Category Archives: Haze County

WH Crossing 01

Exciting new hikes into Whitehead Crossing in Frank Park, which will continue through the spring and perhaps even the summer. I expect a detailed map of the region to be produced sometime soon. Below is an unnamed rock near the Welcome Mat, separating Matland and Whitehead Crossing proper, and where you have to literally (and psychologically) “step up” from the top of the Korean Channel to enter the latter.

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This particular day I also revisited Hucka Doobie’s homeland of Greenhead, where he lived as a part bee, part human avatar in the 1500s. Well, I’m not sure of the century, if it can even be calculated, so I just threw in that particular one as filler for now. Hucka is also present in the last, let’s see, 4 collages of the Falmouth series, which now seems to be completed (!). He’s quite excited to loom so large in the end.

Below we have another picture of Waxy, the branch configuration Hucka D. has said is a representation of a martin bird, connected to Allen Knob and its Martin Falls as a whole. I’ll have to go down to Martin Falls for some pics fairly soon, esp. during or immediately after a hefty rain. But not in the near future, since that would involve some steep walking, which I’m not allowed to do for a while. *Hate* to be limited in such a way.

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I’m going to call this larger open region of Whitehead X-ing The Mall for now. It’s perhaps defined by the limits of a certain green ground cover that I’ll have to look up the name later. Hemlocks and tulip trees like the below clump sprout from within. There are several such closely tied clumps of trees here, and again I’ll have to study up on that more as well — perhaps include them in my map I’ll soon produce.*

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An interesting crossing of trunks at The Mall, like a type of art in and of itself. Notice that the perpendicular trunk of the fallen tree weaves between the 2 of the 3 standing trees, wedging it into place and not allowing it to drop to the ground.

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Directly uphill from The Mall. The ground cover (name pending) does not follow us upslope, yielding (once more) to leafy ground. But interesting stick/branch formations remain. Below we have a contrast of another wedged branch (between two conjoined tulip or poplar trees this time) beside a perhaps quirky tree stump.

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A straight stick, about the size perhaps of a walking stick, is stuck in the ground behind the trunk, almost as if accomplished by human hands. But, once again, I’m probably the only human that visits this place, and I didn’t do it.

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Still just uphill from The Mall appears this more curious rock piling in a shallow vale, which could denote a past fairy dwelling, or perhaps even present one still. Hucka D. may have more to say about this “dwelling” soon enough.

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There *does* seem to be a kind of door into it.

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Nearby is another artistic crossing of branches.

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In looking at it now, it kind of reminds me of a crab coming head on, claws spread.

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From about the same position, looking into the heart of 4 Sticks and the attached pine grove.

Still quite gray in the woods as you can see.

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(continued)

* The ground cover appears to be one called complanatum. More info here:

http://en.wikipedia.org/wiki/Diphasiastrum_complanatum

It’s better known as Creeping Jenny, it seems, a type of clubmoss. Also known as “Bear’s Paw”.

Here’s another picture of it…

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Collage 60 (and 61?) 02

“Hucka D., collage 60, 61, etc. may never be completed. That could be the whole top floor of the Falmouth Gallery. I’d forgotten I’d originally called the gallery the Fal Mouth Moon. Instead it may “devolve” into a series of studies concerning Whitehead X-ing. Here might be an example.”

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“Overall dimensions are 4:3, split evenly between two pictures of basically the same scene taken several years apart I believe (but with the same camera and with the same settings).”

Hucka D.:

Gene Fade is excited. You are doing so much work on “Fade to Moss” for him. He thanks you.

bb:

And there may be a Bee Line in Whitehead Crossing, Hucka. Like in Kentucky. A clue that they are related and the new observation is just as legitimate as the old is that both run through a place with *bottles*.

Hucka D.:

Yes you have found a Bee’s Line. But they’re all over the place.

—–

bb:

This could be another one.

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Hucka D.:

The 3 rocks, yes. The same rock. Rock’s rocks. He understand that. Think about that. He understood.

bb:

I get to head down to WX today, Hucka D. I’ll study that Bee’s Line in more detail, perhaps take some more pictures.

Hucka D.:

You better get to work!

—–

“Check it out Hucka D.”

http://wwiijeepparts.com/Sponsors.html

ToyotaTruckAuroraTxCemetery2

sosodetail

—–

“Maybe Aunt Joe and Uncle Zoe beside SoSo in that collage are his (or her) *parents*. He’s the mixed up boy-girl, if so.”

