Sapphire Happened What To…
“What happened to Sapphire, Hucka D.? It appears to be just you and me once more.”
Hucka D.:
More are coming. In the wings (as it were).
bb:
I think Emerald Center is a dead end of sorts. Ro-Sheen’s Coffee House is nice but not nice to make some sort of exploring base.
Hucka D.:
That would be Yeot. Balance to Aotearoa. Have you rented there yet?
bb:
No. I didn’t know you really wanted me to, Hucka D.
Hucka D.:
Do a series on Earl Dinkin’s galleries. That… (pause)
bb:
I want to think of the Sharon-Sunklands linkage more. That is a lead.
Hucka D.:
Carrcass-4 is coming up, baker b. You are gearing up. You must leave the safe confines of Your Second Lyfe now in a manner. Dead ends will keep coming up, pushing you in a certain direction, a Carrcass-4 direction. And *hiking*. My oh my the snow (you guys) are getting!
bb:
Sick, sick, sick of it.
Hucka D.:
Spring soon. Go to (Mythopolis’) Sharon. Time for a break in First Life… Lyfe.
bb:
The parallel to the Sampson’s Stones aren’t there in Emerald Center any longer. But you do have those different sized “atoms”. Maybe that has something to do with the interlocking spheres of Messiaensphere. LMNO and then P, last pea in the pod. Baker Bloch, you have said (at one time).
Hucka D.:
That pea is the key. P key.
bb:
It’s 199 seconds long, or 3 minutes and 19 seconds. An Oliver from Atlanta, in thinking about the Booker T. Archive a considerable number of years ago now, looked down and saw a key with the number 319 on it at the same time he was wondering if the Archive had any lasting value, I believe. The key… the value. 319. 199 seconds. 200 almost… the equivalent anyway.
Hucka D.:
Your P Pod landed in Billings, Montana, but also Billings, Mythos, just outside Sepisexton or 76-ton. You become Wheeler.
bb:
Billings, Olive is where Mythos’ Wheeler was supposedly born.
Hucka D. (trying to stifle a yawn but unsuccessful):
I’m trying to keep awake now while talking about your Mythos. It’s difficult. Wheeler was born in Billings. 1-10 years old this town was under (yawns) rule of Wurme… yellow (yawns again). It’s no use.
bb:
Can we talk to Wheeler again? Like we did last fall?
Hucka D.:
Wheeler is the first ruler of the Confederation who isn’t the ruler of the Confederation. Notebook II is before you were heavily vested in comedy. That’s the weakness… that’s why I yawn. I like the Mythos section of the 10×10, though. The Philip and Chas Show. Entertaining.
bb:
I am attempting to judge the value of such writings as Wheeler-from-Billings in Notebook II… actually, sorry, Notebook III now we’re at.
Hucka D.:
True enough that you will write a history of Mythos. Maybe Wheeler should purchase a freakmobile.
bb:
Good idea! (laughs). Mine should be on the way.
*****
bb:
Does Wheeler truely go beyond the Einstein-Shoenberg-Freud mobius strip, Hucka D.? Beyond Moses? Maybe Mosses now?
Hucka D.:
What means “beyond Mosses”, baker b.?
bb:
Schoenberg dead ended at Moses and Aaron, Freud at Moses and Monotheism, and Einstein at, well, Unified Field Theory.
Is Gill’s Pier a led-to Paradise, then, Hucka D.? This would be 2051, 44 years after the death inside Pier’s Gill in 2007. Peter’s death.
Hucka D.:
The mouse shall play to children von Trapp. Planets all. Ozmo as sun-moon.
bb:
Assuming that M-N is red-green and L-O is blue-yellow, then P is always hidden in combinations of the 4. P is always hidden… the 200 (3:19 or 199 seconds). P is the Key.
*****
Hucka D.:
The well, the key, was locked to the villagers. They broke the Locke. The key was denied so they broke the lock. They became the key. The villagers of Purton Stoke. 8-sided was the well house. Martin flew from a perch. The well provided wellness.
Key lime pie, 306×319
http://grantlawrence.blogspot.com/2009/05/purton-non-separability-and-unified.html
Slipperman
“Slipper Men”
“Decided not to rent in Huntsman, Hucka D. Close to Mt. Jeogeot, but the neighbor seemed a bit paranoid. You create your own reality. I’ve never had any problems with rentals and people in my houses. And if they were, well you just ask them to leave if you wish. They’re probably there by mistake, or just looking around. Let ’em look.”
Hucka D.:
If you had a mate within SL, you might think differently.
bb:
Perhaps. I’d get a bigger place than she had, then. No view there anyway. Maybe I should go back to Bluedrake.
Hucka D.:
Might be a better idea. That was a nice place. Very historic. Overpriced, but worth it for the story at the time, of course. You could return.
bb:
I”ll think about it. We better talk about “Slipper Men” tonight if we are. Now this is what I would call my first legitimate collage in over a year, since Jasper 10 and the end of the 10×10 itself. Not a really complicated one but a self-contained work still. I think at the end this became a symbol for Maebaleia and Jeogeot with the spinning Taijitu circle. Rabbit Hole then (connecting the two). The skeleton in the road points to it, or indicates toward it. Constantine I’s disconnected hand at the bottom points toward it. There is an implied relationship between the skeleton and the dismembered Constantine I statue, from around AD 319, Hucka D. All these images are related to the phrase “319 key”. The skeleton is single and intact, seemingly, but without flesh of course. The statue has flesh but the body is split into pieces — a hand here, a head there, a knee over there. 2 human figures that are incomplete in different ways. The pointing or indicating hands unite, through the Taijitu.
