Category Archives: Haze County

… several new collages to talk about, Hucka D. But I think the process is *finally* winding down. Must spend time on other things.

Hucka D.:

Yeah (laughs).

bb:

Woods *definitely* today. Missed them yesterday.

Hucka D.:

To the collages[ then]!

bb:

Well, “Rock, His Story” is obviously a type of culminating collage, taking and extending pictorial elements from the past number of collages before it. Central to the whole story is Whitehead Crossing’s The Emerald, front and center here.

The Emerald is again represented by Green Lego Man, as it was in “2989” from several days back now. So many collages!

Hucka D.:

Yes, don’t get overwhelmed. Take a deep breath and then proceed.

bb:

Bits and pieces of other Whitehead photos find their way in here. But the base photos come from The Emerald, and both have our hero Rock in them, who is a toy avatar. Rock is the Rambo toy pictured not once or twice but three times within. 3 Rocks, 3 separate photos of the same toy avatar. Since it is so much about him — his story — let’s just look at the pictorial elements in order and spell it out. First the landing…

Hucka D.:

That’s perhaps the most important photo added to the two base ones. Let’s look at this more in depth. Show the reader or readers how this was done.

bb:

Okay, first the base photo…

… then the first photo added to make it a proper collage. Same original dimensions, but reduced 50 percent all around for the purposes of the collage.

Hucka D.:

No, as I understand it was reduced…

bb:

… yes, reduced 50 percent already. You are correct, Hucka D. But the original photo inside the camera was the same as the first, dimension-wise. I just made this one smaller because the resolution wasn’t that good — that’s how it entered the blog in the first place. Both of these pics were put in the same blog post originally, coming from, let’s see, probably early May 2012. I bet The Emerald is already showing[ this year] Hucka D.

Hucka D.:

Correct!

bb:

Here’s the smaller photo, then…

… and this is how they fit together to manifest the newest collage process proper…

So there’s your 2 Rocks to begin, and The Emerald as the bridging, landscape element. This is centered upon The Emerald, once again. It revolves around it.

Hucka D.:

What was next?

bb:

There were some tests with the 4 Sticks dude. Eventually a corridor was made along the right side of the smaller base photo, the width of the box that Boss Moss comes in, as already seen in “Unboxed”, an animation from several days ago in 2 parts. So although Rock doesn’t appear in former collages, this Boss Moss does. In the animation he is boxed and then unboxed. Here are the 2 parts[ again]…

In the final version of “Rock, His Story”, we have both boxed and unboxed versions remaining, the unboxed version directly above the boxed version. The boxed version defines the limits of another Whitehead landscape photo added pretty early in the process, and this would be from the percieved center of the 4 Sticks region, not yet appearing in the Falmouth series. Specifically, it’s of 5 bottles set up at this center, the germ of a toy happening that hasn’t taken place yet. My idea is that more bottles from Hucka D.’s stash of 55 or so — also appearing a bit later in the collage at the bottom — would be used to enlarge the germ or seed process.

Hucka D.:

But this hasn’t taken place yet. Yet in the *collage* we’re kind of doing this already. You are, I mean.

bb:

Yes… suppose. So not all 5 bottles are produced. This is the 3rd base photo I’m talking about. It’s reversed or turned left to right as it is introduced into the collage. The 4 Sticks guy was removed at this time, but soon reappears later on the left in not 1 but 4 connected manifestations, that turn around like a wheel. One could assume that this is about the 4 Sticks area as well.

Hucka D. (reinforcing):

This is about 4 Sticks. The core of it, I mean.

bb:

Yeah. It’s about the landing of Rock, I believe, in Whitehead Crossing and then moving through 4 Sticks, as we’ll put it, to reach The Emerald and Edward Stone. His crashed rocket ship from the southern edge of Whitehead Crossing is added next, along with the bottles at the bottom. Here are the 3 involved photos:

5 bottles marking the center of 4 Sticks.

Rock’s crashed rocket ship.

Hucka Doobie’s 55 or so bottles, to the east of 4 Sticks and to the south of The Emerald/Edward Stone.

And then this green lined log was added at a certain point to point to Rock hanging on the branch in the collage’s center, still. He remains there throughout, although in the last stages Green Man stands directly behind him, representing The Emerald himself[ as stated].

