Category Archives: SID’s 1st Oz

August 18, 2014 · 4:47 am

“Just checking in”

Hucka D.:

Baker Blinker will become the Queen of Jeogeot, Alma I as the townspeople will title her. What will Baker Bloch’s reaction be? Can they eventually rule as King and Queen?

bb:

It’s an interesting idea, and, I think you would like to add, an inevitable conclusion of the Jeogeot equals SID equals Wazob concept. Collagesity can stay alive as the result.

Hucka D.:

Projects will be sorted. A SID’s 1st Oz interview is in store. You will interview *me*. How about that? But we’ve already spoken about the possibility.

bb:

Yes. I believe we must warm to the project. How do you wish to attack SID’s 1st Oz this time, as opposed to other times by other[ spirits]?

Hucka D.:

Booker and baker? Baker is you. Booker is you? I am Hucka D.

bb:

You’re saying you are a real[ spirit] and the others are fake or faker?

Hucka D.:

Yes. I am the Bee at the center of SID. I cause the mobius triangle that trips Jack Pumpkinhead, sparking the synchronicity itself. Where is the grounding 4th? It must be the wound up Tik Tok. Tik Tok is me as well in the movie — the Bee of the film. To ground me is to ground the new SID’s 1st Oz interview.

—–

Hucka D.:

I am becoming 1Pink.

Going Back in Time…

…To Pick Up Additional Threads…

First:

“Dimensional Kink?”

Notes:

Yes, I did get to pass through this Dimensional Kink while in England. Very successful trip! Unfortunately I didn’t take my camera, because some interesting things were on and in the ground at that point (stone structures, perhaps a bridge at one spot), with more to explore. It’s a void between the communities of All Cannings (east) and Coate (west), passed through after I parked my car at The Barge, deciding to hike all the way to Devizes on Tue night, a distance of about 7 miles. For the evening walk, arriving in Devizes only a bit before dark (close!), I decided that I simply had to try passing through this time/space Kink written about just prior to the flight in, even though I knew it was risky. This might have been, in fact, my greatest risk taking during the trip. Or was it the least risk taking activity — dunno. This is not The Hole I’ve written so much about lately mysteriously forming in the center of heated crop circle activity swirling all around, but a kind of second, considerably less defined hole appearing not far south. I say that risk taking may *not* have been involved because obviously the alien type crop circle makers have also been ignoring this place as well; less chance of being beamed up like Scotty, you see. What did I see inside? Again I don’t have the photos, but my guess is the remains of ancient stuff poking through. When I go back to Wiltshire (5 yrs? 10 yrs?) I’ll make a considerable attempt to return to this place. In being a void between population places, it is somewhat akin to the Synching Creek Designated Mystery Area, I guess. Interesting that Pooh appeared in the All Cannings church after showing up in Whitehead Crossing with his wagon full of honey the week before. 4 Sticks missed him, though, but received the gift of honey.

Just to complete: The next morning (Wed) had to head back to The Barge, of course, to retrieve my car. Went back soley on the Kennet and Avon Canal this time — amazing trip; took about 4 hours at a relatively slow pace, and the weather was pitch perfect. Arrived at The Barge early afternoon and rewarded myself with a vegetarian lasagna lunch, which I purchased a number of times over the 2 week trip. Unfortunately, blisters began to appear on my little toes after the hike, probably because my shoes, although comfortable, were relatively new. These would be my most waterproof shoes, however, and the ones I wore most in England.

Second:

First, Hucka Doobie wants to ask some questions. Hucka, take it away…

Hucka D.:

Welcome to the Baker Bloch Blog, baker b.! I have some additional questions about the Dimensional Kink? post. Don’t you think this is SID’s 1st Oz. The hike, I mean?

bb:

I’m not sure.

Hucka D.:

The dimensional kink, or, sorry Dimensional Kink is like the kink in the line of Bodysong within SID. Sorry, again: Music from the Body. Can you pull up a diagram and I’ll demonstrate.

bb:

I think so. Hold on a minute, though…

http://rainbowology.net/sid/bookernew12.html

There it is Hucka D.

Hucka D.:

Yes, I’m convinced the hike is like the journey through SID’s 1st Oz front to back, in turns of this one album (Music From The Body). You’re lucky you made it through the kink, just like you’re lucky you made it through SID’s 1st Oz’s kink. I was there to help. Pooh.

bb:

Well, there was a lot of pooh in the kink for sure, Hucka (!)

