New Pietmond 2012-2013 02 (Nov 02 of 02, Dec 01 of 02)


Tomorrow…

… should be able to catch up with most blog posts, except the 2 Jeogeot through Art and Word posts perhaps. JTA&W of the Blue Feather Gallery was a turning point.

Hucka D.:

We better get to Supersity. Mossmen used it as a fort. Only later did the arsty crowd set in. Like concrete. ‘

bb:

The two rock sets were very different. Cast in different ways.

Hucka D.:

You *will* go back. This weekend. Take the toys. Take the train. Figure out what happened and happens at Supersity. And then visit the replacement city to Supersity, the newer Supersity. Supersity, the original version, was a fort. Period.

bb:

Another thing I thought about was registering the art pieces I’ve found so far, the rock art. There’s the Dongoba temple complex of NORRIS, then the running fence project and also now the sacred hoop of Frank Park. This would be found art, not art I created myself. Examples of the latter would be Billfork and more recently Lion’s Roar. Pietmond is an extension of Lion’s Roar more than anything. Must figure out what to explore before the stupid snow sets in. Like concrete.

—–

Each found art work I mentioned above is very different from the next, although all involve rocks. Dongoba represents temples of stacked rocks arranged in an open woods setting, Supersity Hoop is a circle of rocks with a central temple (more like the Dongoba temples) but adding in extra material like colored ribbon and coins and beads. Running Fence is rocks propped atop 80 fence posts running along a path, which is also an old road, sometimes a single rock but sometimes stacked 2, 3, 4, or more high. Supersity Hoop, the projected site of the Mossmen’s hoped for Future City (hooped for?), is a circle, in contrast to the linear “80 Posts”. Supersity Hoop, unlike the others, is also unprotected by Frank or Herman Park, although it lies just beyond a northern border of the former.

Oh, and another thing: Supersity is where Gene Fade fell in love (!) He was from Jupiter — Jupiter Rock — just like Bracket Jupiter, then. The correspondence to his queen would live at the upper rock of Supersity, and he would be one of the artisans of the lower rock complex. These are like the two Comma Islands, then. A hole exists in the middle between them, a kind of demilitarized zone. The Queen was part of the military, and had loyalty there. Gene Fade then became King of Supersity by marrying the Queen. Somehow Karoz was born of all this, in Second Life. My Second Lyfe. Karoz, alternatively, was the jeweler who made the Queen’s fuchsia stoned wedding ring. “You are a queer lot,” he might say to Karoz in Supersity. “Are you impaired in some way?” Karoz knew he wasn’t. Trouble is he was. He was limited by the Big Schwa of Jeogeot. But he had knowledge of this “E” somehow… he had been given it in the past. Maybe it fell out of his pocket while he was talking to Fade. Fade found it, anyway, and asked: “What is this old man?” “Old chap?” “I am going to move back to Green,” Karoz said in return. “You can have it. It was given to me by someone I am leaving now. I don’t know what it is.” “But Karoz,” Gene Fade replied to him, “you have received a gift — someone wanted you to have this as a memory. “I have a larger version in my humble dwelling unit,” Karoz said back. “Would you like to see *it*?” “I’ve never been inside a slave’s quarters,” Gene then said. “But I’ve never been invited inside.” Karoz knew he was a jeweler and he was going to be the best at it. He was striving for perfection. It was a secret vanity. He would make the perfect ring for Gene Fade and his wife The Queen. “I am not allowed to meet The Queen,” Karoz said. “No,” responded Fade. “No… you won’t know her.”

—–

“It is a good work, Karoz. You have done well.” He was looking over the fuchsia diamond, turning it around with his fingers to examine the facets. “I am pleased, your highness,” responded Karoz. He beamed.

—–

bb:

He moved to Green before the collapse of Supersity.

Hucka D.:

No. Supersity survived, even though he didn’t think it would. Supersity had a number of more years in it. But Karoz needed to leave. The Big Schwa.

bb:

Interesting. Thank you.


Great Green

Karoz after crafting the 32 prim fuchsia diamond and accompanying ring for Gene Fade, retreats back to the Great Green, which is Green Streams all, both the ones in NC and KY and also the one in WY. Karoz is the same as Klutzy Kamper, or they are directly related (cousins once more?). Klutzy has been working with me for all the time I’ve been involved in SL. Not surprising, then, that he surfaces within through this character. Just today I found out he will definitely be leaving next month. I’ll probably never see him again — very doubtful. Why does a soul choose to live with a debility? I’m guessing: young soul, like a lot of Amereca is. Brazil and Peru are not united as another Amereca to them. Trapped, Karoz is in this way from South Amereca as much as North Amereca… it is in his color, his skin, his *essence* (moss). He sees himself as SoSo (Moss and SoSo next to each other in Mississippi). Green River, Wyoming is the Great Green to him. It is where we separate and also conjoin — many in one and one in many.*

Losing Klutzy.

http://bakerblinker.wordpress.com/2011/05/07/vile-hole/

The hole is vile because you are in it, upside down. That is what you fear.

bb:

Yes.

Hucka D.:

That is what you fear.

bb:

The Green. The Hole.

Hucka D.:

Not a hole any longer. That’s what Klutzy did for you. Shifted attention. Away from you. Away from the Hole. Green. Hole.

bb:

The Hole has turned whole — Greater Green. He has returned to The Stream.

—–

Gene Fade won a [2 year] grant. Created Karoz [in His Second Lyfe], a son figure. Karoz trapped in Big Schwa side of Big E, unable to reach Granddaddy Mtn. But he did show up in Supersity, a *fort* after all (Karoz was fascinated with forts — is fascinated, because he is not dead). Culture in the Fort, however, caused by Gene Fade. Love affair [w/ Queen]. Hole not exposed but filled in. Green Hole.
This is just an attempt to balance sex-drugs-rocknroll by Gene.

Karoz loved Granddaddy and wished to stay close to him. In a way this could be Blue Feather Douglas, father of Gypsy Purse, mother of Karoz Blogger. Ol’ Blogg’n Blogger. But then Sapphire became the mother of Karoz, as Gypsy Purse apparently handed him over to her at some point in our story. Our Second Lyfe Story.

Karoz supposedly threw the fuchsia diamond into the 32 sim Korean Channel as a youth, or when he was Sapphire’s precious Aquamarine and not yet rebellious Aqua Teen. How did he recover it? I think Hucka wants to say he re-created it. 32 prims — 32 tiles. He had something precious and he threw it away. Rebel. Now he desires to re-create and does at Supersity. Head toward the Great Green, which is probably back to Green Stream in trifold manner. Karoz turned Rebel when LL passed through Noru(m) and moved away from Sapphire and the House of Truth to the house which was the same as his grandparent’s home [o’ Fibs] back in Yeot. At this time he loses contact with Sapphire, or moves away from her physically and psychologically both. He welds with the Linden grid. He forgets his past in Chilbol, when Norum was over Chilbol and not visa versa.

