Monthly Archives: January 2014

Steptoe Series 04

(continued from)

A second, smaller Danny-head suddenly appears from the back of his first head, turning the opposite way.

collage04d02

What we have here in this 4 part collage animation is a meshing of several separate scenes from The Shining. The Danny related images — head, arm, dart, extra head — come from early in the film, when he first directly encounters the Grady Twins while playing darts in the game room of hotel the family’s just arrived at. Danny throws 3 darts at the board, scores no points apparently, (missing the scoring area each time) and then goes up to the board and pulls 2 of the 3 darts out before being “alerted” to the presence of the twins behind him. We’ve also spoken about how the board in front of him would have a backwards 2-3-7 in alternating numbers (culled from Kearns’ research once more). The last dart he pulled was right below the 3 in the center, reinforcing this. There’s no doubt, to me, that the character Danny sees all this, and attaches the dartboard with Room 237 later on in the film. He’s a bright boy — he “shines” even. 🙂

Why is Danny then throwing a dart at Steptoe Butte, and at a giant ear no less? We’ve identified the ear as that of Michael Stipe, lead singer of the REMs. Michael Stipe has been translated, through the not-to-be-underestimated power of Carrcass-1, into the variant Steptoe Butte (same name as the mountain), heading a variant band known as Murmur (in “our” reality, the name of the 1st album of REM). The giant ear seems to be about their music, since it is Stipe’s. I’ve already speculated, I believe, (writing this several weeks after the last collage interpretation) that this is more about the belittled early single “Shiny Happy People”. And this brings us directly to the second, major section of The Shining indicated in Collage 04 images: the Jack-Lloyd bar scene. Or actually scenes plural, since Jack visits the time warp bar on two separate occasions while living in the hotel. From the bar scenes, we have Jack’s head, Lloyd’s head, and the lighted top of the bar itself between them. In a two tier process, these second Shining elements emerge from behind the first (Danny-dart throwing). And in Collage 04c, we have an interesting transformation of Danny’s dart into what appears to be a cigarette or maybe a cigar. But perhaps it is a marijuana cigarette instead — a joint? Anyway, it certainly also doubles as a lighted fuse if so, and in Collage 04d, the final permutation, the background Jack-Lloyd stuff disappears in a flash of white hot light, taking Danny’s arm and transformed dart with it, and also the inverted VW bug (blue) rushing toward the mountain in 04a, 04b, and 04c. I suppose that would be another, different aspect of The Shining to figure in here — Jack driving the VW bug up to the hotel at the beginning of the movie, and then again (plural scenes once more), when taking wife Wendy and son Danny to the hotel after procuring the winter caretaker position. The VW has reversed position and color (yellow to blue) from Collage 03 before this. I believe it represents a switch from emphasis on Tom’s Petty High (Tom Petty variant band) to Murmur (REM variant band) in Carrcass-1, per the colors demonstrated in Collage 00, 01, and 02 already (red = Story Room, yellow = Tom’s Petty High, blue = Murmur). That Danny’s head rests atop Stipe’s torso and Stipe’s ear projects from Steptoe Butte in Collage 04 reinforces this interpretation.

Bull’s eye becomes Bull’s ear — what does this mean, then? We’ve all heard the expression eye for an eye (and tooth for tooth), which means retributions will equal damages done. The ear is on top of Steptoe Butte, and Stipe has become the same as Steptoe in variant terms… so the mountain’s top represents *his* top (or head — ears included). That Stipe’s *eye* shows up on Danny’s bigger head in Collage 04d is telling… as the ear disappears at the same time after being present in 04a, 04b, and 04c. I believe that the spirit of Danny has quote unquote possessed the head of Stipe, or Stipe allowed this takeover — for the purposes of enacting the collage animation. When the process ends, i.e., the Jack-Lloyd elements have been manifested and then destroyed, in effect, then Danny can allow Stipe to repossess the head, eye returned (and perhaps the rest of the head’s elements shortly). The smaller Danny head then emerges from the back of the larger Danny head, which is being returned to Stipe, we’ll say. This smaller head then becomes the true Danny-head after this. The head turns around from the position of the first. In The Shining, this is when Danny turns his head away from the dartboard to view the Grady Twins. The dart game appears to be over, just as the Jack-Lloyd bar elements of Collage 04 and the Steptoe collage series as a whole have ended.

