Daily Archives: March 18, 2013

Lis Interpretations/Associations 05

(continued from Lis Interpretations/Associations 04)


https://bakerbloch.wordpress.com/2013/03/04/alton-priors-alchemy-00/

altonpriorsplaque09o

“I think it’s going to be a wet and cold Spring. Already has been.”

“Lis 09… oh yes, a wet spring. Sorry. Thought you were ready to start.”

bb:

Now I am. What do you think of Falmouth Creek?

Hucka D.:

Your new Con Creek.

—–

bb:

So Hucka D., this was the weirdest collage yet up to this point. This and Lis 09 and maybe the Falmouth series as a whole. We have a background scene that comes not from a Brian R. Marshall photo this time, as have so many in Lis until now, but from a source we’ll leave unnamed for now.

Hucka D.:

Good idea. But it was the best source of pictures for the Alton Priors church, inside and out. Brian Roberts has not visited this church apparently, or hasn’t taken pictures.

bb:

I’ll let him know about that. And it’s Brian R. Marshall, once more.

—–

bb:

So we’re back 24 hours later. I (interruption)… this is a crucial collage, Hucka D. This is or *isn’t* my future roomie, in effect. Certainly there’s some psychic connection going on. But the basic gist of Lis 07 is a smaller picture that slots *perfectly* into a larger picture. And this is the collage that convinced me that I should go to Wilshire in the first place. And *every* time I start to write about it something *happens.*

Hucka D.:

*I* can talk about it. Hello and good morning baker b. Hope you’re feeling better soon.

bb:

Everything is irritating me today. I have a decision to make, a crucial one that involves me controlling an environment totally foreign to me. It’s like preparing for a *moon shot*.

Hucka D.:

What about a 3rd option? You go now. You just do what you can with what you have. You gather information. You get wet if needed. You make it to the second week. You hike Savernake Forest, which is where we really want you to get to, and then you will utterly know that you have to return. Then you can wait for 6 years.

bb:

It somehow hinges on this collage, Hucka D. Lis 07.

Hucka D.:

Why don’t you skip it and move to Lis 08. Here we return to Avebury, which you know now even more than ever is the center, the balance between all opposites. It’s really the navel of the entire world. But of course it’s broken as well. Perfect in past/present/future but broken in broken present. We have forgotten what it is. The crop circles, well, circle around it in all their glory and benignship. They are attempting to indicate what it actually is. Look at Falmouth again and what do you have? The answers to All Things. It’s not in Alton Priors that you’ll find ultimate answers but Avebury, but a currently hidden, perfect version. Maybe [delete name] can help you see that (Hucka D. points to the appropriate figure in the picture here). In Lis 08, we have the Jelly Fox crew in a field examining a crop circle. In a mirrored version of themselves, they look over and only see a huge mouth with eyes. That is their true creator. The creator wears them on his figures and speaks for them. But they have forgotten this and think they are independent. It’s both, actually. So that’s Noel Fielding in the distance, his mouth and eyes. And he *plays* with the Jelly Fox crew and makes them think they are independent from him. This is sort of like us and our God. Our British God, hehe. So here’s more Avebury conundrums to deal with. All Answers but All Hidden. You have to think like an *alchemist*. You have to admit your androgynous nature. We are all men and women through time.

https://bakerbloch.wordpress.com/2013/03/05/crop-circle-seekers/

llis11test03
Lis 08: “Cereal Characters”

You see, they *have* to face the face or they do not exist. They are like the light side of the moon, with no darkness because that means they do not exist. But they *do* have a dark side, an independent side. They are the moon and sun together. They are the 4 aspects of self. They are TILE. That’s what you saw when you viewed the Jelly Fox for the first time. You saw TILE. High low medium go. Isn’t that the name of a rock band as well?

bb:

I need to hike. I’m not having a good day. It’s cold. I’m spoiled by last year. I created the Frank and Herman, Einstein! blog to chronicle my explorations and musings about those parks. I can’t out into them. They have aliens in them as well now, probably benign aliens but it’s rather scary.

Hucka D.:

That was leading you to England. You can just stay here with the aliens and all on your Bill Mountain and not have explanations.

bb:

Okay so back to TILE… I’m trying to concentrate.

—–

bb:

I think I’ve driven… well, lost my train of thought.

—–

Hucka D.:

It is a huge power, this Avebury center. Can cause peace but also derision. 80 percent of all crop circles are forgeries. Perhaps true in its own way, but what of the *rest*? Isn’t this what everyone should be focused on? Set aside differences and focus on the truth behind the truth[ that there is a certain percentage of crop circles that obviously aren’t faked by human hands].