Hucka D.:

Green like The Emerald, okay.

bb:

So what happens is that you have that corridor defined to the right of the smaller base photo within the larger base photo. This is defined by the Boss Moss box, width-wise. The boxed Boss Moss probably represents Rock boxed up, as it were, in his rocket ship, traveling in from still unknown dimensions.

Hucka D. (correcting):

You know where he came from. Virginia.

bb:

Okay, so let’s run with that theory, then. That Rock came from the center of the Synching Creek Designated Mystery Area, the SCDMA.

Hucka D.:

It’s truth (!)

bb:

But Boss Moss also represents The Emerald itself — he’s very green like The Emerald is very green — same green. So the later added Green Lego Man represents The Emerald but so does this Boss Moss. And I should add that Boss Moss has appeared in one other collage of Falmouth, and that’s the big diptych involving Stonethwaite, where you turn all the way around in the center of the village. We’ve already discussed that big collage here [LINK].

Hucka D.:

Yes, this is another big collage, then, and Boss Moss and his even freakier double, partially hiding behind a tree here, return. They are a frame for the Stonethwaite collage, and they act the same for The Emerald in, what was the name of it?

bb:

“Rock, His Story”.

Hucka D.:

And the big Stonethwaite Collage?

bb:

I can’t remember. I’ll have to check.

Hucka D.:

Hurry it up, then.

bb (slightly irritated):

Thanks.

—–

bb (returning):

Well, it doesn’t have a name yet, Hucka D. Let’s just call it Collage 31/32. We’re up to 52 now (!)

Hucka D.:

(!)

bb:

But, like you said, it’s all winding down.

Hucka D.:

Sad. But you gotsta get out in those woods.

bb:

This is the last, big hurrah. This Collage 52.

Hucka D. (hurrying it up):

Rock lands, get’s out of his rocket ship. But now we have you, *baker*, also exiting the ship. This is the same you as seen in the collage before this…

bb:

“Contraption”, yes.

Hucka D.:

Thank you. And the contraption returns as well. It’s in the background of The Emerald. Originally, I remember you had 4 Sticks operating or seeming to turn it here. Now it stands alone. What is it?

bb:

A question to be asking! It is half mine, half the alien’s… I think.

Hucka D.:

No, this is what I think. I believe it is what the aliens are building in the woods, and why they need that metal from Rust Spot. The contraption probably is another ship. You have your toy happenings, and Lion’s Roar is pictured in… what was it again. Oh, I remember: “Contraption”. Duh. So that’s kind of your culminating toy happening so far, moving beyond the earlier Billfork[ event]. And also Whitehead Crossing hasn’t really extended itself in that direction yet. You’ve guessed something else. Do you want to say it?

bb:

About the aliens?

Hucka D.:

Yes.

bb:

I’ve theorized that the not only “own” or call Bill Mountain their territory but the whole of Frank Park. And Herman Park and only that is mine. Now it just so happens that the two legitimate toy happenings so far have taken place in Herman Park — the Billfork and the Lion’s Roar you mentioned. In “Contraption”, my Lion’s Roar is directly juxtaposed with their Rust Spot, which is forbidden fruit, as I know now. Yes, I know!

Hucka D.:

Yes.

bb:

And the colorful contraption sits on top of the Rust Spot stuff — I won’t call it junk because it would be valuable to me[ for a toy event], and it seems to be valuable to the aliens [for a parallel type toy event]. The aliens could be artists.

Hucka D.:

Could be. They like your collages. They helped you with them.

bb:

I don’t doubt it.

Hucka D.:

They are sending you a message about Frank Park and Whitehead Crossing in particular.

bb:

Don’t build there?

Hucka D.:

Umm, not exactly.

bb:

What then?

Hucka D.:

Let’s go back to the base photos[ of “Rock, His Story”]. Rock crash lands on the southern end of Whitehead Crossing. You have his rocket ship pictured to the, left. Rock is outside it. But you know this is just the actor T-Bonz playing rock in the movie Gene Fade is making, “Fade to Moss” I believe is the working title.

bb:

I believe so.

Hucka D.:

He’s requested that Fade produce the funds for a paint job for the old rocket. Fade has resisted.

bb:

But why am *I* coming out of this rocket.

