Monthly Archives: February 2014

“Thanks for showing up tonight, Hucka D.”

Hucka D.:

My pleasure. I hope you’re having a pleasant evening. It’s a little cool where I am.

bb:

I’m taking the bait. Where are you?

Hucka D.:

Heaven.

bb:

Dead?

Hucka D.:

Just visiting. So you understand you have to move.

bb:

Maybe.

Hucka D.:

It will not be as bad as you think.

bb:

I don’t see how it couldn’t.

Hucka D.:

I’d like to talk about the recent collage[, then]. Collages. What is this new series?

bb:

I don’t know, Hucka D. But I don’t think it’s finished.

Hucka D.:

Bill Mountain is what it is about. Go into Second Lyfe and have a look.

—–

bb:

Opening.

—–

Hucka D.:

Let’s look at, let’s see, well let’s start with Collage 1.

You know this is a melding or assimilation of The Shining into something beyond. You have gone beyond Shining research now. 6 parts it is. “6 Weeks of Shining”.

bb:

Yes, it’s an interesting document. Will be.

Hucka D.:

This is beyond the 6 weeks — the whole collage series is. Shining energy is trapped within Pepper[ album cover]. Jack is Paul. Ring Woman is Ringo. Let’s move to collage 02. We have Bullrocks here, not your Bullrocks but, yes, still your Bullrocks. The resurrected bull, now protected in a jar, steps on the old, shattered bull. Beside the shattered bull is the similarly positioned Mr. Bean, here Mr. Beam, then. Something crashed in those woods.

bb:

Get out of here.

Hucka D.:

Truth. An accident. Devizes were left behind to protect. But that’s what you have. You have something beamed down. I speculate a crash.

bb:

But it could just be something beamed down. At Bull Rocks?

Hucka D.:

Yes. “What will it be?”

bb:

In the 3rd collage we have Wendy’s can of peaches turning into the Devil’s Tower of Close Encounters. She is turning it into a Flattop. This is Bill Mountain, again, then, because we know it is a place of contact as well. Hearing in this case. Jack and doppleganger Wendy and friends sit around, staring. Coburn shakes hands with Wendy? No. He holds hands with the woman below Shelly Duval, who played Wendy in The Shining. Later we…

Hucka D.:

Later we will learn that this is a handshake with the mountain itself, and the *stars*. A particular star. Starr… star. But here, for now, it’s not quite clear what’s happening.

bb:

Then collage 4, a pretty simple 4 part animation. Similar to the Bull’s 4 part collage of the previous Story Room animation, but simpler. We only have a plane in the topography, heading toward an alternating Paul-George and Ringo-John pairing off the Abbey Road album. The plane is heading toward VW Beetles. It heading toward The Beatles as a whole. It is heading ultimately toward John. It is the bullet that kills him. The two Beetle cars are from the Shining — yellow, and Abbey Road — white.

Hucka D.:

Let’s move on, still. Next we have phase 2 of the new collage series, starting with this one.

Similar to the first collage in that we have a Sgt. Pepper cover dominating the background. Here we do not appear to have any Shining people subbing for Pepper figures, however. There’s one link — the 3rd eye of the man who replaces Burroughs is still present, illuminated on the bottom of the red, floating figure at the top. That’s one of the Story Room band again, and we also have the yellow and blue members in the collage, although all without their geometric heads. The yellow figure’s head is instead replaced with that of Charlie Brown. Although really not planned, the curl of his hair represents the 3rd eye again, like we have in the golden statue near his feet, and like we have with Jung above him, although Jung is blocked by the red being here. Charlie Brown is illumination itself. He is perhaps also Jung himself. Synchronicity. The Good Grief reference is Charlie Brownian as well, but original comes from a small village of that name in Idaho I stumbled across just before this. The town points to this collage.

bb:

You’re saying to me the town takes its name from this collage?

Hucka D.:

Yes. The collage came first in this case.

bb:

But, logically of course, it couldn’t have. It’s synchronicity.

Hucka D.:

Snoopy’s water bowl acts as a poor substitute for the red being’s spherical head. Deformed substitute might be a better way of putting it. The word “ear” is highlighted between the yellow being’s feet. Let’s move on. Next collage we have the return of Snoopy and the highlighting of his nose, once again. Jack returns but only his hand, which is cut. Wendy has just cut it with a knife to defend herself in The Shining movie. The red rock is dropped on the ice bank, perhaps blood, but perhaps just a way of communication. The rock…

Do you wish to stop?

bb:

Unsure, Hucka D.

Hucka D.:

Well, we’ve covered this collage in another post, and also the one following. Let’s shift to the last one of the series so far, the one we haven’t talked about. It’s actually related more to the first 4 collages, in that it combines elements from all of ’em.

From collage 1 we have the return of The Shining people as incorporated into Pepper. From collage 2 we have Mr. Bean or Beam, now atop a UFO. But he’s actually attached to the reverse of a bottom. He seems to spill out from the flat top of Devil’s Tower, also reversed. This is from collage 3, then. Also reappearing from collage 3 are all of the black and white figures, and then an additional one: Ringo Starr, who is shaking hands with James Coburn. Starr was edited out from the same figures in collage 3. Starr is a particular star. The et’s of Close Encounters are the Good Greys. Starr shakes hands with Coburn. Is Coburn Earth? Mr. Bean or Beam’s foot rests on his hair. The same foot rests on the leg of crashed Bullrocks in collage 2.