Then we have the pair of ladyslippers beside Constantine’s head, which are linked, pictorially, with the key lime pie as well. In what turned out to be a type of draft for this more finished work, the ladyslippers appear over the face of Constantine instead. Now they are “out of the way,” so to speak, allowing the face to turn and look at the spinning circle the hands are indicating. Instead the flowers seem to be more attached, to me, to the key lime pie. As if they were growing out of the pie.
Constantine may represent (the Mythos country of) Sharon through Sharon Stone — another “stone figure” if you will. Perhaps the key lime pie is a symbol of Sharon as well, since a community called Ladyslipper is the capital of Sharon, and these ladyslippers grows out of the pie, seemingly, or are otherwise attached to it. The dimensions of the picture this pie is cut from is 306×319, which is why it came up in a search for “319 key”, Hucka D. (pause)
To continue… but it is the *statue head* that seems to grow out or protrude from the center of the pie-that-might-be-Sharon, not the ladyslippers. Instead they are off to one side of both the pie and the statue head. Sharon has maybe transformed beyond the Mythos country centered by the Ladyslipper capital, and this is done through attachment to another Sharon — Sharon Stone. The ladyslippers do not cover or obscure the eyes. They are off to one side. Instead a relationship betwen two opposite things is revealed, a hole in space/time or Timescape. Rabbit Hole. Wazob (green) is seen to have an opposite in Ur (red), and, more particularly, Sharon (yellow-green) in Stockhausen (red-violet). We are asked to believe that Sharon is not alone, and that an opposite is needed to complete.
The title “Slipper Men” refers to the 2 ladyslippers, obviously, but also the 2 men in the collage, the skeleton and the statue, both incomplete figures in different ways, as we’ve said. Men instead of ladies. From the perspective of one man (Constantine), the other (skeleton) may not exist, or seem dead. The Taijitu is not understood. But they are linked — Slipper Men together and as one.
The centering of Sharon in Ladyslipper creating a type of blinding or partially blinding illusion of self-importance and self-containment, apart from Wazob and apart from Mythos as a whole. Is this the illusion Nick of Barkley believed in? Perhaps so.
I think we have underestimated this Nick of Barkley, Hucka D. I think he was *at one time* limited in vision in this way, and seeing Ladyslipper as the center and Sharon as independent of all else. But that changed — he, like me through this collage and the images within, had the too close flowers removed from his eyes. He saw Sharon in its true relationship as part of a greater whole. I see this myself now. Nick of Barkley created the Rabbit Hole (connecting Jeogeot to Maebaleia)?
Hucka D.:
Yes. He did. He and Barton became partners. St. Nick of Barkley but then just plain Ned of Barton. But together still. Sharon became the P Province: Chrysoberyl, after merging with others to lose its independent status and instead become a part of Wazob — the last “p” in the pod.
bb:
Sharon became one piece of the overall pie, an important piece, perhaps an archetypal piece, but still just one piece or segment. The ladyslippers are off to one side of the key lime pie in the collage, then, with roots in perhaps just one (future) piece. One piece of pie has already been removed. Is this Sharon as well? (Have the ladyslippers on that now missing piece been set aside so that the piece could be removed and eaten/digested?)
Like Dogen is now dead in LOST, so the *old* Nick of Barkley is dead within My Second Lyfe. Sharon decentralized in his perspective. Sidekick (Lennon) is also dead in LOST. Lemon-lime pie… piece removed. They live on in another time though, this Dogen (Barkley) and Lemon (Barton). Companions still.
Hucka D.:
We better move to the next collage. Good job.
“Timescape Castling”
bb:
To continue, then: the ladyslippers, same as in “Slipper Men”, reappear in the new collage, presently called “Castle, Castle” but that name will most likely morph into something else soon enough (3/4: called “Timescape Castling” for now). The ladyslippers, or at least the right one, seems to point, with its leaf, to the location of the Salt Hole of Purton Stoke, Hucka D., historically known for its healing qualities.
Hucka D.:
Like the healing waters of the temple Dogen and also Lennon protected, all in one. This was all well until Jacob died and the balanced shifted from white to black.
bb:
Do you think, then, that the ladyslippers, now with a face (like the Constantine statue of the previous collage in this, er, series I suppose), are like the force of the dark oriented skeleton, perhaps representing Maebaleia in some way, entering the temple or healing well or healing pool, like Smokey has taken over the temple in LOST?
Hucka D.:
Yes. (pause) An entrance has been made. Lines crossed where formerly proper boundaries were understood. Taijitu. It is *time*. Time/space… Timescape. The martin or martins have flown the coop. The rook enters unobstructed.
bb:
The tree that points directly toward the well is certainly at an odd angle, almost at a 45 degree angle. This seems, perhaps, to indicate the movement of a bishop in chess, the opposite of the horizontal/vertical rook possibilities.
Hucka D.:
That’s exactly correct. Ladyslipper has somehow found a way to *slip* into the opening and enter the octagonal well house. The crap carp. It is time.
bb:
The martins in the air may (actually) be in disarray, then, Hucka D.