Hucka D.:

You aren’t. T-Bonz is positioning a cut-out of you inside the rocket[ as you’ve also guessed]. You are a rocket man as well, but only as a collage element. Baker Bloch exits too, but he’s just stuff of a collage as well. That’s of course your primary alter ego. I wish I had an alter ego.

bb:

I believe Hucka Doobie is your alter ego, Hucka D.

Hucka D.:

No, unfortunately, Hucka D., me, and Hucka Doobie, also me, are the same. You are not the same as Baker Bloch. Not yet.

bb:

Not yet?

Hucka D.:

No.

bb:

Will I be?

Hucka D.:

Yes.

bb:

So we have to move faster. The 4 Sticks guy appears below the rocket in the new collage, spinning around in 4 manifestations. As he is loaded down with sticks on his back, but also has a stick in front to act as a cane, this is the 4 sticks again. 4 sticks — 4 Stick Guys. Dorothy is in the middle of them. Dorothy apppears in “Unboxed” with Boss Moss and also Ray Davies, who also makes a reappearance here to the far right. His figure overlaps one of the 4 Sticks bottles, Hucka D.

Hucka D.:

Remember your story about Ray and the bottles of Lion’s Roar? That applies here[ LINK].

bb:

Should we end?

Hucka D.:

Yes.

(to be continued)

“Big Log is not technically the entrance to 4 Sticks, Hucka D. There’s a middle region of sorts between 4 Sticks and Edward’s Stone.”

Hucka D.:

Whitehead Crossing is a complex region with several nationalities involved. We will not figure this out today. Or tomorrow or the next day. Years down the road. All’s you can do now is trace some of the history through collage, photos and writing. But, especially now, collage. In this day and time.

—–

(16 hrs later):

Hucka D.:

We better return to “2989”. So this is 61 x 49. Your crossroads. Someone came into Whitehead Crossing and had to make a decision at that crossroads. Crossing. Who was it?

bb:

Lead Zeppelin?

Hucka D.:

Well…

bb:

Guy Lombardo? (hehe)

Hucka D.:

A town is constructed. Perhaps a virtual town or one that doesn’t damage the environment, or The Emerald, etc. Pooh and friends made it. Falmouth Castle or Gallery is at the Crossroads, perhaps perched on Orange Hill. Castle Dundee may be one and the same[ with it]. Falmouth Castle is in “2989” Pooh attempts to cover it with an umbrella, with only no to partial success. He stares at the Korean Channel “E”, the flip or schwa side. This is the side of Karoz, The Limited. Don’t you think Green Man in the collage could be Karoz, baker b.?

bb:

Could be. I’ve thought of that myself, as you might have guessed.

Hucka D.:

Yes. Karoz would look much like that without his blue-green jumper, all moss colored and such. What is the bee? Is it me?

bb:

Unsure, Hucka. But very interesting that your bee home use to be just north of Whitehead Crossing.

Hucka D.:

Right on the eastern edge. Entrance to Mammoth Cave. Sealed by Aunt Joe and Uncle Zoe. We’ll get to them soon[ enough].

bb:

Can’t wait. Winnie the Pooh pulls the same wagon with the honey we see him with in the next collage as well, when he’s actually crossing Big Log into 4 Sticks. That’s at the heart of the Crossing, or Crossroads.

Hucka D.:

You must study that “E”. Whitehead Crossing is at the top of that “E”. Korean Channel[ once more].

bb:

I will. Here’s the following collage, then. Pooh misses 4 Sticks, who shows up a little late, it seems.

Hucka D.:

4 Sticks was always late. Just to be ornery.

—–

bb:

So the painter becomes part of the painting in the Falmouth collage before “2989”, and now she reappears in “2989”. The Green Man pulling off his head also stares at a duplicate canvas and easel.

