Category Archives: Carrcass Artists

April 3, 2014 · 11:50 am

“We have… 03

“Hucka D., this collage just gets deeper and deeper potentially. First off, the middle of the collage seems to create an animation, since I can’t decide whether to ultimately keep the Green Man and Painting Woman w/ easel within. That’s the first odd thing. But then today, this morning, decided that this middle can be overlapped with the 4 Sticks phenomenon of Maryland/Pennsylvania. If so, the collage acts as a window into GNIRPS, um, a portal. Let me insert the little overlap I came up with. The original discussion of the 4 Sticks MD/PA material is here.

https://bakerbloch.wordpress.com/2013/04/26/whitehead-x-ing-notes/

Then I did some editing, reduced the overall picture to 75 percent, and overlapped it in the most logical way I could find with “Rock, His Story.”

Then I recreated the 4 Sticks in a clean picture.

A clue for doing this, or a cue I suppose, was that Russell, the child in Up, uses Kevin as stilts in the middle portion of the collage. It was a small, logical jump to incorporating Stiltz, Pennsylvania/Maryland, since I’d already assoc. that town with stilts — up and down sticks as it were. But the cool thing is that you can align the central line, with the upper part at *Sticks* (Pennsylvania), with the central stick of the collage, the one Rock emphasizes by climbing up it, and also, now, acts as a symbol of the Green Lego Man’s spinal chord, it appears. Roller at the bottom then also becomes a stick, but a large one, more commonly called a log, which, because of its breadth, can often *roll*. Roller = green lined log at the bottom of “Rock, His Story”. Hucka D.? Hmm, maybe not awake yet. Anyhoot, then Lineboro is to the left to complete the 4 compass directions. As Kevin is equated with Boss Moss, since both donate one eye to a composite being, then the angular, similarly sized Freakie peaking out from behind the tree to the left would represents his double and opposite, as we’ve already spoken about before. This is Lineboro.

If we simply reverse the collage [and toggle back and forth], more interesting things happen.

The pivot point of the 4 Sticks insert becomes not the center of the lines, but Sticks, Pennsylvania at the top. It waggles around this stable point. The 4 Sticks dude revolving around himself is overlapped with the actual 4 Sticks region of Whitehead X-ing to the right in the original. Dorothy finds an obvious double in Wythe’s Christina, Baker b. coming out of the rocketship overlaps Baker Bloch on the bottle — direct hit there.

—–

Hucka D. (now studying this information as well):

The colorful Kevin bird seems to double for the likewise colorful Contraption behind it. I think it’s a comment on the latter — former to latter. Kevin is a unique, exotic bird. The world at large does not even believe such a bird exists. Yet Charles Muntz has devoted his life to prove otherwise, in his vanity. He wishes to capture Kevin to show the world that he’s not a fraud. Kevin is the Contraption. (pause) Kevin is freaky like Boss Moss, then. 2 Freaks; a composite one freak, each donating an eye. Eye eye. Boss Moss freed from his box existence represents Kevin in the wild, his home, and not captive like Muntz would desire. He’s a Tall Cool One, so another Lead Zeppelin, Robert Plant Variant reference. Nice. Like Big Log, which will come later[ in a later carrcass, Hucka D. probably means here]. Boxed Boss Moss (and by assoc., a captive Kevin) stands for slavery, like in the South below the Mason-Dixon Line in the antebellum times. Opposite of freedom.

—–

“[Elton John’s] Philadelphia Freedom, Hucka D., must represent freedom of the African-American peoples. *This* collage will be in GNIRPS.”

Hucka D.:

Has to be[ now].

bb:

Rock climbing up the stick is like slaves climbing north to freedom. A struggle, sometime Herculean, but ultimately worth it. Climb up!

Hucka D.:

Rock straddles the line. Elton John in Philadelphia Freedom mode assists. Can I be of assistance today?

bb:

4 Sticks dude somehow manipulating the colorful contraption beside Elton probably represents Muntz again and entrapment/slavery. 4 Sticks plays in Carrcass-3 as Kevin escapes Muntz and his dogs, lead by a Black Dog.

(to be continued?)

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Filed under Allen Knob, collages 2d, Frank Park, Lead Zeppelin, MAPS, Maryland, Pennsylvania, Whitehead Crossing

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Room 237 Shining

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February 27, 2014 · 8:19 pm

February 19, 2014 · 12:58 pm

Lazy Dog

https://bakerbloch.wordpress.com/2014/02/11/collage-13-test/

bb:

The corndog reappears from the Falmouth series as well. Shark hates corndogs. Corndogs are a symbol of laziness?

