Category Archives: collages 2d

March 29, 2014 · 9:39 am

“I don’t…” 02

bb:

But I forget to mention a key element in that last post. Let me get my counting straight… this is Collage Part 1

[ and it gives] us the statue facing left. Notice where his head is in relation to the log above. When the statue “spins” the opposite way…

… the *foot* is placed exactly where the head is, because in the meantime, the *2nd* photo, from 3 years in the future and reduced 50 percent in size, has been fitted into the middle of the animation. It’s the same log in both, though, and that allows the 2 in 1 relationship to occur. The head is the same as the foot!

Hucka D.:

That is a key to understanding the collage animation, yes. Good work!

bb:

The edge of the insert is where the 2 photos deviate most. They coincide most toward the middle. The small tree where the head stone is inserted in the 3rd part at the bottom/roots is most aligned — the forking branches line up past and present. Another *bridge*.

Hucka D.:

Yes, a time bridge. Past to present.

bb:

Complicated collage!

Hucka D.:

So the statue makes this bridge between past and present, and then disappears in the 4th and final pic of the animation. The statues is the same as the foot stone of the grave, but that’s just the pivot.

bb:

We’ve switched places again. You go.

Hucka D.:

The foot stone is the pivot. No.. *you* go.

bb:

The foot stone… well, you know. It stays in the same place. It is fixed, like the Ancients believed the Earth was fixed and everything revolved around it.

Hucka D.:

They do!

bb:

The Earth revolves through the 4 seasons, like we have 4 parts of the animation. This is representation of Earth.

Hucka D.:

Correct. Spinning. Circle. Circle Back.

bb:

The Head Stone is The Moon?

Hucka D.:

Could[ actually] be the other way ’round. The Foot Stone is The Moon. The Head Stone is the Earth circling around The Moon. But that would mean…

bb:

The *Moon* is the fixed position. That means we’re looking at the collage from a position on The Moon, not The Earth. But that doesn’t make sense.

Hucka D.:

It does if you’re a…

bb:

Don’t say it.

Hucka D.:

Grey.

bb:

Darnit!

(to be continued)

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Filed under collages 2d, Frank Park, Whitehead Crossing

March 29, 2014 · 9:18 am

“I don’t…

… know where to start, Hucka D.

Hucka D.:

Going pretty fast, eh?

bb:

Yes! Help!

Hucka D.:

Well, we should focus on Whitehead. England is in the rear view mirror[ now]. Current location is the focus. Let’s take a look at the animation.

https://bakerbloch.wordpress.com/2014/03/27/little-whitehead-collage-they-continue/

bb:

What is happening here?

Hucka D.:

You need to get across Little Whitehead[ stream]. The former fairy bridge has collapsed. Manchester statue to the rescue! He circles and then circles back. Lamb. Earth… spinning. Spades and Hearts. 7 and 6. Get Peter SoSo involved.

bb:

But to the collage, it starts with one picture, reduced 50 percent, fitted inside another picture. And this is the picture of the fairy bridge… or, I should say, the location of the fairy bridge. Because in the picture reduced and fitted into the normal sized picture, the bridge is gone, because it’s, let’s see, 3 years I believe in the future and the stick bridge has collapsed in the meantime. The tree in the background, fallen in photo 1, is more fallen in 2. The woods decay… natural effects. Coolie. But in animation 1 and 2, we have the fairy bridge up in the normal photo, and then in 3 and 4 the 50 percent reduction photo is fitted in from 3 years later and the bridge is gone. Now what happens is the Manchester statue makes a new bridge. Doesn’t he?

Hucka D.:

The statuette is the same as the foot stone of the Grave of the Unknown Explorer, buried on a ridge just west of Whitehead Crossing and within its metro area one could say. The statue pivots around to the 4 directions, and the foot stone does the same, swinging around with it the accompanying head stone. So the foot stone is in all 4 pics, but the statuette is missing in the 4th. It’s the[ now] common problem. Where is the 4th, or what happens during the 4th and last motion? The statuette disappears. The foot stone is still there, but not the statuette. And the head stone is gone as well, but that’s not as surprising, we’ll say, since it doesn’t appear in the 1st part either. It’s swinging around — could have disappeared behind some bushes in the last, say.

In collage 3… put up a link…

… we have the impossible situation of a foot stone on the opposite side of a stream [ Little Whitehead] from the head stone. They cannot be *bridged*. Where is the body? and so forth. In collage animation 2, where we have the head stone appearing for the first time (its appearance in the next animation is the second and also last), we have an actual grave possible, since level ground is between foot and head.

Barely, since we are right on the edge of the stream’s bank, with little wiggle room[ for the positioning of the body]. The stones are trying to speak to you. The stream is trying to speak. What is the message? The spinning Manchester statuette spins around… put up that video please…

http://www.independent.co.uk/news/uk/home-news/mystery-solved-manchester-museums-spinning-ancient-egyptian-statue-isnt-cursed-8951201.html

Oh I have a theory, baker b. Your Second Lyfe friend thinks *I’m* a grey.

bb:

Are you?

