Working basically backwards, time-wise, I last explored around Second Life Pond and didn’t find anything seeming of interest there, which may be strange in itself. It is a very public place, and people fish in the pond from around the shores. No people were there today because of the weather, and I took advantage of this vacancy. The hills around it, as well as the feeder stream, are quite fascinating, though, which would include Bloch Ridge just across The Way from it. If the long Bloch Ridge wasn’t present there, Falmouth Creek would be exposed to at least the noise coming from the Second Life Pond area, and thus be spoiled for me. We’ll see in the summer, but my guess is that the noise will be effectively blocked. That’s why I speculate the ridge may be artificial, but of course this is most likely more Frank/Herman Park mythology in action. There’s also the mysterious TILE Cabin, as I’m presently calling it, to deal with. I’ll go ahead and insert some pictures of the cabin.

Not much to see now, with a wall and part of the roof missing, but obviously a 1 room log cabin that someone probably actually lived in at one point, although not for a long while. A stove was present within.

But it’s the mysterious, long cement containers present behind the cabin that interests me more presently, four in number and symmetrically arranged 2 in a row. Each container is about 25 feet long and maybe 10 feet wide… here’s the rounded ends of one of ’em.

If I remember correctly, Hucka D. has associated these 4 vats or pools or whatever they were to the 4 colors of TILE, thus the name TILE Cabin for the attached log dwelling. I’ll provide a more detailed map of TILE Cabin and these “vats” soon. They lie at the basic mouth of the short Fal*mouth* Creek, maybe a hundred feet below Visible I. I’ve talked about before just off the nearby public path. The TILE Cabin environ is also where I procured the bottles for my Falmouth Creek art happening, not quite initialized yet I don’t suppose. They were found in the rhododendron covered stream just north of the cabin, and just west of Falmouth Creek I suppose (more feeder streams for the creek). Just to note: I cannot get to the actual mouth of Falmouth Creek because of the thick rhododendron, so the exact location still remains unknown, although it has to be a short distance north of the cabin somewhere. A marsh lies just west of the cabin, and it is in this swampy area, once dammed by beavers according to the remains of their handywork, that the cold but still singing frogs also mentioned in an earlier post were found. A passerbyer I met on The Way said he hears turkeys. I corrected him and said they’re frogs, and directed him to the bank just in front of me (he was on the opposite side of the road) where you could actually see the congress of frogs gathered. The vats or whatever they are are positioned between this swampy area and the cabin.

More pics of the cabin…

… before moving once again to Falmouth Creek, starting my journey up the creek this time at the public path, quickly reaching the circular Visible I. covered with white-ish rocks all around. My guess is that Falmouth Ck. will provide me with just as interesting a collection of rocks as Con Creek last summer. Like this square example found just around the bend from Visible I., in an as yet unnamed open area.

Then we come to the side spring I’ve also been talking about recently, which Hucka D. indicates is symbolic of a black hole, particularly the strong X-Ray source of Cygnus X-1 made more famous by the Rush double track of the same name (extending over 2 successive records!). The spring is about as long as 2 of the vats near TILE Cabin laid long end to long end, and about as wide as 2 of these same vats laid side by side. Hmmm…

Here’s a picture of the moss bank which flanks the mouth of the spring. As also noted before, the moss bank contains practically no rocks in comparison to the one at Old Baker Settlement just north of here, although it is not totally devoid of rocks as I suspected before, with several small examples of white specimens projecting here and there from its large green surface. But to remind anyway, Hucka D. says the void of rocks here in comparison with the OBS mossbank indicates the black hole symbolism of the spring. I can see this interpretation as valid still.

The ridge then dividing this spring from Falmouth Creek, which starts just opposite the mossy bank pictured above, is just as interesting in its own, small way as the much longer Bloch Ridge to its west. This is because I believe the an ancient toy avatar civilization (I’m supposing) had a larger community here at one point. This is obviously a mythological angle to Falmouth Creek I’ll be examining more soon.

Pictures from the top of the ridge from, say, the perspective of a toy avatar once more:

The as yet unnamed spring looking from source to mouth, a distance of maybe 70 feet or so. I’ll get a more exact measurement soon.

Rocks just above the head of the spring, seeming to mark it in some fashion, even.

And then shortly beyond the end of this ridge separating the spring from Falmouth Creek, after we descend down to the creek again heading south to north still, comes the second moss bank we’ve been talking about: the somewhat smaller one much more fully encrusted with white rocks beside a much smaller spring as well. This is the symbolic heart of Old Baker Settlement.

My cache of bottle procured from near the source of this same stream lies just behind.

Looking down the small spring from the top, with the mossy bank just visible to the right now behind one of the three trees projecting from the top of the hillock here.

Middle of these 3 trees; Falmouth Creek just beyond.

A bit of detail from the top of this moss bank. More details soon. Old Baker Settlement hides many secrets still, most likely.

