Tomorrow…

… I’ll probably be able to hike once more in Frank and/or Herman Park. It’ll be chilly, though. Do I return to the bizarre running fence on the slopes of Gene Fade’s Mtn.? The little cemetery there could hold keys; also the rock outcropping just beyond it on the public path also skirting the running fence project. Hiflat and Loflat… but what of Red 7 or Carcass-7? (pause) Although Second Life is coming on strong once again, the focus of this blog should remain on Frank and Herman Parks. Period. However, a question that has come to mind is: Is New Pietmond with its still developing SoSo Village a direct continuation of Herman Park’s Lion’s Roar? A link is one of the newest Pietmond structures, or Tower of A. Mann. I’ve related it to New York City’s Statue of Liberty. I’ve also assoc. Lion’s Roar with this same city in an October post here. Is the Tower of A. Mann sort of a very tall bottle of Lion’s Roar, then? Something to ponder about, or one more thing to ponder on. Who lives in New Pietmond? Is Knock there, aka Tin S. Man… oh, *Mann*. Tower of A. Mann could be one of 4 men Knock mentions in October posts, or Powerman, Plastic Man, Tin S. Man, and Superman. I want to fly like Superman (etc.). (pause) So which man is it? Since Superman is the 4th, it could be him. Reorganization around the Eiffel Tower (another prominent world landmark, like NYC’s Statue of Liberty).

http://www.imdb.com/title/tt0081573/plotsummary

Terrorists have taken over the Eiffel Tower, and threaten to blow it up with a hydrogen bomb. Once again, Superman is there and saves Paris by throwing the bomb into outer space. Unfortunately, the explosion releases the three bad guys imprisoned in the first Superman movie. They then move in on Earth, taking it over, but little do they know who they will have to defeat.

And Superman’s Metropolis is largely modelled after New York City itself.

In his 1978 work, The Great Superman Book, an encyclopedia of the first forty years of the Superman comics, author Michael Fleisher cites many, many examples which demonstrate that Metropolis equates with New York City. The most blatant of these might be the statement he cites from Action Comics #143 (April 1950), which states that the Statue of Liberty stands in “Metropolis Harbor”.[1] The Statue of Liberty, in fact, stands in New York Harbor.

And then we also have this…

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Some of Edna’s Frank Park Shots…

I don’t generally like pictures of myself, but I thought this one was pretty cool. It’s me just beyond Lion’s Roar on Byng Creek, staring up into the wilderness.

It’s not Wiltshire County or the Lake District in England, but the rocks in the distance make it seem related. Although I know I’ve walked this public path a number of times, I just have no memory of this rock outcropping on top of the far hill here. I told Edna (who didn’t remember it either) that perhaps as we grow older our perception of what is and isn’t important and significant in our lives changes, and that this hill contains more meaning to us now.

Earlier in our lives we also missed this too cool cemetery, not marked on any topographic maps despite containing about 15 graves. The second picture below is a figurine of an angel on a unicorn that I had to dig up out of the dirt in front of one of the tombstones. Only an angel’s wing was visible at first.

Some more figurines from the cemetery…

But the main reason I took Edna to this part of Frank Park was to show her the running fence art project I’ve already blogged about in several posts of Frank and Herman Einstein! I found her more detailed photo of the rock atop post 1 very interesting — what is that white-ish speck at the center of it?

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New Pietmond Buildings

I’ve inserted two skyscrapers into the Pietmond landscape, one familar to fans of Pietmond and the other, higher one a brand new addition to the burg. The former is Big Boy Tower or just Big Boy, seen in Pietmond Phase II, and not that far from the new spot I set it up. My original post on this addition is here. Then I think I’ll call the new tower the Tower of Mann or Tower of A. Mann, sort of after rock singer Aimee Mann, who came up in a conversation between the wife and I recently, but of course is more a play off of the name Big Boy next door. The other tower is a big boy indeed, but this is a real *man* of a tower in contrast. I’ll have to measure the height asap but its looks to top the 100 meter mark quite easily. To put this is perspective, the Statue of Liberty is 93 meters high from the ground to Lady Liberty’s torch. And since that’s a statue of a towering woman and here in Pietmond we have Tower of A. Mann statue, perhaps they are more closely related in some as yet undiscovered way. Hafta think about that.