—–

Hucka D.:

Why do crop circles often *point* toward white horses such as Alton Barnes’ in Lis 08? Answer me that, baker b. Answer me that crop circle deriders. They are trying so hard to communicate in the ways they are permitted, or have permitted themselves. What is Avebury? That’s the question. What is Avebury??

bb:

The Red Lion *should* be the center for crop circledom. Yet The Barge has been installed in that role, safely tucked away in the countryside.

bb:

In Falmouth 02 now, the very bottom of the opened triangle in the Rockley rock shows the green top of the distant trees, just a bit. In Gila 05, the same triangle from an actual picture of the crop circle is entirely green. Little things, Hucka D., but hints all the same to perhaps be paid attention to. Bart Smipson is Amereca, who takes his sister’s arm instead of returning a hug. Lisa The Vegetarian is Britain beyond Bart, all grown up and mature and not like the Smipson males. She is Future Bart. Hayes in the background, with his own stolen arm, and perhaps *the same* stolen arm, is Amereca himself, who does such things to, for example, The Mighty Boosh which can air only on late night tv over here because of its truth, and also in truncated form. It has lost an arm in the translation as well. This is about that.

Hucka D.:

Don’t you think one of the newest additions to Falmouth, in Falmouth 04, is about the 4th and beyond iterations of the Koch crop circle? It is representative of a crop circle itself through the Furze Hill one showing a dimensional aspect — you’ve already connected that to Patrick Star’s rock home, eh?

http://www.timstouse.com/CropCircles/humancomponent.htm

image2

bb:

I would suppose it has to be.

Hucka D.:

It is the 4th level, and beyond. You have given up on Tin S. Man from your Kanada by introducing or telling him about your 4th level, inviting him to participate. Can he? No. He’s locked in to the *1st* level, which is the same as the 4th level true, but he hadn’t gone around the big circle like you to get back to it. He has never stepped beyond his *comfort zone*. He has not created a Frank and Herman, Einstein! blog. But without his limitations, without something to push off of, you may have never started the blog in the first place. You react to things in that way. You pushed off of the whole Golden Age of Synching in the same manner, even though that was level 2 collectively. And those that went into the fringes of level 3 at least, you reacted most harshly of all, because *they* thought they were doing something totally unique. This is the opinion of your Dave from the podcasts, the one that has recently created a great number of eye collages, and is also a huge Rush fan. You know what that is in connection with your own art, and the whole Cygnus X-1 [delete word]. Black hole, I meant to say there.

bb:

I think level 4 is in the black hole, Hucka D. I have a good number of things beginning to line up with that idea. (pause) So Falmouth 04 is about the elusive 4th level — Shark, a blue fish, is retreating back into the suit of R. Booger Hayes of the US of A leadership role. Lisa the Vegetarian now appears separate from Bart the Controller, the Ignorant. Baker Bloch is in his true role as a chichen attempting to cross the road. This is the Big Pond, not really Amy Pond but not really not her as well. The red haired being.

(continued in Lis Interpretations/Associations 06)

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“So…

… we continue with an analysis of Falmouth, making this a sort of Falmouth Interpretation/Analysis 03.”

Hucka D.:

But you haven’t finished your Lis interpretation/analysis. Maybe you should create that tomorrow.

bb:

Right I’ll do that. I feel quite a bit better now I’ve established another base on a local creek which I’m also calling Falmouth, after the collage series I maybe have just completed in rough draft form.

Hucka D.:

Is the base Falmouth or is the creek Falmouth, however?

bb:

Not sure just yet. But I have my bottles at this base, along with a metal circle. About 30 bottles altogether. Very exciting.

Hucka D.:

About the number of your Gilatona-Lis collages. Or is that Gilatona-Lis-Falmouth now?

bb:

Probably just Gilatona-Lis, with Falmouth a hidden series at the top.

Hucka D.:

The 4th, yeah. We had bets about whether you’d reach that level this time.

bb:

Did you win any money off of me, Hucka D.

Hucka D.:

No… lost. Hehe.

bb:

Thanks for believing in me!

Hucka D.:

We’ll, it’s always a gamble. We’ve provided you with so much time. That’s not coming to an end, but it’s not at the beginning, either. You better get to Falmouth 01 again. As I understand you’ve figured out that the Man/Woman in the picture is the same as the man/woman in the Lis series, which we first see in Lis 02 in female form, then Lis 03 in both female and male form, walking together, and then in male form in Lis 03 04 where he meets Meet Shake, er, Meat Shake. Sorry… forgot you can’t see how I spell that. Meating Meet Shake.

bb:

Yeah. But now that’s Cygnus X-1… that’s what we figured out.

Hucka D.:

Yes, that’s another bet I lost. That you would find that connection.

bb:

Hucka D., I think you bet on me all these times you mention. How could you not?

Hucka D.:

Again, the time thing. Back to Lis, we have in Lis 05 the reappearance of man/woman as a woman, lying on the grass. This time she cannot walk, like Christina in Andrew Wythe’s most famous painting of the same name. This is in contrast to her female form in Lis 01, who is standing next to a gravestone and can obviously walk as well. In Lis 06 Lis 07 Lis 08 Lis 09, we do not have the woman or man clearly, but in Falmouth 01, there she is again in Christina form, and with the Man/Woman of 12 Oz Mouse to reinforce the connection. And probably the central Red Lion woman character is this same person, which means she is probably the same as the resurrected man of Lis 09, the ending collage of that series and the one that technically would come immediately before Falmouth 01 in Gilatona-Lis. Is that correct?

bb:

You know it is.

