Category Archives: 0317

BOTTLE

“I was able to pull the interwebs up this time, Baker — Pitch! I just had to set my group to Blue Feather. Wrong group before — too much shopping for clothes, I suppose.” She laughs a bit.

“Right. Getting right to it, this is Fisher Island, Alabama in front of us, Bill slash Wheeler. In an alphalist of islands named Fisher in our user’s US of A…”

“Soon to be destroyed,” interrupted Wheeler Bill.

“Well, let’s not rush it.” Baker Pitch continued. “Our Fisher Island in Wisconsin next to one of only 2 New Islands — and we’ve identified some oddities involving that *second* New Island, in Georgia…”

“Which we won’t get to tonight. Go on…”

“In an alphalist of islands named Fisher, this Fisher Island, Wisconsin comes last. But if we *rotate* back to the first of the list, Fisher Island, Alabama would be next.”

“Okay.”

“Notice on this map, Fisher Island (Alabama) is quite bigger than the one in Wisconsin. We now think this could be an *evolution* of the energy of Fisher Island, even further beyond New Island now. Wisconsin was a base to talk about the transfer from one to the other. But here in Alabama we have what seems to be the true center of the energy.”

“Alright. When are we going to talk about the mounds?”

In a minute, Bill.”

“Okay, Pitch.”

“The first thing we need to do to prove this is to *expand* our idea of Fisher Island here. Below the actual Fisher Island, on the much larger island in the Mobile Bay delta containing the mounds you just mentioned, there is a Fisher Lake, and also  a *Lower* Fisher Lake. Together they form a kind of loose diagonal running across the larger island — with the mounds again. The concept of Fisher seems to be expanded or inflated to cover the entirety of the larger island. And we can prove this by noting some anomalies between this larger island and the Fisher’s Island in Our Second Lyfe, namely the abrupt discoloration of the surrounding river on the western side, and also the matching curves of not only the western rivers in each case, but also that internal river running from Mifflin Lake on the Alabama side — quite obvious, really, if you study it. You can see that as we switch to satellite view of the island.”

“Let’s skip that, Pitch. I know what you’re talking about. To me — and I’m *still* the most important one to convince — Fisher Island has expanded to become the larger island with the mounds. Next topic please.”

“Well, just moving a bit southwest of this officially expanded Fisher’s Island, on the Mobile County side of Mobile Bay, we have a population place named Axis — only one in US — and then just below that, a Pennsylvania — again, only one in the US of A, besides the state of Pennsylvania. But that is a state and not a town.”

“I know the difference.”

“Now remember, Axis asked Eraserhead Man for the fire demon Gus in (Collagesity) novel 9 so that he could make his High Castle *mobile*. And, expanding again, we can see he became even more mobile and moved from New Island to Fisher Island, perhaps much to his surprise. He went groundside again, wasn’t harmed like the other biological agents in the spaceship (already there), and located Ruby in her democratic empire just east of Meat City, changing into Tin Tin for disguise. But I think that whole subplot has gone haywire, Bill. Interference by Gwin, who is the same as Jill MacGill in Eraserhead Man’s Urbane Blue production.”

“You’re making my head hurt again, Pitch. The proximity of this expanded Fisher Island in Alabama to Axis and Pennyslvania is beyond chance, yes. Axis becomes Mobile through Pennsylvania — which is Eraserhead Man because of all the Twin Peaks stuff in that state.”

“Pennsylvania. Not Alabama.”

“Yes.”

“Plus — he’s a pencil. That’s his nickname too: Pencil. Like Pennsyl(vania).”

“Right.”

“So,” continues Bill. “Eraserhead Man — Pennsylvania — gives Axis Gus so that the latter can become Mobile — in his High Castle –”

“Yes.”

“And this mobility eventually lands him beyond New Island onto Fisher Island.”

“We should end with a picture of the mounds — dominated by one large mound, just like *our* Fisher Island. These are in the northwest corner of the expanded Fisher Island, Alabama.”

(to be continued)

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Filed under **VIRTUAL SL, 0010, 0317, New Island, Rubi, Wallytown/Fishers Island

Rubisea

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Filed under **VIRTUAL SL, 0009, 0317, New Island

in and out

Tronesisia walked to the top of the stairs to confront Peter SoSo full on. “I’m here my love,” she said. “We’re in this together now. Lamb.”

Meanwhile, across the tracks from here…


“It’s time Timmy. My Timmy Time tiny horse.”


“Well she got off to a running start and that’s good.”

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Filed under **VIRTUAL SL, 0005, 0317, Heterocera, Lapara

upsidaisy

It appeared in VHC City’s underground Muff-Bermingham station on the second to last day of May 2017. The four stars strung above the entrance — red, green, blue, yellow — were a dead giveaway to who dwelt inside. It could only be Spongeberg the Destroyer, similarly bedecked with the same four colored stars. But where was he? The caravan appeared empty.

But suddenly Wheeler was there, walking out the entrance in the most outrageous clown costume yet. Was that Spongeberg attached to her body??