Also coming to Pietmond is Arcadia Asylum’s super nifty Bodega supermarket, packing a lot of entertainment into a trim 32 prim design. I’m not really sure why I’ve never used this structure before in Pietmond or anywhere else I can remember. Hmmm. Anyway, the market sits directly in front of the Tower of A. Mann, almost blocking the opening into this tower.

Pietmond’s new skyscape from the direction of the old Pietmond Heights location. Nice.

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X-Spot Gallery, Wings 03 and 04

Wings 3 and 4 of the X-Spot Gallery contain abstract art by syncher friend Mike Casey and collages by Kenneth Rougeau and Julie Takac. As my collection from each of these artists hasn’t been significantly altered since I first introduced their Pietmond virtual galleries in late 2010/early 2011, I’ve decided not to review them again here but instead point to former Baker Blinker Blog posts on the subject.

First up came Mike Casey’s art, housed in SoSo West:*

http://bakerblinker.wordpress.com/2010/12/08/pietmond-ch-ch-ch-changes/

Then soon after this sprouted the Norum Gallery, a smaller venue chocked full of Julie’s beautiful collages:

http://bakerblinker.wordpress.com/2010/12/16/norum-gallery-01/
http://bakerblinker.wordpress.com/2010/12/16/norum-gallery-02/

Lastly came Kenneth Rougeau, one of the few Pietmond artists with significant Second Life experience, and who use to own a virtual gallery himself several years ago. I originally put his art in the Pietmond South Gallery, as discussed here:

http://bakerblinker.wordpress.com/2011/02/28/36508/

I’d also like to give a repeat plug to the art and photography of another syncher friend Stegokitty, as originally reviewed in this Gallery in the Rocks post from February 2011:

http://bakerblinker.wordpress.com/2011/03/05/gallery-in-the-rocks/

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* In conjunction with opening SoSo West, I also conducted a lengthy interview of Mike and his art in Jan.-Feb. 2011.

http://bakerblinker.wordpress.com/interviews/mikecasey01/

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X-Spot Gallery, Wing 02b

We continue from X-Spot Gallery, Wing 02a with an inworld snapshot of the second of 3 notecards (and accompanying Jeogeot map) describing the exhibit. Again I’ll let the notecard do most of the talking, and just give supplemental photos and descriptions here.

A wall containing mostly Chilbo related objects, including Grassland II (etched art by Kristine Kristan, present Chilbo mayor still, I believe) and a recently created town map. Along with these we have a poster advertising an art exhibit of another defunct Jeogeot Gallery, The Red Leaf, which use to exist next to the 4 sim Hanja infohub area at the heart of the continent.

More Chilbo related art, or, left to right, “gallery surface1” by Janis Shamen, “Winter Berries” by Corcosman Voom, and a Chilbo photo by Melodie Darwin… yes, she’s definitely taken pictures from all over this largest of Second Life continents. Also notice the very similar effect of foreground red plants in the Voom and Darwin works here.

Then looking directly up at the centerpoint of the exhibit gives you this view of “NO HEAD FLEXI FISH” from the Tubular Gallery southwest of Chilbo, a kinetic sculpture designed by elros Tuominen.

Also mentioned on Notecard 2 of this “Jeogeot through Art and Word” is the DKArt gallery run by Dave Koi. His 2 works in the exhibit are the red scupture “aim high”. along with “Babelstorm”, filled with blue cubes adorned with letters of the alphabet.

Notecard 3 of 3.

A Parktown photo by Darwin. I consider Parktown (on the west side of the Hanja infohub mentioned above) a type of twin or counterpart to Chilbo. It’s a shame they couldn’t team up in some way to generate a greater whole, perhaps initiating some kind of overall Jeogeot, um, unification. Not exactly the word I’m looking for, but teaming up to step everything up a notch, Jeogeot-style. Um.

Two similarly named works but from different Jeogeot locations: to the right, “Phoenix” by Kylie Sabra, and to the left, “Tuscon, Arizona” by Samara Barzane of Park Galleries, yet another Jeogeot art establishment that does not exist any more. To be honest, I can’t remember the story behind “Phoenix” — I promise to check that out asap; it’s not mentioned in the notecard I don’t believe.

More twinning: 2 unusual galleries from the same sim of Cheosan, although no relationship between the two that I know of. To the left we have “The Gallery Shaped Like a Woman” masterminded by Earl Dinkins. To the right is the plainly named Cheosan Building, which is not plain atall within or without.

Now 2 actual works by Dinkins: “205” (left) and “1105 quatrains pillar” (right).

