Category Archives: collages 2d

Gila Interpretations/Associations 02

(continued from Gila Interpretations/Associations 01)

gila03f

Hucka D.:

Paul does not appear where he should be.

bb:

But it’s Herbert, again.

Hucka D.:

Good you found that out. We’ll talk about that later more. So from Uffcott and only Uffcott as far as populated villages go, we have the 3 sisters as equidistant. This is your saucer, your UFO.

bb:

Back to the collage “King Tull”, then: above the sister to the left — this would be Selma — is the Power Tower of New Pietmond, just deleted from that location tonight Hucka D. I’m attempting to downsize in Second Life again.

Hucka D.:

Good.

bb:

Then atop the middle sister — Patty — we have the very top of New Pietmond’s Tower of A. Mann, also now deleted.

Hucka D.:

Great.

bb:

And then above the final and perhaps most important sister to the right — Marge — reappears the central ring of collage 02 [ Ring_O], but this time apparently held in the mouth by King Karb — that’s actually Brak — and also with the diamond fully illuminated now. The proposal game is on, Hucka D. — Karb is proposing to, well, someone, hopefully his Queen.

Hucka D.:

He’s proposing to you. He’s proposing to Uffcott which is you. Uffcott is where the crop circle proposal was found.

bb:

Then the “strange” farming contraption to the right of “King Tull” is also the same as the king — we know this because it covers Marge in another photo from the region. I liked it for that and also the fact that it looks like it has eyes. King Karb’s eyes are very distinct — should be sinister and unattractive but they’re not.

Hucka D.:

The farm equipment is owned by the man who let the people into his field to create the wedding proposal crop circle people. The Satan Team I believe they’re called.

bb:

King Karb kind of turns this around and makes it humorous. And I think he’s inviting his Queen to live with him *behind * the sisters — this is an important thing — where Rockley is. We know from the Baker Bloch in England exhibit that Rockley is the place where this King and Queen then live, and where Baker Bloch and Baker Blinker and *you* perhaps still reside.

Hucka D.:

I am there.

bb:

In collage 04, called “Marge Eclipsed”, we move behind the 3 Sisters now to Rockley itself, which has become strangely confused with New Pietmond. Virtually speaking, I’ve thought of re-creating New Pietmond in Rockley using GoogleEarth modelling… even downloaded GoogleSketchup to my computer.


https://bakerbloch.wordpress.com/2013/01/22/heightdepth/

heightdepth06

Hucka D.:

Wouldn’t work… can’t go inside like the real New Pietmond.

bb:

Correct. So this one has Marge herself from The Smipsons, har, and with her face eclipsed, as it were, by a passing sunfish, blue like the color of her hair. Marge here is the same as the beech grove of trees pictured in collage 03, King Tull. It’s like the top of her beehive hair forms the beech grove in my mind. We are *behind* the grove here, instead of in front as with the collage just before this one. We are looking from the Rockley direction instead of the Uffcott direction. Marge is front and center now, uniting the heights and depths of Second Life’s New Pietmond. Her head joins the various skyscrapers of New Pietmond, and actually overlaps one — Kidd Tower.

Hucka D.:

More on that later, but go ahead…

bb:

And at her feet is the bottom of the sinkhole that New Pietmond lies within — layed within — and the Temple of TILE covering the misty bottom.

Hucka D.:

Mystic.

bb:

Marge is both, and as such is the Kidd Tower, which extends from this bottom to the top in its 12 story climb. So there’s a direct association going on: Marge equals the Kidd Tower.

Hucka D.:

And also the X Gallery. Yes, Marge is New Pietmond through this tower. And to correct, you *still* have New Pietmond, don’t you? It’s just shrunk.

bb:

Right. Forgot to mention that. So the Temple of TILE is still there and the Kidd Tower is still there.

Hucka D.:

Keep both for now. Rent the snow covered plot from Lama Estates. That’s what you should do.

bb:

Thanks. I’ll think about it.

Hucka D.:

The Kidd Tower contains additional riddles and answers. You have that double set up on property owned by Kidd Industies in Jeogeot. Remember?

bb:

Yes. What are your ideas about that?