Starr and Coburn shake hands over the right eye of Ring Woman dressed as Ringo in Sgt Pepper. There are also 2 Jacks in the picture. The miniature head of Walking Paul, followed by Walking George, fills the eye of Jack, in turn subbing for Paul’s Pepper head. The flash to end collage 4 may instead be a star. Or maybe a crash, since a car is involved. The white beetle reappears here also. What is this?

I would like to begin to think about making the home page of the baker b. module site public. Both of my blogs, this one and the older Baker Blinker Blog, are public. The older internet sites are public.

Must think of what defines a module. Right now, from bottom to top, this is what I have:

1. Bark!

Proposed book of fiction by Them, featuring work from way back in the 80s and extending into the 90s. Still being keyed in. Projected date of publishing online — let’s say, Summer 2014. I think we, Them, can meet this goal.

2. Frank and Herman Einstein! (2012-)

The present blog, which is suppose to be focused on my adventures within and theories about twinned Frank and Herman Parks near my home. The idea is that this will be a lifetime project. When I retire, for example, I plan to camp in these parks on a regular basis. Art projects such as Billfork and Lion’s Roar will become more common. The mythology of central Whitehead Crossing will fill out more. But also in the Frank and Herman E! blog we have a continuation of Second Life adventures. Second Life was *the* focus of the earlier Baker Blinker Blog (2008-2012). However, the idea of switching from the Baker Blinker Blog to the current one is that the parks would become front and center, not Second Life. And I still think this is coming to fruition. But there’s more to this — I seem to be creating a lot of collages the last year or so, and then analyzing them. Many of these, if not most, have an England setting, particularly Wiltshire, which Edna and I also visited this past summer. So exciting! So it’s similar to the Baker Blinker Blog in this way as well… more similar than I thought it would be. And then recently I’ve been working on general US maps and The Shining.

What seems to be happening is that the blog is a great collecting point of ideas, with the central theme about these parks. But The Shining material, for example, makes a separate mini-blog in and of itself.

What’s the future of the blog? It will simply continue… may last the same amount as Baker Blinker Blog, or about 4 1/2 years. I’ve still got almost 3 years to go, then. But it may last longer.

3. Rainbow SID.

I’m just going down the list of current modules, and Rainbow SID is next. I believe the idea for this was to gather together various ideas about Dark Side of the Rainbow and Oz and Floyd in general I’ve generated down through the years now. For a while, I’ve been hoping to create a larger document delving into the intricacies of the related audiovisual synch SID’s 1st Oz. I’ve made several stabs already — The Oz/Floyd Paradox Interview (2003), Booker’s Interview (2007) included. Then in Sep 2012 I created the rainbowology site, inspired by another syncher who uncovered a clearly important *2nd* Dark Side of the Rainbow, starting at the 2nd 3rd lion roar of the movie. There’s also a 3rd and 4th 4th lion roar, as I knew long before this. But the 2nd 3rd lion roar produces a clear, full synch (DSOTR2) and not a resonance of another synch (i.e., Dark Side of the Rainbow or The Rainbow Sphere). But then I decided not to renew the rainbowology site a year later, as my contact with this person had degenerated, and there was no real collegial support for the idea. I wanted to roll SID’s 1st Oz into this project as well. The theory of tiling plays a key part.

What’s the future for this supposed module? I still want to make that more complete SID’s 1st Oz site, and perhaps an interview with Hucka D. is the answer. I think he would agree with me on this. I might even attempt to watch SID’s 1st Oz again tomorrow.

4. Britain, Britain, Britain!

Started off with “Baker Bloch in England”, a virtual journey by my primary Second Life avatar to Wiltshire, then a travelogue of Edna’s *real* trip to England and Wiltshire several months later, a larger affair. Then what I think I’ll do here is add her second travelogue of the most recent journey, plus my smaller contribution from this blog and then also the interpretation of the Gilatona Lis collages of early 2013, before the trip. Similar to “Baker Bloch in England”, the Gilatona Lis collage represent my trip to England before the actual trip, and which certainly guided me along the way.

Future? Well, this module will certainly keep expanding, and for now Edna plans to return in maybe 2 years and, for myself, I might have to last for 5 years. But I have collages to get me back there in the meantime. 🙂 Heck, we might even move over to Wiltshire for large chunks of time 10 years out. But for me it all started out with Baker Bloch and a “safe” journey.

“Baker Bloch in England” peeled off from my blog and made a separate work. Same for the Gilatona-Lis interpretations, add in the actual journal of my time in England this past summer. Wiltshire, in a way, is an ultimate goal, centered around Avebury and also Marlborough (and maybe even Devizes).