Karoz involved in Ar-tis-try of jewel faceting.

Karoz may have become entrapped in Jeogeot through the Gray (Jeogeot) Rock of Whitehead Crossing, the original one thing on top of another thing. Multitasking baffled him. The Gray Rock became the same as the Circle of Norum, or entrapment in the Big Schwa side of the Big E (to Baker Bloch). There is no other male constant throughout the history of the Baker Blinker Blog, so Karoz must be Klutzy in a strong way.

Karoz was suppose to be involved in the exploration of Rubidoo on Granddaddy Mtn. but forgot his mission through entrapment in His Second Lyfe. Rubido is assoc. with Roubideaux at Glacier National Park. Link is Grizzly village, and Egan var. of Grizzly in maps and Egan as Second Life sim where “Ben Wuz Here” was written. Closing the triangle is Ben as a famous grizzly (Gentle Ben).

Peter SoSo and Karoz were together in Crabwoo because Karoz thought he *was* SoSo, like someone thinking he is a heir to a castle but seeming to deceive others but also just himself. Self illusion. Self not developed.

http://downtonabbey.wikia.com/wiki/Patrick_Crawley

In 1918, Major “Patrick Gordon”, a member of the Princess Patricia’s Canadian Light Infantry, made a request to stay at the convalescent home at the Downton Abbey because he claims to be related to the Crawley family. Major Gordon then claims to be Patrick Crawley. He says he survived the Titanic sinking but developed amnesia and took his new surname from a bottle of gin. It is impossible to recognize Major Gordon as Patrick Crawley as his face was severely burned during the Battle of Passchendaele. Gordon does convince Lady Edith by relating experiences in Downton, but decides to leave, rather than commit to his (almost certainly false) claim. It is suggested by the Earl’s solicitor, George Murray, that a Peter Gordon might have worked with the real Patrick Crawley at the Foreign Office, which would explain how he knew some of the private details of the Earl’s family.

Karoz was a deceiver, but perhaps not even on purpose. Wanted to be SoSo — Peter SoSo. Red 7 (possession)?


The Moon.

The First Battle of Passchendaele, on 12 October was another Allied attempt to gain ground around Passchendaele. The heavy rain and mud again made movement difficult and little artillery could be brought closer to the front. Allied troops were exhausted and morale had fallen. After a modest British advance German counter-attacks recovered most of lost ground opposite Passchendaele.[127] There were 13,000 Allied casualties, including 2,735 New Zealanders, 845 of whom were either dead or wounded and stranded in the mud of no-man’s-land. In lives lost in a day, this is the blackest day in New Zealand history.

—–

Like Klutzy Peter SoSo was the candidate chosen [to lead the Sunklands Initiative centered around Pudding *Hole*]. Karoz was with Peter in Sunklands as a jeweler, created the 32 prim diamond there according to stories told.

Peter is Pierre is me, hid behind baker b. as Level 3 is hid behind Level 2. Billfork [shield]. Lemon brought in the Bill.

—–

http://bakerblinker.wordpress.com/2010/06/29/odder-thoughts-well-just-more-thoughts/

Gene Fade is the user behind Bracket Jupiter. A key link: both are from Jupiter, Bracket from the actual planet, and Gene Fade, aka “Mossman”, from Jupiter Rock, named so because of the presence of a large red “spot” on its surface.

Hucka D.:

So you found that part out as well now. You are moving quite fast lately!

bb:

Making up time for not having the best of computers to explore Second Life for so long, Hucka D. Not a problem now, especially in contrast to before.

Hucka D.:

With new abilities comes new problems. What does it mean that Gene Fade is the user of Bracket Jupiter? What are the implications?

bb:

Not sure. Oh, and Karoz, described mainly as Gene Fade’s son, created the fuchsia diamond as a wedding present for the King and Queen — King being the same as Bracket Jupiter here. Another “red spot” of sorts. You use to be able to see the fuchsia diamond as a reddish colored dot on the map of the Heatherwood sim.

Hucka D.:

Karoz was trained to be a jeweler, and then recruited by Bracket Jupiter or The King for this purpose, yes. But there was more.

bb:

Karoz was also the avatar of Gene Fade?

Hucka D.:

*Yes*. They had the same user. Two different stories; fused ending. Fuchsia.

bb:

We only have about 2 1/2 more years to wrap all this up, Hucka D. (laughs).

—–

http://bakerblinker.wordpress.com/2009/05/27/loose-thoughts-chatting-6/

Karoz takes Ruuster to Rubidoo on Granddaddy Mtn. Grassy is the link between you and Klutzy Kamper still. You still have a link. But the Appalachian Trail is beyond you, he thinks. He is naive. He is still a child.

bb:

That’s hard to take.

Hucka D.:

You are as well.

bb:

But I’m an older child.

Hucka D.:

True enough. You are an artist child. You know what you need to do now. That makes it worse in ways.

bb:

So… R110, Hucka D. Karoz was a part of this secret organization to eliminate or else tame the Linden Grid.

—–

As well as Karoz, Klutzy is also directly connected to Esbum Michigan as described in this rather early Baker Blinker Blog post…

http://bakerblinker.wordpress.com/2008/08/04/kinda-freaky/

—–

* Pertinent link?:
http://www.livingwithsoul.com/being-an-old-soul.htm

Our challenge is that we live in a world defined predominantly by Baby, Young, and Mature Souls. Because Baby Souls need rules & regulations, structures, direction, “authorities” and frameworks within which to live, they create them and impose them on everyone. If they think having a nude beach is disgusting and perverted, they figure it should be disgusting and perverted for everyone, so rather than just leave us alone and not go there, they ban it. Or they get the Young Soul lawmakers to ban it, who will because they’re sporting the latest Gucci swimwear and don’t need a nude beach.
Likewise, Old Souls see nothing wrong with being gay, but the idea terrifies Baby Souls, who pull out their Bibles and quote scriptures at the poor gays, who just want to be left alone. Their hit list is endless-pot, abortion, euthanasia, smoking. For every freedom, there’s a law limiting it, and more laws pour out from the Baby Souls every day. The problem is that Baby Souls are so sure they are right, that they think they’re right for us, too.
It’s not easy being a Baby Soul, though. No glorious sex out in the open air; it’s in the dark with pajamas on. And if the rulebook doesn’t cover a situation, they must find an older soul for guidance. Their greatest constraint comes with religion, as witnessed by Baby Souls Jerry Fallwell, Oral Roberts and Jimmy Swaggart. (According to the Michael entity, Jim and Tammy Fae Bakker are first level Young Souls still operating as Baby Souls.)

