Category Archives: *REALITY
Collage 35
Green03>Collage34 (!)
So here it is: the overall Stonethwaite base photo for the projected in-the-round collage to probably finish off the Falmouth I series.
Perhaps every series from now on will be called Falmouth. The next will be Falmouth II, for example. Possibility.
The 2 halves of Collage 35:
—–
03/13/14: Now am finished, I believe (!) The whole enchilada:
And the 2 separate parts:
Filed under collages 2d, Wiltshire
Chat, Hikes
“Collages are coming in right and left, Hucka (!)”
Hucka D.:
Pressure creates art. You are seeking help. Art responds.
bb:
Have even revisited Greenup Gill now[ in last 2 collages, completed just yesterday].
Hucka D.:
You are playing the border between animation and collage. You see how hard it is to make good, competent animation. It really should be *lived*.
bb:
Interesting, Hucka D. Oh, I need to talk about my hikes this weekend. And last weekend, actually.
—–
Hiking season perhaps has officially opened, with 2 nice mountain hikes this weekend, both in Frank Park. But to back up, *last* weekend I also hiked in Frank Park and also Mytholopolis on Saturday. No pictures from the latter, however — forgot to take my camera along with me for the 50 minute drive. To summarize, what I basically discovered was an alternate or *southern* route from Carrcassonne into the heart of the new Mythos, or Redlands as I’m calling it now. I’ll attempt to provide types of maps asap.
Now to Frank Park. Last week I revisited Bill Mtn., but was quite depressed still about my interim evaluation and the whole work situation now. So I *dwelled*. Instead of walking toward the summit, I headed away through southern meadows toward places not seen in a while, including a ridge between Bill Mtn. and Frank Lake that I’d earmarked for a possible toy happening some time ago — a flat, relatively clear spot centered by a hemlock. The former passage into this clear space had now become overgrown with rhododendron. It was effectively sealed off, and if this was my first visit I probably wouldn’t have even known there was a clear space back in there. Not sure exactly what this means — must return when I’m in a better state of mind. The meadow just south seemed to contain poles marking some kind of, I’m not sure, race? Anyway, that added a little to my depression for some reason. Maybe just another human intrusion into a former pristine settin. Oh, and *guns* were being shot not far off. Hopefully not in Frank Park itself! But I think hunters are around the edges of the park. And I heard them again the next day, if I remember correctly. Upsetting. Started in the afternoon both days.
It’s difficult to write about my Frank and Herman Park hikes without pictures. I’ll try to put what I have on the blog tonight so that I can write more effectively later on. The 2 hikes this weekend were more successful, and both days I explored new territory, especially yesterday (Sunday). Found another hutch in the woods where someone perhaps got refuge from the elements at times. Bullrocks type rocks below it… this would be the summit of Greene Knob. Or maybe that’s Gene Knob. Should Gene Knob be a new blog category?
Hucka D.:
I’m back. Yes, Gene Knob should be a new category. But don’t call it that. Think of Allen Knob to its west north. Think of Green Stream between. Allen the Purple Martin.
Filed under Bill Mountain, Frank Park, Mythopolis
Revisiting (Collage 17)
“Where are these collages going?”
Hucka D.:
Whereever you wish. London?
bb:
I’m in Mythopolois now for the last 2, Hucka. Pretty interesting stuff.
Hucka D.:
You need to move back to Blue Mountain. Or not.
bb:
Revisit Greenup.
Hucka D.:
Of course (!)
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Wiltshire
Collage 16
A logical follow-up, and directly related to animation collages Jasper 05 and 06.
Filed under collages 2d, Mythopolis
Collage 15
Some preliminary thoughts on this…
I think this is an *attempt* at healing a painful situation depicted more in full in Collage 13, which contains the same central Jack figure. Here Jack is not as much a facade as in that earlier effort, but an enclosure. His face is not 2d but superimposed with a head that represents a montage of President Eisenhower (of Grayson County) and his representative to the grey aliens, supposedly. I assume the head speaks of aliens, then, and the truth behind them. The rock enclosure may represent a place of safety to do this. Many of the elements from Collage 13 reappear, including the colorful pea pod on Jack’s arm, and also nearby 12 Oz Mouse/Fitz. The Shining’s Wendy is new to the scene, although she appears in the Collage before this (14) and also the earlier Collage 9 (2 Wendys in that case). She’s culled from the famous scene 61, studied by me in some detail in late Dec. and early Jan. Jack and the rock enclosure replace the reclining Danny of that static scene. In Collage 14 before this, Wendy also stares toward Jack at the bottom of the picture — and there are 2 Jacks there, one replacing the head of McCartney and one (to its right) turning around to face Wendy, seemingly. The tiny, walking McCartney and Harrison also are transposed to Collage 15 from Collage 14. And also as in Collage 14, they walk across Jack’s chest/torso. The handshake between Starr and Coburn in Collage 14 may be the thing being spoke about by Ike/Ike’s Representative in Collage 15. Why does Wendy look on and why is she cradling a giant corndog in her arms? This seems to represent a beginning of forgiveness. Acceptance of the corndog in the past. The evaluation is over, and healing must begin before any kind of integration can take place. The Wendy figure must own up to her part of the incident. Behind Jack and the rock enclosure is 2 fused pictorial elements from single movie synchs of the past, as Carrcass-10 represents the newest single movie carrcass, involving The Shining and it alone, in essence. We have Kevin from “Up” superimposed on Howl’s Moving Castle, with 2 eyes becoming 1 eye. Kevin and the castle become fused. They are direct kin to Jack because of the single movie carrcasses involved. Kevin’s body is similarly colored to the red rock of the rock enclosure — a rock temple, really. These rock temples, mid ground and foreground (1 and the same) might represent carrcasses, then, past (Up/Howl’s Moving Castle) and present (The Shining). The past has done its duty; the present still has some stuff to say, apparently. Grayson information. Military industrial complex stuff. The golden, upward path in Collage 13 transforms into the red, downward path or passage in Collage 15. Red is pain. Red is also information, painful in style. There will be an attempt to understand.
Re-Edwardston 01
“This (Jasper 05) is The Diagonal, gate closed. Red top Edwardston Resident leads the cars up the gulch that is Pier’s Gill. The Way into East VWX Town has been blocked — by a coffee cup with Ernst’s Birds, Fish, Snake on it. The Fox rules this picture.”
“Then (Jasper 06) the gate is open. Cars can proceed down the broad highway. This is the opening to VHC City, but also East VWX Town. VHC City must now, or in the near future, act as a substitute for East VWX Town. Right now there is an artificial suspension of importance. VWX Town rules uber alles. This is because of the power of The Woods. The Woods must give partial power to VHC City in order to itself survive, or at least live longer. A dual pole is needed, Alpha and Omega. Right now the Alpha and Omega are sort of condensed in VWX Town, see.”
Filed under **VIRTUAL SL, collages 2d, Heterocera, Mythopolis, Rubi


















