Collage 09 Interpretation 02

(continued from)

We’ve already mentioned recently that Sam Parr Model in Sam Parr collage 07 has the head of a fox: Redd Foxx once more. This would be the collage just after his first appearance in my work in the Collage 06/07 diptych of that earlier series. And this same Sam Parr Model image now appears in both parts of “Darth Redder”, and, in its second part, with the superimposed head of Redd Foxx once more (2x larger than before in respect to the body). Is this a representation of the akh or haunting spirit?

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So his head is covered with the Darth Vader helmet, but simultaneously appears on Sam Parr Model in the background to the right. The group of people in front of her from the first part of the animation have meanwhile disappeared. They seem to be the same as the floating body in front of them. We know this from a prior interpretation of Collage 07 in the new series, which contain these same images. Instead of reproducing the collages, I’ll just give links to the 2 part interpretation:

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-01/

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-02/

—–

Hucka D.:

What’s Darth Redder reaching for on the right side?

bb:

Good morning, Hucka D. I was hoping you’d show up. The tetraptych is a difficult one to interpret because of the overall complexity. I had the same problem with the Falmouth tetraptych, the first one I did. The analysis of Gilatona-Lis, going pretty smoothly up to that point, got a bit mired there. And it’s Darth Vader on the right side. Darth Redder is just a name I invented to fuse Redd Foxx and Darth Vader together. He’s reaching for… well, he had [a dancing] *Brak* in his hand. Here’s the source image. We can go from there.

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It’s the logo of sorts for the carrcass I’ve numbered “Carrcass-0”. Can I give the actual name out here?

Hucka D.:

Might as well. It’s Aunt Frylock. (pause) Isn’t it?

bb:

No. It’s [delete name]. Well, I don’t seem to be able to give the name out. Wait… silly me, that’s not the name anyway. Okay, I’ll say it. It’s [delete name].

Hucka D.:

Let me try. “Empire Strikes Brak”. How’s that? Did you hear that well enough?

bb:

Let me check the blog post (checks). Yes (!). It showed up for you. Hmmm.

Hucka D.:

It’s because I’m a Greenheader next to Red Head.

bb:

Anyway, so we have a mashup of named “Empire Strikes Back” with “The Brak Show”, like in the carrcass. The scene is Darth Vader “reaching” out to his son Luke Skywalker, asking him to join him, or to join the Dark Side.

Hucka D.:

That’s correct. Like he did.

bb:

No, Hucka D., he didn’t join his father. He stayed on the Light Side of The Force.

Hucka D.:

Well, how did he do that without getting killed? There was no way off that pole but down, and that was a mile long fall at least. He couldn’t have made it. Movie sequel over after [roughly] 1 hour. Partial price of tickets had to be refunded. You tell me how he did it?

bb (smiling):

Yes, Hucka D., you’re setting me up. We know now how Luke Skywalker escaped the clutches of Darth Vader and didn’t fall to his death. It is because he had a magic toenail and simply wished himself into at least a slightly better place. This is a gift from *Brak*.

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But where Collage 09 joins with Collage 10 we have overlapping animations, an interesting effect for certain. Darth Vader reaches out to *12 Oz Mouse* here, and there’s also another animated Brak nearby — in the same driveway that Vader’s arm extends over a bit. Is this a perfect place to segue to an interpretation of Collage 10, Hucka D.?

Hucka D.:

As good as any. We can return to Collage 09 if needed. Who lives in the white house that dominates 10?

(continued in)

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Collage 09 Interpretation 01

(continued from)

So here we go. I’m as ready as I’ll probably ever be. And Hucka D., I’m assuming, is going to help. It’s in his job description[ after all]. I call this one “Darth Redder”. It’s a two part animation, like all 4 collages making up the Collage 8, 9, 10, 11 tetraptych. Should it have an overall name? Anyway, I’ve already given an interpretation of Collage 08 (“Animation Station”) here and also here.

collage09test95b
“Darth Redder, Part 1”

What are we looking at here? We’re seeing the image of Redd Foxx playing Fred Sanford doing his famous heart attack routine already mentioned a couple of times recently in this blog. To remind everyone of the story — and the cruel, ironic twist about it — check here:

http://www.wikilou.com/1.20.0/index.php?title=Redd_Foxx

Foxx appeared to be making a comeback with the 1991 series The Royal Family, in which he co-starred with his long-time friend Della Reese. During a break from rehearsals on October 11, 1991, a fatal heart attack felled him on the set. Reportedly, Reese and the rest of the cast and crew thought he was doing his classic (and in this case, ironic) “I’m coming, Elizabeth” fake heart attack routine he made famous on Sanford And Son, even going as far as collapsing to the floor, although that was not part of the usual schtick. However, this heart attack was real, and Foxx never regained consciousness.

