Daily Archives: February 5, 2013

Gila Interpretations/Associations 03

(continued from Gila Interpretations/Associations 02)

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So let’s move to collage 05 of the Gila series, Hucka D.: “Monsters”. I think this is, aesthetically, perhaps the best of the bunch. It’s a reaction to collage 04, “Marge Eclipsed”, in that you have a return of the grimy, the dirty, the cast-off. Monsters, in essence. And the images are almost all taken from the area between villages called Highway and Cherhill in Wiltshire to the west of Marlborough Downs, a stretch of several miles. There is a notable rise in elevation from this area back to Marlborough Downs and its central Rockley — Rockley can be said to even “look down” on this lower area. There’s a connection with 2010’s Baker Bloch in England exhibit again, Hucka D., in that a GoogleEarth overhead image of Cherhill’s Crescent House is depicted. That would be the crescent in the sky, a horned moon.

Hucka D.:

We have returned to an earlier state for Baker Bloch’s trip here, before he went to Rockley to stay with the King and Queen. And Baker Blinker and me, Hucka Doobie, as well. We have traveled back in time to recover lost energy. It’s a good collage.

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In the center are two people stealing one of the smaller stones from Avebury, which is the only piece of the collage not from the Cherhill area — oh, and the crop circle images seen within the door of the building. Those are from Rockley.

Hucka D.:

Munching monsters. They are crescents as well. This is about destruction. Destruction of a perfection, just as you have destroyed your perfect, virtual New Pietmond very recently. This foresees that.

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The perfect New Pietmond in Rockley, that is, next to Marlborough. But it couldn’t *really* be formed there.

Hucka D.:

It could and it will. You had to prepare, however, with this collage series. And the next — Latona isn’t it? You couldn’t stop with Gila. This is the central Gila collage, this “Monsters”. Yet if you would have stopped with Gila, you would have just had this dichomy of High Rockley and Low Highway/Cherhill. High and Low Wiltshire. But the correct place is Rockley, true. You had to find a passageway within, a passage to the center which is both dark and light. Well, it’s light when it is opened up. We better move on.

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To me, a standalone triangle, with point down, is a sinister figure, Hucka D. Here we have a green triangle to the extreme right, then a crescent more in the middle, and then to the left of the crescent [Crescent House] is a triangle *formed* out of crescents within the door you mentioned. 1-2-3.

Hucka D.:

Those are being born. The door is the womb. Monsters are born. The crescent is the father and the triangle the mother. Or visa versa. This is the warped King and Queen of Wiltshire.

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Maybe this pair is the ones who do the hoaxed crop circles, Hucka D. The quote unquote babies are the same as parts of a crop circle, after all.

Hucka D.:

This is birth. Uncle Amalgamated Mess looks on, invited to the birth. He speaks to his brother, Crescent, in hushed tones.

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I wonder if this could have something to do with the Biggie Fish of Second Life’s Blue Feather Sea, Hucka D.? The monster at the bottom looks like a fish, a whale perhaps.

Hucka D.:

The Crescent and the Uncle don’t really see eye to eye.

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So here we are at collage 06, unless you want to talk more about “Monsters”.

Hucka D.:

No, not now. Put your picture up.

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This one’s called “Temple Dors”, and to me it begins to resolve the problems we find in “Monsters”, or the dichotomy between the perfect Rockley and its New Pietmond and the imperfect, in comparison, Cherhill/Highway.

Hucka D.:

Just Cherhill will do. It all revolves around the Crescent House. In Baker Bloch in England we couldn’t stay there because the owner returned from London. Luckily you found the King just outside West Woods, leading us to Hackpen Hill and Rockley behind it. And in this collage here, we have a similar return to Rockley, for this is a rental house there. We see the association with New Pietmond through the rock stackings in front of the house — actually there. Then you augment or reinforce this stacking through additional, more linear stackings found in Marlborough pictures. This actually comes from 2 pictures of the same Marlborough totem, a front or light side and a back or dark side. This is obviously the pillars Boaz and Jachin. But the thing is, all the pictures I’ve spoken about so far, the Rockley house and the 2 of the Marlborough stacking, are overlapped using the same upper right corner. It just so happened if you aligned the 3 corners and removed the Marlborough rock totem from its original pictures and placed it with the temple house, it acts as the 2 pillars. This is more Accident, then. And then the word “Accident” appears on the porch of the house through the reappearance of Ingor and the altered “Introducing Lemon” album cover already seen in collage 02.

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This has a lot to do with the Sgt. Pepper album cover, Hucka D., and the obvious association The Beatles or someone directly involved with them wanted to make between this cover and the Temple of Solomon. There’s an extremely interesting series of posts about it here, Hucka D., that I need to re-read.

Hucka D.:

You can do that in a moment. So Baker Bloch is in the middle of his Temple of TILE labyrinth looking toward the house — another temple, then. New Pietmond fuses with Rockley for real this time. The answers to the labyrinth, and to TILE as a whole, are through the temple doors. Temple Dors.

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And that’s the next picture, then, called “Marge Refound” for now at least. Ringo — Ingor — and his twin are using the house as a teleporation devize, apparently.

Hucka D.:

Device.

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They’ve gone to Glory Ann Pond, which I used because I just liked the image of. But then I found a[n apparent] connection between it and the Knight’s Templar people who use to own the land at Rockley, Hucka D. I describe it at the bottom of this page created about a week ago:

https://bakerbloch.wordpress.com/2013/01/27/if-this/

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Hucka D.:

What is being seen here? This is The Kniks again, or 2 of the 4 heads of the members. 3 heads appear in [the front of] collage 02, and here we also have a triangle of 2 heads and a third which probably should be the 3rd head again but isn’t. Instead we know this is the beech grove known as Marge, who also has a big head like The Kniks, or she has very tall hair at least [smile].

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The way into Marge is the key.

(continued in Gila Interpretations/Associations 04)

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Here’s what’s happening:

The rather peculiar shape of the Gila series with its 00 and 11 “extra” collages has at least partially resolved itself, with Gila 11 instead becoming Latona 00. Yes, it looks like, as with the case of the Wheeler and Jasper series before it (and the matching Yale and Newton series several years before that), the Gila series is going to be twinned with another series called Latona, which is yet another upper Jasper County, Illinois town name. I’ve already created the rough drafts of Latona 01 and Latona 02. I’m creating collages at more of a rapid pace than ever! I see the Latona series, like the Gila series before it, lasting about 10 collages, or Latona 01 through Latona 10. Also like Gila, all will be based in Wiltshire, and not the Lake District as was the case with the earlier Art 10×10. Eventually, even, I see all this creative thrust turning into some kind of animation state.

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Hucka D., I know we’ll probably talk later today about the Gila series again, but I just wanted to see if you had anything to add here.

Hucka D.:

Just keep on keeping on!

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Thanks. (pause) Together they will be “Gilatona” and not hyphenated this time like Yale-Newton or Wheeler-Jasper.

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Latona 02 tests

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Dew Pond Singers (TEST).

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