5. Baker Blinker Blog.

Kind of covered in discussion of the Frank and Herman Einstein! Blog above. Focus was on Second Life, and the blog goes hand in hand with my explorations and adventures there starting in 2008. Now I’ve shifted my focus away from that reality to other things (albeit with an important resurgence in July-Aug and then Nov. of last year!), ideally my beloved Frank and Herman Parks. But will we really stay in this area the remainder of our lives? Will we shift to England? Probably not, but that’s become another kind of distant viewing focus. It’s always in the back of my mind now.

Future? This blog is done and done. However, you could certainly extract more condensed stories from it, and there’s also a lot of Frank and Herman related stuff toward the end. It’s all printed out.

6. Art 10×10.

Future: This one is done, and represents my most successful and complete and comprehensive art project. I see the more recent Gilatona-Lis as an extension, expanding on certain ideas but not surpassing the core. All future art will build upon this 10×10. It has been housed in various ways in a number of Second Life galleries now, starting, when completed in 2009, with the original cube version of the Edwardston Station Gallery. The way it is displayed virtually makes for its own story, actually, and a lot of this is in the Baker Blinker Blog. The 10×10 is composed of 6 series, starting with Greenup in 2004 and ending with 2009’s Wheeler-Jasper. As I also mention below, I feel the Oblong series is the most complete, and a peak of the collage experience. Focus is on England Lake District images. All of these are digitally created, mainly in Microsoft Paint.

The creation of the Art 10×10 also parallels the peak years of audiovisual synching for me personally, or the years 2004-2008 or so. This is centered in 1Pink, which is contemporary with the likewise central Oblong series. Speaking of which…

7. Oblong SID.

A gathering spot from material from 2007 or so, including a proposed blog on a 1Pink reclamation project that I won’t go into detail about, and also Booker’s interview re SID’s 1st Oz (also a part of the Rainbow SID module). Floydada is also here, and that’s a part of the Paradox module. So some redundancy here. Also we have the theories about the Oblong series, collected in Floydadada. The Oblong series and 1Pink perhaps represent my peak creative creations, so this may be important to keep and develop down the line. 49 was a good age.

8. Paradox.

Gathering point of documents mainly created between the Art 10×10 and Writing 10×10. The Oz/Floyd Paradox Interview is the most polished, and represents a good summary of my involvement with audiovisual synching, pre- Art 10×10 (or pre-Billfork), tracing a line from Dark Side of the Rainbow and parallel Rainbow Sphere to 2003’s SID’s 1st Oz. Paradox II was an attempt to further this into explaining synchs beyond SID, which was a “failure” and “degenerated” instead into high fiction. A very interesting failure nonetheless, and something worth preserving in its own right. So this is yet another work I need to revisit and refine. Floydada is another, much looser organized document of the time, and should be viewed as a supplement to the others. Edna’s Queer Eye stories completes the set.

9. Writing 10×10.

The original 10×10, predating the more cohesive and “successful” Art 10×10. The Booker T. Archive represents the 1st 3 tiers of 10, followed by Jordan’s Rule, which will actually be incorporated into Bark! now (see top module above). Material from Islands may also be incorporated into Bark! or perhaps even into the map work (see below). The 7th tier represents the beginning of my modern involvement with the Frank and Herman Parks, later refined in the blogs. But a lot of the Writing 10×10 will probably not carry down in time in that form.

10. Older Internet Sites.

Originating in the late 90s and early 00s, these are all audiovisual synchronicity related. Booker T. Archive comes from here (1998-2000).

11. Maps.

A very large subject in and of itself. Subsequently called UmapS, and perhaps now rolled into the umbrella term of GNIRPS, and related to Frank and Herman Parks through Lisa the Vegetarian. I’ve been working on this project since about 1986, and it represents my first major synchronicity probing, pre-dating the later audiovisual synching stuff started in 1997. In 2004, concurrent with Billfork and a similar shift up for a/v synching, GNIRPS transformed into an up and down coverage of the US, starting on both the east and west coasts and ending up in Arkansas (some say Missouri). A battle between baker b. and Pierre for control of this center tile is still being fought. Hucka D. has stated many times to me, baker b., that the end focus should remain on Arkansas, and this is what Lisa the V. wishes as well. But Pierre has his allies. SID’s 1st Oz, as explained somewhat in Booker’s 2007 interview on that particular subject, has been coded within Arkansas. Pierre champions the path of The Bill instead.

Future? GNIRPS is still being worked on through the blogs, almost on a daily basis now. All of it is still filling in. The Shining adds a new investigative angle.

12. Music.

Not any music composed since the late 90s, but this was my *original* creative focus, along with maps. Much music created in years 1968-1985. None really recorded in permanent form yet.

Future? I may return to music sometime, through a combo of CHRO (system), improvisation, and intuitive composition.

Florida.

Mary Baker Eddy.

http://en.wikipedia.org/wiki/Mary_Baker_Eddy

Theory: Florida, an extremity, was given to Baker as a reward for solving the puzzle. Frank and Herman Parks clues within — a new puzzle. The Final Puzzle. Norum. Greenhead. Red Head. Whitehead. Orange Hill.

Pierre’s influence is left behind, at least temporarily, as we round the turn and start heading north again. Florida.

http://boards.adultswim.com/t5/12-Oz-Mouse/bd-p/mouse