The central picture of Mr. Foxx from “Darth Redder” of course is not the picture of his actual death but the fake one from his famous Sanford and Son series. Superimposed on his torso is an actual red fox, harking back to this older post. I’ll quote some again…

https://bakerbloch.wordpress.com/2014/08/04/oracle-time/

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bb (“reading” map):

A little carr. Spider. To navigate the narrow streets of Bath. Drive/Steer a Littcarr. Then something about Reddfoxx and racial issues. White… black. Take a Gander, I suppose.

And I believe that’s the first mention of Redd Foxx in this Frank and Herman Einstein! Blog. Slightly later we find that he could be one of the 6 or 7 enrollees at the short lived Sam Parr State College in Collagesity, Noru, and seemingly the only African-American of the bunch. We also find out that although he is only a straight “C” student, he still may have better entrance grades than anyone else.

Foxx appropriately then appears in several Sam Parr series collages, namely Collage 07 (a diptych with Collage 06), and then also in Collage 08. In Collage 07, he rises from the far edge of Sam Parr Lake, below a giant arching, frog tossing figure of Sam Parr Model, who seems to be a stand-in here for the primary Collagesity deity we call Carrcassonnee. He flashes an okay sign with his hand to the picture viewer. Although we have red foxes in a number of collages prior to this, we don’t have Redd Foxx himself appearing until now. He has manifested.

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In the first part of the same of the dipytch (left hand side) we have a red fox, the same image used in “Darth Redder”. This is also a new collage image (not the same as the old foxes), and is drawn by another Sam Parr who I call Sam Parr Artist (or SPA) to differentiate from Sam Parr Model (SPaM) and the rest.

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I consciously doubled these images in that diptych, but on opposite sides. In “Darth Redder”, the images are combined or fused in the middle. I had the feeling that the red fox in Redd’s arms is his soul or ka, perhaps to become an ahk. When it departs from his arms, he is dead, attack completed. Some ancient Egyptians believed that under favorable circumstances the ahk is created that could present itself as a ghost of the deceased. Redd Foxx himself is said to have haunted his old Las Vegas house, seized by the IRA for back taxes in 1989.

In part 2 of the animation…

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“Darth Redder, Part 2”

… the fox is gone, and instead we have a floating body appearing from behind a rock wall to the right. It has seemingly replaced the Darth Vader “reaching” image from part 1, and instead we find the dark Vader mask covering the face of the “dead” Redd Foxx. This is the departure of the ka from the body in my opinion at the moment of death.

Redd Foxx represents The Father, as he played in Sanford *and Son*. There he faked heart attacks. This one depicted here is the real deal. An sad faced orange m&m pendant hanging in the same tree looks on.

(continued in)

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Daybreak at Collagesity

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I had a visitor this morning. Gave me a bit of a fright at first!

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Turned out it was just a big pussycat. Aww.

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I rezzed a big comfy cat basket on the bottom floor of the diner for it and then took my leave. I wonder if I’ll see the fella again?

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Collage 10 (to finish!)

This is part 3 of 4 of the newest Stonethwaite tetraptych (yes, there are 2 of ’em now). I call this section of the overall work “Holey”, another 2 part animation like all the rest:

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Top Floor, Red Umbrella, Minoa

Animated tetraptych coming along(!).