2 Melodie Darwin photographs come next as we head up to the end of the exhibit (“Lordshore Bridge” and “Island Light”).

An early Second Life map found buried beneath a mysterious farmhouse in Eunhuang as described in this Baker Blinker Blog post.

To end: “Life” by Melodie Darwin…

… and a book called “Expedition 1: A Trip to the Southern Island” by famed Second Life explorer and conservationist Salazar Jack.

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X-Spot Gallery, Wing 02a

Start of “Jeogeot through Art and Word,” taking up a full wing (of 4 total) of the newly re-established X-Spot Gallery.

First of 3 maps and accompanying notecards describing the exhibit:

I’ll just move through each picture in succession as you encounter them. Here’s “Untitled” by Melodie Darwin.

LVPVS IN FABVLA p26: “There I found you, my love” (water and ink on blotter paper).

“What Counts” by Dale Innis (left) and “Around Every Corner” (right), digital art by Czar Nicholas.

“Orion” by Kyra.

“Commemorating Sculpties” by Melodie Darwin. Here’s the SLurl to the real deal.

Another Melodie Darwin photograph from the now extinct WES community at the end of West End Road.

“Deserted Crossroad” also by Darwin. I believe this use to be the center of what I called X-ville in the Baker Blinker Blog, officially known as Pine Tree Village and where I had a small gallery at one time.

“Steep Hill” by Darwin. This was near Sternberg, yet another extinct Jeogeot urban region, pheh.

Several Sunklands related pictures, or, from left to right, a photo of my Biggie Gallery formerly in Aotearoa; a rendering of a Dogon alien being by Lark Blackheart from a small, defunct Otaki Gorge gallery; and then a surrealist painting by Sambroxton String found in Big Sink.

Then 2 more photos from Sunklands to end this post, the first by Melodie Darwin once again and originating in the Felix Meritus Monestary that use to take up the entire Lil Burn Valley sinkhole; yet another fabulous Jeogeot location now gone with the wind.

And here’s another Jeogeot goner: the Roseheart community formerly of Second Sink.

X-Spot Gallery, Wing 02b

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Sunklands Galleries Nov. 2012

Although the number of kiosked Second Life galleries is down from several years back, there are still about 9 in the Sunklands area alone. My X-Spot Gallery is marked by the lowest of the orange squares in the above screen save from this art galleries of Second Life map, with each of these squares representing a gallery kiosk obtained through Sasun Steinbeck’s wonderful system.


Baker Bloch on the top floor of the Tower of TILE, a supplemental gallery to the X-Spot looming below him here.

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bb:

Hucka D., want to comment on the above photos?

Hucka D.:

Nah.

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X-Spot Gallery, Wing 01b

Continuing from X-Spot Gallery, Wing 01a, next we view “Trouble in Store”…

… and then on the wall across from it, the enigmatic “What’s Behind the Red Door?” I believe this is also the largest work of X-Spot’s Kollage Kid kollection, er, collection.

“Road Trip” (left) and “Elephantasmagoria” (right).

Straight ahead: “Cactus House”, a nice, compact black and white effort.

Then across from it we have another b&w collage exhibited beside the resting Baker Bloch here, named “What Lies Beneath”. Reminds me a bit of “Who Left That Tap Running?” from the upwards part of this wing.

The witty “I Remember the Incident at the Canal”. Do *you*?

“Found Heads” — there are a number of these type of collages in Michael’s work depicting a row of women and/or men whose appearance have been uniformly altered.

“nowhere town2.” Strangely enough I think I want to actually visit!

“Madonna and Egg”, made from Tunnock’s Tea Cake wrapper foil, old scrap and cut outs, according to Michael’s flickr page on the work. A bit different from the rest of those here.

And we leave this wing with “Victorian Seaside Holiday drawbacks No. 237” to the left and “Mr. Archimboldo” to the right, with another NYC background for the latter.

Super job Michael!

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X-Spot Gallery Wing 01a

Wing 01 of 04 of the newly established X-Spot Gallery features 25 collages from Kollage Kid, or Brit artist Michael Leigh in real life. I describe his collage technique as quintessential toward the end of this Pietmond review from January. I’ll let the pictures do most of the talking, along with providing titles of each here. Please check out the Laughing Shed blog for more information about Michael’s exciting work.

As we head up into this wing of the X-Spot, we have the similarly punning “Wall Flower” to the right and “Flower Mill” to the left. Nice start.