Hucka D.:

The cows had never seen anyone hike through their field, in truth. Knee deep was the grass, ankle deep was the pooh. Next time you will take a bear in there.

bb:

Now the… sorry.

Hucka D.:

Now the body of water you hiked down from Devizes to Honeystreet the next day would be the necessary body of water in the equation. Without this single channel or *canal* of water, you would not have been able to effect the first hike, see?

bb:

Yeah, I kinda see that, Hucka D. Because I would not have been able to pass through the Dimensional Kink. The canal smoothed out the kink, somehow.

Hucka D.:

Yes it did. And that’s why I showed up today. To tell you that.

bb:

What would have happened if I hadn’t hiked down the canal from Devizes to Honeystreet the next day?

Hucka D.;

The 2 hikes acted as one in hypertime. One does not exist, then, without the other. You would not effected the first without understanding the second would follow the next day. (pause)

bb:

This collage (Lis 06) might be symbolic of the 2 hikes, then, Hucka. The turning of the moon shaped thingie occurs perpendicular to the direction of the hikes (north to south instead of east-west), but the rock with the triangle shaped crop circle image represents The Barge, the beginning and end point of the hikes respectively. And the tombstone, then, represents the kink, the dimensional kink.

Hucka D.:

But it… yes, you go…

bb:

But it could also represent *Devizes* in the center between the *two* Barges, one beginning and one ending. The tombstone, after all, comes from Devizes (St. James’ church) from the collage just before this one (Lis 05). The gargoyle being hugged, which is the same as Bart Simpson, would be my accoster, then.

Hucka D.:

Yes. Yes.

bb:

The Dimensional Kink is about as far away as you can get from a population center in these neck of the woods. The accosting came about as *close* as you can to a population center, occurring near the middle of Devizes.

Hucka D.:

All this (collages, from early this year) was preparation for that (Devizes experiences, including the accosting).

bb:

Perhaps strange that that particular rock with a crop circle image wasn’t in The Barge any longer, although I have proof of its existence there through a pic from this post. Lemme dig that up quickly…

Hucka D.:

Go ahead. But… yes.

https://bakerbloch.wordpress.com/2013/03/14/honey/

bb:

The picture comes from this flickr page…

… taken on June 6, 2007, or over 6 years ago now. They probably have the rock somewhere in the back still, then, in a storage room or sumtin.

Hucka D.:

It is a Rockley rock. It is archetypal. (pause) All these things were set up so that the accosting would be minimized. He would simply say “silly man” and brush you aside. He was a tank, a brute. But at that point in time he softened. He became not Bart alone but Bart with a caring and more advanced feminine side — sister Lisa. And you received a vegetarian lasagna to remind you of this.

bb:

The rock is signed PRS, and dated 2005.

Hucka D.:

Rockley.

1 Comment

Filed under SID's 1st Oz, United Kingdom, Wiltshire

Tagged as Gargoyle Observer^*+

May 2, 2013 · 5:30 pm

Rubi and SID’s 1st Oz

An obvious link: ruby key:

http://horrordigest.blogspot.com/2010/03/return-to-oz-when-reality-creates.html

Floyd and the Rubi Forest or Rubi Woods have been associated since the beginning for me. Key had a picture of Floyd and Barrett in his otherwise almost berift-of-objects second floor of his Rubi gallery at the time. He came to Rubi in July 2007, as I’ve found out. Must figure out how to get his variant, the actual pretend Key, to reinvest in the forest. A map, as Hucka D. reinforced to me — yes, that could be it, along with the same for Coke. Coke must not see the Rubi Forest as just Ordinary Glass.

Hucka D.:

Invite Hybuli to the next meeting. Isn’t that tonight?

bb:

Hybuli being the closest gallery owner when I opened the Power Tower Gowlery the other night, but then he deleted the kiosk as it moved across the internal sea of Heterocera. But for a moment, his was the closest. And of course I know him, especially through another.

Hybuli:

Hi, I thought I’d drop by before the meeting. How’s Chilbo doing?

[5 pages of script deleted]

—–

Further notes (now that that interesting interruption is over!):

The grey snakelet Aspinwall is the same as the Great Linden Wall of Heterocera. An important clue: the first letters of the first three sims the wall passes through, top to bottom, form the acronym ASP (Athetis, Spini, Pyri). Then it enters Ziczac, already blog famous in Baker Blinker’s completed macro-opus. Mystery ship The Arab, passed down through The Wall beginning at Ziczac, creating The Point(of The Wall). It passed underneath the main part, through a passage which is not square but pointed. Then it reaches Rubi, Hucka D., to become SID’s 1st Oz. 26 in 1. The diagonal: Ziczac Zoe. Rubi Forest. Temple. SID’s Temple. The placement of the Edwardston Station Gallery in Rubi opens up Sylver as in Sylver Forest, the past. The Past. Later this manifested as Jeogeot, the Southern Continent.

