Whitehead X-ing Notes 01

The Emerald (seemingly permanent green grass atop Little Whitehead Ridge) changed from Evergreen at some point.

—–

Thinking of carving an image into 4 Sticks’ Stick’s End, inspired by some pictures here:

http://www.flickr.com/photos/stixncanes/page2/

The area is directly related to the “4 Sticks” song by Led Zeppelin from their ZoSo or 4th album:

http://en.wikipedia.org/wiki/Four_Sticks

“4 Sticks” is also a track used in Carrcass-3.*

So the 4 parallel sticks in 4 Sticks can be directly related to drum sticks per the wikipedia article on the track.

Only US Sticks near Stiltz in PA. Both are on Lineboro topo map as well, and are alphabetically next to each other in the total list of 62 pop places of this map.

http://en.wikipedia.org/wiki/Stilts

Sticks and stilts are both lines. Lineboro on Mason-Dixon Line, hence name. This line is the same as the MD/PA border. Stiltz is on this same line. Whitehead X-ing’s 4 Sticks sticks or limbs are *lined* up in a horizontal row on the forest floor. Stilts in contrast are vertical when in use.

Playing drums w/ 4 sticks and walking long distances with stilts are both remarkable and improbable feats.

—–

NOTE: Create or xerox/copy Mythos map with Emerald Province and Edwardston, Green Turtle, Sealson, et al.

Copy same from “Notebook I”, with analysis. In that early or basically “first” notebook (1981), Sealston is assoc. with the number 2, and Edwardston with the following number of 3. 2 represents exteriorization from 1 (Confederation/Mythos), and elsewhere in the notebook connected with Earth’s moon as similar gravitational escape. Sealston in Whitehead X-ing terminology translated to Seal Stone, as Edwardston does to Edward Stone. 3 follows 2 as stabilization of exteriorization. Numbers 2 and 3 may transfer as well. Edwardston traditional 3rd largest city of Wazob, and on 3-4-5 golden triangle with Gillalex (4) and Calypso (5), fully transferring Confederation (Mythos) energy to Wazob, it seems.

—–

4 sticks of PA/MD straddling Mason-Dixon line:

2 lines (2 sticks each, seemingly), horizontal and vertical, are traditional sticks (on ground) and stilts (perpendicular to ground). But Sticks, PA is on vertical line here, indicating stilts, and Stiltz is on horizontal line with Lineboro, and on Mason-Dixon Line (very famous line, or archetypal line). Could represent off (stilts off, thus laying horizontally on ground) and on (stilts in use, thus perpendicular to ground).

Roller is the 4th element here and appears to stand for roller skates (or roller blades), another archaic means of transportation like stilts, but sans sticks in this case.

Mason is north (blue) as Dixon is south through Dixie (gray). Confusion of up/down/right/left(wrong) in our US of A, like during the Civil War.

Very interesting as well that Roller + population place comes up with 5 entries in GNIRPS (new name!), the one near Lineboro in the above map, and then one which instantly stood out among the other four, in a Mason & Dixon County also in Maryland (like Roller), but 1 whole longitude degree to the west. The primary name for this population place is Fairview Mills, also known as Fairview Roller Mills (and hence the appearance). Both are on almost the same latitude line as well. Very funny that Rockdale is by far the nearest village, and Fairview Mills itself is on Rockdale Creek. Indication: rock and roller or rollers, like certainly Led Zeppelin members were in their times. Also on the ZoSo album is the track “Rock and Roll”.

Now check *this* out (just found): “Rock and Roll” and “Four Sticks” are intimately tied together during the recording of ZoSo:

Led Zeppelin guitarist Jimmy Page has said that this song came to be written as a spontaneous jam session, whilst the band were trying (and failing) to finish the track “Four Sticks”.[1][2] Drummer John Bonham played the introduction to Little Richard’s “Keep a Knockin'” and Page added a guitar riff.[3] The tapes were rolling and fifteen minutes later the basis of the song was down.[4] Said Page:

We were recording another number [Four Sticks]; we’d just finished a take and John Bonham did the drum intro and we just followed on. I started doing pretty much half of that riff you hear on Rock n Roll and it was just so exciting that we thought, “let’s just work on this”. The riff and the sequence was really immediate to those 12-bar patterns that you had in those old rock songs like Little Richard, etc, and it was just so spur-of-the-moment the way that it just came together more or less out of nowhere.[2]

Do you sense the synch energy spread’n out??

*I* was having trouble nailing down an interpretation of Sticks/Stiltz/Lineboro/Roller, with Roller the last addition. I knew it somehow represented “4 Sticks”. Then in GNIRPing Roller, found the Fairview Mills “Roller” strongly assoc. with “Rock”, and made the link with Zep’s “Rock and Roll”. Then in googling “Rock and Roll” found the intimate connection with “4 Sticks” from the same album, which was likewise “interrupted” by “Rock” and “Roll” as it were. Make sense?

OH, and Rock and Roll/4 Sticks were released on same single as side a and b respectively. How peculiar!

—–

* Lyrics:

Oh baby it’s cryin’ time
Oh baby I got to fly.

Got to try to find a way
Got to try to get away

‘Cause you know I gotta get away from you babe.
Oh baby the river’s red oh baby in my head.
There’s a funny feelin’ goin’ on
I don’t think I can hold out long.

And when the owls cry in the night
Oh baby baby when the pines begin to cry
Baby baby baby how do you feel?
If the river runs dry, baby, how do you feel?

Craze, baby, the rainbow’s end, Mmm, baby, it’s just a den
For those who hide, who hide their love to depths of life
And ruin dreams that we all knew so, babe.

—–

** Sticks and stilts and rollers!