bb:
Hucka D., the Falmouth series has climbed even with the Gilatona-Lis event from last year, and maybe surpassed it. Gilatona-Lis collages were almost exclusively Wiltshire backdrops. None of those has appeared in Falmouth (yet!), but ’bout everything else has. Seathwaite may be next.
Hucka D.:
Falmouth is not more important than Gilatona-Lis but it is different and unique and evenly valued, as you’ve determined. Surprise (!) Now you have to figure out what it means. As you’ve also guessed, the parts of the series are linked more through the *floors* of the Falmouth Gallery, instead of the traditional [Art 10×10] tiers of 10 collages apiece. Gilatona-Lis was a step removed from this tier process but still dependent on it as a framework. Falmouth is further away. Falmouth is sort of a catch-all.
bb:
I don’t even know where to begin to analyze Falmouth.
Hucka D.:
You have an animation based on Steptoe at the beginning. That’s new in itself. No true animation has been made of your collages before. Then toward the end you have another 4-part Avebury style collage, except set in Stonethwaite. And incorporating basically all the elements of the 2 Stonethwaite collages that come before this, both from the 10×10. Amazing, again. And in the collage above, which is an animation, you have the presence of TILE. You have red glow atop the 8 ball to the right, an [early 2010 crop circle in yellow rapeseed], a green being — the 4th member of Story Room actually — removing his head [standing on green algae of the lake/pond]. You’ve seen this entity before in Stonethwaite. Let’s return to him. Then the blue of both the “E” and mirrored Square Peanut complete the 4 TILE colors. Fantastic. You had to go out of Stonethwaite to see this.
bb:
But you can still see Stonethwaite in the distance. The “E” is centered within[ it].
Hucka D.:
Kubrick flies up the mountain, up Big Stanger Gill or maybe Little Stanger Gill — hard to tell without a map. “Where are they, where are they?” he thinks. He’s worried about the entities formerly in the backyard of one of Stonethwaite’s b&b’s, where the green and gray beings of the collage were kept. Are kept. But Kubrick also wants to keep *filming*, that is, from your perspective, [keep making] collages. So he brings along the camera. He and the cameraman’s hand he holds in the 1st Stonethwaite collage of Falmouth become one and the same. So we see Kubrick there, we see him in the Stonethwaite End and Restaurant with Day Ravies and Dorothy and the “E”s. And also Jack there — another hand issue. Then we see him and Jack again playing handsies outside perhaps the same b&b the green and gray dudes are found behind in the big Falmouth collage. Also the crashed Mr. Beam is there who reappears here, head dipping in the Tarn of Leaves, seemingly. Is he dead?
bb:
Dunno, Hucka D. (pause) Grapeshot is indicated by the tip of his foot. Let’s take a look at a larger version of the same crop circle, a crop circle that also plays an important role in “Baker Bloch in England”.
Hucka D.:
Indeed.
—–
bb:
Well, we can just pull up Falmouth 24 for a look-see.
It’s the out-of-place grape shot at the top of the formation his foot points to, or the tip of his foot overlaps. Out-of-place.
Hucka D.:
We could go deep into that aspect alone. This is TILE. This is Tyle.
bb:
The crop circle is from Yarnbury, a Y town. It appears near the bottom of a master list of crop circles by location down through the years.
Hucka D.:
As you’ve further guessed, the 8 ball is Ringo again, as determined by his placement in the Pepper Pyramid. Ringo assumes the 8 ball position there, as John is the 7th, McCartney the 9th, and Harrison 10.
Collage 43 Test:
“End Ball”
Sunklands 