Hucka D.:

Well, just looking at collage 04, this “Marge Eclipsed”, I’d say that the eclipsed part represents things that New Pietmond can’t contain. It can’t contain a secret center. It can’t contain Marlborough’s Ironmonger Lane to be specific. That’s where Marlborough, and New Pietmond is Marlborough’s neighbor and essential double in this collage, goes beyond New Pietmond and its pretend placement in Rockley through this collage. You don’t have a real center — *Marge* doesn’t have a real center here. For Marge is Marlborough herself.

bb:

Hmmm. (pause) What of the crop circle to the top right?

Hucka D.:

The crop circle was found below Hackpen Hill later in the 2012 season, and is a legimate or non-hoaxed circle, unlike the wedding ring proposal circle in nearby Uffcott. And indeed as you discovered, the same farmer owns both of the fields these 2 circles appeared in — hoaxed and non-hoaxed. This represents that contrast. You should study more about that particular crop circle, baker b.

bb:

I will.

Hucka D.:

The sunfish… do you want to handle this one? Anyway, the sunfish represents more crop circles, more legitimate crop circles I should add, and eclipsing Marge’s head in this way represents the circles’ eclipse of… well, they’re important I’ll just say. (pause)

bb:

Red Collie speculates that Quetzalcoatl created these and other crop circles, Hucka D.

Hucka D.:

Why wouldn’t he believe this? The evidence is irrefutable in theory (!)

bb:

Yes, what I’ve read I have to agree. Many crop circles, legitimate ones again, are obviously about astronomical events, and the number of sunfish related circles of 2012 are about the Sun-Venus transit in late June, and the subsequent reappearance and travels of Venus. Venus *is* the sunfish.

Hucka D.:

Sunfish.

(continued in Gila Interpretations/Associations 03)

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Gila Interpretations/Associations 01

The Gila collage series appears to be over. It’s obviously related to the series of the Art 10×10, even in name. Gila is one of the most interesting village names left in northern Jasper County Illinois after those taken by the Art 10×10 (Rose Hill, Yale, Newton, Wheeler, and Jasper itself).

Similarities/differences: Gila, like basically all the tiers of the Art 10×10, consists of a base of 10 collages, but in this case augmented by a 00 collage and an 11th collage, as far as I can determine. Let’s look at each one, and I assume Hucka D. will help me with an interpretation, since he likes doing such things. So let’s just bring him in now.

Hucka D.:

The first is called [“The Kniks”], and came first — January 7th was the finish date as I’m seeing.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

This is and isn’t the first collage of the series, so you are right to call it 00 or label it as such. The collage plays on the fact that Ray Davies’ head off the sleeve of the hit single Dead End Street/Big Black Smoke conjuncts with or sort of “captures” the word “Big” of the second [ b-side] song. Then this is copied and allowed to substitute for the heads of the 3 other band members of The Kinks — except now they’re called The Kniks, and the songs are Dead End Steert and Big Black Skome. Clever. Meaning? Probably that Ray Davies was obviously the main creative genius of the group and wrote almost all the songs. He probably thought of it has his band, although he tried not to. He had a big head, then? Well, I didn’t create the overlap of “Big” and his head, and you didn’t either. You’re just playing on something already there. So that’s kind of the trigger for the whole Gila series.

bb:

Thank you Hucka D. Very informative. This is also the birthplace of The Kniks, perhaps, where they split off from The Kinks.

Hucka D.:

That is correct. This is done through the overlap of not one but both involved songs with the Cardboard City. The Kniks, by attaining variable status here, finally break free of a Zapple coupling. But “Dead End Street” might be their best overall song, their “Strawberry Fields.”

bb:

Except for “Waterloo Sunset”.

Hucka D.:

Maybe. Guess the latter ends better.

bb:

And this is Carrcass-1 or Carrcass-One, kind of like Carcassonne. (pause) We also have “Powerman” included here, and the Gila series is presently housed in the Power Tower of New Pietmond, Hucka D. The Power Tower is like the tallest building of the Cardboard City, where the person shaped like a Square lived. He was the most powerful entity of the town, and controlled the connection with virtual reality.