—–

“And what are *you* doing posing in that collage, Hucka?”

—–

“The alien baby is 2989, a crossing or *multiplying” (“times” or “x”) of 49 and 61.”

wilcoxson

http://en.wikipedia.org/wiki/Unmarked_grave

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Collage 60 (and 61?), base montage

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April 7, 2014 · 7:38 pm

Falmouth Series — *may* be complete or certainly close to such

If so, here’s the way it lays out in Philudoria’s Falmouth Gallery:

Floor 0/Basement:

Steptoe Animation:

Collage 01 (Steptoe, WA)
Collage 02 (Steptoe, WA/ animation)
Collage 03 (Steptoe, WA)
Collage 04 (Steptoe, WA/ animation)
Collage 05 (Steptoe, WA)
Collage 06 (Steptoe, WA)

Floor 1:

Collage 07: (“Pepperland”)
Collage 08: (ME)
Collage 09: (“Shiningland”; WY)
Collage 10: “Beetlemania” (Steptoe, WA/ animation)
Collage 11: “Good Grief!” (“Pepperland”)
Collage 12: “Red Rock” (Blue Mtn., NC)
Collage 13: “This is The Place” (Blue Mtn., NC)
Collage 14: “2:23” (WY)
Collage 15: “Grayson (Dis/En)closure“ (Mythopolis, NC)
Collage 16: “Woods Slider Upper” (Mythopolis, NC)
Collage 17: “Separate but Equal” (Lake District, UK; Jeogeot, Second Life)
Collage 18: (Sky Valley, GA)

Floor 2:

Collage 19: Greenup Revisited 01 (Stonethwaite, UK)
Collage 20: Greenup Revisited 02 (Stonethwaite, UK)
Collage 21: “Heads/Tails?” (Steptoe, WA/ animation)
Collage 22: “Erie Pool” (Jeogeot, Second Life)
Collage 23: (Abingdon, VA)
Collage 24: (“Shiningland”)
Collage 25: “Bee Lee Line” (Abingdon, VA)
Collage 26: “Stonethwaite End and Restaurant” (Stonethwaite, UK)
Collage 27: “Nobody’s Home” (Stonethwaite, UK)
Collage 28: “Forgotten Green” (Stonethwaite, UK)
Collage 29: (Stonethwaite, UK/ diptych)
Collage 30: (Stonethwaite, UK/ diptych)

Floor 3:

Collage 31: (Stonethwaite, UK)
Collage 32: (Stonethwaite, UK/ diptych x2)
Collage 33: (Stonethwaite, UK/ diptych x2)
Collage 34: “Goodbye VWX Town” (Stonethwaite, UK)
Collage 35: (animation) (Stonethwaite, UK)
Collage 36: (Stonethwaite, UK)
Collage 37: (- [extension of Collage 35])
Collage 38: “Cover Up” (animation) (Stonethwaite, UK)
Collage 39: “End Ball” (Wiltshire, UK)

Floor 4:

Collage 40: “5 1/2 Acre Plot of Land” (Stonethwaite, UK)
Collage 41: “Clock Rock” (Stonethwaite, UK)
Collage 42: (Stonethwaite, UK)
Collage 43: “Joe Rock” (Stonethwaite, UK)
Collage 44: “Fairy Branch” (Blue Mtn., NC)
Collage 45: “Painting<Painter” (ME)
Collage 46: “2989” (Blue Mtn., NC; animation)
Collage 46.5: (Blue Mtn., NC)
Collage 47: “Sky Diamond” (Blue Mtn., NC)
Collage 48: “Ghost Sticks” (Blue Mtn., NC)
Collage 49: “Jasper 04 Revisited” (Blue Mtn., NC)
Collage 50: “Unboxed” (Second Life; animation)
Collage 51: “Humanvillians” (unk.)

Floor 5:

Collage 52: “Contraption” (Blue Mtn., NC)
Collage 53: “Rock, His Story” (Blue Mtn., NC)
Colalge 54: “TILE Worship” (Blue Mtn., NC)
Collage 55: “Rescue Ship” (ME)
Collage 56: “Beemen” (Blue Mtn., NC)
Collage 57: “Past Blast” (Stonethwaite, UK)
Collage 58: “Everybody’s Scared” (Blue Mtn., NC)
Collage 59: “SoSo” (Blue Mtn., NC)
Collage 60: “Paradisiacal” (unk.)

