The 2989 Winnie the Pooh lego set called The Big Honeypot still shows up near the top of an image search for that number. Nice.
http://www.peeron.com/inv/sets/2989-1
2989 is 49 * 61. Like the famous Clarksdale road crossing…
https://bakerbloch.wordpress.com/2013/06/07/so-forth-big-log/
“I think we must return to Big Log and Whitehead Crossing. ‘Your choice’ I can hear Hucka D. say in my head.”
A crossing, as symbolized by an “X”, is also a multiplication. Winnie and his Honey Pot from the lego set shows up in Embarras 04/05 now. Related to their appearances in Falmouth, esp. concerning Whitehead Crossing collages there. We must build something.
https://bakerbloch.wordpress.com/2013/06/10/diamond-beach-arkansas-beach-etc/
Pooh searches for Master Bee at 4 Sticks, crossing Big Log to enter. 4 Sticks misses him. Gift of honey stuck on knob of Big Log. This is legend. 4 Sticks knows this is Crossroads and 49 x 61 = 2989. 2989 is the Master Number. 2989 is the Master’s Number.
As I’m checking, this collage’s name is actually “2989” containing the lego set. Named after the set of course. This would be at The Emerald in WH X-ing, or just in front of it.
https://bakerbloch.wordpress.com/2014/03/29/i-dont-03/
It’s the largest Winnie the Pooh lego set. Like a city in itself. Whitehead Crossing style.
Hucka D.:
Correct. You can build one[ now].
And the green and gray man also appear in that collage, like in Embarras 04/05. In the Falmouth work they are together. In the Embarras collage they are separated on near opposite sides of a tetraptych. In Embarrass 06, the next and so far the last Embarras collage, they are again separate, and seem to frame the line of green border trees on our Middletown property. Hucka D.? Still not there. The gray being, sans hands as usual, appears to represent death. Paul McCartooney kneels beside him holding out a yellow death skull already appearing in other Embarras collages. There it seems to be a mask that the Toy King wears, maybe to hide his identity. And the Toy King reappears himself, in the shadows to the right. He is without head again, like in Embarras 02. He still holds the white and pink toy mouse. White and Pink appear together in White County, Georgia. Ariel and Pink there may represent the artist Ariel Pink, that some (well, one) compare to The Residents.
The Green Lego Man, in Falmouth collages, is often found representing The Emerald itself, like he represents the green border trees in Embarras 06. The gray being, his counterpart, seems to represent gray death, or non-green or non-living stuff. He is positioned at the end of the row of green trees, The End.
Speaking of this Green Man in the “2989” collage last year, I further say…
https://bakerbloch.wordpress.com/2014/04/02/we-have/
“Green Man is again accompanied by Gray Man, Hucka D. Just like in “Forgotten Green” and “Cover Up”, the 2 other places he appears in the Falmouth collage series so far. Gray is lack of color. But of course there’s also Gray Rock nearby with its topping Seal Stone.”
—–
I think the He-men, namely the Mossmen, hated the lego town that Winnie the Pooh and friends made. Perhaps Winnie sold his soul to the Devil to make it (Devil = 4 Sticks character?). 49×61. 2989. The town perhaps was even called 2989. It appears to be the same as Edward’s Stone or Edward Stone or Edwardston. It (the residents) must have known the connection with Mythos’ Edwardston. “Edward Stone, Hucka D.” Still nutt’n.
And it’s important to note that the Falmouth Castle/Gallery is just beyond the crossing on Big Log. They must be equated. Falmouth Castle/Gallery is a quite close match to the Second Life Falmouth Gallery, which is also called a castle by its creator (Moard Ling). The 2 are fused.
In collage “2989”, Pooh seems to study the backwards “E” that represents the lower half of Jeogeot’s Korean Channel. Now this channel has lent its name to the lower valley of Green Stream, with its top being in Whitehead Crossing. Pooh must know of this relationship too. He understands that WH X-ing is at the top of this channel. He probably knows the Second Life source. Still within the collage, the signpost 61×49 lies just above a rendition of the Falmouth Gallery, itself beside the “E” spoken about before. Pooh’s red umbrella, in Embarrass 04/05, now becomes the pivot point of the whole collage, or the center point that all revolves around. It is mirrored by the similarly red Burning Man t-shirts on opposite ends of E 04/05. The tower of Falmouth seems to point to this pivot as well in “2989”. Not quite but close. Piglet — a pig shows up in Embarrass 06 now.