Hucka D.:

Power Tower being the tallest building of New Pietmond as well.

Hucka D.:

Yes. It’s on collages of the Gila series itself.

bb:

Maybe we should move on to collage 01 of the series, then. We have Ray Davies’ head present. We have 4 again, just like in 00, and all with the word “Big” on them. This is obviously The Kniks of the original collage, then. Not really The Kinks.

Hucka D.:

No. It’s like The Beetles. They have passed into variant territory, probably connected with the Sunklands Initiative.

bb:

Let me put up a link. The original collage is found in this post, but I’ll just copy the image over here. This one’s called “Making it BIG” for now.

aveburydragonfly13

Hucka D.:

The Kniks have sprung into action in the series. The heads of 3 of the members, which are all 1 member now [Ray], cover some Google Earth text at the bottom of the collage. The 3 heads are joined. A 4th Ray Davies/Kniks substitutes for a chimney on the central house of the picture, found in Google Earth in Avebury, UK. It was a notable snapshot for you because of the seeming presence of 2 upright dragonflies hovering above the house. That’s not what they are but that’s okay — we wanted you to choose this photo for the collage. You will return to this house. The house contains scenes, in its windows, of other oddities in GoogleEarth you had recently found, including an elogated headed alien, also of Avebury, and a Rockley mystery fireball.

bb:

Still haven’t seen anything like that elsewhere in Second Life — did I just say *Second Life*? — GoogleEarth I mean, of course.

Hucka D.:

Rockley will come up again soon. The house contains these images. In front of the house, along the road, are the 3 heads of The Kniks mentioned before. This is in essense their house, where they play and rehearse and live. They are from Avebury.

bb:

Hmm.

Hucka D.:

The 4th head is the key, the one that acts like a chimney. From it smoke emerges, and the numbers 333 are seen within [note: this is white smoke, not black]. A headless entity seems to claim the middle of the three 3’s for a substitute head. We know now this is associated with the 3 sisters of Hackpen Hill: Marge, Patty and Selma, 3 basically identical and circular beech groves just to the north of the famous white horse on the hill. To the left is a crop circle image coming from the fields just below the sisters — at Uffcott.

bb:

Let me see if I can dig up some more information quickly on that circle, Hucka D.

Hucka D.:

Go ahead sir.

—–

bb:

It apparently dates from 1995, Hucka D. I found it on this site, where it is described as a solar image. And that’s how it’s probably used in the collage — as a substitute for the sun itself. The golden color goes along with this too.

Hucka D.:

Uffcott will come up again in a minute. Do you have anything to add about this particular collage?

bb:

I remember adding the hand above “Chimney Ray’s” head after the second collage was perhaps completed, or near completion. It’s the hand above Paul McCartney’s head from the Sgt. Pepper album cover. I didn’t know until recently that Davies didn’t care too much for The Beatles back in the day, but I guess that’s just rivalry, like he had with his own brother within his own band. So his head, here, takes the place of McCartney’s head. Davies/Kniks heads will return in the collage series in 08 as a resolution to all this, seemingly.

Hucka D.:

We should move on, then. We can talk about elements of 01 through higher collages. So 02 is called “Ring_o” according to that post.

gila02b

bb:

Oh Hucka. We forgot to talk about “Apricot Bone” in that last collage. Apricot Bone is perhaps the name of a band as well, maybe like Sergeant Pepper was for The Beatles. As The Beetles created Sgt. Pepper, so The Kniks created Apricot Bone.

