Daily Archives: April 10, 2014

Part 01:

Part 02:

Part 03: Coming soon.

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“Peanut seems to have found a body covered in a red sheet, Hucka D. The same body that appears floating off the edge of the Little Whitehead rocks of Maine in an earlier collage. We’re up to Falmouth 61, which I would have deemed impossible as short as a couple of weeks ago. Is **this** it?

Hucka D.:

No. Check more Whitehead Crossing photos. Why does it always end up at 12 Oz Mouse? Well… the carrcasses.

bb:

Thanks, Hucka D. Mouse looks on with his corndog. Does he know the story of the body? This takes place at the entrance to Mammoth Cave, which is the same as the entrance to the old bee hive — *your* old bee hive, Hucka D. So you should know all about this.

Hucka D.:

Yes, I do. But I can’t say much except what’s before you.

bb:

Meaning what’s in the collage.

Hucka D.:

Yes.

—–

bb:

So is *this* a carrcass?

Hucka D.:

Yes.

bb:

Is it a carrcass that has already been completed?

Hucka D.:

It’s already done.

bb:

Then Carrcass-1, Carrcass-6.

Hucka D.:

Both of those. And more.

—–

bb:

So in part 2, he’s in the very center of the collage length-wise, crossing from winter or early spring into summer, kind of like Dorothy entering color laden Oz from sepia toned Kansas.

Hucka D.:

Exactly like that (!)

bb:

Is he high?

Hucka D.:

What a question[ to be asking], given that this is Peanut we’re talking about.

bb:

Of course.

Hucka D.:

Rhoda… you go.

bb:

Rhoda appears to be peering through a telescope-like branch at the ground. Getting small?

Hucka D.:

Yes. And seeing Jupiter and its moons. Branch — telescope, yes.

bb:

So it’s Issac Newton’s telescope. Sorry — Galileo’s. The one he used to first peer at the Jupiter disk and the 4 primary moons.

Hucka D.:

Yes.

bb:

He switches from black and white to color, like The Beatles did between Revolver and Sgt. Pepper. About the time of the double single Strawberry Fields/Penny Lane.

Hucka D.:

Right.

bb:

An “X” appears on the ground. 2 crossed corndogs, one sepia toned and one yellow or in color, since — that’s the corndog’s natural color.

Hucka D.:

Correct. Okay.

bb:

Peanut is situated between two pots which are actually the same pot, reinforcing a drug reference or pointing it out in the first place.

Hucka D.:

You better be careful of that transition. Sepia to color. Follow Peanut.

bb:

Peanut hides behind that small tree, which is both b&w and color at once.

Hucka D.:

Best to stay hidden.

bb:

And Skillet, Mouse’s closest friend, below him. Checking out, perhaps, the crossed dogs. Whitehead Crossing?

Hucka D.:

Yes. Future.

bb:

Getting high, like the balloon man is going higher and floating away from the cave mouth.

Hucka D.:

“Everybody’s Scared” is about the same cave[ perhaps]. The cave of R. Booger Hayes.

bb:

Getting back to part 1 here, Mouse is yellow and green, a contrast to the red and blue body lying within the cave. Peanut is positioned between the 2. Peanut… you go? I’ll go. Peanut has been in a lot of Falmouth collages now, but has never appeared up until now with his more natural police hat. Wearing it makes him a policeman, like wearing a fireman’s hat makes him a fireman. But in both sections of “Peanut’s Big Adventure” so far, he’s the policeman. Contrast this to, let’s see… (checking) Well, it doesn’t have a name but it’s where Peanut as fireman meets the cardboard Peanut in the middle of the Stonethwaite street. At the same time, his [Texaco] star is reinforced by Ringo Starr, and also Shelly Duvall wears the same fireman’s hat beside Ringo. It’s filled with darts. That is, Peanut is drugged at the time, and the same with Shelly, perhaps. Let me pull up the collage…

Peanut then reappears in “Coverup” in cardboard cube form, sans any type of cap or helmet. He’s just Peanut there, not fireman or policeman, then.

Hucka D.:

But he’s also not Peanut. He’s [just as much] the Big E or Big Schaw beside him, conversing with it, perhaps, like he conversed with real (fireman version) Peanut in Stonethwaite, now far below on this mountain but still viewable [beneath second “E” of this collage].

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“Why would Kubrick attempt to cover what they’re saying up?”

(to be continued?)

Collage of Mammoth Cave entrance with what Hucka D. is stating is the old entrance into his “Beeland” (correct name pending). Not sure if this is the base for a new Falmouth collage or not. But it’s a match! Two melding photos appear below. I “merely” reduced the Mammoth Cave photograph down to 33 percent of its original size. reversed it horizontally, and then overlapped it with the latter in a logical manner. These are also successive photos (in successive posts) of the Baker Blinker Blog under a Whitehead Crossing subject heading. Meant to be together!