Daily Archives: September 9, 2015

The Table 03

skilletz

“Certainly, like Don, 12 Oz Mouse, or Ozmo as we should probably call him, wishes he were drunk. Or drunker. “It felt good to be alone” — Peanut and Golden Joe leave the company of Ozmo and his real best bud Skillet. They are alone again in their dual oneness. “He decided to piss” — here we have Ozmo pausing to watch a bug burrow backwards into the sand. Then green liquid *shoots* up as he stares into the resulting hole. This is pissing *upwards* but green instead of yellow. Thus the concept Greenup (yellow down). This is from Ozmo (!)”

Carr.:

Corr. ect. er.

bb:

And it’s a natural place to pause and recue. Like Ozmo himself is pausing. Or Don, I mean. In the song.

Hucka D.:

I have to go to bed soon. How long will this last?

Carr.:

I have to go visit an ogre.

bb:

Point is, the song matches the stuff on the video *too closely*. Then the battle between the 4th Angle and Ozmo and Skillet is like the *lead* stares of the people at the party Don just left. Lead is like bullets — filled full of lead and so on.

Hucka D.:

I am being led to the bed. How about you Carrcassonnee?

Carr.:

Craaa-zy! (both leave)

—–

And then we are back at the beginning. The bluebird shows up but we do not know it is the bluebird yet. But then: beginning. Ozmo shows up at Shark’s office. Wants a job but then realizes he’s already hired. The job turns out to be the same as Maria von Trapp’s in The Sound of Music: tending to 7 rambunctious children who are also stand-ins for musical notes. (checking): Still alone. Don Mouse turns into Maria[ in 2008].

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Steins Revisited (2007)

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The Table 02

“We’re going pretty good tonight guys so let’s continue. Foreign One. That’s the one we need to speak about. Because it’s in the center…”

Hucka D.:

Of the platinum tiling. Not too young but not too old. You were.

bb:

Don’t start with me.

Carrcassonnee:

Me me me!

bb:

So the Giant Rat is in the center. On one side is Anne of Green Gables. On the other side is Dr. Zhivago. “A” and “Z”, Alpha and Omega. US and USSR. Kind of. And in the middle: Europe. Rat. Giant. Listening.

Hucka D.:

You’re not going to be able to figure this one out tonight. Foreign One is Carrcass+6. That’s, jees, 18 synchs ago (!).

bb:

But that was the big jump. Perhaps the biggest.

Carr.:

I was too young to remember. I was on Pluto still and Charon. Infant. You could ask my parents however. Pluto still. And Sharon.

bb:

What of 12 Oz Mouse Hucka D.? That seems to be the center or a center.

Hucka D.:

Indeed. But you have to tell me what you think.

bb:

I am 12 Oz Mouse.

Hucka D.:

Correct.

Carr.:

Corr. ect.

bb:

The seeds were planted long ago in Mythos history, or Myth Hist. The story of Osmos is the story of the final chapter of 12 Oz Mouse, or episode 21 TITLE. It’s obvious. It was all leading up to 12 Oz Mouse, which is in Carrcass-1.

Carr.:

And Carrcass-6! I Carr.

Hucka D.:

But what does that mean? Was 12 Oz Mouse, the series as a whole, designed by *you*?

Carr.:

Craaa-zy!

bb:

Yes I would agree Carrcassonnee. Unless it is correct. Look at the map synchs. Skillet, Mouse, Shark, Spider. But map synchs not directly connected with 12 Oz Mouse as much as Carrcass-1: mashups *themselves*. The map names are not what they seem. But Don plus Man in West Virginia is obvious. Mouse is Don, who woke up stepped outside near the beginning of Carrcass-1 and started to walk across the desert with Skillet, Peanut and Golden Joe. And this is to Don Aman by Slint. A man a plan a canal Panama. Obvious. And then Power and Don overlap in Ohio right next to West Virginia, as reflected in Idaho. Powerman — again. This is the song by The Kniks.

Hucka D.:

So you’re saying maps helped you identify the tiles of Carrcass-1. And other carrcasses. So what does Carrcass-1 say about 12 Oz Mouse that an aficionado [ of the show] wouldn’t already know?

bb:

We start not at the beginning but the end[ of the show] Chapter 21, the final chapter. Mouse is Don traveling the desert wastes until encountering the 4th Angle, who may be the same as the 4th Angel. In the synch we do not see her/him for very long. Instead we are taken back to when Mouse/Don’s enemies are eliminated by gunshots of Peanut. Don woke up again. He stares in the mirror. He is responsible… for the death of his friend.

Carr.:

Skillet.