Moving on for now: what happens in Collage 05?

collage05test01

Well, The twins are also seen there (!), but in a grassy meadow and not in the game room. We’re still near Steptoe Butte with this picture’s background, so one can imagine the smaller and now truer Danny-head actually sees this collage when turning around from Steptoe Butte itself. He sees the twins, but he also sees Jack from the very end of The Shining movie, positioned like The Devil in his namesake tarot card as also already talked about quite a lot in this blog. I’ve also seen discussion about the Grady Twins being identified with The Twins card (card 6 of the Major Arcana, as The Devil is card 15), and there’s actually a degraded version of what appears to be these same twins in card 15, now loosely chained to the devil itself and not free.

And there’s yet another tarot card more obviously present in Collage 05: The World, its final (21st) trump card. Behind the first physical appearance of the Grady Twins in the movie is a controversial poster seeming to depict, in a lower resolution capture, some kind of horned being surrounded by what might be an ourobouros image, or a snake swallowing its tail. To me, it seemed very similar to the circular wreath of “The World” card, and earlier in this blog I made an attempt to overlap the two and discuss the results. Through Collage 05, I’ve now more successfully integrated the two, and also incorporated Jack’s image as the devil. How is this done? Through the bull pictured on The World Card, which lies in the lower left corner to us. Simply put, I substituted the bull’s head of the card with Jack’s, or, more accurately, superimposed Jack’s head atop the bull’s. The bull represents Taurus in the card, one of the four fixed signs of astrology along with Leo, Scorpio, and Aquarius. Each of these signs are represented in the card by figures: bull for Taurus as spoken about, lion for Leo, eagle for Scorpio, and man for Aquarius.

RWS_Tarot_21_World
“The World” tarot card.

tumblr_m4uyhqDZqv1qi4nyc
Danny first sees the Grady Twins, w/ controversial poster under discussion highlighted.

(continued in)

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Steptoe Series 03

(continued from)

collage04a01

bb:

As usual, Hucka D., I’m rushed for time, even though I should have a bunch of time.

Hucka D.:

Too many projects. Too many project reviews. That’s good!

bb:

So I’m enlisting your help again.

Hucka D.:

No. You can do it.

—–

This is Collage 4 of the Steptoe collage series, which is in four parts of an animation. We’ll call these 04a, 04b, 04c, 04d. The above is 04a. Hucka D. wants me to do this alone. We have Jack’s VW bug, but reversed in color from yellow to blue, and heading the opposite way from the previous collage (Collage 03) already reviewed. Jack’s son Danny from The Shining also re-emerges here, or at least his head and arm. He’s already appeared the Steptoe series in Collage 02, also an animation, and taking place in the midst of a small Washington state cemetery named Stipe (variant name: McConnell). Collage 03 also takes place in the same general vicinity, or at the entrance to the same cemetery. In Collage 04, we also haven’t moved far away, staying in the area to visit Steptoe Butte about 10 miles to the nw of the cemetery. The butte is a very prominent landmark, rising about 1000 feet from the surrounding, flatter terrain. It can probably be spied from the cemetery itself. So what is happening in the 4 part Collage 04 animation? The figure of 04a has Danny’s head, true, but a different body. It’s that of REM lead singer Michael Stipe, culled from an earlier Jan. blog post. Danny, with his own hand, is playing a game of darts not with a dartboard but Steptoe Butte itself, with the traditional board’s bullseye being replaced by an ear. Eye for an ear. It is then a bull’s ear. So what does *this* mean? Hucka D. is still not going to help me. The ear is that of Michael Stipe again, severed from the head and placed near the top of the butte. As Stipe is a musician, we might assume this has to do with hearing or listening to his music. And I think the particular song inferred here is “Shiny Happy People”, as will become evident during the animation’s progression. So here we have ear substituted for eye; Michael Stipe’s body substituted for Danny’s; and Jack’s VW car and car shadow reversed. Keep in mind as well that Steptoe Butte has become a variant name of Michael Stipe himself — Michael and this standalone mtn. have become one and the same in the collage series. As Stipe/Steptoe Butte have been assoc. with the color blue through the cube topped Story Room figure, it seems that the change in Jack’s VW color signifies that we have moved into REM territory and away from Tom Petty’s yellow.