THEN THIS (!!):


How big will New Pietmond get?

Quick answer: Probably not a lot more. 30 separate structures already (!).

Some more pics, then:

Just as of yesterday or day before, New Pietmond, or what I alternately, for now, call the SoSo Village (more on that in a moment-o), has seen the addition of a number of sidewalks, including this one running beside the newly placed Sink Lair Gallery in the northwest corner of my presently owned property (formerly occupied by trees). Great view toward the skyscrapers (Big Boy, Tower of A. Mann, Tower of TILE) in the eastern part of the town, eh?

Btw, I think I’ll rename the Tower of TILE the TILE Tower to further differentiate the name from the nearby Tower of A. Man… since the conversion to “A. Mann Tower” for the latter doesn’t seem to work as well.

New cottage on the western edge of town, another freebie find, as are the great majority of New Pietmond structures. I believe this cottage will be a (pretend) rental, and I might know who the first tennant will be. More soon on that as well!

Baker Bloch sits on the front steps of the as yet unoccupied “West Cottage”, staring toward Orange House and Obelisk Park in the distance. That’s where all this Pietmond renewal business began not even quite a month ago, although it seems considerably longer since so much has happened in the meantime here. Exciting times in New Pietmond for sure.

Another shot from beside the West Cottage toward the skyscrapers.

This was an amazing freebie find, and I was honored to visit what I assume was the original location for this Tooter Claxton build in Heterocera continent’s Calleta sim, more famous for being the home of Arcadia Asylum slum village. I’ve incorporated a number of her slum structures in New Pietmond.

Oh cool: Just re-found a post on Tooter Claxton’s own blog about his structure pictured below. Check it out.

I switched on the midday environment so that you the reader can see the details of the “hobo squat” a bit better.

To make room for Hobo Squat or HQ for short (center background), I had to move the Home o’ Fibs formerly occupying that space to the area formerly occupied by the House of Truth (left), the latter which I moved more toward the center of New Pietmond (right) instead of merely deleting it. Too nice of a build to just tuck back into my inventory somewhere. Neat that I could create a picture with all 3 builds involved in the move at once. The central structure between the 3 buildings just mentioned is the Sink Lair Gallery, also newly installed as stated before — just attempting to give some perspective of all the changes here.

More new stuff: a kind of main entrance into the town has been created, leading from the northern edge of my parcel into its central district. After experimenting with installing what would become the West Cottage in the place of Fleep’s Cottage (right) I decided to keep the latter in this location, along with its bordering azalea bushes. Across the new sidewalk from it stands another grunge garage for the town, a freebie offered on the Second Life Marketplace by Karyn’s Chopper Parts, billing itself as, “the first and number one motorcycle supply store of Second Life.” Karyn’s shop was also the source of the freebie Hole in the Wall dive bar that I’ll get to in just a minute.

Karyn’s Garage again.

How big will New Pietmond get? 02


How big will New Pietmond Get? 02

Looking toward Hobo Squat across the side of Big E near the center of town.

A classic SoSo Village/New Pietmond shot: Golden Way.

Now looking north from the same position. Unnamed way as of yet. Really, I suppose only Golden Way has achieved any official status within the town. I’ll have to work on that soon.

And then again from the same position, looking east toward the Bodega supermarket, with Big Boy in background and Big E/Schwa to left.

Big E and New Pietmond.

Big E and New Pietmond 02.

House of Truth dead ahead, with Hole in the Wall (dive bar) to left and Stairs Building 02 to right. There are 2 identical Stairs Buildings in town: 01 and 02. Probably need a rename.

A high, 7 prim freebie ladder connecting the top of Stairs Building 02 with the second floor of the Hobo Squat. Doesn’t have anything to do with the individual buildings themselves, just something I playfully added.

Hole in the Wall interior. Bottom’s up Baker Bloch!

How big will New Pietmond Get? 03


How big will New Pietmond Get? 03

Interior of Stairs Building 02. Wait, yeah… 02, not 01. Nothing within this building yet. Empty structures are still the norm rather than the exception in New Pietmond.

House of Truth and Hole in the Wall again; Sink Lair in the background.

Another new addition to New Pietmond is this back alley featuring a pose ball where you can pretend to be a graffiti artist, as Baker is here. This Freebie creation is courtesy of Second Life’s Holy Moly store run by Maxwell Grantley.

At the corner of Golden Way and this back alley. Or is the back alley a continuation of Golden Way? Dunno yet.

The above shot has Baker Bloch starting toward the Gallery in the Rocks structure whose rotated front door is now more easily accessibly thanks to this back alley. Below we see Baker inside — will this still be a tribute structure to Dark Side of the Rainbow, as planned in Carcassonne-1 this past Spring? Again… dunno. Dunno dunno dunno.

Baker sadly stares at a picture of the last phase of Pietmond just before its destruction and dismantlement. Darn that sinister alien craft that came a-visiting that month!

Slipper (kind of a sort of a small gallery?) and Rose Cottage 02 just off Golden Way. The duplicate Rose Cottage 01 would be situation across the Otaki Gorge sink from New Pietmond. As of now, there are 3 duplicate structures in greater New Pietmond: 2 Stairs Buildings, 2 Rose Cottages, and 2 Sink Lair buildings. Hucka D. has compared the latter two to opposite rooks on one side of a chessboard (more soon).

Baker Bloch heads up into the X-Spot Gallery via the SoSo Village teleporter.

A couple of New Pietmond dawn shots to close…


Respond.

“Don’t respond.”

bb:

Hi Hucka. So it was good to respond and now good not to respond.

Hucka D.:

Yes. Not red and blue as such, but green and a different green. Let it drop.

bb:

OK.

Hucka D.:

There is always something beyond the red and blue. The red and blue are your emotional limitations showing. The emotions/colors are boundaries. Different worlds, really, because they are spinning opposite each other.

bb:

Interesting. So this would surface between Klutzy and I, for example, with gay rights and our different opinions of them.

Hucka D.:

Klutzy is the innocent here. Each person is guarding a turf. They have to.

bb:

Why was I a sacrifice, or a potential one?