Hucka D.:

We better move on to “Sky Diamond”. 4 Sticks returns, but now not in 4 Sticks but instead in south Whitehead Crossing, on a rock beside Green Stream as it passes into the top of the Korean Channel. A log in front of him forms a bridge across this stream, and a Grey Seal passes over it, but seems stuck for now, unable to get behind a projecting branch of the log. This is obviously our Gray Rock/Seal Stone combo again, similarly out of place like 4 Sticks. In a photo insert, we have the rock known as the Welcome Mat, only *slightly* displaced from its position more to the left in the base photo. Then in the sky we have yet another Whitehead Crossing rock, this time Diamond Rock from near 4 Sticks. Again displaced… obviously, since it’s way up in the air, or perhaps perched atop one of the two twinned dead hemlocks in the collage. Perched in this manner, the 2 dead trees become the same height — equalized. This is somewhat like the pillars of Boaz and Jachin fronting the Temple of Solomon. It’s also the entrance to the post-Korean Channel beyond, following Green Stream upstream. From the other direction, it acts as the entrance to this channel, and, more short term, the part of the stream called The Straightaway that runs from Rock Island to Big Island. Small cars line one side of The Straightaway, heading toward the trees. Will they get there? So what does all *this* mean, baker b.? Oh, I forgot to mention that Baker Bloch is beside both the displaced, actual rocks, subtracting the more symbolic Grey Seal.

bb:

The diamond in the air reminds me of Lennon’s Lucy in the Sky with Diamonds. Drug reference?

Hucka D.:

Could be. From the future. Grey Seal is attempting to cross Green Stream to get to the fairy home on the other side, a place you revisited yourself last week. He’s quite near, in the collage, where Rock’s rocket crashed as well. Grey Seal’s nose points to 4 Sticks. Is that the actual name of the dude pictured here?

bb:

Is it?

Hucka D.:

Um.

bb:

Let’s say it is, then.

Hucka D.:

Rocks are spirits. They can move about — mobilize. Grey Seal obviously. But the others as well. Welcome Mat moves not a lot but some. Diamond Rock can even fly, apparently. They gather at Green Stream, at the tip top of the Korean Channel, for a reason. What is it?

bb:

Again, I don’t know and I’d ask you back the same question.

Hucka D.:

We know, just like the case with your virtual Whitehead Crossing, or VWX Town, that the tail wags the dog. The tail in this case contains a diamond, or a diamond shaped patch to be more accurate. It’s Newton’s dog. Diamond. Named for the patch. And it’s a dingo as well.

bb:

Interesting. And this is like[ VWX Town’s] Westside.

Hucka D.:

I remember that. Cardboard Derek Jones., or C. D. Jones as he started calling himself. Where are we on that?

bb:

Unsure, Hucka D. Westside became the tail that wagged VWX Town because The Diagonal was found to fall upon it. Heterocera’s Diagonal, spanning the entire virtual continent.

Hucka D.:

All the Whitehead Crossing rocks gather at the stream. You better find out why.

bb:

Let’s move to “Ghost Sticks”, a truly scary picture to me, Hucka.

Hucka D.:

Yes! The 2 rocks become the same with the 2 gravestones, head and foot. As you have guessed also, Grey Rock and Seal Stone are Pluto and Charon or Sharon. And as such they are Wazob and Sharon, macro and micro. Diffuse and condensed. Like the grave stones orbit each other in “Fairy Sticks”, so do Pluto and Sharon. You better figure out why.

bb:

Sticks float ghostly around the composite rocks. They seem to glow. And then we have the “head”? Head stone’s head. It’s not really a head but a picture of a fungus from a 4 Sticks photograph.

Hucka D.:

The tail wags the dog. Sharon wags Pluto and also Wazob. Sunklands wagged Jeogeot. You better rent in Busby.

bb:

Think so?

Hucka D.:

Yes (!) Just do it.

bb:

The Grey Seal here is very different from the cartoon-ish Second Lyfe grey seal in the last collage, Hucka.

Hucka D.:

Two sides, two aspects. Whitehead Crossing needs that stream to draw itself out of itself. The stream unites. Little Whitehead and Whitehead and No Title Spring have differences with each other otherwise. The top of the Korean Channel is a gathering spot for Whitehead entities. The stream talks[ as you know]. Another collage[ of it] might help.

(to be continued)

“The statuette is the same as the person in the grave. So let’s look at what that means.”

The mystery of the spinning statuette

The inscription on the back pillar reads: “An offering which the king gives to Osiris, Lord of Life, that he may give a voice offering, consisting of bread, beer, oxen and fowl for the Ka-spirit of’. As is known for other statues of this date and type, the man’s name – Nebsenu(?) – is inscribed on the front of the statue’s base. He bears what Alan Gardiner called as “obscure” title: Hry (n) tm. The distribution of the inscriptions suggests that the statuette was prefabricated with the standard offering formula on the back pillar and that the man’s name was added later to the base.

bb:

You’re not going to be able to solve this tonight.

