Just over here, V. Behind these Tiler shacks.
—–
“So this is how it is?”
“What did you expect? A tombstone? Flag and flowers?”
“I don’t know. Something. Anything.”
“You blew up Arastraville Tower. You killed a lot of people, Jonny. And where did it get you in the end? The corps and their suits for men are still in control.”
“I know I know.” He pauses. “I was a musician too besides being a terrorist,” he tried.
“One overrides the other?” I asked as a question. Because I was curious how Jonny was going to balance the two. History would view the music as largely about terrorism, not visa versa. Music should ultimately be uplifting, not constantly tearing down our lives, deconstructing them. Something like Blue Moon and her UK Cracks have merit just by that virtue alone. I told Jonny this.
“Are you saying I should have listened more to those bubblegum bitches?”
“Maybe. Cary listened. He liked them. Until… well, you know.”
Both thought of the death of Blue Moon and possibly Redd the Menace too.
“Maybe it should have been me at the bottom of that damn dam instead of Kentucky. Maybe history would have viewed me more in a positive light.”
“That’s static in that direction, Jonny. You’re not Blue Moon, you’re not bubblegum pop. You’re hard edged rock ‘n roll, always have been, always will. You can’t change who you are inside, the core.”
“Can’t you?” Exhale; another pause. “You know I thought about being an artist, V. A painter instead of an axer. Pretty good too. Won some awards as a child prodigy.”
I checked my watch, thought about the growing length of this section. “Yeah, really don’t have time to explore alternate realities right now, Jonny. The musician/terrorist polarity is complicated enough. Any last words? Over your grave, I mean.”
“Just carve the initials and let’s get out of here.”
“Done, and…
“Done.”
Sunklands 