Hucka D.:

That could be correct. Apricot is a UmapS name, from the Washington state. Relates to the site where you have information about Sunfish Pond in New Jersey, and how it’s linked to Block Island, Rhode Island through rock stackings. Sunfish comes up again soon as well in Gila. (pause) But to collage 02, which will answer some of these questions. We have Paul’s head now positioned below the same hand as above Ray’s head in 01, and this is from Sgt. Pepper again. Union of Hand and Head, just like we have in Arkansas on the Arkansas Line of The Way. This is the *correct* interaction of the Hand with a Head. Ray’s is a substitute. He cannot be Paul, nor does he need to. He is a great songwriter in his own right. He just didn’t have a Lennon to help him. In variant terms, Paul is Marty, and Lennon is Lemon. I say this because there’s a Lemon in collage 02 as well.

bb:

From the union of Sgt. Pepper and The Kniks comes “Introducing Lemon”, which is actually an album by a Chicago math-rock group called Cheer Accident. Pretty good album, and I need to give it a spin again. I use the album cover in this collage, like I did with The Kniks single sleeve in collage 00. The head of the album is fiddled with again — I put Ringo’s head on top of the one on the Cheer Accident album. Otherwise the album cover is unaltered. The insertion of Ringo’s head is logical here because he is the trumpeter of the Sgt. Pepper military band, just like the person on the Cheer Accident album is a trumpeter in a military band. Their uniforms are very similar. So the marriage of Sgt. Pepper Ringo with this cover is a natural, if we add in the mistique of the name “Lemon” from the album. Lemon is actually Lennon, or a variation thereof. Lennon stands beside Ringo on the Sgt. Pepper album, holding a tuba french horn instead of a trumpet. The image is that of Ringo, but it is also Lennon, then, through Lemon. Lennon and McCartney, also pictured here, form the greatest songwriting duo of all time, most likely.

Hucka D.:

You said the album cover was unaltered except for the addition of Ringo’s head — and Ringo becomes Ingor in the variant name playing game — but there’s another change and that’s the overlap of “Apricot Bone” again on the name of the band across the top of the Introducing Lemon cover. But part of their name remains in the overlap: in the center, we still see “Accid”. This refers to LSD acid, like as perhaps sung about on songs like Lucy in the Sky with Diamonds from the Pepper album. This refers to that. But also this is actually part of the word “Accident”, like some say all this collaging business you do is. It’s all accident and there’s no meaning. Well, I’m here to say there is meaning. We are talking about it here. There is no Accident. (pause)

bb:

I want to get to that central ring figure of collage 02 as well tonight. This is cut from the middle of the Uffcott crop circle pictured in collage 01. It represents a ring itself, and is like another Uffcott crop circle coming from the end of just this past crop circle season, Hucka D., an obvious forgery or hoax. I talk about this crop circle at the bottom of this post:

https://bakerbloch.wordpress.com/2013/01/22/it-2/

The name of the woman being proposed to through this hoaxed circle, Laura, also piqued my interest. In David Lynch’s Fire Walk With Me, Agent Cooper, speaking to Laura in a dream from the Black Lodge, urges her not to take a particular ring, associated with a wedding ring before this although not connected with any particular, normal wedding in the movie or attached Twin Peaks series. No…

Hucka D.:

The hoaxed crop circle is the power of the Black Lodge manifesting itself in the Uffcott fields. The ring is also a Hope Diamond, and is thus cursed. There is even a glinty spark at the northwest corner of your ring in collage 02 to remind us that this is a diamond ring. The glint is the same as the Rockley mystery fireball pictured in one of the house windows of collage 01. In collage 03 this same glint on the same ring will become All Illuminated. Should we move on?

bb:

Eh, why not. (pause) But you want to talk how *you’re* the man waving in collage 02?

Hucka D.:

No. But it *is* me. I’m golden; he’s golden. But let’s go to 03.

gila03f

bb:

So this one’s called “King Tull” apparently, Hucka D.

Hucka D.:

Here we have pictured the 3 sisters for real, although it’s hard to see them in the final collage unless you know what you’re looking at. Insert one of those other pictures of the sisters as a contrast…

wiltshire07

Okay, so that’s the 3 sisters from the western edge of Uffcott, where they can be seen straight on, as it were. They appear equal from there — equally spaced. This makes the Uffcott location special for you. It will be the place of Saucer Contact.

bb:

Don’t know what that really means but let’s keep going…

Hucka D.:

Frank Herbert’s Paul has a Saucer. Paul is not where he seems to be.