Hucka D.:

*You’re* not[ going to be able to solve this tonight].

bb:

I’ll never know who is in that grave[ either].

Hucka D.:

Oh you’ll know. Do you want to know?

bb:

Not sure.

Hucka D.:

It is a Question Mark with a Capital Q. Beside it is little Wilcockson… identified. This means the whole is Dogpatch or Marble Falls, where Marbles Fall. Dogpatch. There’s a *Diamond Rock* in Whitehead Crossing as well. This is the diamond in the tail of the dog. Tail… foot. The tail wags the dog… the foot pivots the head. See?

bb:

Yeah, kind of Hucka D. I have a cat problem. Hold on.

—–

“Let’s go to the next Whitehead X-ing related collage, which is “2989”. Another coded mystery (!). We are presented with an image from the crossroads where bluesman Robert Johnson sold his soul, Hucka D.”

Hucka D. (chuckling):

Sole.

bb:

This is suppose to be in Rosedale, Mississippi. But some say it’s Clarksdale, instead.

Hucka D.:

Crossroads is Crossings. Whitehead. In Da Woods. But also Highway 61 crossing Highway 49.

https://bakerbloch.wordpress.com/2013/06/07/so-forth-big-log/

bb:

Hucka D., that Winnie the Pooh lego set picture still comes up near the top of a hit list for subject “2989”. Nifty! Original link here.

http://www.peeron.com/inv/theme/LEGO/DUPLO/Winnie_the_Pooh

It’s the largest Winnie the Pooh lego set. Like a city in itself. Whitehead Crossing style.

Hucka D.:

Correct. You can build one[ now].

bb:

TILE.

Hucka D.:

Yes!

—–

“The painter has become a part of the painting.”

bb:

But I forget to mention a key element in that last post. Let me get my counting straight… this is Collage Part 1

[ and it gives] us the statue facing left. Notice where his head is in relation to the log above. When the statue “spins” the opposite way…

… the *foot* is placed exactly where the head is, because in the meantime, the *2nd* photo, from 3 years in the future and reduced 50 percent in size, has been fitted into the middle of the animation. It’s the same log in both, though, and that allows the 2 in 1 relationship to occur. The head is the same as the foot!

Hucka D.:

That is a key to understanding the collage animation, yes. Good work!

bb:

The edge of the insert is where the 2 photos deviate most. They coincide most toward the middle. The small tree where the head stone is inserted in the 3rd part at the bottom/roots is most aligned — the forking branches line up past and present. Another *bridge*.

Hucka D.:

Yes, a time bridge. Past to present.

bb:

Complicated collage!

Hucka D.:

So the statue makes this bridge between past and present, and then disappears in the 4th and final pic of the animation. The statues is the same as the foot stone of the grave, but that’s just the pivot.

bb:

We’ve switched places again. You go.

Hucka D.:

The foot stone is the pivot. No.. *you* go.

bb:

The foot stone… well, you know. It stays in the same place. It is fixed, like the Ancients believed the Earth was fixed and everything revolved around it.

Hucka D.:

They do!

bb:

The Earth revolves through the 4 seasons, like we have 4 parts of the animation. This is representation of Earth.

Hucka D.:

Correct. Spinning. Circle. Circle Back.

bb:

The Head Stone is The Moon?

Hucka D.:

Could[ actually] be the other way ’round. The Foot Stone is The Moon. The Head Stone is the Earth circling around The Moon. But that would mean…

bb:

The *Moon* is the fixed position. That means we’re looking at the collage from a position on The Moon, not The Earth. But that doesn’t make sense.

Hucka D.:

It does if you’re a…

bb:

Don’t say it.

Hucka D.:

Grey.

bb:

Darnit!

(to be continued)

… know where to start, Hucka D.

Hucka D.:

Going pretty fast, eh?

bb:

Yes! Help!

Hucka D.:

Well, we should focus on Whitehead. England is in the rear view mirror[ now]. Current location is the focus. Let’s take a look at the animation.

https://bakerbloch.wordpress.com/2014/03/27/little-whitehead-collage-they-continue/

bb:

What is happening here?