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The Table 01

I have a co-worker whom I speak to in confidence sometimes now (like today). In my imagination tonight I tried to envision a situation where I told him about The Table, which is unrelated to the work I do with him and others at my job. Or is it? Yes it is I can hear Hucka D. saying in my ear (or is that Carrcassonnee still?). I don’t think this co-worker would understand the channeling I do on this blog. Might think me, well… possessed? Who are Carrcassonnee and Hucka D.? I diverge unsurprisingly. Back to The Table. How would I describe this? I have said that variants of famous rock stars can sit at this Table. They have a permanent seat actually. Who are the variants? They are members of famous bands who also have a successful solo career. But, more importantly, both the music of the band *and* the attached solo artist have been used in personal a/v synches — or carrcasses as I more often call them on my blogs. That’s how they become variants; how they’re defined in a large way. So who are they? We can start with The Beetles, Lemon and Marty. These are variants of John Lennon and Paul McCartney. Then we add in Little Robert Plant Variant, who was an important blog spirit during the latter part of the 2009’s, or the period between Carrcass-2 and Carrcass-3. Lemon and Marty show up at about the same time in the old Baker Blinker Blog. Now it’s probably not shocking to learn, for those who didn’t know already, that the compositions of these already established variants show up in Carrcass-3. So the Plant variant yacks and yacks on this blog for a good number of months and then he manifests inside the next carrcass that came up. And this spread out into Second Life synchronicities…

Little Robert Plant Variant has a story inside Second Life now, as do Lemon and Marty to a somewhat lesser degree. They converge in an area known as Sunklands, which was a new idea at the time (later 2009). Now that name has lent itself to the new site.

But back to my co-worker. So I would describe The Table as a handful of rock stars who have also had successful solo acts. Number Peter Gabriel among those, who is called Peter SoSo sometimes here. Number Ray Davies among them — he sometimes goes by Dr. Blood here, but is also known by other names like Day Ravies. The variant band becomes not The Kinks but the Kniks. And we’ve already mentioned The Beetles subbing for The Beatles. Led Zeppelin logically becomes Lead Zeppelin — another simple name change. This is to keep the Google machine from spotting me, an illegal artist of sorts after all, so easily. Who else? I think Chuck will become a variant in due time, and I might as well allot him a spot now. Chuck is one of the few variants who has actually pretend visited me in real life. We walked, for example, the Bunny Trail over in Frank Park together and talked about carrcasses and his music’s role in them. He knows what is going on basically. And then you can lump Roger Pine Ridge in here too. He pretend visited our home in the spring. Trouble was, there were 2 of him. Double the trouble. Where does this name Roger Pine Ridge come from? In reality he is called Roger Waters formerly of Pink Floyd, but he’s also Syd Barrett formerly of Pink Floyd. Both are variants for the same reasons: Waters’ music and Barrett’s music, both solo and group variety, have been used in carrcasses.

The Table is obviously not a physical one, although I’ve portrayed it as such at times. Why are the variants so important? What has this got to do with Sunklands?

Hucka D.:

When the Baker Blinker Blog started in 2008 and I was born, we were at[ Carrcass]-0. The beginning, the void beginning. Now we approach 12, but it’s taking longer than before. That’s because you’re getting older.

bb:

That’s not very nice Hucka D.

Carr.:

Older and wiser I would say. Elect *me* as primary blog spirit!

bb:

Thanks Carrcassonnee. You’re sweet.

Hucka D.:

I’m sweeter.

bb:

Well, you shouldn’t comment on a person’s age and then connect it with diminishing creativity.

Hucka D.:

What are your next steps? And: I’m sorry.

bb:

That’s okay.

Hucka D.:

You have your variants sitting around a Table. *The* Table. Have they had their say? What does Roger Pine Ridge have left to say?

bb:

Not a whole lot I don’t think. Radio Kaos is used in a positive carrcass way back in 2003. And then Pink Floyd has been used very sparingly since then as well. Barrett has 2 songs in Carrcass-5 and that’s it for him. There *may* be more work for them to do here.

Hucka D.:

But maybe not.

Carr.:

Not.

bb:

No.

Hucka D.:

And then Little Robert Plant. You’re thinking “Big Log” may be used. And that’s attached to Whitehead Crossing[‘s Big Log].

bb:

Yeah. So there’s something left in the tank there. And also Led Zeppelin I believe. Dyer Maker.

Carr.:

The Zeppelin Tube!

bb:

Yes I think so Carrcassonnee.

Hucka D.:

Just what *is* that? I know it is a MacGuffin.

—–

“When the rat speaks everyone will listen.”

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