Tom Petty’s signature song of Carrcass-10 is “Running Down a Dream”, dubbing the very first part of the movie where we have the golden bug navigating through huge Montana Colorado mountains. If we run with the current theory, then the REMs’ primary or significant song is “Shiny Happy People”, although their later hit “Stand” is also included in Carrcass-10 (as Petty’s “Don’t Come Around Here No More” represents his own second and last entry in C-10). The reason I believe this is that pictorial elements dubbed by this song in The Shining begin to appear in Collage 04b, which would be the Jack-Lloyd scenes at the bar of the hotel’s Gold Room.

collage04b01

The dart and the ear are still there, true, but behind them is now the head of Jack and Lloyd respectively. Also significant is that the lighted bar glass appears in the road below them, a seeming continuation of the white trailing VW from 04a. The original photo I took all 3 of these Gold Room elements from is this one.

tumblr_m29qfc3lEx1rpf9sro1_500

In Collage 04c, the held dart and target ear have vanished altogether, leaving us with a plain view of Jack and Lloyd the bartenders’ heads. The inverted blue VW has reappeared, but further away and on Steptoe Butte itself now, forming a tight pyramid-type triangle with the 2 aforementioned heads.

collage04c01

This is a continuation of the animation of 04a (car with light shadow) and 04b (lighted bar top), and now it can be inferred that the bar itself is one with this inverted VW and its shadow. The road leading to Steptoe Butte gives the appearance of a runway (related to Petty’s “Runaway”??), and I think back to the Barry-Shin(i)n(g) 03 post and the close proximity of Barry, Minnesota with a Stanley Field airstrip.

Danny’s dart also seems to have transformed into a cigarette, losing its red tail in the process. A wiff of smoke emerging from the point opposite Jack gives the illusion that he’s smoking this “cig”. I believe this particular drug vice is substituting for the Jack Daniels drink that Jack actually partakes of at this bar, as poured by Lloyd the bartenter. Smoking a cigarette equates with drinking the Jack Daniels in a glass.

*But*, in reference to the next and last part of the 4 part Collage 04, the cigarette also infers a lighted fuse that, when burned down, will *explode* Jack and also his bartender, his inverted VW heading right for him, and even Danny’s arm holding the cigarette/fuse.

collage04d02

(continue to)

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Notes

Should be able to finish analyzing the little Steptoe collage series this week. Excited about producing such a series in so short a time. Probably need to talk about how the collage production has “evolved”. Eventually I would like to produce animations, but I’m going to ease into all that at a natural pace. But “Steptoe” seems to represent another step in that direction.

Shining research: Don’t really know where to take this next except to go back over and refine material already put out here on the blog. Feel like I’m onto some original research now, but… I think the Steptoe analysis will be a next phase in this, actually. There are some more interesting things coming up about Murmur’s “Shiny Happy People” and its use in The Shining.

The “cigarette” that Jack seems to smoke in Bull’s Ear, Part 3 represents a vice, like the actual Jack Daniels he’s drinking in the related Shining scene. One vice for another. But it’s also like the now lit fuse of a bomb, exploding and killing him. He becomes part of the motel, then. Danny kills Jack in the maze, and the fuse represents this. It is retracing one’s steps.

Need to look at Juli Kearns’ research on the 90 degree turns of The Shining, and how things seem to disappear or are affected by what in essence is an extra dimension implied in the film. Fascinating.

Must decide soon about my Second Lyfe land in Rubi. Given that virtual land value is dropping for some reason, am tempted to abandon half the land. Another option is just to sell the whole piece at once, and “live” in Philodoria where I still have 2048+ square meters. I can study the Rubi Forest from afar. Well, I have about a week to decide all that. Spring hiking season coming up in the not too distant future! What will the focus be this year?? Can hike in Mythopolis until the end of March or so as well. Would like to visit Redlands soon, and was tempted to go down this weekend, but resisted.

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Grayson/Sadler 02

Why Sadler? Does it really have to do with the collagist I’m acquainted with? See her Collage Clearinghouse for more about the artist. Why South/Dixie attached to Sadler? Julie is not from the South. South may stand for an immersion in an illusion, like Dixie, like Gone With The Wind’s Dixie.

roxscar2

Note: There are *tons* of Dixies strewn across the US, but only 2 “South”s.