No, it wasn’t. Should we send another avatar over to get the story? Baker Bloch is a logical choice. Maybe The Musician. But, no, here comes The Musician out of the caravan on the heels of Wheeler. He has a clown costume on as well — not quite as extreme as Wheeler’s, but pretty full frontal still. Noises inside. Appears there’s actually a party going on now where before was dead silence. At least 4 clowns within by my counting. One manifests at the door. “Hey Musician, where you going? Your turn to dance.”

The Musician moves closer to Wheeler, saying just above a whisper, “I don’t want to do that.” He’d seen the others. He’d seen *Wheeler*. He didn’t know how she did what she did.

“No choice, Musician,” returns Wheeler in a loud whisper herself, out of earshot of Johnson. “We’ve gone this far. You dance, you’re in the group. Spiffy, Jumbo, Percolator, Stingray, Johnson, and us. This will make my cover complete. You’re here with me now. Allen Martin has gone to a better plane. Go ahead and dance for the guys and gal. All you have to do is be goofy as hell and you’ll be fine. Nothing *serious*.”

“I’m not exactly sure how to do that,” admits The Musician. He was a serious artist. No comedy in his act.

“Think about what you usually do when you dance and do the exact opposite,” suggests Wheeler. “Pretend that there’s an anti-Musician, one who isn’t serious at all. A clown, a buffoon. He’s a walking laugh elicitor. He can’t walk down the street but for people doubling over all around him, rolling on their sides even. Laughs and guffaws, Musician, when they see you. I know you can do it.” She brushes aside his projecting green hair and gives him a kiss on the cheek. “The key is not to think at all,” she says, holding his arm. “Just let go. Let *everything* go. Let the other side take control.”

She grasps his shoulders and turns him around to face the caravan and Johnson. Then she gives him a swift kick up the rear, making the clown at the door clap his hands with glee. He meets the reeling Musician halfway and escorts him up the steps. “Bozo coming through,” Johnson yelps as they enter the caravan to an eruption of cheers.

Wheeler stays outside and listens, letting it soak in. The four stars above the door disappear as the event reaches a tipping point. “Spongeberg has no power here now,” she says to herself. “We move forward.”


Tipping point.

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Filed under **VIRTUAL SL, 0004, 0317, Heterocera, VHC City

Entrance

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“For the life of me, Old Mabel, I can’t *see it*.”

“I’m saying: turn around please Baker Bloch. You’re looking the wrong way. Look at where *I’m* looking.”

“I *am* Old Mabel. “Nothing is there. Nothing at all.”

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“Something is appearing inside,” said Old Mabel, peering down.

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—–

“Then I woke up, Baker Bloch. Another dream about the forest. At the tree where Urch disappeared 2 nights before. 125/125.”

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“The big eucalyptus tree, yeah. Big enough to hide a man the size of me inside.”

“That tree is a portal.”

“Maybe they all are,” responds Baker. “The eucalyptus, the brown cypress, the green cypress. All along that line. And then Unch himself (or herself) at 168/168. Still haven’t met Unch, er, face to face?”

“No.”

“How about now?” Baker offers. “It’s nighttime after all.”

“You guys aren’t talking about those woods again, are you?” asks Furry Karl, walking up with another Krings beer for Baker Bloch. “I still don’t like that kind of talk in my bar. I’m up here in SoSo Mall because of it. Just to get a *little* further away from those trees. So they can’t listen in. Careful with that wine glass, baby doll,” he then says to Old Mabel. “It’s been Spillsville around here.”

“I will,” she replies, and then looks at Baker Bloch again. A vision of a double headed Winfield flashes through her mind. Fused. Fire. So much fire.

“I suppose you heard Karoz is back,” says Karl, changing the subject. “Back from space. Still doing the bidding of that demon Wheeler.”

“Shhh,” reprimands Baker. “Don’t say that too loud.”

‘What… *demon*?” speaks Karl defiantly. “She’s over on that island of hers now. She can’t hear us. The *woods* might be able to hear us, but she can’t. I think we have bigger problems if people are starting to dream about that place. It’s 1968 all over again. Treestock.”

“You know so much about local history, Karl,” says Baker.

“I do,” responds Karl quickly.

“Someone should interview you,” completes Baker.

“I’ll do it,” volunteers Old Mabel, raising her hand. Baker wonders if she might be a little drunk tonight. She’s not use to drinking wine, but she purposely spurned her usual lemonade, saying she needed to lay off the sweets to see if it was affecting her dreams. Maybe she’s just trying to numb her brain into a good night’s sleep.

“Well, that’s awfully sweet of you deary.”

“I’m *serious*,” she emphasized. “I want to do it. Let’s set up a date now, while we’re talking about it. If we wait it might be too late.”

Baker thinks he sees Old Mabel sway a bit in her seat. “Maybe we better get you home,” he says, standing up.

Old Mabel shakes her head. “I’m not going back home. I’m not laying down on that couch. I’m not *dreaming* tonight. I don’t want to dream. I want to stay awake. Baker, please stay awake with me. Until sunrise. Then everything will be all right. It’s 2 o’clock now. Sunrise in 3, 4 hours. Stay with me. Hold me.” She falls from her stool and softly sprawls out on the floor. “I’m okay,” she declares, but can’t get up.

“Come on Mabel,” says Baker, offering a hand. “Let’s go home.”

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Filed under **VIRTUAL SL, 0003, 0317, Heterocera, Rubi