“Freudsters”. Luv this one.

“Ant Invasion”.

And in a similar mode, once more, we have “Who Left That Tap Running?” just further up.

Then “Hula Hoop Party” across the wall from it…

… and “Time Travel” on an adjacent wall to both of the last 2 collages pictured above.

“Noah’s Submarine”, hehe, and, to the right of it here, “Cafe of Earthly Delights,” a cute and clever spoof of Hieronymus Bosch’s famed “Garden of Earthly Delights” triptych.

The marvelous “Bill Haley Fans”. You guys remember “Rock around the Clock” don’t you?

Another New York City disaster collage similar to “Ant Invasion”, this one called “The Great Flood”. Since taking this picture of Kollage Kid’s work, the Statue of Liberty and NYC as a whole have come up in another guise within this blog.

“Space Laundry” (left) and “The Gem Polishers” (right).

The most excellent “Drowning in Germs”. We’ve reached the top level of this wing.

X-Spot Gallery, Wing 01b

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Return to Gene Fade’s Mtn. 02

So following up on last week’s visit to Gene Fade’s Mtn., I returned again this past Saturday for more hiking and pictures and overall fun. Below is a pipe tunnel under an exit ramp from The Way, at the edge of a tiny memorial park where I parked my car.

Within the same tiny park: some rock stairs on either side of a creek running laterally through it, as yet unnamed by me.

Just up a ridge on the other side of the road from here exists the birthplace of famed mossman actor Gene Fade, known for being a 2nd wheel in all those Salad Bar Jack action adventure flicks to Salad Bar himself (played by Grassy Knoll of course). The village is called Jupiter’s Rock or Jupiter Rock or just Jupiter, I suppose, with a central or “downtown” area probably existing on or next to this rock shelf.

And here’s the red mark on the Jupiter Rock itself just around the corner, which reminded pioneer mossman settlers of Jupiter’s red spot that they could actually see with their powerful, naked eye vision. So the legend goes.

On the next ridge south and then uphill exists the Weaving Place that I visited last week as well. This time I brought the fabled Bee’s Line itself, originally laid out in Kentucky in the 4 Valley Regions of neighboring Herman Park. My plan was to weave the line between 2 trees here to assess further potential overlaps and meanings of the markings I made previously at Kentucky. Well, the line was incredibly easy to tangle, and although I managed a weave of sort, I didn’t feel that it produced any real meaning this day. Below is a picture of the futile effort; I just decided to slide the string down on the trunks I wrapped it around so that deer wouldn’t trip over it.

From the Weaving Place — which I might rename in light of the inability to actually weave the Bee Line here in any successful way — it was a fairly sharp descent through the open woods to the trail on the northern side of the mountain, also traversed this past weekend. Having failed with my weaving project just up the hill, my fantasy inclined attention instead focused on the queer rock art found all along about 800 feet of this trail, or what I now consider to be a true outsider art piece probably on pair with even Dongoba’s profound rock temples discovered in late 2011.

I recounted the involved fence posts today, and found they numbered 80 and not the 81 or 82 I thought the previous weekend. But it was only in the middle of the night after I returned home that Hucka D. helped me understand this: at the time I first came upon this running fence art project of 80 posts the previous Sunday, the Frank and Herman Einstein! Blog also contained exactly 80 posts as well, blog posts in this case. Since the fence was so strongly highlighted by topping rock or rocks (about 60 of the 80 posts had such rocks), I knew the blog and this art piece made a one-to-one fusion of some psychic kind. As I wrote a syncher friend soon after this discovery, my short and crazy conclusion was that as the blog was about highlighing Frank Park, now Frank Park was highlighting the blog back in its own way (!!) Bizarre.

Post #1 of 80 is pictured below.

More post examples.

Looking the other way from the fence toward a stupid development diseasing a mountaintop in the distance.

Right to left below, we have posts 61, 62, and 63, with 1, 2, and 3 topping rocks respectively. Overall I feel there is a vague internal match between fence posts and blog posts, but nothing pinpoint synchy as yet. Still examining… and this 1-2-3 surface resonance could be a gateway into deeper connections, for example.

The 80th and final post.

I also couldn’t help but notice that the 5 lines made by the fence wires going across the posts echo the look of the Bee’s Line weaving I attempted at the Weaving Place just above this, especially before I lowered the involved string to the ground.

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