Hucka D.:
Maybe. That’s your next (modification).
bb:
This may also have to do with the gallery opening — I think it has to. I shifted the *time* of the opening, after all, so that it wouldn’t interfere with Edna and me looking at LOST. And this was the episode where both Dogen and Lennon were killed and the temple exposed for Smokey or UnLocke or Flocke to enter and take over what is perhaps the heart and soul of The Island, Hucka D. The Ladyslipper points to an opening after all, the opening that quickly leads to the healing hole. And the tree points to this opening as well.
Hucka. D:
Better end. Again, good work (!) You have an idea already for the 3rd collage. You should add that Slippermen, although altogether disconnected to the idea of Sharon’s Ladyslipper in any other way, is still linked to it through Sharon’s Glop People. You’ve made that association before.
Ladyslipper (Sharon) > Glop People (Sharon) > Slippermen (Genesis/Lamb)
“Saltzhole”
“So you have encouraged me to attempt an interpretation of “Saltzhole” tonight, Hucka D. I think this little, mini-series of collages may have already come to a close. Just like that (!)”
Hucka D.:
Unlocke or Flock has moved to the center of the island and taken over the temple with its healing waters or pool, dark after the death of Jacob. Didn’t take long, did it? The third and perhaps last collage of your Slipper Men series is about the takeover. The martins, keepers of the temple, are sent away — die. This is Dogen and Lennon. Viewers will miss them.
bb:
And that’s basically all there is to this collage.
Hucka D.:
The gist of it. See, that didn’t take long oh-tired-one.
bb:
But so many questions remain. Perhaps at least Dogen will even come back. Don’t think so with Lennon, but, on the other hand, he was thrown in to the healing pool as well.
Hucka D.:
Before they had a comfortable nest, like cozy martins in a birdhouse. Now they are separated from their temple… through death. Banished. Lennon was especially a hard death to take. He is the larger bird in the “Salthole” collage, the yellow, more lemon colored one. Flock or Unlocke has assumed the rook and ladyslipper (through the pinkish color) roles in one. He has his new castle now, his new base. You *could* have had a hiking base in Huntsman, but instead you’re still hunting. Maybe this castle replaces that castle. RL for SL.
bb:
May-be.
Hucka D.:
The number of the castle or wellhouse has been reduced from 9 to 8 now that the Martins have flown the coop. Octagon, like the shape of the Purton Stoke Well House the rook or castle overlaps in the “Saltzhole” collage.
bb:
I suppose, Hucka D., this could also be a regression of St. Nick of Barkley back to his Ladyslipper and Sharon-centric days before the unification of Wazob. Sharon is all and everything, still. Reversion, regression. The Rabbit Hole (connecting Jeogeot and Maebaleia continents) has been erased.
The Voice
TEXT SOON.
“UnLocke”
“Real Life Sharon turned out to be a bust, Hucka D. No hiking options there that I could find. Sad, but of course I should most likely focus on Blue Mountain (for hiking) now.”
Hucka D.:
You know that a return to the Sharon you once knew is not possible. Later on, yes, with time machines and all. But now — blocked. Mythopolis was a good place to grow up but then move on from. Your father I don’t think understood your need to do that.
bb:
Really?
Hucka D.:
No, he loved Mythopolis kind of like you love Blue Mountain. He thought it the be all end all. (pause) His was more a people thing[, though].
bb:
I haven’t decided what network I should be a part of — at all. Really starting to see the limits of Second Life art scene. I love Second Life still, naturally, and probably will keep hanging out there…
Hucka D.:
… Sunklands is still a factor and a force. Keep creating Sunklands Today. And of course that’s where St. Nick of Barkley lived when he moved from Wazob and the Sharon you just skirted around today in your car. That road (Ridgecreek Drive) cut it cleanly in half, de-energizing it a number of years ago now. Your Ladyslipper shack is also gone, visible from this very road. When this cut occur, Sharon in essence wilted and died. That’s when St. Nick of Barkley decided to save whatever Sharon represented by moving the essential energy to Second Life — Your Second Lyfe. Sunklands is the result.
bb:
Should I keep reading the old Mythos notebooks, Hucka D.?
Hucka D. (after a pause):
Yes.
bb:
So… this new collage, maybe the *true* last in this little Slipper Men series, is about the death of Sharon the Mythos country.
Hucka D.:
Yes, it’s a monument to such, a headstone. Sharon (head)Stone.
bb:
A memorial, especially, to the Ladyslipper community of Sharon, whose symbolic shack has now been apparently destroyed.
Hucka D.:
Destroyed, yes. (pause) Good that you went there today to find all this out.
bb:
And of course the collage also represents MessiaenSphere, and the two male co-stars looking on either side of the gap that represents Sharon Stone — the missing star of the movie in this collage. The center… center stage.
Hucka D.:
Ridgecreek Road of Mytholopolis, your Morganton, overlaps the River Key of England, a short tributary of the Thames. A River Runs Through It.
bb:
I also think this door represents an opening, a specific one and connected with Stone.
Hucka D.:
Yes (smiles). She didn’t like that association and wouldn’t like it here.
bb:
The two disembodied statue leg parts probably represent Poplin and Gore Creeks surrounding the old Ladyslipper location, Hucka D.
Hucka D.:
Fractured, just like Sharon itself… a part of Sharon… part of the same body (Constantine I statue).
bb:
The joined numbers 8 and 9 appear again in this collage also, like they did in “Salthole”. On the water height measuring stick to the right now.
Hucka D.:
The Stone is death. 60 minutes, a complete circle. LMNO, with the missing, last “P” in the pod.