In looking closer, one leg of the painter’s easle in “2989” points directly to the umbrella’s center. It is the place where Russellian opposite sexed energies, red and blue, become balanced. We’re thus talking birds and *bees* here.
Lego Town or 2989 Town is where legos top Mattel and its He-men, etc., for control of the toy avatars. They are now The King. In Embarras 04/05, the Toy King, adorned with a yellow skull mask to hide his identity, looks on as Pooh and his lego wagon with the honey pot are about to round the corner into the second half of the collage. Passage from Embarras 04 to Embarras 05, as I’m numbering them, then.
The red and blue prostrate guy in Embarras 06, certainly giving the appearance of a dead man there and so adding to the elements of yellow skull and gray colored non-life dude beside him, first appears in the Falmouth series in a collage called “Rescue Ship”. Let’s look at part of the interpretation…
https://bakerbloch.wordpress.com/2014/04/03/nother-test/
Hucka D.:
…. Beemen [next collage in the Falmouth series] is an extension of “Rescue Ship” coming immediately before it. What is the ship? It appears to be the Pieland Second Lyfe island a bit out in the ocean. Are you asleep?
bb:
No.
Hucka D.:
… out in the ocean with the cat-turtle. The cat-turtle is related to the Green Turtle of Little Whitehead, which has now moved through the time/space portal to Monhegan Island, Maine. This is the Little Whitehead portal. Some art has moved to the location as well — by a group called Little Whitehead. This includes the floating, apparently dead red and blue fellow, and also the group of people staring at the far cliff. That far cliff is Whitehead; the body floats off Little Whitehead. The red and blue man oppositions the Green Turtle on the rocks to the left. The red and blue man didn’t make it to Little Whitehead, really, even though he was created by Little Whitehead. The red and blue fellow is like the red and blue robots surrounding Seven Stones just beside Green Turtle here — we’re still on “Rescue Ship”.
bb:
The red and blue robots can’t make a proper, true animation with each other, as I’ve theorized about before. They oppose each other instead, butt heads and so forth.
Hucka D.:
They are not a true Allen Knob. This is a past war between Whitehead Crossing and NORRIS. Who triumphed? Who ever triumphs in a war? Soon civilizations will fall anyway, whether victors or not. Think of the Anglo-Saxons.
bb (looking):
4 Sticks Dude’s cane points to the top of the rocks; it’s positioned on the rocks, I suppose. And he stands on a branch projecting out from the tree that forms the largest Little Whitehead bridge in Whitehead Crossing.
Hucka D.:
The only true bridge[ now].
bb:
But now the bridge — in this collage — leads to Maine and its fairy laden Monhegan Island. This is the portal you speak of.
Hucka D.:
This is the portal.
bb:
Green Turtle seems to be a pivot between realities.
Hucka D.:
Yes!
bb:
It appears in Little Whitehead, obviously. And it also appears or can appear on Little Whitehead in Maine, on this island.
Hucka D.:
Absolutely. Actually isn’t too hard to do.
So, as I’m looking at this, the red-blue “Little Whitehead” dead dude serves a similar function in this Falmouth collage as it does later in Embarrass 06. It is contrasted with a green being (Green Turtle formation in “Rescue Ship”; Green lego man in “Embarras 06), that represents life, or going through a door beyond death. The Green Turtle is one of the 7 wonders of Whitehead Crossing (check). It acts as a portal maker. This naturally leads to discussion of “Beemen”, the next collage of Falmouth, and a central one, perhaps. Here we also have a direct extension of the lego town in “2989” coming several collages before it in the Falmouth series. The legos of “Beemen” are positioned on what seems to be Edward Stone, or the closest approximation I can find of it so far. Edward Stone can *just* be seen in the background in “2989”. This is about production of legos. This is about building. What is someone doing at the crossing now?
Sunklands 