—–

“How did The Arab pass through The Wall, Hucka D.?”

Hucka D.:

How does anything pass through anything? Luck.

bb:

Is this where Aspinwall changes to Colon?

—–

“Says here in this deleted script, Hucka D., that Aspinwall had changed to Colon by the time The Arab had reached Rubi.”

Hucka D.:

Have you ever seen a ship driven by trees? They’re all *over* the road.

bb:

Hmmm.

Hucka D.:

Have you?

bb:

Yes, maybe. Like the trees overhang the Robin Loop next to my new parcel.

Hucka D. (apparently speaking to someone else offstage):

Oh no you haven’t. There’s 3 there instead of 2. You overcharged me once more!

bb:

Who’s that, Hucka D.?

Hucka D.:

My agent. He’s booked 3 shows for me at once instead of the normal 2. I asked for 2. I ask for multitasking. But not 3.

bb:

Interesting. So… back to the Rubi Woods.

Hucka D.:

I think you should call Hybuli back and apologize to him. How’s he suppose to know about the positive carrcasses?

bb:

All’s I said is that I always had the suspicion that Giant Rat of Sumatra was FT’s greatest work, Hucka D., and he gave me back the usual rigamarole about FT themselves claiming Dwarf as their best. And then he named half a dozen more albums he thought were better than Rat.

Hucka D.:

The Foreign One let the Rat out of the Bag. You saw it once. In the woods. Remember?

bb:

Yes. The trap when I bought the Rubi land along the woods in 2010. Yes, that was obviously something psychic taking place. The thing in the woods knew I would buy the land there. And then Bill might have shown up last night.

Hucka D.:

Yes (!)

bb:

Did the Rat pilot The Arab[ down through The Wall and to Rubi]? It’s obviously quite queer that Hybuli shows up right when I buy the new land in Rubi. It must be the Rat again

Hucka D.:

What else did you say to Hybuli[ to offend him]?

bb:

We talked some about Zappa. We agreed that Lumpy Gravy may be his best work, because Hybuli had read the same stuff as I had about Zappa saying that very thing. So we agreed there.

Hucka D.:

Here’s his story…

—–

SWITCH TO HUCKA D.’s EARLIER CALL TO HYBULI:

“Hell yeah! Bacon… ummmm. Love it.”

Hucka D.:

Hi yourself Hybuli. Must you always answer… well, yeah, I guess you have to answer that way. Do you know Furry Carl?

Hybuli:

He’s here now. What a meeting[ of the Sylver Forest Council] he’s describing! Couldn’t sound more exciting.

Hucka D.:

Is that sarcasm?

Hybuli:

Yeah. He actually only offered me a summer beer. Like always.

Hucka D.:

Figured as such. Listen, baker b. — you know the guy that supposedly *organized* this thing… you know Baker don’t you?… course you do.

Hybuli:

Well, I know of *a* baker. And I know [another delete name].

Hucka D.:

But you and he talked about FT last night at the meeting.

Hybuli:

I was running late because I had to close up the gallery and move it across the sea and all. Bobby Darin, thank you.

Hucka D.:

Pulling a Bobby Darin. Nice.

Hybuli:

Thank you.

Hucka D.:

But it’s… .never mind. Good one.

Hybuli:

Thanks again.

Hucka D.:

So when you arrived I had left, and then Baker was still around. How about [delete name]? Tell me all the gossip.

Hybuli:

I don’t know that person. [another delete name] was with me but he stayed outside. Said something about he and baker had split from each other. Separated at the hip, he said, and laughed. Not sure what that means, but I think it has something to do with the Lion and Tiger of Oz. Wait… (checks script). That’s your line, sorry.

Hucka D.:

Just back it up a bit. Just end with the line you were suppose to end with. Ready… just begin again now.

Hybuli:

Now?

Hucka D.:

Yes, now. Go…

Hybuli:

Not sure *what* that means?

Hucka D.:

Nice emphasis. Ahem, yeah, I think *that* has *something* to do with the *Lion* and Tiger of *Oz*.