Loose Thoughts…
Note: Tomorrow look up post four of Rat Hole related to MessiaenSphere. Then either cut the post directly into this post or paraphrase. “Hucka D? We better keep chattering once more and again.”
Hucka D.:
You are transferring Baker Bloch again to 3d reality, I’ve heard through the grapevine. Would this be at the Purton Stokes Salts Hole?
bb:
That’s the plan Stan.
Hucka D.:
Nice. River Key is the crack in the cosmic egg (that is Wiltshire)?
bb:
Perhaps so, Hucka D. Salts Hole is midway between source and mouth (where it meets the River Thames).
Hucka D.:
Can I see pictures of the house Karoz will be staying in?
bb:
Not quite yet. (pause) OK, just a peek, though…
bb (joking):
Did you make that peekhole down into the farmhouse, Hucka D.?
Hucka D.:
Karoz made it. It represent his own crack in the cosmic egg.
bb:
My theory is that the River Key is a calm base, an objective viewpoint, down into the heart of Wiltshire and its oddities from the north. Wiltshire is also Sharon. Alton Barnes is kind of Ladyslipper, New Ladyslipper to replace the old one now torn down (in Sharon).
Hucka D.:
Head on the nail, my buddy. That’s essentially what we are staring down into from our crack. Objective observers.
bb:
So Sharon, Wazob’s Sharon or future Sharon, has been split in two and de-energized, as it were, but replaced by Wiltshire in a larger scheme.
Hucka D.:
As, once again, it was written. Sunklands is now a stable point of contact with virtual reality for you. Baker Bloch is allowed to slip through this crack. Slipper Man. Men — Karoz is going with him.
bb:
I need to look at Tronesis again. MessiaenSphere, obviously, but also Tronesis.
Hucka D.:
I’ve never said anything differently.
bb:
So where do we start?
Hucka D.:
Establish yourself more firmly inside the River Key. 319. Last P in the Pod. P… Chrysoberyl, the New Sharon (in essence) once again. Baker Bloch must truly find out what and who he is at the crack before staring down into it further and then entering. Soon the crack will open wide. Wassup?
*****
“Hucka D, what is the relationship of Chilbolton and Crabwood to Wiltshire. Is it as I’m thinking? — that they lay to one side to augment a collective message eminating from the heart of Wiltshire? An interpretation, or “the further you get from Wiltshire but remain in its resonance the clearer the message.”? That’s why Crabwood was so strong and clear. Chilbolton, only 8 miles or so to the east…
Hucka D. (interrupting):
Same… never mind, go ahead…
bb:
Anyway, Chilbolton and Crabwood, only 8 or so miles apart, are clearly linked.
Hucka D.:
Wiltshire is Sunklands. It is many more things as well but it is Sunklands. Peer in from the outside, from the crack. Key is key… Lee.
Baker Bloch in England…
… crossing a bridge over the River Key…
… practice-rezzing a chair in the Battlelake Woods…
…. dreaming w/ his bird Birdie in a grassy field…
… petting cows…
… testing the depth of a pond on Coxhill Farm…
… feeling for rain at same…
Does Baker Bloch really think he and his extended family can live here?? YES!!!
Prep…
“Baker Bloch’s starting to clean up the farmhouse Hucka D. Sweeping and causing a lot of dust. But it’s a great location, he’s determined. Close to the railroad for day and night walking. Close to the Battlelake Forest… close to the Salts Hole where he can go back to Second Life if he wishes.”*
Hucka D.:
That window is closing. He must choose (!)
bb:
Should I keep renting the Huntsman cottage until a choice is made?**
Hucka D.:
Nah. Rent in your X-Ville again. Explore around Nowtown/Zen City once more. Sternberg as well. You must gear up for Carrcass-4. It is coming.
bb:
I’m reading up quite a lot on crop circles, especially as related to Wiltshire (County), Hucka D. This summer, I think Baker Bloch will do a considerable amount of camping in various spots around the heart of Crop Circle Country there.. around Alton Barnes, then.
Hucka D.:
Choose your hillocks and then go, yes.
bb:
I think you want to say Baker Bloch also can use a time machine to go back to the past and see former crop circles.
Hucka D.:
Yes. He can. That’s your next assignment (one of them).
bb:
How does Baker Bloch and family “magicalize” the River Key, Hucka D., if that’s what needs to be done?
Hucka D.:
He pours the water from the well into the river.
bb:
Hucka D., I’ve noticed a connection between a crop circle appearing next to a famous windmill in Warwickshire last year and symbols surrounding River Key and Baker Bloch’s move there. There’s actually a key that appeared in the same field as the enneagram-type crop circle.
I believe this stands for MessiaenSphere or, better, the same archetype behind MessiaenSphere and also Dark Side of the Rainbow/The Rainbow Sphere.
Hucka D.:
It is the relationship of 3 (equilateral triangle inscribed in a circle) and 4 (4 sails of the windmill the triangle is directly “pointing” to). “Where is the 4th?”
bb:
Hmmm… that discussion has also come up relative to Meeting Rock in Herman Park, as we’re calling it now.