(continued in Gila Interpretations/Associations 02)

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Smipsons DVD

gila11test05

http://en.wikipedia.org/wiki/Lisa_the_Vegetarian

“Lisa the Vegetarian” is the fifth episode of The Simpsons’ seventh season. It originally aired on the Fox network in the United States on October 15, 1995. In the episode, Lisa decides to stop eating meat after bonding with a lamb at a petting zoo. Her schoolmates and family members ridicule her for her beliefs, but with the help of Apu, Paul McCartney, and Linda McCartney, she commits to vegetarianism.

simpsons12pg-vertical

gila12test10

gila11
The Education of Lisa the Vegetarian

http://www.cropcircleconnector.com/anasazi/fringe2013b.html

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January 29, 2013 · 9:46 am

New Animation

It appears that the brand spanking new Gila collage series may contain an animation in the middle of it after all. The old Gila 07 collage is transforming into a Gila 06 and a Gila 07, with the old Gila 01 instead being relegated to a pre-Gila test sort of collage. I think. Anyway here’s an early look at what seems to be turning out as Gila 06 and Gila 07… these are just tests still, mind you.

gila06 gila10

Edna and I had, just last night, watched a British Comedy episode featuring a red door (and the mysterious thing behind it). Right after this I discovered a new photo of Ironmonger Lane where the 2 cyan colored doors in the original Bryan Robert Marshall camera shot have instead been painting the opposite color of red. In the caption for his Ironmonger Lane photo taken in November 2007, Marshall states that the, “narrow alley is one of several that run at right-angles away from the main road, the A4 old coaching route. The turquoise door at the far end is the European Shiatsu School’s premises.” Apparently the next year, the European Shiatsu School sold out to The Old Barn Yoga Center, who subsequently painted the cyan doors red. It’s easy to tell these are the same doors because one of the photos included in the Yoga Center’s site is taken from essentially the same angle down Ironmonger Lane. These two photos are the basis for the projected animation in the middle of Gila.

—–

1/29/13 update: I believe these 2 collages are now finished, and make up the 6th (left) and 10th (right) work of the Gila series.

Hucka D.:

What to do? Go to Marlborough and be A. Mann or chicken out and not go. That’s the story of the 2 collages in a way.

bb:

But there’s something deeper. The cyan colored doors “magically” changing to the opposite color of red… seeing the Red Door episode of The IT Crowd the same night as finding this red door photo… The alley is blocked in Gila 06 by the black horse with rider. The white horse is no problem in the 10th, for it’s way up in the air, and also Patty/Selma has moved off to one side to allow passage to the now red doors. A paradox, Hucka D. A conundrum.

Hucka D.:

Even though…

bb:

Even though half of, let’s see, that would be [ blue clad] Selma, is seen in 10, it equates to seeing the whole of the more diminutive [red clad] Patty in 06. This is because of the shortened perspective for the added background photo with the red doors in comparison to the Marshall shot of the cyan doors — the same, exact doors again but coming later in time (post-2007).

The white horse in the sky of 10 is like Marlborough’s own white horse, diminutive itself in comparison to most Wiltshire white horses.

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Ironmonger

http://www.geograph.org.uk/photo/608208

450px-Ironmonger_Lane,_Marlborough_-_geograph.org.uk_-_608208

TheOldBarn_2

therapyrooms2

therapyrooms3

contact

0043(pp_w856_h569)

images2

5151JGB4CPL

season-7-episode-4-lisa-the-vegetarian-paul-mccartney-and-his-wife-linda-made-appearances-as-themselves-when-lisa-ran-off-to-become-a-vegetarian

simpsons12pg-vertical

2915Simpsons_Season_7_copy

http://ludix.com/moriarty/paul.html

pepperback coranglais

Downland_near_Rockley_-_geograph.org.uk_-_408862

https://bakerbloch.wordpress.com/2012/11/19/x-spot-gallery-wing-01b/

http://www.flickr.com/photos/21133841@N03/3338442616/

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“If this…

… *is* the basic end of Gila, the new collage series, then it’s a strange one for sure. Part of the 10×10 but not part as well. The 11th [tier]. No animation at either the beginning or the end. Instead the 5th and 6th[ middle] collages are basic opposites, and the 6th is probably the best collage of the bunch overall, and the only one that matches up with the best of the 10×10. The 1st and 10th, Hucka D., appear to be the same “base” collage, or “Big Head” I suppose. That’s never happened before, although there’s a good chance that the 10th might morph into an animation with the 1st and become different from it. Hucka D.? Anyhoot, it’s also set essentially in Wiltshire, unlike any of the other 10×10 series — although like the Baker Bloch in England exhibit which it has more in common with in this and some other ways.