But I also think it represent incarnation in a physical form — that kind of illusion. Love Lee. Love Lee (illusion of Lee as South’s savior). Gray is the color of Confederate uniforms. We are all confederates here on Earth, in this school.

Whitehouse, Maryland use to be called Black Rock. 2 Black Rocks in Grayson County, KY, with a White Run on its western side. White, gray, black. Whitehouse is the only *variant* name of Black Rocks in US that’s primary. Black Rock name is most attached to Grayson County, KY (as Sadler is to Grayson County, period).

http://lostpedia.wikia.com/wiki/Black_Rock

The Black Rock was a fully-rigged 19th century British trading ship that was found shipwrecked on the Island and overgrown by the jungle. The ship carried a cargo of slaves, dynamite, and other equipment intended for mining. In the midst of a large storm at sea, a massive wave swept the vessel inland, causing it to crash violently into the statue of Taweret, thus toppling the structure, leaving only the foot of the statue intact. This wave carried the ship far into the interior of the Island where it finally came to rest in an area known as the “Dark Territory”. The ship was captained by Magnus Hanso, who was allegedly buried somewhere close to the wreck. In 2007, Hugo Reyes destroyed the ship by detonating the remaining dynamite.

We know from 1P that Black Rock resonates with the Twin Peaks’ Black Lodge thru “loss of arms”. There’s also a White Lodge, another black-white duality.

Only prominent US North in Orangeburg Co., *South* Carolina. North is circular, like an orange itself. Nearby are Norway, Sweden and Denmark, all northern world countries. Very Nordic, very white with blue eyes/blonde hair type of places.

—–

http://www.dailymail.co.uk/news/article-2100947/Eisenhower-secret-meetings-aliens-pentagon-consultant-claims.html

The initial meeting is supposed to have taken place with aliens who were ‘Nordic’ in appearance, but the agreement was eventually ‘signed’ with a race called ‘Alien Greys’.

http://en.wikipedia.org/wiki/Nordic_aliens

Nordic aliens (also known as space brothers) are said by self-described contactees and some UFOlogists to be a group of humanoid extraterrestrials who resemble European racial images, or more specifically Nordic-Scandinavians.

Stephanie Kelley-Romano observes that “white extraterrestrials are those that are most revered”, compared to other beings like the greys, and argues that claimants may use their stories about extraterrestrials “as a means of articulating racially based fears”.[5]

Grayson = et contact. What happened at Whitehouse?

http://exopolitics.org/Study-Paper-8.htm

At his farewell speech in 1961, President Eisenhower was possibly alluding to the growing power of national security agencies that dealt with the extraterrestrial presence and were gaining great power as a result of the dilemma over what to do with the extraterrestrial presence:

In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.

If the President was dissatisfied with the non-disclosure of the extraterrestrial presence, then his speech was indicating that the responsible national security agencies were both dominating public policy and taking a ‘hard-line approach’ that was inconsistent with American democratic ideals.

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Red Book

Why is a copy of C.G. Jung’s Red Book on Ullman’s Table in the Interview section of The Shining?

shining0524

Red-Book

How was there even a copy available at the time (circa. 1980)? In fact, there couldn’t have been.

Given the prominence of Red in The Shining already highlighted here, the Red Book in all its facets may become super important.

Aha! A mention of Jung’s Red Book in The Shining, *before* it was published. The blog post compares it to the similarly red “Catcher in the Rye” book, seen in the scene prior to this. Super!

http://overlaphotel.blogspot.com/2013/08/catcher-in-rye-with-diamonds.html

catchered

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Grayson/Sadler

sadler01

Hmm.

https://bakerbloch.wordpress.com/?s=sadler

Sadler (Julie) is a collagist, but she’s changed her name since Pietmond days.

The remaining Grayson, (3rd; sans Sadler):

ripshin2_full
Ripshin, Grayson County, Virginia.

—–

Additional note: 2 separate Black Rocks occur in Grayson County, KY.

Additional note: Joe (TX), Cartwright (near TX), Ponderosa (KY).

Additional note: Sadler-Dixie, TX. Sadler-South, KY (obvious!).

Aditional note: *Also*, to reinforce above, Sadler-Southmayd, TX (!).

Additional note: Wax in Grayson County, KY (Bee, Byrd — Poe).