Hucka D.:
The triangle is 2d by itself, although it implies a 4th (4th angle of the 3d object behind the triangle: the tetrahedron). 4-in-1. 4orrin1.
bb:
Even the location of the windmill, Chesterton, implies Oz since the primary US Oz festival takes place in Chesterton, Indiana, one of only 2 such named places in our country.***
Hucka D.:
*Your* country.
bb:
There is a hole in the Kansas side of Dark Side, Hucka D. 2 minute hole. 2:00… 200, like the number of motels in 200 Motels. 2 Turtles, now 2 Turtle Doves. So happy together. Kansas City Life is the thing that really makes the Kansas 1/2 of Dark Side of the Rainbow or Dark Side of Oz perfect… this overlap, I mean. The Oz 1/2 in contrast, remains imperfect… 200 or 200 seconds or 3:19, reduced from 3:20, is *The Key*. River Key, that is. That’s the same, symbolically, as the key in the crop circle field in Chesterton, Hucka D.
Hucka D.:
Yes. You better take aim for the bed.
bb:
Thank you.
Hucka D.:
Baker Bloch already needs a break from house cleaning duties. Send him to the heart of Crop Circle Land already… Alton Barnes. Give him some camping gear already… perhaps that free tent in his inventory. And Karoz, Baker Blinker, Wilsonia Foxclaw, and yes, me too, will move in soon enough. We are the Modern Munsters.
bb:
Yeah, I was thinking about that. Baker Bloch is kind of Herman Munster; Baker Blinker is Lily, obviously — even has the same complexion; you’re both Eddie Munster and Grandpa, queerly enough (maybe); Wilsonia Foxclaw is Marilyn Munster, and then Karoz is kind of the unknown factor who would probably be the equivalent to a brother for Herman Munster.
Hucka D.:
Yes, you are doing fine, baker b. You are splitting into Baker Bloch and Baker Blinker again in the real world. I am entering the real world again in my true, bee form. We will set up a home for our family once more, like we had in Azure Islands. Except better.
bb:
Will the avatars return to Second Life once they’ve transitioned?
Hucka D.:
As long as the Salts Hole is connected to a resonating portal in Second Life they all can return. You better study your collages on that place, then. And make new collages — keep on keeping on.
bb:
Thanks!
*****
* It’s also exactly 1 mile between the center of the farmhouse rectangle and Salts Hole, fwiw.
** The Huntsman cottage Baker Bloch found in roaming around the Mt. Jeogeot area about a week ago is directly linked to the Salts Well… more on that soon!? But I also think Hucka D. is implying here that other locations in Second Life can be linked to this well in a virtual reality-reality reality fusion of some kind.
*** More seemingly pertinent text from that article here:
The crop circle of July 9th at Chesterton Windmill is suggesting the numbers 3 and 7. Each side of the implied tetraheadron has 7 segments for example, and this shape leaves 3 equal segments in the circle. I also found the numbers were implied heavily when I tried to replicate it on paper (and I relearned a lot of basic mathematics while I was at it! 🙂 . Dividing the implied 3 dimensional shape into 14 (based on the tetrahedral number sequence) seems to account for the slight bend in one of the lines that is duplicated on all three sides, for example.
The numbers remind me of G.I. Gurdjieff’s ‘Law of Seven’ and ‘Law of Three’, the two main cosmic laws in his teaching. [(Fourth_Way)] These two laws are represented on the Enneagram [/Fourth_Way_Enneagram] and according to Gurdjieff, can describe most things from ‘any natural whole phenomenon, cosmos, and process in life or any other piece of knowledge’. The law of seven can relate to the material realm, and explains why ‘life’ never goes in a straight line. The law of three, on the other hand, relates more to psychological matters.
The interpretations of these ‘human’ constructs are pretty wide-ranging, as the ‘Enneagram Personality Type’ derived from the teaching shows. Something concrete that really sticks out from it though is the cyclic number 142857 [(number)].
1/7 = 0.142857 142857…
2/7 = 0.285714 285714…
3/7 = 0.428571 428571…
4/7 = 0.571428 571428…
5/7 = 0.714285 714285…
6/7 = 0.857142 857142…
Click on the wiki link to find out more about this utterly fascinating anomaly of a number! This crop circle, for myself, is suggesting a different kind of Enneagram, perhaps one that could actually be constructed in 3 dimensions.
Chris Thomson (Updated Thursday 16th July)
I was needed now…
“One thing I’m getting from Carrcass-2, Hucka D., is that Jacob is Quetzalcoatl.”
Hucka D.:
I can fly over the crop circles like a Lucy (Pringle) in the Sky with Diamonds and take precious snapshots. I can aid. They have already predicted my coming… this was in Carrcass-2 as well.
Plant-2:
Carrcass-2 is a book, then?
bb:
Hi Plant-2! No, Carrcass-2 is a small movie. About 45 minutes long. Carrcass-3 is also a small movie and about the same length. Both are based around the number 18, 1/2 of 36. But in other ways they’re very different. Twinned, but very different.
Plant-2:
The original Plant of Sunklands was involved in the Second.
bb:
That’s right Plant-2. He was involved in Carrcass-3, the twin.
Plant-2:
I am a different Plant, and one that grows and is then harvested. I can also be affected by other influences of a synchronicity design. The Plan. Plant…
bb (guessing the continuation):
Plant… Plan. Well, it’s nice to have you onboard here Plant-2.
Plant-2:
I was needed now… as spoken.
bb:
You know of Wiltshire and Alton Barnes, I’m taking it.
Plant-2:
Yes. Jacob is Quetzalcoatl?
bb:
That’s a working theory, demonstrated by Carrcass-2.
Hucka D.:
There is a continued division of energy, Plant-2. Carrcass-0 is composed of 37 tiles…
bb (interrupting):
Yes, tiles… thank you.