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Collage 11

I skipped Collage 10 for now and moved on to part 4 of 4 of the overall tetraptych. This collage is once again a 2 part animation, and I call it “Rainbow Men”. All grafted images originally lay solely on the right side of picture. But that changed with the addition of the rainbow m&m’s. Written interpretations soon…

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collage11test96a

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May have already finished Collage 09 — uncertain. This would be part 2 of a projected tetraptych involving a Stonethwaite panorama photograph found on Wikimedia Commons. Will parts 3 and 4 be created this coming week? And is this the basic end of the new series if so — not even extending into June? I have a feeling this may be a 20 parter instead, like the old Oblong series. Or the Greenup series that started it all over 10 years ago.

Virtually speaking I’m still in Minoa’s Collagesity but thinking about giving it all up next month. At the least I’m thinking about demolishing the Toxic Art and Power Tower containing my older digital efforts now. Can’t say I’m ready to give up the Falmouth Gallery just yet. I have a small side gallery established in a Mysten rental now… fairly interesting location. An Art 10×10 mirror site is located in another spot on the Sansara continent.

Mainland is extremely depopulated now in comparison to 2008, when I first signed on. Can it continue on like this for years to come? I’m uncertain. Yet I still find an attraction to mainland living, it seems.

I’m attempting to decide if all the collages in the Red Umbrella, created in the last year, are part of one series or remain separate from each other. The newest one still doesn’t even have a name. It contains references to other collages in the building, however. The end of the massive Falmouth collection is only a little past a year ago. I seem to remain in its shadow.

I am trying to balance pure collage creation with interpretations of same. For the new series I’ve decided to create an interpretation as I create the collages one by one. This is in contrast to the Sam Parr series also in the same building, where I basically waited until the end to create an overall interpretation. For the Embarras series that lies on the floor below the current one, I only did a full interpretation of the *last* collage. Should I even go back and create an overall interpretation of that one? I’m not sure.

While I was inside the Falmouth collage generating process, I believe I still possessed the illusion that we could stay in Blue Mountain in our retirement years. I don’t harbor this any longer. Middletown will most likely be our main retirement base instead. Correspondingly, the middle series of the Red Umbrella Gallery — the series before the current one — is all about Middletown and the attempt to escape the psychic gravity of Blue Mountain. The current series represents a compromise. Yes, we will have to stay in Blue Mountain for a number of years still, perhaps even up to 8, 9, 10. Yes, it is still a beautiful place where we live. I believe the discovery of Whitehead Crossing’s Red Head location this spring opened up a new door of appreciation. I must take all that I can from Blue Mountain before a physical departure.

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Collage 08 Analysis 02

(continued from)

bb:

So now we come to the human elements of the Collage 08 animation. We’ve already mentioned Edward Swift sprawled out on the table that the Space Ghost characters sit around. He does not have a counterpart in the second part of the animation. Then also in animation 01 we have Moss from The IT Crowd again, who has already made an appearance in the new series in collages 04 and 05. He guards the Red Door; waves off possible trespassers[ in those collages]. However in this collage he seems to be *trapped* behind the red door of the Newfoundland station. Thoughts, Hucka D.?

Hucka D.:

He is trapped in the station. Like you will be trapped in the Red Head cabin in a probable future spinoff.

bb:

Then in animation 02 we have a shirtless Peter Gabriel as the Rael character from the fabulous concept album “The Lamb Lies Down on Broadway” by his old group Genesis. He stares toward the station, but Moss is no longer there behind the door, which has been shut in the meantime. Instead Fin McBride has showed up at the station, luggage in hand. The luggage bag he holds is the same color as Moltar in front of him, sitting with Space Ghost and Zorak at the table that Edward Swift has disappeared from in the meantime. This disappearance *reveals* more of Moltar’s color and identification with this piece of luggage.

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—–

“A constant — actually there are 2 constants in the collage in terms of added elements. We already mentioned that the blurry faced man appearing in the foreground does not change between the 2 animations. Then in the background we have Walter and Lao Russell’s Swannanoa Mansion near Waynesboro, Virginia remaining unchanged between the two halves of Collage 08. The huge looming nature of the mansion contrasts the smallness of the Newfoundland station below it. In the future, Hucka D., we will probably live in Swannanoa.”

Hucka D.:

Yes.

bb:

It is our future home. Like as depicted in, well, the collage “Future Home” from the last collage series.

