We…

… better talk, Hucka D. After all, it’s not every day you find a Super City (smiles).

Hucka D.:

Mossmen were there[ indeed]. Cultural Center and Military Center. Jutting rock near top was called The Protector — this was the military base. Rock with caves was the cultural center. Together they formed a Supersity. Supersity it was[ indeed again].

bb:

Was the sacred hoop at the top of the rocks also present in Supersity?

Hucka D.:

Yes indeed again and again once more indeedy. (pause)

bb:

The sacred hoop was there first??

Hucka D.:

Ummm.

bb:

Both? Before and after I mean?

Hucka D.:

You must rebuild Supersity and find out. Not the new Supersity as much as the old. The Mossmen moved to the new one after The Fall. Fall is almost over, however.

bb:

I suppose the sacred hoop holds specific clues to the Mossmen’s culture and art and history.

Hucka D.:

Mossmen were at the *center*. Humans all around, but Mossmen were green[ and in the middle].

—–

Hucka D.:

It’s not that the protectors lacked culture. It was that it wasn’t their focus. But the cultural ones needed protection, see.

—–

http://www.artsjournal.com/slippeddisc/2012/08/just-in-romney-says-hell-kill-arts-funding.html

—–

“They had to abandon Supersity because it was just beyond[ north of] the protectate limits[ Frank Park boundaries]. So they moved their operations in that area west.”

bb:

Was it a *fort*, Hucka D.?

Hucka D.:

Yes and no. Half fort, half arts center. The arts center came later. Developed from art seed money provided by a central government. Before this, that part of Supersity was a dangerous spot. Romney has it wrong… had it wrong. We sent Sandy to make sure the right man in the right place. Right?

bb:

Suppose. But, oh yes, as far as the right man being in place now. (super smile)

—–

“Supersity was cut off[ from Frank Park]. Like Romney would have cut off arts funding from the government had he been elected. It is one and same.”

Hucka D.:

Someone in the past made that decision[ about the Frank Park line]. Someone in the present made the decision to build that road, that dead end road. Someone newer made the decision to build the sacred hoop. The sacred hoop heals by moving all toward a center again. This center is the mossman culture. Mossmen restored. They just had to move a bit west.

bb:

It wasn’t the same[ though].

Hucka D.:

Not really.

—–

“We can protect that small part, Hucka D.”

Hucka D.:

How?

bb:

Toy avatars. Marble[ races]. We can move it and revitalize.

Hucka D.:

Retrace[ you mean]. You can’t really re-create what happened there before. But, yes, a door has been opened. The sacred hoop opened the door to the past. The creators of the sacred hoop weren’t exactly conscious of this but that’s what they did. The sacred hoop is right at the top of the rocks, at the top of Supersity or what was once called this. You have a door, a window at least, into the past. You can see back again. This is a very valuable place, then. You must take advantage as you can.

bb:

Maybe the Mossmen knew about the X-Spot Gallery of Pietmond. Maybe that’s what that X on the rock in the upper section of Supersity meant… means?

Hucka D.:

That is *their* window to the *future*. Future City.