Hucka D.:

Just as much as you are or anyone who happens to be surfing the internet and stumbles across these words is.

bb:

Good enough for me. Anyway, there are positive and negative Greys, just like there are positive and negative Humans. We’ll get to “Humanvillians” soon enough, I hope.

Hucka D.:

We can bounce around.

bb:

So the statue spins around[ in the collage animation], like the foot stone spins around — they are one. And a replacement stick bridge is put into effect in 3, parallel with the head stone moving across the stream and placed under that tree root — one of those perfect fits for a collage image… had to be there.

Hucka D.:

Yes (pause) Manipulated photograph.

bb:

The 4th contains no statue simply because I didn’t have a picture of the statue in that position, looking away from the view. Just the right, forward, left and not backwards [positions].

Hucka D.:

Would your Second Lyfe friend wish to know more about TILE? I can send her some brochures.

bb:

Not sure, Hucka D. Maybe we shouldn’t talk about that any more.

Hucka D.:

I think you should make a collage of it. The friend is a collagist and you’re a collagist.

bb:

Maybe. Back to Whitehead X-ing collages[ for now].

Hucka D.:

The Manchester statuette is connected to a particular crop circle you *almost* visited while in England. Good thing you didn’t! And it creates a perfect circle in a similar way. The crop circle contained a code, as Collie found, that traces it back to the statue. Check it out.

http://www.cropcircleconnector.com/2013/Stantonstbernard2/articles.html

—–

bb:

Well, let’s just move on. The point is that 3 years ago I took a pic of what I imagined was a fairy bridge across Little Whitehead[ Stream]. 3 years later, another pic shows the stick bridge gone. Through the power of collage I bring past and present together here. The spinning statuette is forging a substitute bridge through the power of the likewise spinning grave stones. Who is in that grave? A Grey?

Hucka D.:

No. Dogpatch.

(to be continued)

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Filed under collages 2d, Frank Park, Whitehead Crossing

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More Collages

“Painter>Painting”

“2989”

“Sky Diamond”

“Ghost Sticks”

TEST (Jasper 04 Reinterpreted):

“Jasper 04 Revisited”

“Unboxed, Part 1”

“Unboxed, Part 2”

“Humanvillians”

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March 27, 2014 · 11:24 pm

March 27, 2014 · 7:39 pm

Little Whitehead Collage (They continue!)

TEXT SOON.

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Filed under collages 2d, Frank Park, Whitehead Crossing

March 19, 2014 · 7:28 am

Cover Up

bb:

Hucka D., the Falmouth series has climbed even with the Gilatona-Lis event from last year, and maybe surpassed it. Gilatona-Lis collages were almost exclusively Wiltshire backdrops. None of those has appeared in Falmouth (yet!), but ’bout everything else has. Seathwaite may be next.

Hucka D.:

Falmouth is not more important than Gilatona-Lis but it is different and unique and evenly valued, as you’ve determined. Surprise (!) Now you have to figure out what it means. As you’ve also guessed, the parts of the series are linked more through the *floors* of the Falmouth Gallery, instead of the traditional [Art 10×10] tiers of 10 collages apiece. Gilatona-Lis was a step removed from this tier process but still dependent on it as a framework. Falmouth is further away. Falmouth is sort of a catch-all.

bb:

I don’t even know where to begin to analyze Falmouth.

Hucka D.:

You have an animation based on Steptoe at the beginning. That’s new in itself. No true animation has been made of your collages before. Then toward the end you have another 4-part Avebury style collage, except set in Stonethwaite. And incorporating basically all the elements of the 2 Stonethwaite collages that come before this, both from the 10×10. Amazing, again. And in the collage above, which is an animation, you have the presence of TILE. You have red glow atop the 8 ball to the right, an [early 2010 crop circle in yellow rapeseed], a green being — the 4th member of Story Room actually — removing his head [standing on green algae of the lake/pond]. You’ve seen this entity before in Stonethwaite. Let’s return to him. Then the blue of both the “E” and mirrored Square Peanut complete the 4 TILE colors. Fantastic. You had to go out of Stonethwaite to see this.

bb:

But you can still see Stonethwaite in the distance. The “E” is centered within[ it].