Floor 6:?

Collage 61: “Peanut’s Big Adventure” (diptych, Blue Mtn., NC; KY).

—–

It’s at least 6 floors, Hucka D. And you’re in the final three so far (!)

Hucka D.:

Merk B. Coolie!

bb:

The final one, so far — “SoSo” — could be a type of culminating work, if so. It *could* be the end.

Hucka D.:

You’ve been saying that for weeks and weeks and weeks.

bb:

True, but I’m finally, finally running out of gallery space. Pretty big building!

Hucka D.:

Who’s SoSo, then[ since it’s so so important]?

bb:

Seal the Singer. But not Seal the Singer. A black child/ A black adult? Someone bald? I want to say it’s a child because this is a cartoon seal, moreso than the 2nd Life Grey Seal used in previous collages.

Hucka D.:

True[ enough].

bb:

It’s also an alien, since this is the tombstone of the Aurora, Texas alien that Firesign Theatre later poked fun of in their album Everything You Know Is Wrong.

Hucka D.:

Good to write that out.

bb:

I’m trying to guess the nature of the [local] graves of course.

Hucka D.:

Peter’s Grave. Peter Graves.

bb:

Peter SoSo.

Hucka D.:

Yup. (Hucka D. pops mouth with last “p”).

bb:

So the base photo for this one is White Rock, a projection from the much larger No Title Rock.

Hucka D.:

You got it.

bb:

The toy crew — Strang Gang — that tried to enter 4 Sticks back in January appears here, fronted by albino turtle. Another turtle, like we have Green Turtle near top of No Title Rock above it, and then a duplicate albino turtle making its way down the rock toward its larger version. The white fungus on White Rock is probably another representation of same. That’s the skull-like fungus from “Ghost Sticks”, a scary collage.

Hucka D.:

This isn’t as scary. This is acceptance.

bb:

Of death?

Hucka D.:

Yes. And a colorful afterlife.

bb:

It’s a mystery just like the SoSo grave of Pietmond was a mystery. 2 mysteries that are 1 mystery?

Hucka D.:

Appears so. SoSo so.

bb:

Stop that.

Hucka D.:

Okay.

bb:

Why are Aunt Joe and Uncle Zoe here?

Hucka D.:

They have also made peace with their evil villanous ways in the afterlife, like Darth Vader appearing to Luke Skywalker all shiny and stuff after his killing.

bb:

So they did do awful things.

Hucka D.:

Oh you bet. And to my people!

bb:

Sorry about that.

Hucka D.:

It’s okay. They all come back. Again and again. Week after week.

bb:

The albino turtle or what we are calling such might be another ghost, white in nature and all ectoplasm-y.

Hucka D.:

Yes.

bb:

The mystery of the 2989 curse is also resolved in the afterlife.

Hucka D.:

Yes. Multiplied together to get not one thing not another thing but both together. Afterlife.

bb:

And then the spinning Manchester statuette is also back, appearing one other time in Falmouth in “Fairy Branch”. It represents a body of a grave there, it seems. Seal again?

Hucka D.:

You bet.

bb:

This seems to resolve “Ghost Sticks”, it might resolve “Rock, His Story”, completing the story as it is, were.

Hucka D.:

You know the ultimate or final rock[ now].

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Collage 57, 58, 59

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“Past Blast”

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“Everybody’s Scared”

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“SoSo”

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April 7, 2014 · 6:06 am

More Collages 02

“Then the Beemen came ashore, walked past the Green Turtle, ignored the blue-red dead man floating in the bay simply because he wasn’t there to them, and proceeded to declare the rock Edward’s Stone, shortened to Edward Stone. Then a TILE City formed. The Emerald. Piglet and Pooh not included originally. Left out. Then things got out of control and Piglet and Pooh added in. Contraption removed instead. Contraption removed by Green Lego Man, who became a composite of the 2 bee figures. Because in the collages you’re working back in time. Happens quite often[ in your work].”

bb:

“Beemen” seems closely related to “2989” true.

But it all still revolves around “Rock, His Story”, the culminating Whitehead X-ing collage, as it were, as it is.

Hucka D.:

Yes. That’s the main portal[ system]. Edward Stone, this one pictured in “Beemen” if it is the true Edward Stone, and it very well may be, is just below The Emerald. You can actually see a corner of the rock, as I’m checking, in “2989”. Are the 2 beemen, then, 49 and 61? Something to think about. 2 contrasting figures, one brutish and stocky and one non-muscular and thin. You are at a crossroads, baker b. You can go thick or thin — your choice.

bb:

I don’t know what that means, Hucka D.