Hucka D.:

Pause.

bb:

The woman wears purple in Lis 01, then the man who is the same wears blue in Lis 02 where he is seen together with the purple clad woman, and then the blue man is seen alone in Lis 03 04, where he is doubled with a blue uniformed Paul McCartney — Marty. Then in Lis 05, the woman wears pink. So in Falmouth 01, the Man/Woman who is the same wears both blue and purple together. Pink is kind of a light purple here. So Man/Woman in Falmouth 01 wears the same two colors as the man and woman of Lis 02, to make this simpler. I’ll provide links later, but I’m looking at the 2 collages in 2 separate windows right now for comparison. It’s apt. The blue is a little lighter on the Lis 02 man than in Falmouth 01, and the purple is a little darker on the Lis 02 woman than the Man/Woman in Falmouth 01. Equals out, it seems.

Hucka D.:

But…

bb:

But the woman in Lis 04 is obviously staring at a Cygnus X-1 situation again, with the yellow McCoy representing an ordinary sun and the moon a swallowing black hole in this case. The swan in the background reinforces this, and it’s on a geograph line between squares SU061 and SU161. The Crammer is divided between the two, as Brian R. Marshall points out in his related picture captions — the 2 base photos of his I use and combine in Lis 05.

Hucka D.:

The insertion of Christina into Lis 05 is prime. As you might recall, I was initially opposed to this addition or change, coming, as it were, after the Lis series had been properly finished and sealed up and you had moved into Falmouth, or were about to. Christina’s addition lends itself… opens the door I mean to the Max Ernst influsion in Falmouth which is the wrong path to take. This would be additions from the painting “The Robing of the Bride”. The symbols are too sexual in that case, and against the grain of your style. You’ve pushed all that off to the left, as it were. Left it behind. Left behind. So eventually the Ernst material, borrowed directly from a famous artist’s painting just as Christina was, is left behind in turn, as you replace it with Man/Woman from Ozmo. This is the correct addition, and slots between the Red Lion woman and Christina who is also the Man/Woman perfectly. The Man/Woman pats the Red Lion woman which is herself on the shoulder to reassure. She is the center piece now. All emerge from the top or are perched on the top of that glass that contained the Croppie beer…

bb:

Her left eye, sorry right eye is the same as the swan with the eye in Lis 05, another smaller revision to that collage after Lis was seemingly over. And this obviously relates to a black hole, through the proven black hole of Cygnus X-1.

Hucka D.:

Soon crop circles will be proven in the same fashion. Croppies will be proven correct.

bb:

Christina seems to have learned how to walk again through the progression of Ozmo’s Man/Woman to her right, and then the tall, standing Red Lion woman to her right in turn. The right eye is the Cygnus X-1 black hole. The left eye is the Cygnus X-1 normal star, like our sun except whiter and larger. But a so-called normal sun still. The eye was found in the trapdoor more at the front of the Alton Priors church. Taking your lines again, most likely.

Hucka D.:

The eye was found in the trapdoor more at the Alton Prior church’s front door. Is there an echo in here? Oh, it’s only you. You and me. So the man in Lis 09 finds the eye in the trapdoor, which in our reality manifests as the eye in the sarsen stone actually underneath the trap door. All that revolves around this. The man finds the eye and it becomes the black hole star of Cygnus X-1. He now has two eyes. He can walk about again. He goes down to The Barge just down the path, the road, and orders a Croppie. Ummmm, good. Satisfying. Relaxing. Then he poses for your picture. He knows he’ll be in the collage because of that all seeing black hole eye, you see.

bb:

Maybe.

Hucka D.:

True. He realizes that The Barge is the same as the Red Lion pub over in Avebury[ several miles to the north], and that *that* could have been another crop circle watering hole discussion place. Another type of Croppie could be served there. But it was not to be. So the Red Lion woman/man decides to take action, and turns the Red lion pub into The Barge to teach it not a harsh lesson but a kind lesson. A gentle lesson. Christina turns her back on the collage — resulting collage. But in Latona 03 04, which timewise comes just before or after this, take your pick, the similarly clad Sound of Music children turn toward Mouse who is playing guitar in almost that same spot.

bb:

The theory goes that the Red Lion woman is the same as the red haired or wigged woman to the right here, actually present in the Red Lion parking lot at the time the Streetview cameras moved by to take their pictures for Google Earth. She’s also in the background of Latona 03 04. There we compared her to Amy Pond of the Dr. Who series, recently deceased in that series.

Hucka D.:

Spoilers, darling.

bb:

She was there at the Red Lion pub but she was there in The Barge. That’s one of the primary inspirations for the Falmouth series in the 1st place, this seeming impossibility. Does this red haired person just roam from Wiltshire pub to Wiltshire pub testing out the beers?

Hucka D. (flatly):

No.

bb:

She is the spirt of cropdom or cerealogy.

Hucka D.:

Yes.

bb:

She seems to emerge like a spirt from the glass formerly containing the Croppie beer. Which seems to be the same as the white car in the foreground.

Hucka D.:

R. Booger Hayes then rides atop that car in Falmouth 02. He’s on top of the white car, and Red Lion woman is on top of the white car. Smoking.

bb:

Should we end?

Hucka D.:

We should end.

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