The Impasse just north of OBS, similar to the same named obstacle of Byng Creek but in this case not truly impassable, just acting as a porous resistance. As I said before, the whole of Falmouth Creek, minus the small area at the very mouth clogged with rhododendron, is now hikable by me at least, or all the way from Visible I. past the “black hole spring”, OBS and The Impasse, all the way to Stream’s End, a total distance of probably several football fields.

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Filed under Falmouth Creek, Frank Park

March 23, 2013 · 8:10 am

Falmouth Creek Again

I should be able to finish an interpretation of Falmouth collage and also the Lis collages next week. Then I can fully move beyond Gilatona-Lis and collages in general and focus on the outdoors. Next week is going to be another cold one, with snow even in the forecast for a number of days.

The first picture shows ruins of some kind of building, perhaps a barn but perhaps a house. But in Frank/Herman Park mythology, I believe Hucka D. wants to turn this into some kind of *toy avatar* factory or enhancing facility. Included in this is certainly the neighboring log cabin, also now in ruins but not quite fallen down all the way, and its 4 backing vats, very mysterious indeed. Hucka D. associates the vats with the 4 TILE colors, and then divides at least the marble toy avatars into these 4 specific groups (red, green, blue, yellow *and* odd). He also wants to connect the ridge full of glass just north and east of the log cabin with the glass used to make marble avatars, perhaps a type of special or blessed glass.

We’ll have more on all that soon enough.*

A very interesting tree I’ve known about for years and years on the western edge of the same meadow pictured above. Might it too play some kind of role in the so-called factory? At any rate, it’s a spectacular sideways place log of a former tree (not a living tree).

A stream which merges into the Falmouth Creek near the log cabin. It runs in front of the “factory ruins” in the meadow as well. I do not have a set name for this particular brook yet but a logical appellation might be West Branch (of Falmouth Creek).

Nearby is a tree whose limb has for some reason angled all the way down to the ground and then back up. The first tree described is seen in the background.

Another view of the sideways tree.

A handle on the larger of the two containers pictured above beside this brook, made from a horseshoe it seems.

A more marshy area of this West Fork just downstream.

* Video on making marbles:

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Filed under Falmouth Creek, Frank Park

March 22, 2013 · 1:15 pm

Falmouth Interpretations/Associations 02

(continued from Falmouth Interpretations/Associations 01)

I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/

(into The Light).

Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.

Hucka D.:

I’m here. Ready to continue?

bb:

Sure.

Hucka D.:

Button your mouth and fold your clothes. Here comes England!

bb:

Of course that becomes a candidate for a collage picture now, Hucka D.

Hucka D.:

Right. So to continue, let’s move to Falmouth 02. Or would you rather start with Falmouth 03? We better get one round of interpretations under our belt today, however.

bb:

Since Falmouth 03 has a picture of the same Avebury house, symbolically, as The Kniks live in in Gila 01, the very first official collage of the whole Gilatona-Lis process, let’s start there. Shark is talking to Mouse. A corndog on the roof of the house which is the same as Selma’s arm, which smokes a cigarette. A clock stuck permanently on 2:22 unable to move to 2:23. Twelve mainly red lined circles like the twelve hours of a clock. There are 2 clock faces, Hucka D, a yin or am and a yang or pm. 12 Noon is am and 12 Midnight is pm. This is 1967, night, and 1968, day. These are the batters faced by Don Chance during those two years.

Hucka D.:

Thank you once more. (pauses to look at collage to restart thinking processes) Nothing has changed since Falmouth Interpretations/Associations 01. The 12 triangles are still the 3rd iteration of the Koch star crop circle from 1997, a peak circle for that particular glyph season along with 2 companions at Alton Barnes and Hackpen Hill.

MORE TEXT SOON.

(continued in Falmouth Interpretations/Associations 03)

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Filed under collages 2d, Wiltshire

March 22, 2013 · 12:49 pm

Falmouth…

Falmouth Creek is Falmouth, Indiana extended from point to line. Left side of creek is Rush, and right side, with source at top and mouth at bottom, is Fayette, which doesn’t count. It’s mundane. On the right side also enters the magic spring just below Old Baker Settlement. This is the black hole, the X-Ray source, Cygnus X-1 but also a bit of X-3. Rush the band. Eyes. Eyes. The Visible I. [symbolic Falmouth *mouth*] is the white star, visible to the invisible, sucking and ripping black hole.

I also think of foul mouthed basses…

I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/

(into The Light).

Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.

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Filed under Falmouth Creek, Frank Park, Kniks, The

Sunklands

Falmouth Interpretations/Associations 05

Falmouth Interpretations/Associations 04

Falmouth Interpretations/Associations 03

Fi

PTG Town

Lis Interpretations/Associations 06

Notes; Falmouth Creek Again.

Falmouth Creek Again

Falmouth Interpretations/Associations 02

Falmouth…

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