Additional note: Whitetop Mtn. in extreme nw corner of Grayson County, VA, which also contains a Whitetop village. All other Grayson Counties harbor “White” town oddities as well. Whitewright, TX on edge of that Grayson County, and White Mound and White Rock close, as already talked about. Larger Whitesboro, TX near opposite edge of same county. White Run near western line of Grayson County, KY. WHITE reinforced — run of Whites.

—–

1/21/14 update:

Sadler may instead be referring primarily to William S. Sadler, who helped publish the controversial Urantia book claimed to be channeled from an extraterrestrial source.

http://en.wikipedia.org/wiki/William_S._Sadler

In 1910, Sadler went to Europe and studied psychiatry for a year under Sigmund Freud. Sometime between 1906 and 1911, Sadler attempted to treat a patient with an unusual sleep condition. While the patient was sleeping he spoke to Sadler and claimed to be an extraterrestrial. Sadler spent years observing the sleeping man in an effort to explain the phenomenon, and eventually decided the man had no mental illness and that his words were genuine. The man’s identity was never publicized, but speculation has focused on Sadler’s brother-in-law, Wilfred Kellogg. Over the course of several years, Sadler and his assistants visited the man while he slept, conversing with him about spirituality, history, and cosmology, and asking him questions. A larger number of interested people met at Sadler’s home to discuss the man’s responses and to suggest additional questions. The man’s words were eventually published in The Urantia Book, and the Urantia Foundation was created to assist Sadler in spreading the book’s message. It is not known who wrote and edited the book, but several commentators have speculated that Sadler played a guiding role in its publication. Although it never became the basis of an organized religion, the book attracted followers who devoted themselves to its study, and the movement continued after Sadler’s death.

http://en.wikipedia.org/wiki/The_Urantia_Book

Or not.

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Spilling the Beans on The Residents.

browneyeblueeye02

http://www.texasescapes.com/They-Shoe-Horses-Dont-They/Three-Bean-Salad.htm

According to one source he had one blue and one brown eye.

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Steptoe Series 02

(continued)

Untitled12

bb:

Hucka D., I may call on your help tonight. The Steptoe series is a tough one to analyze.

Hucka D.:

Not really. So in Collage 03 (above) we have the actual start of The Shining film depicted. Jack’s yellow Volkswagen is heading up the Going to the Sun Road in Montana — that’s where it’s shot. But the road has been replaced by the dirt road to Stipe Cemetery in Washington state.

bb:

I could have said that!

Hucka D.:

Yes but you didn’t. And now I’m here. So just listen [ basically]. Baker Bloch is front center in the collage. The collage is separated into 2 basic parts, the left side being the entrance to the Stipe Cemetery, and the right the field to its immediate west. There we have a mashup of Jack’s body with Hallorann’s, the African-American person he murdered in the movie (but didn’t in the source novel). And also Danny, don’t you think? That’s Danny’s head that Jack is holding, in effect.

bb:

It’s not but it is.

Hucka D.:

Yes. So this mashup of figures deals with all the confusions of The Shining, and Jack as abusing Danny, and Hallorann and Danny’s special shine bonding — an arm appears like a foot. It’s all the confusions of The Shining in one composite. A kind of mess, in a manner. The image started as just Hallorann lying in this field. Then he acquires Jack’s head, and Danny’s head along with it. Danny’s arm subs for one of Hallorann’s legs. It speaks of the intertwined destiny of these 3 characters: Jack is bound to axed Hallorann to death, and Danny is bound to then kill Jack in the maze. It’s all set up beforehand, like a play… like a movie of course. So the right hand side is all this, and the left hand side is the beginning of the movie, all lean and clean and cleared of confusion. Do you know what this is, then?

bb:

It’s the beginning of Carrcass-10, the trimmed down version of the film. Clean and lean, or cleaner and leaner.

Hucka D.:

Yes. It’s the same start as the movie visually — Jack Torrance’s yellow bug driving through the huge mountains to the lodge. But it’s — what do you call them?

bb:

What?

Hucka D.:

The variant band that plays here.

bb:

Oh. Tom’s Petty High. That’s Tom Petty’s variant band.

Hucka D.:

So it’s playing here instead. Just let, as you said I believe, the first of the music fall on the first frame of the film, where we see little Wild Goose Island. So cute. So mirrored. So the yellow bug accompanied by Tom’s Petty Band soundtrack now, a new, different music — not better…

bb:

No. Just different. Variant.