Hucka D. (continuing):
Yes, Carrcass-0 has 37 tiles or component — individual atoms, if one wishes, that cannot be divided further. Carrcass-1 also has 37 tiles, but is of a lesser nature because it acts alone instead of in tandem with another. Carrcass-0 — difficult to convey here — but Carrcass-0 is actually 2 in 1. It’s influence was widely felt at the beginning of the Baker Blinker Blog, but then faded as the year 2008 progressed, until at the end Carrcass-1 had formed and taken over. Carrcass-2 is from the summer of 2009, and Carrcass-3 is from just last November. Carrcass-4 is the next step in this progression. Baker b. is wondering: will it be a step up or another step down? I’ll insert this link later — or have baker b. do it, if he doesn’t mind — re the diagrams showing the 4 Carrcass’ we speak of.
Carrcass-1, 2, and 3 have formed within the confines of this blog, while Carrcass-0 formed just before — October and November of 2007. All of these are legitimate movies, as baker b. has indicated to you, Plant-2.
bb:
We are probably also going to explore how the Carrcass’ form like crop circles, Hucka D.
Hucka D.:
Yes. That will play a part. Big.
Plant-2:
I have another question. I am understanding that ESBUM stood before the beginning of the Baker Blinker Blog, but then appeared inside as well, as the avatar Esbum Michigan. She stole the 37th piece from the Temple of TILE in the summer of 2008, which then became known as the “Missing Piece”. 37 devolved into 36 — see, I have been reading your blog and studying up for my role here (!). I was missed as well.
bb:
We did miss you Plant. But now you’re back, at least as Plant-2.
Plant-2:
I am a tube. (pause)
bb:
Well. (pause) Hafta think about that more.
Plant-2:
Old songs in new tubes.
Hucka D.:
We better end. Thank you both.
Plant-2 wishes to know…
“Plant-2 wished to know more about the carrcasses, baker b.”
bb:
Thank you for starting Hucka D. OK… Carrcasses are only known as carrcasses within the scope of the Baker Blinker Blog here, Hucka D.
Hucka D.:
I know that… talk to him.
bb (seeing Plant-2 beside Hucka D. now):
Oh… hello Plant-2. How are you tonight?
Plant-2:
Hi. What are they called elsewhere?
bb:
I can’t say that because we are still in the scope of the blog, see.
Plant-2:
Oh. Can I see one?
bb:
Let’s not go there quite yet.
Hucka D.:
I will show him one later on on my magical RL-to-SL laptop.
Plant-2:
Thanks! I’d like to see the one with Plant-1.
bb:
That would be Carrcass-3, the last one, Plant-2. Hucka D.?
Hucka D.:
Sure. We can do that. Marty plays a large role in that as well. Plant and Marty make sandwiches together.
Plant-2:
Can you describe it here?
Hucka D.:
I’ll tell you a bit about it before the show.
Plant-2:
Can we go now? I only came here to ask about that and express my desire to see one.
Hucka D.:
OK, if it’s alright with you, baker b.
bb:
I suppose so. Don’t you want to stay and chat guys?
Hucka D.:
We’ll be back in around an hour. Chat to yourself in the meantime. You have a lot of thoughts in your head as usual.
Plant-2:
I apologize. I think we should stay Mr. Hucka D. The Bee. I can tell we are disappointing Master Baker.
Hucka D.:
(laughing) Huh! He’s not my master.
bb:
Not at all, Plant-2. And I’m not yours either.
Plant-2:
I call you that because of the carrcasses.
Hucka D. (to baker b.):
Maybe you should explain to Plant-2 that SID’s 1st Oz is also a carrcass. And Tronesis.
bb:
Do you know of Peter yet, Plant-2?
Plant-2:
I am vague on that subject.
bb:
Hmmm… are you aware — just curious — of Soybean Dean?
Plant-2:
I know that I am a plant or plants that can be harvested, and Soybean Dean is a plant as well and that both Plant-1 and I, Plant-2, have connections with this Master Dean. Mr. Dean, I mean. (blushes)
bb:
Interesting. (pause)
Hucka D. (after a pause):
That it, baker b.? We have to get Plant-2 initiated so that he can ask more questions on this BB Blog.
Plant-2:
What does BB stand for?
Hucka D.:
That’s “baker b.”…
bb (continuing the thought):
… but also Baker Bloch and Baker Blinker within, the two avatar sides of baker b., who is me of course. And Hucka D. makes 3. He is the 3rd.
Hucka D.:
Where is the 4th, then?
bb (ignoring Hucka D.):
Plant-2, are you the plants, collectively speaking, that crop circles are created from?
Plant-2:
YES.
bb:
Especially of Wiltshire County? Do you know that Baker Bloch is in that county now, setting up a new home for the extended Baker family?
Plant-2:
Yes I do. That’s why I’m here… a preparer.
bb:
Does he, then, know of you?
Hucka D.:
Baker Bloch is aware of this blog, so, yes, he’s aware of Plant-2 at least in that way. He seeks out Plant-2, or will. He also, as you’ve speculated, doesn’t understand yet that humans of England (or anywhere) can’t actually see him. He still hides from humans because of this. But it’s probably for the best anyway. By the way, Plant-2, I realize we should watch both Carrcass-2 and Carrcass-3 together. They are both 18 tiles and the same length essentially, but otherwise oh so different. Crop circles are in the first.
bb:
Very interesting Hucka D., and obviously Plant-2 should watch Carrcass-2 come to think of it. Plant-2?