Hucka D.:

You had to be toughened up so that you could survive better on your own. Now you can. You are an Ally (bright yellow), or soon will be.

bb:

Can I trust…

Hucka D.:

Yes. And even if not, you have no choice.

bb:

I can go to…

Hucka D.:

No. She is right. Don’t go there.

bb:

OK.

Hucka D.:

So you’re an artist, eh?

bb:

Suppose so Hucka. How ’bout you?

Hucka D.:

Oh the same. Collager too. I collage minds.

bb:

Hehe.

Hucka D.:

I want to tell you a story.

bb:

OK.

Hucka D.:

There was red. There was blue. There was green. There was clean. There was dirty. There was gold. There was diamond. There was mold and more gold and oh some more diamonds added onto the top. Inside all of this was a fort with a whistle. A diamond whistle which sounded like a bell over the ocean for a day and a half until all clear sign given. Attack! Indians came. But not Indians.

bb:

Spanish.

Hucka D.:

You had to kill.

bb:

I got away.

Hucka D.:

You vowed never to get on a dirty filthy ship like that again. And you never have again.

bb:

Where has the current drama taken place before?

Hucka D.:

France.

bb:

Nothing.

Hucka D.:

No-man’s-land.

bb:

Still not really nothing. I know this has something to do with Patrick Crawley and WWI and perhaps the switch from Crawley to Patrick Gordon. Face burned.

Hucka D.:

Switcheroo.

bb:

Who is Klutzy?

Hucka D.:

He is a young soul. But he is also not who he seems to be.

bb:

I’ve met him before.

Hucka D.:

Yes. Battles.

bb:

That’s where we split. We were childhood friends.

Hucka D.:

Of sorts, yes.

bb:

Where?

Hucka D.:

Virginia.

bb:

I might ask him tomorrow.

Hucka D.:

Do.

bb:

What of Karoz and Supersity?

Hucka D.:

You know what the jewel is. Superman logo.

—–

bb:

Hucka D., I was thinking about the art aspect and felt overwhelmed with blue. So much responsibility, so much depth. The Table.

Hucka D.:

The Table, yes. I’ve always said that. Even when I was a young bee in Kentucky I said that. Azure Islands I meant. Tronesis. SID.

bb:

Hucka D., I want X-Ray to move into Pietmond.

Hucka D.:

*Yes.* Do you know how[ to do it]?

bb:

I think one of the avatars will have to sacrifice their personal appearance. I don’t think it should be you, though.

Hucka D.:

I don’t mind.

bb:

[Actually] I’m thinking Wilsonia.

Hucka D.:

Why don’t you ask X-Ray. Also known as Dr. Blood here… there.

Dr. Blood:

I will be incarnated soon. Lavender Hill Gang. Gold, lead, diamond, lead.

bb:

Hi Dr. Blood. We are going quite far tonight.

Dr. Blood:

I am in Pietmond already.

bb:

The Gallery in the Rocks?

Dr. Blood:

Tin S. Man. Where are we on that?

bb:

Do you want me to work on Dark Side of the Rainbow 02 again?

Dr. Blood:

I want you to work on Tin S. Man.

bb:

Pietmond is Lion’s Roar, Dr. Blood.

Dr. Blood:

Humph.

Hucka D.:

Dr. Blood will return another night with gushing news. You have your work.

bb:

Thank you.


1st New Pietmond map

sosomapsmaller

Of course, looming over the entire upper part of the New Pietmond town is the X-Spot Gallery, whose perimeter takes up about 1/2 of my 8016 square meter parcel here. It could be that, technically, all the structures *directly underneath* this giant “X” shaped structure comprise the SoSo Village, a space roughly centered by the SoSo Gallery itself. But with the rapid development now to the south of the X-Spot, something over 1/2 of the entire complex lies beyond this, making the overall appelation New Pietmond necessary it seems. So, to put it another way, New Pietmond has grown beyond its SoSo Village origins (since I began building the town by inserting structures directly beneath the X-Spot), and I think the creation of this map might even parallel some kind of official (pretend) event honoring the establishment or incorporation of New Pietmond. Fairly sure of it.

So are there residents in town already? There must be. 3 small and obvious residences exist within the city boundaries as established by my parcel, or Fleep’s Cottage, West Cottage, and then Rose Cottage 02 in SoSo Village. My thinking is that Dr. Blood might move into West Cottage soon, or already exists there in hyperspace-time. Are other variants already part of the town citizenship? Plant? Marty? Z? Maybe Z… maybe at Fleep’s Cottage.

But back to the map for now, I’ve mentioned the 3 cottages, all lying around the perimeter of the town in north, west, south direction respectively (Fleep, West, Rose). Just to note before I forget, on the New Pietmond/SoSo Village map, up is actually south and right is west instead of east as you would think. This is because I usually envision the town looking uphill from the Otaki Gorge sink directly beneath it, or the site of *original* Pietmond. Complicated, I know.

So we’ve mentioned the SoSo Village taking up almost the entire southern part of town, directly under the X-Spot. We’ve also mentioned that Rose Cottage represents an obvious residence of this site; it could have no other function. Also making up SoSo Village are the SoSo Gallery, as also stated before — the center, really, of the place — then Home Orange across the (Golden Way) sidewalk from it acting as a sort of unofficial office for Baker Bloch, at least on the second floor of two. The first contains a couple of older maps of Pietmond, forming the core of what will probably become a Pietmond Museum, which will most likely be moved to a larger location as it grows. Directly beside Home Orange exists one of two garages in town, or Garage 01 here (since it was the first of the two to be established). An apartment may also be formed in the upper level of *both* garages soon, bringing up the total town residencies to 5. Then beside Garage 02 on the opposite side of Home Orange comes Gallery in the Rocks, which may also be renamed and retooled from its function in former virtual towns of mine. Right now it houses a couple of pics related to Dark Side of the Rainbow. Will it be the center of Rainbowology study? Perhaps. Then across from Gallery in the Rocks we have Rose Cottage (02), then between it and SoSo Gallery a structure I’m presently calling “Slipper”, a kind of gallery created in a former coffee house. The structure is by Moard Ling, who supplied several for the town, including the two highest buildings (Big Boy and Tower of A. Mann).

Then continuing to move through SoSo Village, we have the unoccupied Oculea Train Station to the north, sorry *south* of SoSo Gallery, and beside it another possible occupancy of town called, for now, Stairs Building 01, with a duplicate building existing in the newer part of town. My feeling is that Stairs Building 01 will remain empty, or, in better terms, the site of a possible residence, the while Stairs Building 02 will become another small gallery in town. Then to complete the tour of SoSo Village, we have hollowed out Blog Log in the middle of a park or open space (likely site of a former residence as well — little people this time), and then the Burl Tower leading from SoSo Village to the top of the X-Spot (where you can just mosey around and take in the views).