I saw in my boss’/prez’ openness the yellow corndog — in her head. In her mind. Repeating: Shark (Prez) hates corndogs. My computer locks up at work — corndog again. 2:22. Hold on.

Hucka D.:

I’m not here.

https://bakerbloch.wordpress.com/2013/05/10/post-rubi-03/

216 x 216

216

https://bakerbloch.wordpress.com/2013/03/01/4858/

There are 216 photos currently listed for SU0061 in geograph. 216 is also mentioned in this recent post concerning a Latona collage series interpretation. There it’s the number of cubes, hollowed and unhollowed in a 3d representation of a grand crop circle appearing just below Hackpen Hill last season, a grand finale as it were.

https://bakerbloch.wordpress.com/2013/02/27/latona-associationsinterpretations-01/

And then across from it on the other side of the collage is a pineapple itself: your good buddy Spongebob Squarepant’s pineapple shaped home under the sea. Bikini Bottom, I believe. He peers out at the landscape through an open door… he is pineal. The pineapple’s shape is mirrored in the shape of Marge Smipson’s head of the Smipsons DVD in front of it. It is the front and back of the pineapple. The 4d cube atop Patty’s head is another representation of the 3rd eye or pineal gland.

http://www.cropcircleconnector.com/2012/hackpenhill3/hackpenhill2012c.html

It is squaring the circle.

bb:

It’s a 6x6x6 cube with all the edge units hollowed out. I believe the edge units would number 56. The internal cubes number 4x4x4 + 4x4x6. The core of the cube is 64 packed un-hollowed out cubes, surrounded by 96 more un-hollowed out cubes touching the surface. This would make a total of 216 single unit cubes within the overall cube, or 6x6x6. That works!

https://bakerbloch.wordpress.com/2013/05/10/post-rubi-03/

It’s amazing that this crop circle basically ending the 2012 season is still the closest [“legitimate” one] formed to Uffcott down through the years…

Image Simon Brown Copyright 2012

http://geektyrant.com/news/2013/3/12/great-new-poster-for-the-shining-documentary-room-237.html

And then check this early 2010 crop circle out, supposedly made by Rockley’s The King himself…

Too similar!

And then, as I’ve just learned, an early 2012 crop circle appeared in the adjacent field on April 28th. 2012 was the year the Room 237 documentary was released.

http://cropcirclewisdom.com/1/post/2012/05/yarnbury-castle-nr-winterbourne-stoke-wiltshire-reported-28th-april-2012.html

Two of the most spectacular crop circles of the 2010 season appeared across the M4 highway from each other in Wickham Green on July 30th.

Joined, they appeared to present the face of Jesus, perhaps a direct reference to the Shroud of Turin.

Check out the probable direct inspiration for The Shining’s positioning of Jack as The Devil from King’s source novel…

http://frequentlyaskedquestions2.blogspot.com/2010/03/black-and-white-photo.html

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Filed under Qbrick, Stanley, Shining, The

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Red Rock (Collage 12)

bb:

Very bizarre seeming, Hucka D. I don’t like the blood splatter.

Hucka D.:

Neither do they (!). The splatter stands for the red rock and the pointy stick beside it. The rock is blood, true. True Blood.

bb:

Is it simply the noise that bothered them?

Hucka D.:

No. They want to…

bb:

Communicate.

Hucka D.:

Yes. All Seeing Eye. Colorado. Seal. Highlighted Snoopy Nose, like in Shot 61, I believe you’ve numbered it.

bb:

Numbered by someone else.

Hucka D.:

That shot was influenced by The Bills directly.

bb:

Interesting.

Hucka D.:

It is (!) How did they do that?

bb:

Let’s see: *noise* was highlighted by visuals in that shot.

Hucka D.:

Correct, good. Dog. Good dog.

bb:

So The Bill are trying to tell me through this that they did those mistakes in 61.

Hucka D.:

61 is highlighted elsewhere. Rat, for example. And Andromeda[ Strain].

—–

12:06pm:

bb:

So back to the collage (now finished, I believe). The hand is an alien one, seeming to emerge from the rhododendron to deposit the namesake red rock on the ice bank. Red is also on the hand in the form of (fake) blood, as in a movie. The collaged hand is that of not Jack Nicholson’s, as you would imagine if you knew the related scene from The Shining, but Stanley Kubrick’s himself. This is the broad scene…

http://en.wikipedia.org/wiki/The_Shining_%28film%29

Danny writes “REDЯUM” in lipstick on the bathroom door. When Wendy sees this in the bedroom mirror, the letters spell out “MURDƎЯ”. Jack begins to chop through the door leading to his family’s living quarters with a fire axe. Wendy frantically sends Danny out through the bathroom window, but it will not open sufficiently for her to fit through it herself. Jack then starts chopping through the bathroom door as Wendy screams in horror. He leers through the hole he has made, shouting “Here’s Johnny!”, but backs off after Wendy slashes his hand with a butcher knife.