Hucka D.:

You will live in Swanteen, yes.

bb:

Or Otanoa.

Hucka D.:

Either one. Or both. Or none.

bb:

Future up in the air, still. Like the Swannanoa Mansion is way up the mountain here, in the distance. Seeable and viewable but still quite far off. A considerable trek still.

Hucka D.:

How do the humans relate? Is Peter Gabriel the same as Moss[ between the 2 animations]? Is Edward Swift the same as Fin? Both the latters’ heads are conveniently framed[ by other picture elements] at the top. Fin even seems to sprout 2 tiny horns through the light shining on the station behind him. Fin has just arrived, and looks out at all the seeming cartoon chaos spread out in front of him. He looks at the shirtless Peter Gabriel who is Rael, wondering who the heck this is as well. And we’ve seen him before…

bb:

You mean the last collage of the Sam Parr series. Also an animation.

Hucka D.:

And then the beer bottles there too. You better put up a pic.

bb:

On it.

samparr11test04i

This is the first part of the 2 part animation of Sam Parr 10, Hucka D. Peter Gabriel-as-Rael looks on at a scene again. A tiny house or studio or station again. A man is inside again, like Moss in the current work. Trapped? And then Ray Davies appears beside him, or just behind him actually. They gaze together. Ray Davies has just showed up in a new collage, the 4 part animation I’ve named “Midgetville”. Actually this is the collage immediately before the current one (Collage 07 to Collage 08). And then, as you’ve alluded to, we have the same beer bottles from before, and indicating the passage of time. Actually in looking at this, the picture above *would* be part 2 of the 2 part animation of Sam Parr 10, since all those beers have been drunk already. This is the same situation as part 2 of the current collage.

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Hucka D.:

There’s that mouse again. *The* Mouse.

bb:

So here’s part 1 of Sam Parr 10[ then].

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And we also have Edward Swift sitting at (but not sprawling on) a table. But we have no equivalent for the propped up “E” of Sam Parr 10. Nor the humanized red fox. But that’s Peter Gabriel again, dressed up like a character from the Foxtrot album. That Rael from “Lamb Lies Down on Broadway” would show up in part 2 again represents a passage of time, since the Foxtrot album was released a little before the Lamb album. But is the fox Moss? I suppose this is a segue to Collage 09 of the new series, Hucka D., since Redd Foxx appears in that one, and also we have additional images from “Midgetville” to analyze there. Are we done with this one for now?

Hucka D.:

The blurred out man in the foreground is probably homeless. The man who lives in the mansion in the background has one of the finest homes possible. That’s another opposition. Thank you and good night.

(continued in)

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Collage 08 analysis 01

(continued from)

“Apparently I’m going to create a tetraptych composed of what I’m numbering as Collage 08, 09, 10, and 11 of the new series. This series is still without a name. Is it “merely” a continuation of the Embarras series on the floor below, cobbled together earlier this year? Sam Parr (the series before the last one) might represent the final “traditional” collage series based around images gathered from a particular Jasper County geographic name. I’m confused.”

Hucka D.:

Just start — or continue — analyzing the collages and let the other pieces fall naturally into place as they may. Let’s continue then with “Animation Nation.” Sorry… this is “Animation Station”. The center is the tiny Newfoundland railroad station that Finnbar McBride inherited to begin the Station Agent film. He is a wee person, and he is seen standing next to the door of the station in the second part of the animation. In the first part he is absent. Most of this animation makes simple sense, except for the human characters, which number 4 5. The rest are animation characters. They make a direct animation with themselves. Let’s list them out. Do you want to give it a shot?

collage08atest26

bb:

Sure. There’s Shake and Boxy Brown from Aqua Teen Hunger Force in the foreground. They’re on opposite sides of that rain puddle. A man with undefined face puts his hand directly in the middle of Boxy Brown’s hair. We know that this is the opposition of black and white across the puddle. You say it…

Hucka D.:

Taijitu.

bb:

Hmmm. Anyway. Let’s see. Then just sticking with Aqua Teen Hunger Force characters, we have an animated Insanoflex from the movie “Aqua Teen Hunger Force Colon Movie Film for Theaters”. What a title! Boxy Brown also makes a cameo in that film. And both, along with Shake of course — a main Aqua Teen characters as opposed to the other 2 who are more role players — appear in carrcasses. Or one carrcass, and that would be Carrcass-0. Carrcasses, Hucka D.