Hucka D.:

Two paths, at right angles. 2989.

bb:

Still not…

Hucka D.:

Right and left. Up and down. Black and white. White is black and black is white. All over.

bb:

Do the [two types of] beemen like each other?

Hucka D.:

Kind of.

bb-season-3-main-590

—–

bb:

I have a question, then, about what The Contraption is and functions as. Is it a splitter? Fission machine?

Hucka D.:

Fission and fusion both.

bb:

How is that?

Hucka D.:

It is a Wilson-Wheeler Machine, working fowards and backwards in time at once. It is a super sewing machine. Singer. We should talk about Barely Singwright when you’re ready.

bb:

Okay, but not just yet.

—–

“Green represents safety. Green represent protection. The turtle protects. Where is the cat part? Not needed to know yet.”

bb:

So this is like Jessee and Walt’s lab on Breaking Bad. Interesting.

Hucka D.:

The lab is an alchemist’s lab, not technically a chemist’s lab. The red-blue death is beyond the rock, out more in the real world. Edward Stone shelters the two individuals, busy as men bees, from all that. Until the end[ of Season 3].

bb:

Edwardston’s number is 3, Hucka D.

Hucka D.:

Now if we look at that picture (“Beemen”), we can see more the process. It deals with TILE. The blue lego piece at the top gives first clue that this is the top of the TILE Waterfall, and the tile/lego is about to drop down. Falls. The only reason we do not have a type of death at the bottom of the fall or falls is The Contraption. The Contraption must be a perpetual motion machine, and it is. It works backwards and forwards in time[ as stated]. It powers the fall of TILE. The lego pieces are like the marbles that fall. Pull up a picture of Newton 09 if you wish.

Newton 09 Collage

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(two bee continued)

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Beemen

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More Collages

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“Rescue Ship”

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“Beemen”

—–

bb:

Hucka D., let’s talk about “Beemen”.

Hucka D.:

Let’s talk about both. Then let’s talk about me, The Bee.

bb:

Okay.

Hucka D.:

Tired, aren’t you.

bb:

Exhausted, apparently.

Hucka D.:

We’ll there’s no excuse[ for working]. Have you got your peepers open?

bb;

Guess so.

Hucka D.:

I’ll begin, then. You can snooze a bit when I’m talking if you wish.

bb:

Wish that were possible!

Hucka D.:

It can be. It probably is. Beemen is an extension of “Rescue Ship” coming immediately before it. What is the ship? It appears to be the Pieland Second Lyfe island a bit out in the ocean. Are you asleep?

bb:

No.

Hucka D.:

… out in the ocean with the cat-turtle. The cat-turtle is related to the Green Turtle of Little Whitehead, which has now moved through the time/space portal to Monhegan Island, Maine. This is the Little Whitehead portal. Some art has moved to the location as well — by a group called Little Whitehead. This includes the floating, apparently dead red and blue fellow, and also the group of people staring at the far cliff. That far cliff is Whitehead; the body floats off Little Whitehead. The red and blue man oppositions the Green Turtle on the rocks to the left. The red and blue man didn’t make it to Little Whitehead, really, even though he was created by Little Whitehead. The red and blue fellow is like the red and blue robots surrounding Seven Stones just beside Green Turtle here — we’re still on “Rescue Ship”.

bb:

The red and blue robots can’t make a proper, true animation with each other, as I’ve theorized about before. They oppose each other instead, butt heads and so forth.

Hucka D.:

They are not a true Allen Knob. This is a past war between Whitehead Crossing and NORRIS. Who triumphed? Who ever triumphs in a war? Soon civilizations will fall anyway, whether victors or not. Think of the Anglo-Saxons.

bb (looking):

4 Sticks Dude’s cane points to the top of the rocks; it’s positioned on the rocks, I suppose. And he stands on a branch projecting out from the tree that forms the largest Little Whitehead bridge in Whitehead Crossing.

Hucka D.:

The only true bridge[ now].

bb:

But now the bridge — in this collage — leads to Maine and its fairy laden Monhegan Island. This is the portal you speak of.

Hucka D.:

This is the portal.

bb:

Green Turtle seems to be a pivot between realities.