Hucka D.:

Like what?

bb:

Simpler collages I suppose. But they do flow and tell a story like the 10×10 collages, or the series of the 10×10. There’s also 10 of ’em, in essence. This is the Gila series.

Hucka D.:

Yes it is. With “Monsters” [6th collage] in the middle. The best one as you put it. Probably true. Like “Gila Monsters”, then.

bb:

I could even polish all of ’em up on Monday. Tuesday at the latest.

Hucka D.:

So you reached a dead end in Marlborough in the narrowest of alleys — Ironmonger. Then Ringo — sorry, *Ingor* should you the correct way out of Marlborough through a less narrow alley leading away from main street. Forgot the name.

bb:

Me too.

Hucka D.:

This leads back to Marge. “Head Inside”. New Pietmond of collage 5[ “Marge Eclipsed”], is found to be wanting for a proper center, leading to Ironmonger Lane and the depth of Marlborough added to New Pietmond instead. Didn’t work. Why? This is the error of the sister, or limitation.

bb:

Patty and Selma were chain smokers, Hucka D. If they aged, which they don’t[ on the show], then they would probably die before sister Marge who leads a healthier life.

123955-the-simpsons-patty-and-selma

So Ironmonger Lane is the way of Patty and Selma, which is a less successful route or leads to a dead end.

Hucka D.:

They are A Marlborough Mann. You can’t be absorbed into Marlborough. You have to have a way out.

bb:

Or I just have to wait until I *get* there to explore further. I’m at a dead end as far as online photos and GoogleEarth can take me.

Hucka D.:

Yes.

bb:

New Pietmond will probably go away in about a week and a half or two weeks, Hucka D.

Hucka D.:

There may be more for Second Life, however. You can go into things; explore around in Second Life, and can’t in GoogleEarth.

bb:

I’m not even sure the Gila series is finished.

Hucka D.:

We must continue[ however]. So you find the correct way to Marge and Head Inside, ending the series, or probably ending it. The correct lane, which is another Marlborough Lane but less narrow[ than Ironmonger]. Ingor shows the way[ in the 8th collage, “Marge Refound’]. Ingor is a freemason.

Marty:

It was all this stuff we couldn’t share with the world because we were initiated and we were sworn to secrecy. But it was top notch stuff, like Bacon was Shakespeare and he coded the King James Bible. So we put a lot of that in the Sgt. Pepper cover, but only toward the end, and with help from [ others]. We had a chance to code the secrets into the album and we said, what the hey. Simple as that. But the secrets are remarkable.

bb:

Thanks Marty. But why couldn’t you tell me this before.

Marty:

You had to find Marge. You had to find Ingor. Lemon. (pause)

http://en.wikipedia.org/wiki/Anne,_Queen_of_Great_Britain

bb:

Interesting Hucka D… Marty. Queen Anne was great friends with the Duchess of Marlborough, of all people. And Queen Anne’s Pond is where Ingor shows, er, me, the way back to Marge to end the Gila series. We found the heads or the relationship between the heads Patty, Selma and Marge. At Queen Anne’s Pond.

Hucka D.:

Actually it’s Glory Ann Pond. Different. But good you found reference to the Duke and Duchess of Marlborough.


http://history.wiltshire.gov.uk/community/getcom.php?id=251

winterbourne_monk_map001

fyfieldholedstonelowres

There was a quarry at the end of Mill Lane on the edge of Monkton Down, and along Hackpen Hill and opposite Winterbourne Monkton is ‘Glory Ann Pond,’ an excavation for brick earth used in brick making but no longer shown on modern maps….