Hucka D.:

You need to get across Little Whitehead[ stream]. The former fairy bridge has collapsed. Manchester statue to the rescue! He circles and then circles back. Lamb. Earth… spinning. Spades and Hearts. 7 and 6. Get Peter SoSo involved.

bb:

But to the collage, it starts with one picture, reduced 50 percent, fitted inside another picture. And this is the picture of the fairy bridge… or, I should say, the location of the fairy bridge. Because in the picture reduced and fitted into the normal sized picture, the bridge is gone, because it’s, let’s see, 3 years I believe in the future and the stick bridge has collapsed in the meantime. The tree in the background, fallen in photo 1, is more fallen in 2. The woods decay… natural effects. Coolie. But in animation 1 and 2, we have the fairy bridge up in the normal photo, and then in 3 and 4 the 50 percent reduction photo is fitted in from 3 years later and the bridge is gone. Now what happens is the Manchester statue makes a new bridge. Doesn’t he?

Hucka D.:

The statuette is the same as the foot stone of the Grave of the Unknown Explorer, buried on a ridge just west of Whitehead Crossing and within its metro area one could say. The statue pivots around to the 4 directions, and the foot stone does the same, swinging around with it the accompanying head stone. So the foot stone is in all 4 pics, but the statuette is missing in the 4th. It’s the[ now] common problem. Where is the 4th, or what happens during the 4th and last motion? The statuette disappears. The foot stone is still there, but not the statuette. And the head stone is gone as well, but that’s not as surprising, we’ll say, since it doesn’t appear in the 1st part either. It’s swinging around — could have disappeared behind some bushes in the last, say.

In collage 3… put up a link…

… we have the impossible situation of a foot stone on the opposite side of a stream [ Little Whitehead] from the head stone. They cannot be *bridged*. Where is the body? and so forth. In collage animation 2, where we have the head stone appearing for the first time (its appearance in the next animation is the second and also last), we have an actual grave possible, since level ground is between foot and head.

Barely, since we are right on the edge of the stream’s bank, with little wiggle room[ for the positioning of the body]. The stones are trying to speak to you. The stream is trying to speak. What is the message? The spinning Manchester statuette spins around… put up that video please…

http://www.independent.co.uk/news/uk/home-news/mystery-solved-manchester-museums-spinning-ancient-egyptian-statue-isnt-cursed-8951201.html

Oh I have a theory, baker b. Your Second Lyfe friend thinks *I’m* a grey.

bb:

Are you?

Hucka D.:

Just as much as you are or anyone who happens to be surfing the internet and stumbles across these words is.

bb:

Good enough for me. Anyway, there are positive and negative Greys, just like there are positive and negative Humans. We’ll get to “Humanvillians” soon enough, I hope.

Hucka D.:

We can bounce around.

bb:

So the statue spins around[ in the collage animation], like the foot stone spins around — they are one. And a replacement stick bridge is put into effect in 3, parallel with the head stone moving across the stream and placed under that tree root — one of those perfect fits for a collage image… had to be there.

Hucka D.:

Yes (pause) Manipulated photograph.

bb:

The 4th contains no statue simply because I didn’t have a picture of the statue in that position, looking away from the view. Just the right, forward, left and not backwards [positions].

Hucka D.:

Would your Second Lyfe friend wish to know more about TILE? I can send her some brochures.

bb:

Not sure, Hucka D. Maybe we shouldn’t talk about that any more.

Hucka D.:

I think you should make a collage of it. The friend is a collagist and you’re a collagist.

bb:

Maybe. Back to Whitehead X-ing collages[ for now].

Hucka D.:

The Manchester statuette is connected to a particular crop circle you *almost* visited while in England. Good thing you didn’t! And it creates a perfect circle in a similar way. The crop circle contained a code, as Collie found, that traces it back to the statue. Check it out.

http://www.cropcircleconnector.com/2013/Stantonstbernard2/articles.html

—–

bb:

Well, let’s just move on. The point is that 3 years ago I took a pic of what I imagined was a fairy bridge across Little Whitehead[ Stream]. 3 years later, another pic shows the stick bridge gone. Through the power of collage I bring past and present together here. The spinning statuette is forging a substitute bridge through the power of the likewise spinning grave stones. Who is in that grave? A Grey?

Hucka D.:

No. Dogpatch.

(to be continued)

TEXT SOON.