Hucka D.:

Yes, this is about those pesky carrcasses in part. Hard to keep their influence out of collages for long. So go ahead…

bb:

The Insanoflex is dancing atop the truck, just to clarify. His head is in the sky — transparent. All of these cartoon characters have a common source in the “Space Ghost Coast to Coast” series, Hucka D. Space Ghost and direct cohorts are sitting in a central table of [Collage 08]. Brak dances right center. He is a role player in Space Ghost Coast to Coast, but becomes the star in the spinoff “The Brak Show”, and takes Space Ghost’s Zorak with him. Likewise, “Aqua Teen Hunger Force” has its origins in Space Ghost — another spinoff show as it were.

Hucka D.:

As it is. Had to add that.

bb:

And then that leaves only Fitz the mouse from “12 Oz Mouse”. It’s kind of the successor to Aqua Teen, in turn, but only through the carrcasses in main. That is, Carrcass-1 is centered around 12 Oz Mouse, while the former carrcass was based around the Aqua Teen movie. So that’s Aqua Teen and The Brak Show spinning off from Space Ghost Coast to Coast, and the 12 Oz Mouse kind of spinning off from Aqua Teen I suppose.

Hucka D.:

Correct. [He is the] culmination.

bb:

12 Oz Mouse is closer to my sensibilities than any of it, but the late Space Ghost episodes come somewhat close. Kind of like the late Beethoven quartets. Masterpieces.

Hucka D.:

Not quite. But: yeah.

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bb:

So here are all those same cartoon characters in the second part of the Collage 08 animation, Hucka D. All make simple animations with their counterparts in part 1. Shake’s mouth opens and closes. Boxy Brown nods forward and then backwards. Brak dances in place. The Insanoflex on top of the truck moves its legs back and forth in a strutting motion. Then the central table with the Space Ghost characters has a mysterious guest appear on it in part 1, actually. This is Edward Swift, the Southern writer we’ve seen in a number of other Collagesity collages. The one who spent his childhood in Camp Ruby, Texas and later treated those times as a kind of Eden. He also stands for the Second Life sim Rubi and its own paradisiacal forest. Lucky is a bridge: Camp Ruby was once called Lucky, and a Lucky’s Magic Village was found in Rubi’s VWX Town, later to become part of the town’s museum. And it’s still found in Collagesity’s museum. I didn’t make up the name, however. That was just the name of the object that I found in [insert sim location] a couple of years back, I suppose — copyable. But that’s the guy that magically appears on the table. Hmmm… Lucky’s Magic Village is now on a table in the aforementioned museum… (checks) Well, actually as I’m checking inworld through Baker Bloch now, the village sits on the ground to make room for the historic map of VWX Town above it.

Hucka D.:

You are writing swell this morning. You have covered all the cartoon characters of the Collage 08. All have source in Space Ghost. Baker Bloch’s father is actually elder Space Ghost. Baker Bloch is Space Ghost’s spinoff as well.

bb:

I suppose so, Hucka D.

Hucka D.:

Baker Blinker is also possessed by Master Shake of Aqua Teen Hunger Force pictured in the foreground. Is the curse still affected?

bb:

I don’t think so. The spell was broken with the creation of Carrcass-1 beyond Carrcass-0. 12 Oz Mouse took the upper hand over Aqua Teen Hunger Force then. 12 Oz Mouse is the chief cartoon now.

Hucka D.:

Nice. What does he do in the animation.

bb:

What he always does: drink.

fitz01

(continued in)

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Spread’n Out

I’ve moved around some of my art to new locations in Second Life. Here they are. First up is a small gallery in the Mysten sim exhibiting my newest set of collages. I call it simply The Red Umbrella, borrowing the name and logo from the larger gallery of that name in Collagesity, Minoa.

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Then I’ve set up a mirror gallery for the Art 10×10 collages in a location I won’t specify, but is close to the Kerchal Forest.

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Am I preparing for the end of my existence in Minoa? Could be.

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