The Bodega supermarket just below this park probably represents the first structure in our New Pietmond tour here that lies outside SoSo Village proper, since it lies just beyond the overshadowing X-Spot Gallery to its south. Or it could be the *last* structure of SoSo Village, since it fits in with the overall themes of this village. But then moving further north we have the more massive structures of TILE Tower, Big Boy (Tower), and Tower of A. Mann, representing the 3 highest buildings of New Pietmond. Here we have also definitely moved beyond the homey and understandably squat SoSo Village origins of New Pietmond (after all, the buildings had to be slotted below the X-Spot Gallery, and could not project through its floor) into a more modern style. Presently the two highest buildings of town, Big Boy and Tower of A. Mann, are empty. The 3rd highest, or the TILE Tower, represents a home for the Baker Bloch in England exhibit, accessible through the central teleporter of the town beside the SoSo Gallery. Below TILE Tower lies a green, beach house like structure that may hold a museum dedicated to the Big E/ Big Schwa monument that conveniently lies just beyond its front door. Like the Bodega supermarket, there is also some debate whether Big E/Schwa is part of the original SoSo village, since it lies so close to its center. An argument against this is that the monument doesn’t technically lie beneath the X-Spot structure although it is rather snugly nestled against one of its outer walls… hmm, have to think about that more. On the other side of TILE Tower from Big E is the aforementioned Fleep’s Cottage, situated on the perimeter of New Pietmond.

So let’s continue to sweep our way through the newer parts of New Pietmond, including Stairs Building 02 that seems to be evolving into a small gallery (mentioned before), House of Truth at the end of a sidewalk still containing Jeogeot related history pictures, as it has for probably 2 years now, and then Garage #2 immediately to its left on the above map. A further thought: this garage is the location of Dr. Blood’s band’s reheasals, a group acting as perhaps a type of doppleganger for the early Kinks themselves.

Then to complete our tour, we have Hobo Squat (eye candy building), Hole in The Wall (dive bar), West Cottage already mentioned, and then — the last building so far to be added to New Pietmond — the Sink Lair Gallery, which I haven’t yet moved the “Synching Creek Designated Mystery Area” pictures into yet. Also we have Home o’ Fibs just below the Sink Lair Gallery.


Shark (referencing a severed hand): You found my record, didn’t you? Now… spin it.

“The band rehearsed in your Garage #2. They were *the* band of the town, like the Conchords were for Little New Zealand, or they were planned for as such (smile). Dr. Blood planned this out with you. The owners of the new Stairs Building Gallery complained of the noise. The Knicks (variant band) said: stuff cotton in your ears you freaks, and laughed derisively. Both brothers were there. Dan camped out in the TILE Tower for quite a while, but his official place was Fleep’s Cottage. Both grew up in the House of Truth, and the brothers’ dad owned both it and the garage and possibly the land occupied by Fleep’s Cottage and the TILE Tower. What did they think of the TILE religion? I suppose they followed it. The church use to be in the SoSo Village, but was later replaced by Stairs Building #2. *Their* New Pietmond sort of evolved backwards from yours, with the X-Spot Gallery being the *last* addition. The X-Spot Gallery signaled the band’s fiscal triumph. Questions?”

bb:

How did the Knicks acquire the art of the X-Spot?

Hucka D.:

They bought it. And they also bought the art of your 10×10.

bb:

Did they know of Peter Gabriel, supposedly also in Second Life?

Hucka D.:

*Yes.* They knew of the Sunklands Initiative after a while. Or at least Dr. Blood did.

bb:

And they knew of Z.

Hucka D.:

Yes. He came to town as well, although he wasn’t an official resident. I don’t think.

bb:

Maybe he was.

Hucka D.:

A possibility.

bb:

So it really looks like New Pietmond is “just” a continuation of Lion’s Roar from October. I didn’t go back there all of November, Hucka. I hope the bottles are all right.

Hucka D.:

Knicks, the name of the variant band, is a key, because you’ve compared both Lion’s Roar and New Pietmond — and also, now, Supersity just north of Frank Park — with New York City. But it’s the Kniks, without a “c”. Just looking at your type and over your shoulder and such.

bb:

Spooky. So Hucka, we’re going quite a long way in explaining who actually might have *lived* in New Pietmond.

Hucka D.:

The Kniks obviously. Do you know where the primary Knik is? It’s in… well, I’ll let you find out.

bb:

Knickerbocker is a resident of New York… knicks, then, for sure. They contacted the real world through the Tower of A. Mann, which is a type of psychic parallel of sorts to The Statue of Liberty — Lady Liberty.

Hucka D.:

Mossmen were probably also in New Pietmond. They may have come from the direction of Supersity. Mossmen are depicted in the 10×10 and in SoSo Gallery[ with its Oblong series from that overall opus].

bb:

Tower of A. Mann is obviously related to my recent Facebook post about the many Kinks’ songs ending with “man,” a number of which are now part of the Sunklands Initiative project, Hucka D. A good example is “Powerman”, a unique and rather stunning track from Lola. And this makes me think that the Tower of A. Man is the tower of Powerman, or the Tower of Power (in one incarnation of the building).

Hucka D.:

Right. Insert picture.

http://www.flickr.com/photos/15402278@N08/

bb:

Sorry. Still looking…

12oz_ep013_03

Hucka D.:

Nope. But close enough. You know 12 Oz Mouse’s cardboard city is New Pietmond as well. Dead End Street, the true beginning of Carcass-1, the very first Carcass in a way, in a manner. New Pietmond is a record… now spin it.

Dead_End_Street_cover


Thoughts…

Made some more rather major changes to Pietmond in the last day, including the creation of a new gallery in Garage #1 of town (which has been significantly enlarged in the process), and also the insertion of the Urbania Rowhouses Freebie by Sarg Bjornson in place of the Luv Shack underneath the TILE Tower, which represents a significant upgrade of usable town space as well. But what to put in it? I’ve already inserted 30 of my collages into the Garage #1 gallery (not yet garnering an official name), including the last 3 series of the Art 10×10 (Hidalgo, Wheeler, and Jasper collage series). I’ll give some details later — who knows what will change in New Pietmond in the meantime.