To the east of Monkton Down is an area known as Templar Bottom, where the Knights Templar had a preceptory in the 12th and 13th centuries, just east of Glory Ann Pond.

http://www.ancientquest.com/templarsites/engl-sw/wiltshire/004-index-rockley.html

“Less than a mile to the west Top Temple are two hilltop ponds known by the unlikely name of ‘Glory Ann’. There has been much speculation as to the origin of this name. One theory is that the Templar motto ‘Non nobis Domine, no nobis; sed nomini Tuo da gloriam’ provided the name from its final ‘gloriam’.

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Temple Dors

http://invanddis.proboards.com/index.cgi?board=general&action=display&thread=5758&page=1

http://beaconfilms2011.blogspot.com/2012/01/normal-0-false-false-false-en-gb-x-none.html

gila09final
Head Inside

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Filed under **VIRTUAL SL, Beetles, The, collages 2d, Heterocera, Rubi, Wiltshire

“Well, Hucka D…

“… I didn’t retreat from Marlborough and Marlborough Downs but seemingly embraced them for the next 2 collages after “Monsters”. The 7th is still a draft so far, and probably the 6th as well. But in the 6th[ of the “Gila” series], I stare into the heart of the town, perhaps a dark heart.”

Hucka D.:

You stare into yourself. You stare into the future and retirement. What will happen then? Gila knows perhaps. You see?

bb:

Yes I think so. Two paths, a brother and a sister. Both with conditions, shall we say. One, the sister, didn’t get past this alley. She stared into the future and saw the end.

Hucka D.:

Michael[ Too]’s in there as well. Smoking. He’s A. Marlborough Man too.

bb:

Half man and half rabbit. This is the alley that doesn’t appear in New Pietmond because there’s no in-depth middle between height and depth except for the X-Spot Gallery.

Hucka D.:

About at the eye level of the sink, yes.

bb:

Why did I go to the perhaps dark heart of Marlborough instead of moving away from it, back to River Key and Purton Stoke more on the edge of Wiltshire, an objective or semi-objective viewing ledge?

Hucka D.:

Already been done. You’ve already been there. As Baker Bloch.

gila06
No Way

bb:

I’m going to copy the new collage — 6th — of the Gila series into this post. Let’s take a look. This is an alleyway in Marlborough, perhaps the tightest one. Called Ironmonger Lane. There’s one in London too, and this one probably took its name after that one[ the one in London].

Hucka D.:

You must[ find out] what happened in that lane. You cannot run away back to River Key just yet. Stare into it.

bb:

Well, there’s a white horse — 2 white horses. The top one looks more like the white horses of Wiltshire, or a typical example of such, like Marlborough’s itself. The bottom one is more of a color inversion of a real horse. They face opposite ways. Also the bottom one has a rider…

Hucka D.:

The lower one is Michael Too, don’t you think? He is A. Marlborough Man. Mann.

bb:

Let’s switch to the sunfish, also an inversion. But also the same color as the sunfish that seemed to magically appear in Sunfish, Kentucky on GoogleEarth, Hucka D. I think it is some sort of psychic collage[ there].

Hucka D.:

Yes you put it there. With your mind. (smiles)

bb:

What of the sunfish crop circles in Wiltshire this past summer? What of Sunfish Pond in New Jersey next to Yards Creek? Has to mean all something this does.

Hucka D.:

Well put. Let me see as well. The sunfish[ in the 6th Gila collage] appears to be leaving the alley to the left, which means he entered it to the right. Sunfish have a difficult time changing directions once in motion. He went in and he came out. There’s 2 turquoise doors in the alley, toward the back. You’ve retained them for the collage.

bb:

One I’ve retained, and the second may be added tomorrow from the original Brian Robert Marshall photo [LINK]. You told me to return to the Marshall photos and I did. Just not in Purton Stoke.

Hucka D.:

No. You had to get to the heart of the matter. A heart.

bb:

I’m going to leave further discusssion of[ collage #6] alone, because I don’t think it’s quite finished. Will tinker with tomorrow, perhaps.