Hearing the engine of the snowcat Hallorann has borrowed to get up the mountain, Jack leaves the room.

… and this is the part about it being Kubrick’s hand that reaches through the door, and from a specific source…

http://www.davidicke.com/forum/showthread.php?t=205856&page=47

After Wendy Torrence has managed to get Danny out of the window, her husband breaches the Bathroom Door and removes the panel closest to the door-handle. After some theatrics, he reaches into the Bathroom to try and turn the key to the Door. Wendy Torrence strikes his Hand with her knife – and his Hand is left with a fairly sizable slash mark. Given the significance of what I have recently described in relation to this Bathroom Scene, it is appropriate to note that the Hand we see entering the gap in the Bathroom Door does not belong to Jack Nicholson, it is actually Stanley Kubrick’s. This point was raised in one of the ‘Makings Of’ “The Shining” – the speaker citing the rationale that ‘he just wanted to do it himself for some reason’. I believe the reason he chose to use his own Hand has been clearly explained by the details in Key 6. His own personal appearance in this scene might be the last known instance of him appearing in one of his films. The only other instance I know of occurred twenty years prior to “The Shining”, when it’s believed he made a brief appearance in Lolita, disguised as Humbert, crossing the threshold into Clare Quilty’s mansion. As far as I know these are the only two occasions when Stanley Kubrick ‘put himself in the picture’.

Hucka D.:

The hand is then alien to the actors in the film — it’s the maker of the film’s instead. And this is the same for the situation in Frank Park. It’s the maker of the park. True.

bb:

Hmmm (again).

Hucka D.:

Do you not believe me?

bb:

Not sure, Hucka. Can you explain more?

Hucka D.:

The park — parks — are a virtual reality, just like a film. The “director” reaching through and displaying his own hand for those that know is a telling sign. Just like in The Shining for Kubrick’s hand, as your mata has guessed. He knows more than he’s letting on( however).

bb:

Let’s see… the red rock is like the splattered blood from the suddenly slashed or cut hand. It’s not a deep wound on the hand in the movie. The splatter even seems to make a meaningful pattern, and I’ve directly transferred this splatter into the collage. Lucy from Peanuts pulls a football away from Charlie Brown, making him fall down. But in the collage, Charlie is missing, although his “air trail” is still mainly present. In depositing the red rock on the bank, the hand risked exposure, and is slashed.

Hucka D.:

The rock *is* the slash.

bb (looking again):

Okay, thinking more down to earth, I could have slipped on that ice on the bridge, just as Charlie Brown (missing) did when Lucy yanked the football away. So it’s me that could have slipped and been hurt. Not slashed probably but still hurt.

Hucka D.:

Yes. But probably not as well.

bb:

Okay… the slip is a *reverse* of the blood splatter. It *slips back* onto the hand.

Hucka D.:

Correct (?)

bb:

In the collage, nothing is hurt, is injured. The injury is reversed back onto the hand. The “director’s” hand then retreats back through the broken door panel — unharmed. The All Seeing Eye is probably that of the same entity. As Kubrick probably created the film mistake over Snoopy’s nose, so we have the same type of effect in Collage 12 here.

Hucka D.:

The title is “Rats!”.

bb:

Thanks for that. Snoopy’s image comes directly from the Peanuts curtain in shot 61 — the same kind of curtain, I mean (and not a direct cull from that scene). Next might be the separation and categorization of black and white rocks. Black and white and then red all over. Red Rock.

Hucka D.:

Correction. The title is “Red Rock”. Sorry.

bb:

That’s okay. “Rats!” may be used later.

Hucka D.:

Apologies once more.

bb:

It’s okay; don’t worry( about it).

Hucka D.:

Black and white rocks next, then!

(12:23: larger ring effect on Peanuts curtain drape as dr. closes case; Snoopy’s nose highlighted)

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February 10, 2014 · 3:12 pm

February 9, 2014 · 9:21 am

“Story Room” Animation (!)

My first real animation, modest as it is. Based upon the Otoe series collages, and the way they work best with each other in my mind. Created in Windows Live Movie Maker; excited about this (!)