Hucka D.:

Yes!

bb:

It appears in Little Whitehead, obviously. And it also appears or can appear on Little Whitehead in Maine, on this island.

Hucka D.:

Absolutely. Actually isn’t too hard to do.

bb:

Then in “Beeman,” the following collage, I originally had a giant turtle peering over the rock at the 2 beemen. This represents Green Turtle, which is a rock directly behind the rock pictured in the collage, Hucka D.

Hucka D.:

Is that the legendary Edward Stone? At last?

bb:

Unsure. But anyway I decided the turtle didn’t fit into the collage, as I kept adding in lego works originally found in “2989” a couple of weeks ago. Or maybe it was just a couple of days back that I created it. So many collages in so short a time (!).

Hucka D.:

54 and counting. You’ll reach 61. The magic number. Then your work will be done.

(to be continued)

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Filed under collages 2d, Frank Park, Maine, MAPS, Whitehead Crossing

“We have… 03

“Hucka D., this collage just gets deeper and deeper potentially. First off, the middle of the collage seems to create an animation, since I can’t decide whether to ultimately keep the Green Man and Painting Woman w/ easel within. That’s the first odd thing. But then today, this morning, decided that this middle can be overlapped with the 4 Sticks phenomenon of Maryland/Pennsylvania. If so, the collage acts as a window into GNIRPS, um, a portal. Let me insert the little overlap I came up with. The original discussion of the 4 Sticks MD/PA material is here.

https://bakerbloch.wordpress.com/2013/04/26/whitehead-x-ing-notes/

Then I did some editing, reduced the overall picture to 75 percent, and overlapped it in the most logical way I could find with “Rock, His Story.”

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Then I recreated the 4 Sticks in a clean picture.

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A clue for doing this, or a cue I suppose, was that Russell, the child in Up, uses Kevin as stilts in the middle portion of the collage. It was a small, logical jump to incorporating Stiltz, Pennsylvania/Maryland, since I’d already assoc. that town with stilts — up and down sticks as it were. But the cool thing is that you can align the central line, with the upper part at *Sticks* (Pennsylvania), with the central stick of the collage, the one Rock emphasizes by climbing up it, and also, now, acts as a symbol of the Green Lego Man’s spinal chord, it appears. Roller at the bottom then also becomes a stick, but a large one, more commonly called a log, which, because of its breadth, can often *roll*. Roller = green lined log at the bottom of “Rock, His Story”. Hucka D.? Hmm, maybe not awake yet. Anyhoot, then Lineboro is to the left to complete the 4 compass directions. As Kevin is equated with Boss Moss, since both donate one eye to a composite being, then the angular, similarly sized Freakie peaking out from behind the tree to the left would represents his double and opposite, as we’ve already spoken about before. This is Lineboro.

If we simply reverse the collage [and toggle back and forth], more interesting things happen.

collage71base19breversed

The pivot point of the 4 Sticks insert becomes not the center of the lines, but Sticks, Pennsylvania at the top. It waggles around this stable point. The 4 Sticks dude revolving around himself is overlapped with the actual 4 Sticks region of Whitehead X-ing to the right in the original. Dorothy finds an obvious double in Wythe’s Christina, Baker b. coming out of the rocketship overlaps Baker Bloch on the bottle — direct hit there.

—–

Hucka D. (now studying this information as well):

The colorful Kevin bird seems to double for the likewise colorful Contraption behind it. I think it’s a comment on the latter — former to latter. Kevin is a unique, exotic bird. The world at large does not even believe such a bird exists. Yet Charles Muntz has devoted his life to prove otherwise, in his vanity. He wishes to capture Kevin to show the world that he’s not a fraud. Kevin is the Contraption. (pause) Kevin is freaky like Boss Moss, then. 2 Freaks; a composite one freak, each donating an eye. Eye eye. Boss Moss freed from his box existence represents Kevin in the wild, his home, and not captive like Muntz would desire. He’s a Tall Cool One, so another Lead Zeppelin, Robert Plant Variant reference. Nice. Like Big Log, which will come later[ in a later carrcass, Hucka D. probably means here]. Boxed Boss Moss (and by assoc., a captive Kevin) stands for slavery, like in the South below the Mason-Dixon Line in the antebellum times. Opposite of freedom.

—–

“[Elton John’s] Philadelphia Freedom, Hucka D., must represent freedom of the African-American peoples. *This* collage will be in GNIRPS.”