Hucka D.:

Yes. That now takes us up to the lodge and Jack’s interview. In your Carrcass-10, you still have part of the interview, the crucial part describing the past axe murders several years back in the hotel. Then you have the start of Story Room.

bb:

So the yellow ball Danny finds in the cemetery is the same as his father’s yellow VW bug.

Hucka D.:

Yes. A reinterpretation. A repurposing.

bb:

It’s the yellow bug at the hotel, which is the same as this cemetery, going back to the fact that the hotel was built on an Indian burial ground, perhaps.

Hucka D.:

The cemetery is the hotel. And that’s where we first pick up the Shining-Steptoe resonance.

bb:

So getting back to Collage 03, we have golfer Tom Kite, who is probably still playing on the senior circuit but who was more famous back in the 80s, I suppose.

Hucka D.:

About the same time as The Shining movie, yes.

bb:

He’s center as well, directly in front of Baker Bloch. He’s swinging a club. There’s an odd(er) object in the sky, an “i” shape. Perhaps the golf ball he hits is represented by this.

Hucka D.:

Yes. The golf ball is light.

bb:

Hmm.

Hucka D.:

We should… go ahead. You go.

bb:

We should probably state that McConnell Cemetery on the sign behind him is the same as Stipe Cemetery. Another variant name?

Hucka D.:

Perhaps. So another Tom — and the Kite part of his name refers to the expression, “high as a kite”. This has to do, then, with Tom’s Petty High again. The song is a drug song. Tom was flying in the car, singing his little Runaway Beach song.

bb (ignoring wrong title of song):

So Tom and the car are inextricably tied together. The golf ball or whatever that is in the sky, is high. The scene on the right, Hucka D., may represent the past of Jack, Danny, and Hallorann, before the events of The Shining movie take place. Jack and Danny already have a history in Boulder and before. Hallorann’s been shining since he was a kid. Jack himself could make a clean start as winter caretaker of the Overlook Hotel. It was a beautiful day and the sun shone down. Everything is flying, clean, different. He’s going to the sun.

Hucka D.:

Good. So we have a new start. Old problems left behind, hopefully. The “i” points up instead of down. But the right part of this collage also speaks of the inevitable doom that lays ahead. Jack-Danny-Hallorann, all bound up with each other in the end. So he’s carrying all this with him, like an impossibly large amount of luggage packed in this little car.

bb:

Baker Bloch is attached to the car because it is his Carrcass-10, through me his user.

(continue)

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Funny story about 2 mannequins…

… from “The Green Acres Learning Curve” blog of a Whitewright, Texas woman, home of Nazi art thief Joe Meador as mentioned in another of her blog posts (and how I stumbled upon the blog in the first place).

http://uptodatewithjamie.blogspot.com/2011/10/10-year-in-life-of-two-mannequins.html

Note: the woman and her husband now own an art gallery and second hand shop in Denison, Ike’s home. It’s called Et Cetera.

—–

Hucka D.:

Don’t you think this blog represents the story book? Er, the scrapbook Jack brings back up to the Colorado Lounge from the boiler room? In the King novel, I mean.

bb:

The Green Acres blog is about moving from the big city to small town Whitewright, with its perks and drawbacks both. Unusual landscape/street art comes to the fore. Now she sells it in a compromise mid-size town of Denison. Makes sense. Perhaps I should monitor the shop for articles.

Hucka D.:

Articles. He he.

2009shining_scrapbook

bb:

Whitewright is white, like the white Adler typewriter, pre-boiler room. Denison is Gray(son), post-boiler room.

Hucka D.:

Something to think about.

bb:

This is a pretty good collage itself (!) And she has some even better ones later on in that same post.

roxscar2

—–

So’s this…

If Jack Nicholson and Shelley Duvall Traded Characters in The Shining (1980)

the-shining-face-swap

Just some bizarre (and funny) stuff from Martha the mannequin mother.

roxy6

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Michael Stipe on Space Ghost.

Michael’s hatred of “Shiny Happy People” referenced. He shows up 8 minutes in.

Classic. As a lot of Space Ghost was… is.

http://www.youtube.com/watch?v=DlUObTVejP4

http://snard.com/sg/guide/?ep=14

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