Collage 07 Analysis 02

(continued from)

“Just that close, Hucka D. The Ringling Bros. mansion and Newfoundland are only a couple of miles apart. Green Pond unites. Wee person Fin McBride was just a small 500 meter hike perhaps from the Midgetville we’ve been discussing when sitting with his friends at the house on this pond.”

And our friends are all on board
Many more of them live next door

But we must return to Collage 07. (pause) Hucka must have gone back to bed. So let me put up the first and last animation in the 4 part collage and I’ll just go from there.

Sam Parr Model makes a return visit to the Red Umbrella collages, here in her lean-y version as seen in Sam Parr 08. There she had the head of a fox — Redd Foxx to be more precise.

Her dark “gun”, which I assume is some sort of scarf, is there [intwined in] an outline of Sam Parr Lake in Sam Parr State Park of Jasper County, Illinois. But in the new collage she is unmasked for who she is. I am not frightened.

—–

[10 minute pause to collect wits]

In the new collage, her head lies between 2 eyes from the same person, but from different time periods. This would be Winona Ryder. The right eye is from a 1991 Rolling Stone magazine cover with red headlines. The left eye is from a 1994 Rolling Stone cover with blue headlines. We do not yet know what is behind the head of Sam Parr here. But it has already been pictured on “Fathers” from the Embarras series: it’s a joined or third eye, created by overlapping the left eye of the 1991 cover with the right eye of the 1994 cover. This is synchronicity in itself. In “Fathers,” strolling Sherwood Anderson to the left, one of the “fathers” of the collage, wears this 3rd eye as a mask or a cover. Now we can say that this foreshadows the current collage, which is just as or probably more important in ways. And the same Midgetville house appears in the new collage, transferred from “Fathers” as well. And the 7 stone rock stacking also is transferred, along with the blue and red surrounding robots… and also Baker Bloch who stands apart, taking it all in. And Peter Gabriel appearing in the left window of the animation also has a source of sorts in “Fathers” through the row of presidents extending from Lincoln’s head down to the Midgetville house there. They all wear similar suits to Gabriel’s. He is All Presidents, Hucka D. might say here.

Now part of her is still covered up in the new collage. But it’s her legs and feet instead of her head. They are obscured by a crowd of hooded people who represent Little Whitehead — the negative aspect. They seem to be staring…

Baker B. appears in front of the group, waving. This is also a transposition from “Fathers”, where we still have the body of Baker B. but the head of Abraham Lincoln. Another Father in the picture like Sherwood Anderson. Like Homer Simpson in the background leaning against a house.

Kink Ray Davies appears to the left, opposite Baker B. and the Little Whitehead hooded group. Above him, in the window, appears Peter Gabriel, head down.

In the second part of the animation…

… Baker B. has move to the left side as he apparently continues to stroll across the front of the picture. He obscures Ray Davies now. Peter Gabriel, head down still, appears above. In the midst of the Little Whitehead group now extends that 7 stone stacking we mentioned before, with red and blue accompanying robots. Baker Bloch stands at the black shoed heel of Sam Parr Model. This is the Achilles heel reference again LINK. Heal and Heel should be associated.

In the 3rd part of Collage 07…

… we have the appearance of Winnie the Pooh holding his red umbrella to the right. I assume this is Baker B. again, having walked from the left side of the picture back to the right side. An educated guess. He stares down at a red and blue body we’ve also seen before in my collages. And the Little Whitehead group has disappeared now. We can also assume this reclining red and blue figure is the same as the group, with the link being the red and blue robots and the rock stacking between them. The red and blue figure is also created by the art group Little Whitehead. The group or gang have become one. Gang of Willard?

We can also say that the body has been “prepared”.

We have seen both Little Whitehead creations before in a Falmouth Collage called (checks) “Rescue Ship.”

“Rescue Ship”

We also have the same body in the more recent “Future Home” diptych, the collage created just prior to “Fathers”, actually. There the body seems to represent death itself, perhaps my own death in the future, when we move to Middletown and away from Blue Mountain. Or is it just the death of my existence in Blue Mountain? Anyway, that’s the past of the red-blue body. And Winnie the Pooh and his red umbrella actually lends itself to the name of the encompassing gallery, The Red Umbrella, that contains most of the collages we’ve been discussing minus one or two from the Falmouth collection. So let’s just move to the final part of Collage 07…

Here the 3rd eye of 1991/1994 Winona Ryder is exposed, as Sam Parr Model disappears from the picture. Or does she? Could she be the same as Dorothy, in her own white dress, that now hovers above and also obscured the red-blue body? And what of Winnie the Pooh, who has also disappeared along with his red umbrella? I think he has gone into the body (?).

In short, this is probably another Hierogamy moment, like with the earlier fusion of Baker Bloch and Baker Blinker in Collage 04. Peter Gabriel’s head is now up, and he’s staring directly at us. What does he know? Is his third eye opened? Ray Davies now appears on the other side of the small house’s front, looking toward Gabriel instead of being directly under him. Is this a point of objectivity now?

We perhaps have more questions than answers concerning this one. We better move to Collage 08. Stayed tuned!

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