Hucka D.:

Has to be[ now].

bb:

Rock climbing up the stick is like slaves climbing north to freedom. A struggle, sometime Herculean, but ultimately worth it. Climb up!

Hucka D.:

Rock straddles the line. Elton John in Philadelphia Freedom mode assists. Can I be of assistance today?

bb:

4 Sticks dude somehow manipulating the colorful contraption beside Elton probably represents Muntz again and entrapment/slavery. 4 Sticks plays in Carrcass-3 as Kevin escapes Muntz and his dogs, lead by a Black Dog.

(to be continued?)

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Filed under Allen Knob, collages 2d, Frank Park, Lead Zeppelin, MAPS, Maryland, Pennsylvania, Whitehead Crossing

“We have… 02

“Dorothy is surrounded by manifestations of the 4 Sticks dude, Hucka D. They appear to revolve around her. This is 4 sticks, because each dude has a single cane or stick. Walking stick, like was in one of the Jasper collages.

Hucka D.:

Several. Thank you for waking me up at such an early hour.

bb:

Well you’re welcome. You always seem to want to be a part of these interpretation posts.

Hucka D.:

I do. But thanks again.

bb:

Right. My feeling I had last night after reviewing what we’d said about the collage [“Rock, His Story”] so far is that Dorothy is cursed somehow — surrounded by a curse. In the primary or original Oz story she also crash lands[ in her aunt and uncle’s farmhouse] in a foreign world. I’ve made that assoc. before. So Rock is her and her is Rock. I wonder if she is already at 4 Sticks, waiting on Rock.

Hucka D.:

She’s not in this story. She’s just a stand in for Rock.

bb:

But[ on the other hand], we have The Emerald as perhaps a final destination, or at least it is in the framework of this collage. The Emerald is front and center. Dorothy and her new friends seeked the Emerald City. The green lined log at the bottom of the collage may stand in for the Yellow Brick Road. They would have quote unquote reassuring green thoughts[ of the Emerald City and gifts to be received there] while journeying down that sometimes dangerous road. Safety and an endpoint was ahead.

Hucka D.:

You mean the big green dude. Well, he *can* remove his head, obviously, and live to tell the tale. So that’s like Brainard from the Wizard of Oz.

bb:

But he’s not called Brainard in the book.

Hucka D.:

I’d check before saying that.

bb:

I don’t have to check, Hucka D. I made the character Brainard up based on the Wizard of Oz and also a map name. Remember?

Hucka D.:

No. [But I’ll take your word for it for now]. This is Oz the Terrible if not Brainard the Terrible, then. They get there and they encounter this enormous, ferocious head instead of the kindly wizard they seeked. And then they’re sent away without receiving any gifts atall. They’re told to kill a powerful witch, a seemingly impossible task. If we weren’t watching a movie, we’d say balderdash and turn away to avoid seeing the carnage.

bb:

Truth, Hucka D. But fairy tales don’t work that way. Usually. (pause to look at collage) Rock’s climbing on the green dude’s head. What’s that mean?

Hucka D.:

He’s scaling the problem. He has superhuman powers within the confines of *Gene Fade’s* movie. “Fade to Moss”, I believe. So Rock crash lands in *that* movie just like Dorothy does in the original Oz film. He walks past Seal Stone and Grey Rock. They’re bickering, like Newton and Jasper sometimes do in your virtual villages.

bb:

Interesting new take on the subject (!)

Hucka D.:

Grey Rock just wants to be left alone. But Seal Stone is there pestering him most of the time. They can become one and move about. They’ve been all over Whitehead Crossing together. Alone they are sedentary. As such they’re pictured like a grey seal, often with a ball or something manifesting about the nose area, like in “Sky Diamond” [another recent Whitehead Crossing collage].

bb:

So in the movie, Rock encounters an actual, grey seal.

Hucka D.:

Yes, according to the script (Hucka D. is heard rustling papers here), on page 51 there is an encounter with a grey seal soon after landing. It is trying to cross Green Stream, but a branch is in its way. It doesn’t want to jump in the water and wade across — apparently (more paper rustling) — checking back a page — the seal doesn’t like water. Strange seal! And it says here that 4 Sticks — that’s his name in the script as well — he’s on the opposite side laughing at the seal all the time. He’s, um, apparently put a curse on the seal so that it can’t cross Green Stream in that direction; has to remain in Whitehead Crossing proper. But 4 Sticks can cross the bridge and visit The Fairy any time he wishes. The Fairy does not like Grey Seal.

bb:

Is the Fairy Elton John?