Snapshot7051_002

Oh, and I’ve also made a gallery of the Stairs #1 builing. I logically call it the Stairs Gallery, but pun on “stares” (like in staring at the jawdropping art within). Inside are now found 15 or 16 pieces by Kollage Kid, and then the bridge connects the top of this structure with the Hobo Squat structure next door, where I believe additional Kollage Kid pieces will be displayed. A path may be that the X-Spot Gallery (presently containing the same Kollage Kid collages, plus a couple more by him) will be gradually emptied for another project. This week I should get to the text generation for the 2 Jeogeot through Art and Word related posts below.

Then we come to the Knocks or the Knicks, the town’s official rock band. They’ve been rehearsing in Garage #2, and already complaints have been registered from the Stairs Gallery owners about the noise (and the band, in turn, complaining about the renovation noise coming from their gallery). It’s been a rather bitter fight, with Don (Dr. Blood’s brother) threatening to blow up the bridge connecting the two parts of the gallery. Don and Rich’s parents just want peace — “Why don’t you ask if you can exhibit some art in their gallery, Rich?” they might suggest. Rich (same as Dr. Blood apparently) has been researching the history of the town. Wallace3, aka Karoz Blogger, might surface soon. But it all could be just Baker Bloch and Karoz having some rock music generating fun. They are brothers aren’t they? Karoz instead researches Jeogeot history. TILE. His pictures are up now in the House of Truth they grew up in. Now they just sleep around town anywhere, basically. “What happened to your parents Karoz?” I asked. “Sapphire? I only had a mother that I knew. Gene Fade the mossman was supposedly my real father. Sapphire wasn’t my real mother. Instead a gypsy was. I spent my infancy on The Moon, but was given to Sapphire at a rather early age and stayed in Yeot and then Norum. I became Aqua Teen beyond Aquamarine and moved into a replica of my grandparent’s old house in Yeot.” “Blue Feather Douglas?” I asked. “Nata Lee and Natha Neil,” came the answer. “I remember tea parties, and a doll house. A house that looked *exactly* like their house.” Karoz paused, examined his nails.

“Karoz, talk about Peter if you can.”

“Peter was our manager. Told us we could make it big, but we had to move out of Norum. Said that there was an up and coming town he knew out in Sunklands that we could take over, as it were. A single sink involved. So Pietmond was eventually born. Peter’s Pietmond.”

“So Baker Bloch was with you in Norum.”

“Of course,” Karoz replies. “He’s been here since the beginning.”

“What of Dr. Blood?”

Hucka D.:

I hate to interrupt your dialog baker b., but we must move on to something else. Plus I was suppose to interrupt you at that point. Anything else?

bb:

You said you had something else to talk about.

Hucka D.:

Pietmond is an onion to peel. Proverbial. You have two older versions even — complicated now. Cool and complicated. A gift for you, baker b. Lion’s Roar but more. Lions’ Roar carried over. Winter… soon.

Pietmond:

Jack-o. Really-o. Born-o. Insignificanti-o. Right-o. And rong-o. Are-o you-o going-o to-o… to help me?

bb:

Yes Pietmond. I’ll try.

Pietmond:

Are-o help-o you. Me. Try to get high? No. Try to get even. Try to get. Try. Try.

bb:

Try to change consciousness?

Pietmond:

Inner facto stubmiontiatio turning part creeping statio. Pardono really aredent yippie grapevine tulip aren’t glad you are happen truce. true.

Hucka D.:

Goodnight baker b.!


The…

… emptying of the X-Spot Gallery will come soon, Hucka D.

Hucka D.:

Not soon enough.

bb:

Oh really?

Hucka D.:

Knock wishes to talk.

Knock:

I see you found “Imaginary Man”. I am.

bb:

Very nice song, Knock.

Knock:

We must approach the table soon. Can you see?

bb:

Not sure.

Knock:

You saw me inside the 3333 circle. In the future. We will walk together more there. Beyond the Red 7.*

bb:

I think you also like the Residents… secretly.

Knock:

I like them because they help defuse the Beatles hoax… legend I mean (smiles).

bb:

Do you know the mystery of the Paul is Dead hoax?

Knock:

The solution you mean? It’s within the Village Green.

—–

bb:

What is the 3333?

Knock:

The future. Future City future.

Hucka D.:

He[ Knock] will return. He will be your Aid. Slowly you will move toward the center, toward the cairn. He will enter and you will not. Then you will see. 4th.

—–

* Knock is referencing my experience walking around the Supersity sacred hoop this past Sunday, interesting for certain. I’ve been dwelling on some work related stuff recently after hours, and not in an altogether good way. I was dwelling when I visited the hoop for instance. I decided to start chanting 2233 while walking clockwise just outside the rock circle of the hoop in an attempt to mute these chains of thoughts. I shortly got the impression that 2233 was opening up the past inside the hoop or circle. 2233 was the Baker Blinker Blog in the past now (this blog contains exactly 2233 posts), and through it, toward the center, I could see further into the past. In a way the central cairn is 1Pink, the largest carcass. So then I reversed my direction around the sacred hoop and instead chanted 3333. My impression is that this opened the future, in correspondence with me calling this place the Future City beforehand. The future is the Frank and Herman Einstein Blog beyond the Baker Blinker Blog, beyond the 2233. The circle of rocks represents at least the beginning posts of the blog, in line with the 80 post piece of art found nearby. The center of the *3333* circle is probably death or exit, but more than that — the totality of the soul in the 4 directions. It is the endpoint of the soul itself. So the past leads to condensing the energy of the totality into a microcosm, which is the Baker Blinker Blog; which is Second Life as well. 3333 is beyond the microcosm and into the Greater Whole. The circumference of rocks around the cairn is the *present*… I am in the Frank and Herman Einstein Blog now but it has just begun, really. The whole 2233-3333 walk reminded me of a figure 8, with the upper circle the past and the lower circle the future. But it’s also a kind of mobius figure 8 if so. You need both past (where you came from) and future (where you’re going), but it’s all viewed from the perspective of the present — where you are standing or walking or whatever *right now*.

Mobius-8


X-Spot emptying/New Pietmond filling

Most of the New Pietmond exhibits now exist in buildings groundside, or in the town proper. For the record (I think), New Pietmond was originally called SoSo Village when it was laid out directly underneath the outstretched wings of the X-Spot Gallery. Now that it has expanded southward and away from this, a name change to New Pietmond seems in order. I would think there’s still some pride in the name SoSo Village, which in basic terms would be the galleries along Golden Way, starting with SoSo *East* Gallery (note: SoSo West has also returned to New Pietmond). The only exhibits now in the X-Spot are “Jeogeot through Art and Word”, which is, after all, a historic one and not long term — this may well represent the last iteration of this exhibit in its 2 1/2 year run now — and then also we have Julie Takac’s collages still in another wing of that gallery space. The other 2 wings out of 4 have been vacated, with Casey (SoSo West), Rougeau (Cherry and/or Berry) and Kollage Kid (Stairs Gallery and Stairs Gallery Annex) moving groundside, joining my own art in SoSo East, Sink Lair, TILE Tower, and Studio 30. Slipper Gallery currently remains empty.