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Filed under animation, Carrcass Artists, collages 2d, MAPS, Murmur, Qbrick, Stanley, Shining, The, Story Room, Washington

February 6, 2014 · 3:13 pm

The Story Room-ish Invasion

http://en.wikipedia.org/wiki/Good_Grief,_Idaho

http://en.wikipedia.org/wiki/Good_Grief,_Charlie_Brown:_A_Tribute_to_Charles_Schulz

Good Grief!

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Filed under Beetles, The, collages 2d, Idaho, MAPS, Story Room

February 6, 2014 · 2:47 pm

Kevin 01

https://www.boundless.com/u-s-history/slavery-and-reform-1820-1840/anti-slavery-resistance-movements/the-underground-railroad/

The Fugitive Slave Law or Fugitive Slave Act was passed by the United States Congress on September 18, 1850, as part of the Compromise of 1850 between Southern slave-holding interests and Northern Free-Soilers. This was one of the most controversial acts of the 1850 compromise and heightened Northern fears of a “slave power conspiracy”. It declared that all runaway slaves be brought back to their masters. Abolitionists nicknamed it the “Bloodhound Law” for the dogs that were used to track down runaway slaves.

https://bakerbloch.wordpress.com/2013/04/26/whitehead-x-ing-notes/

Oh, Baby, it’s cryin’ time, Oh, Baby, I got to fly.
Got to try to find a way, Got to try to get away,
‘Cause you know I gotta get away from you, Babe.

Oh, Baby, the river’s red, Oh, Baby, in my head.
There’s a funny feelin’ goin’ on, I don’t think I can hold out long.

[Chorus]
And when the owls cry in the night, Oh, Baby, Baby, when the pines begin to cry,
Baby, Baby, Baby, how do you feel? If the river runs dry, Baby,
How do you feel?

Craze, Baby, the rainbow’s end, Baby, it’s just a den
For those who hide, Who hide their love to depths of life
And ruin dreams that we all knew so, Babe.

4 Sticks within Carrcass-3 is about crossing a line to escape, symbolically the Mason-Dixon line as slaves flee the south after 1850’s Fugitive Slave Law or Act. Dogs were often used to track down slaves. The safe labyrinth equals the North, where slaveowners cannot follow their “property.” Dogs will be lost in the canyon of the line. Although free, slaves are often injured in the escape. Legs need mending.

This line (Mason-Dixon) is also dividing point between US tiles 1 (Pennsylvania) and 3 (Maryland). In-between we visit Washington, Oregon, California where we return to Twin Peaks and Blue Jay at the end.

Black Dog is the lead chase dog, also a Zeppelin song and coming immediately before this in Carrcass-3.

http://socialsciencelite.blogspot.com/2009/06/thoughts-on-pixars-up-race-makes.html

When watching the movie, though, something stood out to me that I couldn’t put my finger. It wasn’t until I searched IMDB that I realized what it was. Did anyone else notice that Beta, the Rottweiler, was Black? He is “played” by Black actor Delroy Lindo who some of you may remember from Romeo Must Die (he was Aaliyah’s Dad). I had to laugh because of all the main dogs in the movie the Rottweiler was black. What is more, in looking at the credits, it appears that out of the dogs, Lindo is the only real actor. The rest already work for Pixar as sculptors, writers, or directors like Jerome Brandt, Bob Peterson, and Josh Cooley. In other words, they actually sought out Lindo to play Beta but stayed in house (and white) for the rest of the dog[s] of note in the movie.

Kevin used like *stilts* in Up.

http://en.wikipedia.org/wiki/Runaway_Bay,_Texas

The city is built around a 18-hole golf course and the city’s main water tower resembles a golf ball on a tee.

(continued in?)

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Filed under Carrcass Artists, MAPS, Maryland, Pennsylvania, Texas

February 4, 2014 · 10:26 pm

Shining Pepper Project 03

Collage 07?

Collage 08 TEST:

COLLAGE 09:

COLLAGE 10 TEST (animation):

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Filed under Beetles, The, collages 2d, Maine, MAPS, Qbrick, Stanley, Shining, The

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Shining Pepper Project 02

(continued from)

Images from the 1921 photograph ending The Shining (“Shiny Happy People”) sub for the following Pepper people:

http://math.mercyhurst.edu/~griff/sgtpepper/people.html

1. Burroughs, William S.
2. Monroe, Marilyn/ Livingston, David
3. Crane, Stephen/ Hand
4. Bell, Larry
5. Weissmuller, Johnny
6. Bonn, Issy
7. Lennon, John
8. Starr, Ringo
9. McCartney, Paul
10. Harrison, George