Hucka D.:

He wears red ruby slippers[ like John does on the cover of Goodbye Yellow Brick Road]. Apparently John has given up on Whitehead Crossing. He steps backwards across the Green Stream, never to return. We last see him walking backwards up Greene Knob to the east.

bb:

Are you sure you’re still reading the script and not off the map now?

Hucka D.:

No. I’m improvising[ true enough].

bb:

Well maybe we should get back to the script.

Hucka D.:

There is no script. It’s just me rustling some old newspaper. Sound effects. Effective in Nowhereland[ where we talk in].

bb:

I believed you!

Hucka D.:

Do you want me to continue[ anyway]?

bb:

Eh. Sure.

Hucka D.:

… steps backwards across the creek, never to return. He keeps walking backwards up to the top of neighboring Greene Knob to the east. He build as hut on top, but he still can only walk backwards. You found his hutch.

bb:

Yeah I guess I did. Go on sir…

Hucka D.:

The Fairy obviously abandoned his home on the opposite side of Green Stream, but he still stayed there sometime. Instead he went elsewhere. He went to Doug. That’s another stream to the west. There he met additional fairies. For there were fairies in Whitehead Crossing already. And toy avatars of course. And bees. And Mossmen — but that’s kind of a toy.

bb:

Are they really, though?

Hucka D.:

We better return to the collage[ however much I’m enjoying this].

bb:

Well (looks again), the green being is The Emerald is the Emerald City of Oz. An ultimate destination, seemingly. Once you pass Green Turtle you know you’re there. Edward Stone.

Hucka D.:

In the center of the collage we have 3 figures. We have the green guy, with the branch Rock hands from representing his spine or backbone. Rock may then be a chiropractor adjusting the spine. This is your spine.

bb:

I suppose it could be.

Hucka D.:

That’s your Emerald City right now. To find a back specialist and allow him to help you.

bb:

Suppose.

Hucka D.:

Rock is that specialist. That’s his occupation.

bb:

Hmm. What about the strange looking artist. She’s acquired an eye and a beak, like a bird-woman now. But it’s a composite figure. Eye from 12 Oz Mouse returns, as he was in the Dock Tarn related collages (coming just before the Whitehead Crossing related collage under discussion).

Hucka D.:

She’s painting a picture so that she can move into it, as before (“Painter>Painting” collage).

collage64base05

The painting is also your collage or collages, and your Falmouth Gallery is positioned just below the canvas to reinforce that. You enter the collage just as she enters her painting. And your gallery is also pictured on that earlier collage (above). This is Little Whitehead.

bb:

That’s a whole ‘nother chunk of information, Hucka D. The Little Whitehead, Maine to Little Whitehead, NC bridge.

Hucka D.:

It’s another bridge. We know it can be a time bridge now. Can 4 Sticks cross[ and so on]?

bb:

I’m not sure.

Hucka D.:

Can 4 Sticks cross the Big Log and get out of his namesake berg?

bb:

Something to think about.

Hucka D.:

Maybe the *curse* also keeps him confined to 4 Sticks. He cannot cross Whitehead Crossing in that direction. He must remain south of the stream.

bb:

Interesting new development, Hucka D.[ if so].

Hucka D.:

*But*, if someone enters 4 Sticks improperly, across that Big Log or perhaps another bridge or log, then *they* are trapped. Black Dog. So it’s interesting we have Kevin in the new collage, from Up. Kevin is the one cursed, unable to reach True Home. He is hauled back to the Charles Muntz lair in the zeppelin. Big Balloon. The zeppelin approximates Carl’s house.

bb:

Interesting. Let me take a look at him[ in the collage]. One of his eyes subs for one of Boss Moss’ eyes. The two are one. In an earlier Falmouth collage…

collage15test05n

… one of Kevin’s eyes similarly substitutes for an eye of Howl’s Moving Castle. We associated the 2 together at the time because both are main characters, as it were, from single movie carrcasses, Hucka D. One is about Up, and one is about Howl’s Moving Castle, the movie named for the object or character. Because it is a living thing in the film. Both are desired objects in the film.

Hucka D.:

Kevin is being used *as stilts* in the film, in the collage. You better end.

bb:

Thank you.

(to be continued)

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Filed under collages 2d, Frank Park, Maine, MAPS, Whitehead Crossing