Plant-2:
Um, yes?
bb:
Are you also aware of either or both the Crabwood crop circle formation or the Chilbolton crop circles? They have been mentioned a number of times in this blog already. The latter has been associated, through resonance of names, to Chilbo on the Jeogeot continent.
Plant-2:
I have heard of that town before. But you always shout the name: “Chilbo!” (shouting the name).
Hucka D.:
Then you hear the answer, bb.
Plant-2:
I’ll try again, then. “Chilbo!”
Feminine voice in distance:
“ton”.
Plant-2:
“Chilbo!”
Voice in distance:
“ton”
bb:
Who’s voice is that?
Hucka D.:
Mother Earth’s?
Plant-2:
It is a voice from Earth, true.
bb:
Fascinating. And a little spooky.
Hucka D.:
Yes, that’s not my doing.
bb:
But getting back to Chilbolton, then… you know of that place, then, Plant-2?
Plant-2:
Yes. Of course. But I had momentarily forgotten about “Chilbo!”
Voice in distance (replying quicker now, but softer):
“ton.”
bb:
Maybe you shouldn’t shout the name and just say “Chilbo”, softer now.
Hucka D.:
What about Crabwood, Plant-2?
Plant-2:
These are just beyond the jurisdiction of the Others. Thus I have to shout to get an answer. They are the caretakers.
bb:
Are you aware of Crabwoo? Without the ending “d”.
Plant-2:
No.
Hucka D.:
That’s merely an echo, in turn, of Chilbo.
Plant-2:
We, or I-as-we, see Crabwood through Chilbo. Chilbolton, I mean. We have to do it safely. Sunklands is… (pause)
bb:
Oh dear. Plant-2?
Hucka D.:
Gone for the night. I can answer: Sunklands is Wiltshire, as Sharon is Wiltshire as Sharon is Sunklands. Think of that. Three-in-one.
bb:
Was that what the meeting at Meeting Rock was all about, Hucka D.?
Hucka D.:
Go there… tomorrow. Good night.
bb:
Thanks to you both.
What I have and haven’t got, SL:
I just gave up the Timescape parcel on the Corsica continent. Was just not there enough to justify keeping. Never even furnished the house in any manner. Just didn’t develop, but no big deal. But after 1 month “living there” it’s gone.
I also gave up a small rental in the Huntsman sim the last couple of days.
I only have parcels on the Jeogeot continent. Thought I’d provide a picture of my small office in Chilbo, which has been a kind of stability point for me for quite a number of months now. Maybe since last September… hard to remember. Within is a map of the Jeogeot continent showing the relationship of Chilbo to Sunklands and also the Korean Channel, and then a big map of Sunklands itself with its 6 official sinks. There’s also a poster regarding the 10×10 collages and the Edwardston Station Gallery, along with a number of magazines (Sunklands Today, Toy Avatar Monthly) strewn around the place, as I like to do now.
Looking toward the heart of Chilbo from in front of my office. I have to visit more often (!).
“Chilbo!” has just come up in the blog in the last post, so I thought I’d take a picture of where that whole idea originated: on the many banners within the town limits.
Still have my 2 separate but still close 1024 parcels in Pudding Hill, in the center of Big Sink country. The lower of the two (both elevation and latitude) houses the Edwardston Station Gallery and also Sunklands Central, seen here beside a new commercial neighbor just over the border in Wetas. Haven’t met them yet… may never meet them. 🙂
And then I have my “home” base in Aotearoa still, where it’s basically been for 5 months now. I don’t own nearly as much land there as when I started renting in the sim, but I think it’s very adequate for my needs now, what with all the other non-SL projects I have coming up or going on presently. But all still relates to SL, and everything else actually. As Hucka D. encapsulated it, “Sunklands equals Sharon equals Wiltshire equals Sunklands…”
Baker Bloch in Honeystreet…
Baker Bloch in front of The Barge. “Are those UFOs up there?”
“We have so much…”
“We have so much to talk about and do that I don’t think I should… well, how are you then?”
Hucka D. (quoting):
“We have so much to talk about and do that I don’t…” great intro! (laughs). And hello.
Plant-2 (also laughing):
Hi baker Bloch.
bb:
Hi to you both. Well…
Hucka D.:
Baker Bloch biked the 13 miles from Coxhill Farm to Honeystreet — headline for the day. There he met… well, go ahead Plant The Second.
Plant-2:
He met me. Although he didn’t see me. I’m always there of course. Good to meet him.
bb:
Plant-2, are you somehow Karoz by chance?
Plant-2:
No, not really.
bb:
How did you meet?
Plant-2:
He was there and I was there. We talked internally. He talked to me in his head, baker b.
bb:
Interesting. Do you talk to a lot of people like that?
Plant-2:
Yes. I do. They are drawn to me and me to them. They have the shining.
bb:
Don’t most people have this ability?
Plant-2:
Not most. But most in Honeystreet do. It’s unusual, though.
bb:
Are the crop circles, at least the ones in Wiltshire — the non-faked ones I mean — a product of two minds blending together, terrestrial and extraterrestrial?
Plant-2:
I am not extraterrestrial, though. *They* are. I have been here longer. In the 19th Century, for example, many of these people who I talk to now were on different planets altogether. Most not, but some… You were here on Earth.
bb:
Do you know of my past existences, then, Plant-2?