Snapshot7203_004

Snapshot7203_003

Snapshot7203_006

Another New Pietmond loose end comes in the form of the Rainbowology Center building at the end of Golden Way…

Snapshot7203_010


Pietmond History (New Pietmond History?)

Thinking of writing the above (title of post). Background must be in Jeogeot explorations from May 2009 to October 2010, or the year and a half immediately before the official start of the Pietmond village (incorporation) in mid-October 2010. In this history, of course, we must also include Teepot, which we will attempt to prove is just another form of Pietmond on the “opposite” side of the Jeogeot continent. In this way, it is the only true sister city to Pietmond, a twin city really. Also include several fragment villages of Pietmond, including Lakeview and Crabwoo (after the demise of original Pietmond, which lasted the longest so far), and then also Norum Center, 7 Stones, Boris, and Carcass-1, none of which lasted more than about a month. Actually I believe Carcass-1 lasted 2 months, but with not much activity the second month. Likewise New Pietmond has entered its second month of existence, and I predict the building there will slow down as well — running out of prims, ya know. So this is a pretty big project, this New Pietmond history compilation.

Hucka D.:

Keep reading.

bb:

Thanks, Hucka D. So we’ll start with pre-Pietmond Jeogeot, move to Sep-April 2010-2011 Pietmond, the main phase, and then August-Feb. or early March 2011-2012 Pietmond, which will include Teepot, with an explanation that Teepot is the same as Pietmond. Like original Pietmond splintered off into the 2 separate communities of Crabwoo (religious center) and Lakeview (art center), so 2nd stage Pietmond, which started off as Teepot this time ’round, gave its energy to 7 Stones and then Boris after its own demise. Boris can even be seen as another incarnation of Teepot. And actually 7 Stones kind of still exists, Hucka D., which I now call Philo. But it’s quite spread out in comparison. I could still re-create it, however.

Hucka D.:

Philo represents the dormant phase of Pietmond, and still might when you give up the land again. Is there anywhere else in Philo you can insert the 10×10? Check it out sometime, for New Pietmond will not exist into the spring. You have Frank and Herman Einstein to focus on now, the parks I mean. Time for some tracing.

bb:

The large ship that came to destroy 2nd phase Pietmond — did it come from Philo, even?

Hucka D.:

It came from Michael. It was called the Synching Ship. It divided and conquered Pietmond, a whole damn sink. The ship became the sink, for ill purposes. But now you have New Pietmond. And the X-Spot, a new ship of types, has landed and provided a nest for the town. It is also an expansion of the Pietmond South Gallery in 1st stage Pietmond. If you can buy the bottom of the sink again, go ahead and do it. Green light from me here. Not sure about the others.

bb:

It could be that I even return to Teepot, Hucka D.

Hucka D.:

Probably not[ though].

bb:

Nah.

Hucka D.:

You go.

bb:

And even Norum can be seen as a type of dormant Pietmond, or a Pietmond still latched onto mother Chilbo. For Chilbo is Pietmond’s mother, and Norum through Chilbo.

Hucka D.:

Sapphire. That is Sapphire. The Karoz Problem.

bb:

But May 2009 – August 2009 Noru wasn’t a town per se, but still just a collection of buildings sitting not in even Greater Chilbo in those days. And neither was August – Feb 2009/2010 Aoteroa, although that was supposedly the original site of Pietmond… hmmm, hafta think along those lines, then. And then the return to Noru after Baker Bloch’s trip to England started a 2nd phase Noru, but still not a town. Instead we have another superstructure as a focus: the Blue Feather Gallery, which is 4 structures in one, actually, and a direct cousin to the Big E Gallery of Aotearoa.

Hucka D.:

Next you must get rid of the X-Spot Gallery. Or else put something totally different there. Maybe MapS?

bb:

Is the X-Spot Gallery another ship, then, Hucka D.? After all, its basic module is a spacecraft.

Hucka D.:

Yes. It is a converted spaceship, like the Galactic Gallery before it.

Snapshot7207_001

bb:

It’s at this central watering hole, The Hole in the Wall, that conversations about the relevance of Pietmond in Your Second Lyfe came about. Knock. Knick Knack Knock. They talked of Lion’s Roar and New Pietmond and how the two are related.

“I had no corporeal existence in Lion’s Roar”, states Knock. “Thank you for building New Pietmond, which is the same as Lion’s Roar only better — for the winter anyway, as we’ve discussed. We sit at the Watering Hole[ for that is its name] and discuss more. We discuss Lion’s Roar and New Pietmond and Old Pietmond and Billfork and Pitchfork. Hermania. We discuss a lot of things, baker b.” “Yes, thank you for all that, Knock,” replies baker b. “But where is The Table in all this? Physically it is still back in Philo.” “Good you saw me in the future, in miniature, inside the 3333 Circle at Supersity. That’s called Future City to us. I am an Imaginary Man there, in this future town. You must pick and choose which path to take toward the middle, toward the end of the future. I am on those rocks before you get there, a lookout[ of sorts]. Where is the 4th and all that.” “Thanks once more, Knock,” replies baker b. again. “Carcass-8 is coming up sometime, but I’m not sure it will be called a Carcass at all any more.” “No,” says Knock back. “It will be called by its actual name, like Red 7 before it. Red 7 is the last carcass and also the first carcass beyond the concept of the carcasses. Next is Super 8.”

bb:

Can’t wait!

Snapshot7209_002
The Hole in the Wall franchise subsequently expands to Greater Philo, just in case.


Perfect

Snapshot7211_001

The New Pietmond layout is now satisfying to the ever perfectionist Baker Bloch. He can rest. But what’s the next step beyond surface perfection? What lies *inside* now?

—–

Hucka D.:

Art. Simple answer.

bb:

What of MapS?