—–

And in this fascinating series of posts from the “Nothing is Real: Paul was Replaced” board, we again have mention of the 3rd eye, like the William S. Burroughs sub prominently displays in a Shining crossfade, as discussed before. A good, added theory coming from my direction is that Burroughs *transfers* his own *hidden* 3rd eye to two, specific Pepper images that jarface indicates. This is a direct transference from Kubrick to The Beatles…

http://invanddis.proboards.com/thread/5758?page=1

Now it is time for me to show you the treasure. Going back to Poe’s Goldbug:

…shoot from the left eye of the death’s head…a bee-line from the tree through the shot…

In the story, a golden beetle is dropped from the dead pirate’s eye. Consider the fact that gold is yellow matter and sailors are called dogs, and you can now make perfect sense of the lyric from I Am the Walrus that says:

Yellow matter…dripping from a dead dog’s eye

If you have not figured it out already, I Am the Walrus is all about Sgt. Pepper. Several lines from the song refer to people who appear on the cover. The pornographic priestess who let her knickers down is none other than Marilyn Monroe, who was the first ever Playboy centerfold. Mister city policeman is Sir Robert Peel, who is known as the father of city policing, and who founded Scotland Yard. He is sitting pretty, little policeman, in row two.

But I digress. The picture below shows the shot from the left eye of the death’s head (played by Paul) in yellow. It shows the “B” line going “through the shot” directly over Paul’s heart. We further see that the only visible piece of “treasure” on the cover, i.e. the trophy, points directly to the same spot over Paul’s heart. Clearly we have found the location of the treasure:

Finding the location of the treasure is not enough. In Poe’s story the hero William Legrand had to dig for his treasure; we must dig for our treasure too. It is obvious that we can not physically dig, so in the spirit of parody we must search for another meaning for the word dig…and we do not have to look far to find that meaning. When we follow the line from the trophy through Paul’s heart we discover that it points to William S. Burroughs. His name sounds like ‘burrows,’ which of course means to dig a hole. In the story, our hero William Legrand burrows for his treasure.

William burrows. William Burroughs. Wicked clever Beatles!

The above example seems to indicate that we “dig” by finding pairs of related objects that lie on opposite sides of Paul’s heart.

Here are two related objects that stand out. The stone bust has a prominent bulge that marks the location of its “third eye,” and Carl Jung has a prominent shadow on his forehead, made by the bridge of his upraised glasses, that marks the location of his third eye:

When we draw a line from Jung’s third eye to the stone busts’ third eye we see that the line passes directly through Paul’s heart:

These final 2 images seem to summarize jarface’s theories. The 2 “3rd eyes” of Jung and the statue he’s pointed out lie equidistant from Paul’s identified heart, and imply a tilted rectangle which meshes perfectly, somehow, with the circle defined by the drum to produce an overlay hexagon and star. Quite remarkable!

http://invanddis.proboards.com/thread/5758?page=2

(continued in)

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February 4, 2014 · 1:47 pm

February 4, 2014 · 3:16 am

Shining Pepper Project 01

The MESH Pyramid.

Compare with here (toggle back and forth to see changes).

And then here.

Hucka D.:

11 individuals are involved in The Pyramid. Future researchers will divide over some choices. Jack is obviously Paul, however. Ring woman becomes Ringo, as we’ve discussed before I believe. The spectacled guy becomes similarly spectacled John Lennon. Some say this is a young Woodrow Wilson. Then the other woman is obviously a fit for George Harrison. I don’t think there’s any error in these choices. Good work!

bb:

Thanks, Hucka D. Then the man with the 3rd eye subs for Pepper’s William S. Burroughs. That’s another obvious one.

Hucka D.:

Correct. (pause) The first controversial choice may be Closed Eyes Woman for Marilyn Monroe. At first I believe you had her as George instead.

bb:

Yes. Marilyn seems to fit[ however].

Hucka D.:

They[ William S. Burroughs and Marilyn Monroe] form the top of the pyramid, with the Burroughs sub still dominating. He is obviously the eye at the top, see.

bb:

Yes. Illuminating.

Hucka D.:

The two woman in the middle right take the place of… just checking (pause)… artist Larry Bell [lower] and explorer David Livingston. I think the mustachioed guy makes a great fit for Johnny Weissmuller, the swimmer who played Tarzan.

bb:

Yes.

Hucka D.:

Let’s see, that’s 9 of the 11. Then Issy Bonn is the smiley guy. Then the 11th is almost hidden by the hand… that’s (pause) writer Stephen Crane. Sister Carrie Stephen Crane. The hand is Jack’s again, to complete. It’s like a rack of [shiny] billiard balls, formerly disorganized. That’s what Pepper did for The Shining.