Plant-2:
I talk inside your head. I can see past-present-future. I’m not a God or anything. But, yes, I can see your past. You were in the Civil War. You were a deserter. You ran back home to your mother. She hid you. Eventually you climbed out of your hole, but it took a while. Years. There were many deserters and some were eventually forgiven. But you never were able to truly return home after that. It was sad.
bb:
Hmmm… what about Hucka D.’s past?
Plant-2:
Hucka D.’s past is your past.
bb:
Are you aware of the imaginary town of Ladyslipper in Sharon?
Plant-2:
You are Slipper Men all. Shiny Slipper Men.
bb (taken aback a bit):
I think you are extraterrestrial.
Plant-2:
No. Terrestrial… more than yourself, although you’ve been here longer than some.
bb:
How long have I been here?
Plant-2:
Since Roman times. Not Greek but Roman. You came after Christ. You don’t like to live like a barbarian that much. You like civilization and its comforts. Yet you enjoy exploring out in the wilds from a comfortable home base. You like home. You came to England early on. Your primary lifetimes here are in England. The majority of them, I mean. You’ve only lived 3 or 4 times outside [the British Isles] while on Earth, twice in the United States, including this life. You like a linear progression but complexity within. You have seen through the veil of [untranslatable word] before, separating lives. You have, of course, been to Honeystreet before. I’m not sure if it was pleasant or not. Many experiences in England were not that pleasant, although not an inordinant amount for those times.
bb:
“Times” being the Dark Ages mostly.
Plant-2:
Yes. You survived through magic and witchcraft, as did Edna. That got you through it. But you were thought of as kooks more than once. Sweet kooks. You were never dark dark. You did what you had to to survive. And of course you both wrote. Plays, sometimes not so good plays for you. Books for Edna. You can find them if you wish.*
bb:
Music?
Plant-2:
You were [something that queerly sounded like Aotearoa].
bb:
And a jester, I’ve thought.
Plant-2:
Yes. Again, not so great a jester, but you use that talent in this life as well. Tony was better, as I see you also understand a bit, or *glean*.
bb:
I was never really good at anything.
Plant-2:
Not really. But it was all leading up to the carrcasses, which lead to other things in the future mostly, but which has roots in the past. Past-present-future [thing].
bb:
Did you and Hucka D. watch Carrcass-2 and 3 yet?
Plant-2:
Yes. Very interesting. Not you, though. Outside of you. That was the interesting part. Beyond you. You are channeling.
bb:
Of course. Where is this going, then?
Plant-2:
All those that shine in my vicinity are channelers. They normally channel crop circles through symbiosis. You are a bit different, at least for now. You channel carrcasses through symbiosis, I’m understanding now. Carrcasses are similar to crop circles in that they — future term — are [synchronicity art]. Beyond the self bound by Timescape. Your brother is not a shiner. That’s in the future for him. We of course all shine in the end, because we one are all. Shines and nonshines separate in the present, however. Yes, Spongebob is a good gatekeeper between the two, but you shouldn’t rub it in any longer. Two worlds, two separate things. That is written [already]. Don’t worry about it any longer, but don’t knock yourself for it. It was suppose to play out that way.
bb:
People hold back for a reason. Conservative… retention.
Plant-2:
Correct. That is a large subject[, though]. The role of two paths, one of rigidity and one of playfulness. I am just a collection of plants in southern England, a collective soul. But I am more because I am the Earth itself. I am more terrestrial than you by a thousand miles.
bb:
Where is “before Roman times” for me?
Plant-2:
Sirius. Another large subject. Full of Dark Magicians that one is. Shiners, sometimes inversions. Complications. Your talents come from there. You just play them out here. Music comes from there, writing more from here [which evolves from music anyway]. Stockhausen was another kook, but he did understand that. But you shouldn’t return there. Stay with the Earth. Carrcasses… roots. Future. A plant. Plants. Plant-2.
Hucka D.:
Jacob is Quetzalcoatl. Thanks to you both.
White Horse, The
http://www.goddesschess.com/whatsnew/RRjune2007.html
http://goddesschess.blogspot.com/2007/06/synchronicity-at-work-white-horse.html
http://arkinetia.com/articulos/art137.aspx
After a considerable amount of searching (I was thrown off by mention of the Uffington white horse in the above article), I was able to locate famed architect Ken Shuttleworth’s Crescent House near the somewhat lesser known *Cherhill* white horse instead, which is much closer to the Alton Barnes horse pictured above (and below!) with the crop circle. Like the pyramid shaped crop circle, the Crescent House points directly to a Wiltshire white horse hillside figure. I think there is a high likelihood that the two are synchily connected, if we assume that the crop circle is not hoaxed (it’s not).
I found both above images in a search for “wiltshire white horse”.
Amazingly (or not) I was able to take a picture of a hallucination in Baker Bloch’s mind while he stared at the Alton White Horse from the fields just outside The Barge in Honeystreet. From this I was quickly able to deduce that the Jonesborough related toy avatars would again appear on the pages of this blog very soon.
Baker Bloch said the eye of the horse stared back at him through the juxtaposed, shiny number. 😮
Getting sirius again, I think it might be important also to compare this formation with the one in Chesterton from 2009, already mentioned in a post from a couple of days ago. Both triangle based crop circles involved obviously point to a nearby, white colored object.
More complicated 2009 crop circle (amazing 3 part formation) occupying almost the same spot below the Alton White Horse and formed exactly 2 years later. More here from the Crop Circle Connector site.
Sunklands 