END FLASHBACK

—–

Hucka D.:

So you see, he did it to me as well. Tried to double back on me. Trap me in a corner, like you were symbolically trapped by that Rat in Rubi. Ratti.

—–

“WAIT a minute!”

2 Comments

Filed under **VIRTUAL SL, Rubi^, SID's 1st Oz

Tagged as TIGERS

February 28, 2013 · 2:23 pm

Latona Interpretations/Associations 02

(continued from Latona Interpretations/Associations 01)

To summarize Latona 01, it seems to be about the destruction of New Pietmond, coupled with an exodus factor, like Lisa V. is using the Cherhill “monster” (riding in its brain) to escape, and also the orange (inverted color) sunfish to the left. It’s a bit of a scene of chaos — dishevelment. So what does Latona 02 bring us? Stability? Well, we’ve returned to Wiltshire and the crop circle region for more images for sure, so that helps with the grounding. The locations are from around but not within West Woods to the west of Marlborough, and one of 2 woods I’m really eager to explore during my England trip. As I’ll use West Woods for the culminating 3 collages of the Latona series, we must keep this in mind, maybe like I was close to the mark on this collage (Latona 02) but hadn’t quite hit it yet. Also the “singing Hermans” used in Latona 02 will return in Latona 08 09 10 (the West Woods collage), and employed in a more logical manner. They seem to be, when set up correctly, a protective device created by Lisa V. to, among other things, calm me in England while I’m there. In theory. Kind of like I’ll be in suspended animation. But back to Latona 02, I don’t think I quite knew what to do with the Singing Hermans in this one. The 2 very similar images (“singers”) were very close to each other in a search fo Rockley images, so both come from that area (north of Marlborough and the setting for a number of collages already in Gilatona). I knew their proximity was synchy, but only with Latona 08 09 10 did their meaning start to clear. Latona 02 is about death. The father of a good Internet friend died around the same time. I also thought of the death of my own father during the composition. The sun “swallowed” by the moon in the dew pond at the bottom of the picture (dew pond near Knap Hill). It is also about the death of Virgo (father) inside the direct opposite sign of Pisces (mother). It is both death and sexual union in this manner. The dewpond is both womb and tomb.

Hucka D.:

St. John’s Church in Devizes is important to go to, baker b. Go to the graveyard in the back. Look for [delete name].

bb:

Hmm. I got behind you there once again. Adding text behind you when you’ve already talked.

Hucka D.:

[Delete name]. Remember that. Make a collage of it as well. It is *the dewpond*.

bb:

To continue with this, I believe the dewpond is also Drink Lake of Herman Park, as Master Shake, a drink after all and nothing more, is directly above it, hovering. Then the bottom Singing Herman is also Drink Lake, or just “Drink”. To give more detail he is a *fis*Herman. The line or cable in the collage, inside Shake, might then be a fishing line (extended from his purple straw), which saves the tiny Dr. Who here from the Satan Pit, which is also death most likely — the dew pond. Life is also sun — king/father and death is queen/mother. The letters on the sun and moon at the dew pond come from SID’s 1st Oz, and the 2007 Booker T. 15 part analysis of this pivotal audiovisual synchronicity, my most original contribution to the Golden Age of that now almost forgotten field.

Hucka D.:

We have a field here as well. Dewpond field. With rocks.

bb:

The dew pond is also probably Winesap, don’t you think Hucka D.?

Hucka D.:

Winesap Smimesap.

bb:

Okay. So as we’ll see, the Singing Hermans are also placed on rocks that Lisa the Vegetarian has just been seen sitting on earlier in the Latona series, or Latona 00. It’s the same rock. And then this rock will also reappear in Latona 08 09 10 with Lisa V. again perched upon it, joining the 2 Singing Hermans also perched upon the same. Confusing.

Hucka D.:

The Hermans are the same as Lisa the Vegetarian. She had to equalize the 2 parks, the 2 Hermans in this way. Frank equals Herman. Heman to Herman. She did it through the diamond. That’s the diamond that goes in the dogs tail to wag it.

bb:

I can’t just take it out of the ground Hucka D.

Hucka D.:

Why not. That’s what she put it there for. It belongs in the dog’s tail. Wag the dog.

http://en.wikipedia.org/wiki/Wag_the_Dog#Title

Why does the dog wag its tail?
Because the dog is smarter than the tail.
If the tail were smarter, it would wag the dog.

bb:

Nothing is really resolved in Latona 02, Hucka D. Shake seems to center, and that’s what we have as a stability point in this one. But he has to be hollowed out to see the actual, inner workings or goodness. Jesus saves, I suppose.