Hucka D.:

Keep reading…

—–

Personal note: Talk to Knock about new book called Raydium. “It was taken, but that’s what I wanted to call it, yeah.” “Thank, Ray… er Knock, for being here tonight.” “Briefly, though. That giant bee warned me to not keep you up too late.” “Haha, Knock,” I replied. He looked thinner tonight. Turning imaginary? “So can you tell us about the garage band, Knock?” Knock knocked down another beer. Furry Carl promptly served up another one. “Merry fucking Xmas have a beer,” came the usual rejoinder from him. In fact, it was always hovering over his head in white text. I wondered if F. Carl secretly moved about after we left him, you know, sort of just cleaning the bar a bit. I think he had to. And what of Knock himself? He said he lived in the top floor of the Hobo Squat, recently converted to the Stairs Gallery Annex as a whole. The top floor remains undeveloped for now, and that’s where Knock has chosen to stay. “Have you explored any of the local landscape?” I asked him, sipping on red wine myself imported from Smelly’s Bar just down the way. Knock didn’t answer, but I knew he hadn’t… just like I hadn’t since my return to Pietmond and Otaki Gorge over a month ago. “Is Sunklands dead?” I asked Knock. He was busy sipping his beer, staring into space, perhaps thinking about another rock opera, or one already composed. “You need to listen to me more, baker b. Sorry, Baker Bloch, hehe.” He turned to me, smiling broadly. Gappily.

—–

“This fusion with Z…” I attempted to continue. But Knock was gone, and only Furry Carl left. So I talked to him, which was basically talking to myself. But… well, no, I think Knock was actually there in a manner. F. Carl did not respond, or made the usual response… the only response. “Merry fucking Xmas have a beer.” And that seemed a good thing to do, if I sipped. “So Carl… can I call you Carl? Heck, silly question, I can call you anything I want.” “Merry fucking Xmas have a beer.” F. Carl stared back in his ever-belligerent way, fur hair springing out of his head. Not bald anymore! “Merry fucking Xmas have a beer.” “So Carl, let’s call you Karl with a K, so Karl, Z and Knock are fused in Pumpkintwisters.” “Merry fucking Xmas have a beer.” “Yeah, Karl, I have a beer, I just got one thank you.” “Merry fucking Xmas have a beer.” “Okay I just need to stop staring above your head. So Karl.” “Yeah?” “Haha! That was just me!” “No it wasn’t!” “Karl?” I stared at him. The text was still hovering but he was also speaking. I probably needed to call it a night. “Do you like your beer mofo?” And then the laugh, the Karl laugh. Like a rusty coffee grinder… something. Oh yeah, I remembered Karl might be an Ancient (!) He started to clean Knock’s empty beer mug left behind. He didn’t wash it, just rubbed it out a bit. “Karl, that’s quite unhygienic,” I said to him. Then the laugh again, like he could give a rat’s ass. Or couldn’t give a rat’s ass. I remembered a picture of a lazy rat was just outside, on the wall of Home Orange. “I’m up and out of bed, what more do you want?” was the statement I think he made on this wall. The rat and Karl… quite a neighborhood here! “Do you know the rat on the wall outside, Karl? After all, this is a Hole in the Wall, one of the franchise of bars.” He just laughed, longer this time, like a rusty coffee grinder stuck on grind. Er… “Holy Moly!” He then said after a pause. Then he repeated it. “Holy Moly!” But his expression really hadn’t changed from before; no surprise. “What are you surprised about?” I ask him. “Holy Moly!” I turned around and to the door. Knock walked in again. “I forgot my pocketbook with my Pietmond Plus credit card. Did you see it Karl? Did you *steal* it?” Then the laugh again from Karl. “Karl, don’t give me that evil laugh. Just hand it over.” And he did. And he laughed again. “Enjoying your talk with Karl, baker b.?” He grinned at me. “Suppose, Knock. It was… unexpected!” Knock didn’t laugh, just grinned. Karl laughed, however. They both stared at me. “He hasn’t told me about Z.” But Knock was gone.

Snapshot7211_002
The Picture Had Changed.


Evrey day is Vlee’niants Day for Ms. Bklnier and Mr. Bcloh. the two vaiturl Bekras!

http://www.jibjab.com/view/5AlJ9ExyRk2bvRHb5Nd-nw


Hucka Doobie Real Life Sighting

Alton Barnes, UK.

honeystreet01

honeystreet04

Compare: (the bee above was found on the road just to the right of where the bee/beehive crop circle below formed in June 2004)

uk2004aq2

honeystreet05

Also: Compare the current sighting with this one from January 2011.

http://www.greatdreams.com/crop/bee/bee.htm

—–

Hucka Doobie Real Life Sighting 02


Hucka Doobie Real Life Sighting 02

(continued from Hucka Doobie Real Life Sighting)

I became curious tonight of the relationship between the bee/beehive crop circle of 2004 and nearby *Honey*street, whose legendary pub The Barge is widely acknowledged as the buzzing hub of crop circle phenomena.

honeystreet06

Tracing a line starting from the grassy eye of the Alton Barnes White Horse (already highlighted in this amazing lineup of white horse eyes found by me in 2010) through the main axis of the bee/beehive crop circle seems to bring us to roughly the center of the Honeystreet village, not pointing to The Barge itself per se (the last building to the left in the below picture), but instead seeming to align with a wispy line on the GoogleEarth map spanning the Kenneth and Avon Canal, as seen below.

honeystreet08

I don’t think the line represents a footbridge across the canal. Will have to study more. The point here, I think, is that the highway I recently spotted a bee with extended wings on, which I believe is Hucka Doobie once more or the equivalent thereof, goes through Honeystreet, and it indeed was The Barge where I started my “journey” up 45 (highway #) to reach this Hucka Doobie. Bees are of course attracted to honey.

3 Crop Circles at Honeystreet 26th June 4th July 2011
3 Crop Circles at Honeystreet : 26th June & 2 on the 4th of July

The entire hamlet of Honeystreet is pictured on the upper left here (reversed from the photo before this). All three circles from the summer of 2011 are very close to The Barge indeed.

Michael Glickman’s very interesting post about the largest of these 3 Honeystreet circles, which he calls The Lobsters:

http://www.michaelglickmanoncropcircles.com/blog/the-lobsters-of-honey-street/

It seems to speak about the confusion between hoaxed and legitimate crop circles. The Lobsters represents a controversial formation in this way.

And then there’s this newer post from Glickman’s blog describing what he believes is a related crop circle appearing at almost the same time as The Lobsters… another rare multi-step formation.

http://www.michaelglickmanoncropcircles.com/blog/lifting-the-lid-on-milk-hill/

Just to note: “The Lobsters of Honey Street” is the first post of Michael’s new-ish blog, which I plan to pay close attention to in the coming year.

—–


“WAIT… I’ve been DUPED!!”


I don’t think…

… Baker Bloch is finished in Rubi yet.

Snapshot7213_002

Surprising (once more).

Snapshot7213_003