Hucka D.:

Good. And the 7th?

bb:

Well, this is in draft form as well definitely, but it looks like Baker Bloch will be standing up to his chest in the waters of the New Pietmond labyrinth, staring toward the Rockley Mansion with added rock stackings in front. I suppose it would be equated with Solomon’s Temple in this way, because the pillars, one dark and one light or in sunlight or with the sun illuminated side facing us, would be Joachim and Boaz.

boaz_jachin

The pillars will placed there synchronistically and not on purpose, as it were. As it is.

Hucka D.:

Ah so.

bb:

They are magical in appearance, and represent Marlborough in conjunction with the whole Marlborough Downs area. They probably represent some kind of answer to the dark heart of Ironmonger Alley.

(to be continued?)

—–

Related Baker Blinker Blog posts:

http://bakerblinker.wordpress.com/2010/01/19/22673/

http://bakerblinker.wordpress.com/2009/12/19/big-e-gallery-cutting-edge-01/

And maybe especially:

http://bakerblinker.wordpress.com/2009/11/20/19808/

gila07final01
Temple Dors

http://cinematic.de/200-motels-frank-zappa/

gila08test20
Marge Refound

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Misc. Pics

TEXT SOON.

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2005-06-23 Rockley Down, nr Marlborough, Wiltshire

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e014-fig1

52369665

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Gila?

Not sure if the new collages belong to an offshoot series of the Art 10×10, completed almost 4 years ago after all, or represents a completely new and separate series. If the former, I’m tempted to call it Gila, perhaps the most interesting town name left in northern Jasper County, Illinois where I procured most of the names for the 10×10 series (Hidalgo, Rose Hill, Yale, Newton, Wheeler, and Jasper itself). If the latter, it could be, for instance, based on letters instead of numbers, or A-Z instead of 1-10. Not sure if the series will contain pairs of animations like those of the 10×10 — in general, these happened every 4th collage. If so, the last one I have completed for the new series (“Monsters”) may be a candidate for an animation itself… hmmm.

So what does it mean so far? Certainly it’s in sync with the “Baker Bloch in England” set created in March 2010, with “King Tull” (3nd collage of new series) containing the same “king” of that earlier set. “BB in England” represents a type of escape from the 10×10, like the “Where are we on that?” virtual exhibit from about 9 months prior (and several months after the completion of the 10×10 itself). Collages within become simpler, and do not stand on their own or represent self-contained works, instead lending their *information* to a larger flow — the story of BB in England itself, which exits in two forms even, an abbreviated “gallery” version and a full text version, kind of a book as well. “BB in England” may be the best bit of the Baker Blinker Blog as a whole, the most cohesive. If not, it may be the analysis I wrote for the Wheeler-Jasper series. Both of these sets are now a part of the Britain Britain Britain module of the baker b. web site, combined with Edna’s England travelogue from Fall and Winter 2010 (must finish reading soon!).

Interesting as well that both Where are we on that and BB in England were housed in their own unique Second Life galleries, with BBE still existing in that virtual reality in the TILE Tower of Rubi.

Another way the new series plugs into the BBE exhibit is through “Monsters” and the reemergence of the Crescent House of Cherhill, where Baker Bloch and family apparently stayed for a bit while in Wiltshire England in 2010. It could be a return to the River Key, where the trip started for Baker Bloch, is in the works next. Use more photos from Brian Robert Marshall, who I have recently corresponded with. Return to an objective viewpoint. Maybe even bring in images from the Lake District again, which dominated the Art 10×10.

Hucka D.:

We retreat from Rockley to Cherhill back to the River Key and Purton Stoke, creating an objective viewing platform down into Central Wiltshire. Good day to you baker b.

bb:

Hi Hucka D.

Hucka D.:

Return to Brian Robert Marshall’s photos used in the old exhibit [Baker Bloch in England]. Plug that, as you say, into the… Gila you’re calling it?

bb:

Maybe, Hucka D.

Hucka D.:

Good. Gila. Monster. That’s the hinge.

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