Hucka D.:

Yes, Master Shake is Quetzalcoatl is Jesus. Indeed.

bb:

So we should probably move on to Latona 03 and 04, and this is a joined effort this time, Hucka D., and something quite new in my collage producing. Latona 04 was actually composed before Latona 03, and this makes it a Wheeler-Wilson situation, like we have occurring twice in SID’s 1st Oz, but the first use of it in that a/v synch sets the tone and embodies the symbolism. A nurse name Wilson (Head Nurse Wilson) and what we know will become a Wheeler in Oz for Dorothy wheels in Dorothy to the electroshock chamber on a gurney. When she arrives there, the failed electroshock treatment, which goes wrong at the very last second, is dubbed with a song already used in SID, but the *first* part of the song (introduction) not used before. This is Queen’s “Death on 2 Legs”, the first track of Night at the Opera. So we’ve reversed the two parts of the tracks in SID, with the intro coming after the song proper. This is Wheeler-Wilson. Time has become suspended because we have no past and no future here. Only present. Which may be the same as Norris. Space of Norris.

Hucka D.:

That’s my phrase. Anyway, we have Latona 04 on the right and Latona 03 on the left. Or is it the other way around — we just can’t really tell. We have to assign the number arbitrarily. This is what interested Booger Hays when he visited your Power Tower Gowlery. He looked at Latona 04 and then Latona 03. “What is actually happening here?” he asked. Well, I said it has something to do with Dr. Who, which of course I had to explain to him, him being from the 19th Century and all. I said that the red headed lady, or the “red lion” entering the pub the Red Lion, or standing beside it in the parking lot, is probably Melonie Pond, who has just died in the Dr. Who series along with husband Rory. She is defined by her red hair, you see. (pause) Oh, I said Melonie but I meant Amy Pond.

bb:

To remind: Dew Pond at the bottom of this collage, Hucka D.

Hucka D.:

Yes. The former collage [Latona 02] you mean. And in Latona 03 04, we are in Avebury, re-centering ourselves as it were. We have a kind of before/after story in the two sides of what in effect is one collage, but it’s difficult to discern what is before and what is after.

bb:

So I think this is also about the death of Amy and Rory Pond in Dr. Who, Hucka D. Talking about Latona 02 here still.

Hucka D.:

We must move to Latona 03 04 fully, however.

(continued in Latona Interpretations/Associations 03)

2 Comments

Filed under 12 Lb Mound, Aquamarine Rebel Strike Force, collages 2d, SID's 1st Oz, Space Coast, Who Doctor

February 8, 2013 · 1:33 pm

Baker’s Creek

http://rainbowology.net/sid/bookernew12.html

f-j-n-r-v-z-d-h-l-p-t-x-b-f

http://www.youtube.com/playlist?list=PL52154B34A59CA62E

http://en.wikipedia.org/wiki/Seathwaite_Fell

Sun Yellow swallowed by Moon Blue… sexual copulation. Two children of opposite sex Green/Red. They are streams on either side, running away from parents. Sun is Dry, Moon: Wet. Sun and Moon alone isolated from World. Children connect.

Seathwaite Fell is a northern ridge of Great End in the Scafells. It projects out from beneath the great northern cliff of its parent, occupying a tongue of land between two tributaries of the River Derwent. These are Styhead Gill to the west and Grains Gill to the east, the streams meeting at Stockley Bridge below the nose of the fell. Sty Head Gill falls from the walkers’ pass at Sty Head, the main pedestrian route from Borrowdale to Wasdale. Near the head of the pass is Styhead Tarn. This in turn is fed by the outflow of Sprinkling Tarn, a beautiful indented pool lying between Seathwaite Fell and Great End. Sprinkling Tarn lies very close to the course of Grains Gill, ensuring that Seathwaite Fell is almost surrounded by water.

If Seathwaite Fell would have been surrounded by water, it would have been cut off and isolated. Grains and Styhead are the 2 children, connecting it to normal physics of our World.

Seathwaite is listed as having 3552mm of rainfall annually; this figure makes it the wettest place with rainfall statistics in England.

Singing Hermans

Category Archives: SID’s 1st Oz

“Just checking in”

Going Back in Time…

Rubi and SID’s 1st Oz

Latona Interpretations/Associations 02

Baker’s Creek

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