“Hucka D., I believe we might have a little time to go into this table tonight. This is not *The* Table, but it’s an excerpt, or the equivalent thereof.”
Hucka D.:
Yes. (pause)
bb:
And I believe you might be thinking that we had to declassify this section because of the Texas material.
Hucka D.:
Yes. (pause) Texas.
bb:
So Hucka, I’m so so interested in learning about Story Room (!)
Hucka D.:
Well, I can’t say I want you to wait. It’s a band within a band that’s also the band that has a band within.
bb:
And “What’s Up Doc?” is their 4th, 7th, 10th album? (smiles)
Hucka D.:
10th. Just like the carrcass.
bb:
Excellent. So… this album is manufactured on purpose to synchronize with the various illuminated parts of The Shining.
Hucka D.:
Yes.
bb:
Are you, say, their *manager*?
Hucka D.:
Yes.
bb:
Do you want to say more about that table above tonight?
Hucka D.:
Do you?
bb:
I suppose I could. The table is The Shining front to back, dividing the movie into, let’s see, 34 sections. Each successive section takes up right where the previous one ends, with one exception.
Hucka D.:
Ex-section.
bb:
And I think I will find where this particular cue is… probably talk about it more later. Dick Hallorann begins to shine in his room in Florida, when he seems to get in contact with Danny in Colorado. The shining moment kind of *begins* when a shiny glint in his mouth occurs, Hucka D. I’m going to get a screen capture.
Hucka D.:
Take your time. I’ll be here.
bb:
And this is the cue in the movie to start a 2nd Petty song in the carrcass, “Don’t Come Around Here No More”.
Hucka D.:
Might as well include the lyrics at the end of this post, yes.
bb:
But this particular section… 22 in the Movie Order column of the table above… reverses time a bit and overlaps with section 21 before it. We have (checks) about 43 seconds reversed. And both of these sections are also *tiles* and so part of Carrcass-10. The movie is divided into 34 sections here to highlight what is tiled and what is not tiled within. The tiled parts are collaged together into Carrcass-10.
Hucka D.:
Yes.
bb:
… in the order according to the Tile column.
Hucka D.:
(pause) Yes.
bb:
You see that the tiles come in order according to the movie sequence, basically speaking. But again there are exceptions.
Hucka D.:
The two Room 237 scenes are knitted together through my song “2-3-7”.
bb:
*Your* song?
Hucka D.:
Yes. Then “Black Man” knits the two final tiles together, which are separate in the film. Both near the end, true, but separate. Cube Brick liked this, and saw that I had gone beyond him just as he went beyond King. He had a source to alter and I had a source. He put a stamp of approval on it[ in other words]. I had a derivative and he had one. “Black Man” solves the problem of the gaping mouthed Wendy. It distracts. Cube Brick knew this too. In my version we simply have the kill — *CUT!* (Hucka D. shouts this very loudly here) — and then the end of the film with the black and white photo and Jack back in 1921 again.
bb:
And a point to make here, perhaps, is that *anyone* can try this at home. Start Petty’s “Don’t Come Around Here No More” at the spot already discussed where Hallorann’s tooth glints or mouth glints or whatever. I’m reminded from that table it’s 071:02 into the film. That’s 1 hour 11 minutes and 2 seconds. The glint last several frames. The test is that we should enter room 237 on the beat. Here’s the video Petty and Associates cooked up for the single, Hucka D. Which do you think is better?
Hucka D.:
Which do you think?
bb:
I don’t know.
Hucka D.:
You haven’t read the liner notes to “What’s Up Doc?”, then.
bb:
I suppose I haven’t. Anything else tonight?
Hucka D.:
Don’t forget the lyrics.
—–
http://www.azlyrics.com/lyrics/tompettyandtheheartbreakers/dontcomearoundherenomore.html
“Don’t Come Around Here No More”
Don’t come around here no more
Don’t come around here no more
Whatever you’re looking for
Hey! don’t come around here no moreI’ve given up, I’ve given up
I’ve given up on waiting any longer
I’ve given up, on this love strongerI don’t feel you any more
you darken my door
Whatever you’re looking for
Hey! don’t come around here no moreI’ve given up, I’ve given up
I’ve given up, you tangle my emotions
I’ve given up, honey please admit it is over[Chorus]
Stop walking down my street
Who do you expect to met?
Whatever you’re looking for
Hey! don’t come around here no more
Sunklands 