Hucka D.:

Kubrick flies up the mountain, up Big Stanger Gill or maybe Little Stanger Gill — hard to tell without a map. “Where are they, where are they?” he thinks. He’s worried about the entities formerly in the backyard of one of Stonethwaite’s b&b’s, where the green and gray beings of the collage were kept. Are kept. But Kubrick also wants to keep *filming*, that is, from your perspective, [keep making] collages. So he brings along the camera. He and the cameraman’s hand he holds in the 1st Stonethwaite collage of Falmouth become one and the same. So we see Kubrick there, we see him in the Stonethwaite End and Restaurant with Day Ravies and Dorothy and the “E”s. And also Jack there — another hand issue. Then we see him and Jack again playing handsies outside perhaps the same b&b the green and gray dudes are found behind in the big Falmouth collage. Also the crashed Mr. Beam is there who reappears here, head dipping in the Tarn of Leaves, seemingly. Is he dead?

bb:

Dunno, Hucka D. (pause) Grapeshot is indicated by the tip of his foot. Let’s take a look at a larger version of the same crop circle, a crop circle that also plays an important role in “Baker Bloch in England”.

Hucka D.:

Indeed.

—–

bb:

Well, we can just pull up Falmouth 24 for a look-see.

It’s the out-of-place grape shot at the top of the formation his foot points to, or the tip of his foot overlaps. Out-of-place.

Hucka D.:

We could go deep into that aspect alone. This is TILE. This is Tyle.

bb:

The crop circle is from Yarnbury, a Y town. It appears near the bottom of a master list of crop circles by location down through the years.

Hucka D.:

As you’ve further guessed, the 8 ball is Ringo again, as determined by his placement in the Pepper Pyramid. Ringo assumes the 8 ball position there, as John is the 7th, McCartney the 9th, and Harrison 10.

Collage 43 Test:

“End Ball”

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Filed under collages 2d, Wiltshire

March 16, 2014 · 12:37 pm

E

http://bakerblinker.wordpress.com/category/galleries-baker-bloch/e/

“E” Exhibit, 02

Big E as seen from the north, with the sims from the lower part of the Korean Channel adorning the individual square surfaces on this side, 1 per square again. These would be the sims Karoz is most familiar with, starting with Xilted at the right hand bottom, closest to his Noru home. A broad strip of land extends from Xilted northward through Glasso, which Karoz has run a number of times now in its entirety.

On the south side of the Big E, then, are Channel sims from its upper part, which include another long strip of land but on the west side of the Channel this time, and considerably more narrow than the one on the lower, east side of the Channel from the snapshot above.

—–

Let’s start with the latest and work backwards. This is the interior of the Stonethwaite End and Restaurant. Ray Davies, perhaps the same as Dr. Blood, and Edward Swift wait within, along with Judy Garland as Dorothy. We haven’t seen Ray and Edward before in Falmouth’s Stonethwaite collages, but Dorothy appears in the first, in the process of toppling off the roof of this same building. An “E” is next to her on the roof, perhaps the object directly responsible for the spill. Falls (Estatoah Falls, Georgia) are on the hillside in the background, mirroring Dorothy’s fall. Dorothy is culled from an image of her losing her balance while walking the pigpen fences in The Wizard of Oz film, and falling in among the pigs. This comes precisely at 4 minutes into Dark Side of the Rainbow. Amazingly she doesn’t get the least bit dirty; when we see her being carried by farmhand Zeke out of the pen (later: Cowardly Lion), she’s still clean as a whistle. What does this rooftop “E” have to do with the fall? It’s obviously a symbol of TILE and Second Lyfe’s Korean Channel. Now we find a set of mapped “E”s inside as well, along with a Dorothy (has she recovered from her fall, or is that still in her future?). There are 2 “E”s now, one forwards (1st animation) and one reversed (2nd animation). Although on opposite sides of the room, both “E”s are next to lamps, and the second is additionally propped up beside a lit fireplace. As the prominent color blue of the “E”s represents water (aforementioned Korean Channel), then we seem to have a water-fire polarity implied, or hot vs. cold.

Hucka D.:

I was woke up to help. Good day baker b.

bb:

Hi Hucka D. As I was telling the reader or readers, what could be the last Stonethwaite collage of the Falmouth series — and the last of the series as a whole — seems to acts as a frame for the first. Both focus in on the Stonethwaite End and Restaurant, the finest such establishment in Stonethwaite village, probably, and certainly the largest. It’s not called that in reality, however.

Hucka D.:

Collage reality is fine for here. Best to give it a false real name, then.

bb:

What are the “E”s?

Hucka D.:

Two ends of the restaurant, and also 2 ends of the village. You are not finished with Stonethwaite yet, however. You better check.

Collage 40 Test (!)

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Filed under collages 2d, United Kingdom

March 14, 2014 · 1:10 pm

Stonethwaite bcda 02

Hucka D. is out sick today, so I’m on my own. One of the really interesting things about this double collage is how the other recent Stonethwaite collages of mine plug in around it. There’s really little redundancy here, like you need all of them together to cobble together a correct story. It’s like cubism, then.

http://en.wikipedia.org/wiki/Cubism

Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.

And I don’t think we’re quite finished.

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